DOCSLIB.ORG

Bookers Prize

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Bookers Prize List of Man Booker Prize Winners From 1969 to Till Date S.N. Year Name of Author Name of Country Book Title 2018 Anna Burns - Milkman 2017 George Saunders USA Lincoln in the Bardo – Novel 2016 Paul Beatty USA The Sellout – Comic Novel 2015 Marlon James Jamaica A Brief History of Seven Killings- Novel 2014 Richard Flanagan Australia The Narrow Road to the Deep North-Historical Novel 2013 Eleanor Catton Canada, (Born-New Zealand) The Luminaries-Historical Novel 2012 Hilary Mantel United Kingdom Bring Up the Bodies- Historical Novel 2011 Julian Barnes United Kingdom The Sense of an Ending- Novel 2010 Howard Jacobson United Kingdom The Finkler Question- Comic Novel 2009 Hilary Mantel United Kingdom Wolf Hall-Historical Novel 2008 Aravind Adiga India The White Tiger-Novel 2007 Anne Enright Ireland The Gathering-Novel 2006 Kiran Desai India The Inheritance of Loss-Novel 2005 John Banville Ireland The Sea-Novel 2004 Alan Hollinghurst United Kingdom The Line of Beauty- Historical Novel 2003 DBC Pierre Australia Vernon God Little-Black comedy 2002 Yann Martel Canada Life of Pi-Fantasy and adventure Novel 2001 Peter Carey Australia True History of the Kelly Gang- Historical Novel 2000 Margaret Atwood Canada The Blind Assassin-Historical Novel 1999 J. M. Coetzee South Africa Disgrace-Novel 1998 Ian McEwan United Kingdom Amsterdam-Novel 1997 Arundhati Roy India The God of Small Things-Novel 1996 Graham Swift United Kingdom Last Orders-Novel 1995 Pat Barker United Kingdom The Ghost Road-War Novel 1994 James Kelman United Kingdom How Late It Was, How Late-Stream of consciousness 1993 Roddy Doyle Ireland Paddy Clarke Ha Ha Ha-Novel 1992 Michael Ondaatje Canada The English Patient- Historiographic metafiction 1992 Barry Unsworth United Kingdom Sacred Hunger-Historical Novel 1991 Ben Okri Nigeria The Famished Road-Magic realism 1990 A. S. Byatt United Kingdom Possession-Historical Novel 1989 Kazuo Ishiguro United Kingdom The Remains of the Day- Historical Novel 1988 Peter Carey Australia Oscar and Lucinda-Historical Novel 1987 Penelope Lively United Kingdom Moon Tiger-Novel 1986 Kingsley Amis United Kingdom The Old Devils-Comic Novel 1985 Keri Hulme New Zealand The Bone People-Mystery Novel 1984 Anita Brookner United Kingdom Hotel du Lac-Novel 1983 J. M. Coetzee South Africa Life and Times of Michael K- Novel South Africa 1982 Thomas Keneally Australia Schindler’s Ark-Biographical Novel 1981 Salman Rushdie United Kingdom Midnight’s Children- Magic realism 1980 William Golding United Kingdom Rites of Passage-Novel 1979 Penelope Fitzgerald United Kingdom Offshore-Novel 1978 Iris Murdoch Ireland (Born-United Kingdom) The Sea, the Sea-Philosophical Novel 1977 Paul Scott United Kingdom Staying On-Novel 1976 David Storey United Kingdom Saville-Novel 1975 Ruth Prawer Jhabvala United Kingdom (Born-Germany) Heat and Dust-Historical Novel 1974 Nadine Gordimer South Africa The Conservationist-Novel 1974 Stanley Middleton United Kingdom Holiday-Novel 1973 J. G. Farrell United Kingdom (Born-Ireland) The Siege of Krishnapur-Novel 1972 John Berger United Kingdom G.-Experimental Novel 1971 V. S. Naipaul United Kingdom (Born- Trinidad and Tobago) In a Free State-Short story 1970 J. G. Farrell United Kingdom ;(Born- Ireland) Troubles- Novel 1970 Bernice Rubens United Kingdom The Elected Member- Novel 1969 P. H. Newby United Kingdom Something to Answer For- Novel .
Load more

Recommended publications
  • Literary Awards 2018
    Baileys Women’s Prize for Fiction The Golden Man Booker Home Fire (winner) 2018 marked the 50th year of the Man Kamila Shamsie Booker Prize for fiction. Of all the winning Isma, Aneeka and Parvaiz are novels over the years, one from each decade siblings from an immigrant was nominated for the shortlist. family in the UK. After their In a Free State (1971) by V.S. Naipul mother’s death Isma looked Moon Tiger (1987) by Penelope Lively after her brother and sister. The English Patient (1992) by Michael Now free to pursue her own Ondaatje dreams she can’t stop worrying about her Wolf Hall (2009) by Hilary Mantel sister who she left behind, or her brother Lincoln in the Bardo (2017) by George who has fled to pursue the jihadist legacy of Saunders a father they never knew. st From the shortlist, readers voted The English Sing, Unburied, Sing (finalist) Patient as their favourite. Jesmyn Ward The English Patient (winner) This is a novel of how far the bonds of family Michael Ondaatje stretch, particularly when they are tested by 1 Four lives cross paths in an poverty, drugs and race. With Italian villa at the end of a loving but mostly absent the Second World War. A mother, Jojo is a 13 year old boy looking for a role model. 2018 nurse, a soldier and a thief are all troubled by the past While he finds one in his of the English patient, a grandfather where does his man who has been burnt father, about to be released Literary beyond recognition who from prison, fit in? lies in the upstairs bedroom.
    [Show full text]
  • Excellent Women
    EXCELLENT WOMEN: THE NOVELS OF BARBARA PYM AND ANITA BROOKNER Elizabeth Susanna van Aswegen B.A. (Bib!.), M.A. A thesis accepted by the Faculty of Arts, Potchefstroomse Universiteit vir Christelike Boer Onderwys, in fulfilment or the requirements for the degree of DOCTOR LITTERARUM Promoter: Prof. Annette L. Combrink, M.A., D.Litt., U.E.D. POTCHEFSTROOM April 198'l ACKNOWLEDGEMENTS I .wish to thank: my promoter, Professor Combrink, for her painstaking and valued guidance, as well as for her help and encouragement to this long-distance writer; the staff of the Ferdinand Postma Library and the Cape Technikon Library for their assistance; Cathy Coetzee and Brenda Bodde for their encouragement; Jenny Zinn for her impeccable typing; my daughter, Lisa, who faced the ordeal of a scrivening mother with patience and good nature. iii TABLE OF CONTimTS INTRODUCTION 2 A SURVEY OF CRITICISM: BARBARA PYM 11 2.1 Introduction 13 2.2 The early novels 14 2.3 The early published novels 16 2.4 Critical acclaim 20 2.5 "The novelist most touted by one's most literate friends" 23 2.6 Criticism: 1977 to date 26 2.6.1 Some Tame Gazelle 27 2.6.2 Excellent Women 29 2.6.3 Jane and Prudence 37 2.6.4 Less than Angels 40 2.6.5 A Class of Blessings 43 2.6.6 No Fond Return of Love 48 2.6. 7 An Unsuitable Attachment 54 2.6.8 Quartet in Autumn 61 2.6.9 The Sweet Dove Died 63 2.6.10 A Few Green Leaves 68 2.6.11 Crampton Hodnet 73 2.6.12 An Academic Question 79 2.
    [Show full text]
  • ENGL 6115 Syllabus SSII 2020
    English 6115 21st Century Global Anglophone Literature Virtual sessions on Google Meet, Wednesdays from 5:30-8:00 Instructor: Matt Franks Virtual Office Hours on Google Meet, Thursdays from 4-5 & by appt. Email: [email protected] Course Description: This class will focus on British, South Asian, African, and Caribbean literature from the past 20 years. We will engage in these texts through a transnational feminist framework focused on the afterlives of slavery and colonialism in the 21st century and ongoing resistance to gender, racial, and class domination. We will attempt to describe the current state of global literatures written in English, asking some of the following questions: how do contemporary writers and theorists respond to late 20th century global frameworks like postcolonialism, subaltern studies, and the black Atlantic? How has advanced globalization impacted formerly colonized sites as well as literary production itself? What problems does the term “Global Anglophone” itself elucidate and conceal? Required Texts: Zadie Smith, NW; Mohsin Hamid, Exit West; Aravind Adiga, The White Tiger; Chimamanda Ngozi Adichie, Half of a Yellow Sun; Bernardine Evaristo, Girl, Woman, Other; M. NourbeSe Philip, Zong!; Dionne Brand, A Map to the Door of No Return; Marlon James, Black Leopard, Red Wolf Learning Outcomes: Students will learn to… ® Demonstrate advanced mastery of content within the field of contemporary Global Anglophone literary studies by answering comprehensive discussion questions about specific writers, genres, texts, and theories within this period in class discussions. ® Demonstrate refined skills in scholarly writing by completing an extended research-based project. ® Demonstrate a facility in relating the facts and ideas of the discipline of English studies to the field of Global Anglophone literature and theory within the context of Western intellectual history.
    [Show full text]
  • The Inauthentic Portrayal of India in Aravind Adiga's the White Tiger
    THE INAUTHENTIC PORTRAYAL OF INDIA IN ARAVIND ADIGA’S THE WHITE TIGER DR. S. MURUGARAJAN Lt. S. NITHYA SGT, PUPS, Assistant Professor, Perumalkovil Pudur, Erode 638151 Karpagam Academy of Higher Education, (TN) INDIA Coimbatore. (TN) INDIA The White Tiger is the reflection of the mind of an Indian born outsider Aravind Adiga. It had won the Booker Prize for Literature in 2008 for its presentation of his ‘Real India’. But truly it is not. It is a cynical anthropology from an outsider. Adiga may be born in India but his novel exposes himself as an outsider. The Indian critics have commended him as an outsider because of his ideas and thoughts, which represented in his novel through the mouth of the protagonist Balram Halwai. Adiga’s The White Tiger is published in 2008 and the same year it had won the man of booker prize. That makes everyone to look at him. It is an attempt to reveal the inauthentic presentation of India by Aravind Adiga. INTRODUCTION The White Tiger is a debut novel, which describes India in a different point of view. Adiga gives a picture or tale of two India’s, the India of Darkness and Light, the India of Poverty. And this novel comes across an inauthentic portrait by real India, it is the comment given by the critics of India. Most of the foreign critics and others are praised Adiga for his presentation of India in a different angle. But the Indian Critics did not accept the views and presentation of such ideas. DR. S. MURUGARAJAN Lt.
    [Show full text]
  • Fragmentation and Vulnerability in Anne Enright´S the Green Road (2015): Collateral Casualties of the Celtic Tiger in Ireland
    International Journal of IJES English Studies UNIVERSITY OF MURCIA http://revistas.um.es/ijes Fragmentation and vulnerability in Anne Enright´s The Green Road (2015): Collateral casualties of the Celtic Tiger in Ireland MARIA AMOR BARROS-DEL RÍO* Universidad de Burgos (Spain) Received: 14/12/2016. Accepted: 26/05/2017. ABSTRACT This article explores the representation of family and individuals in Anne Enright's novel The Green Road (2015) by engaging with Bauman's sociological category of “liquid modernity” (2000). In The Green Road, Enright uses a recurrent topic, a family gathering, to observe the multiple forms in which particular experiences seem to have suffered a process of fragmentation during the Celtic Tiger period. A comprehensive analysis of the form and plot of the novel exposes the ideological contradictions inherent in the once hegemonic notion of Irish family and brings attention to the different forms of individual vulnerability, aging in particular, for which Celtic Tiger Ireland has no answer. KEYWORDS: Anne Enright, The Green Road, Ireland, contemporary fiction, Celtic Tiger, mobility, fragmentation, vulnerability, aging. 1. INTRODUCTION Ireland's central decades of the 20th century featured a nationalism characterized by self- sufficiency and a marked protectionist policy. This situation changed in the 1960s and 1970s when external cultural influences through the media, growing flows of migration and economic transformations initiated by the government, together with the weakening of the Welfare State, progressively transformed a rural new-born country into an international _____________________ *Address for correspondence: María Amor Barros-del Río. Departamento de Filología. Facultad de Humanidades y Comunicación. Paseo de los Comendadores s/n.
    [Show full text]
  • Bring up the Bodies
    BRING UP THE BODIES BY HILARY MANTEL ADAPTED FOR THE STAGE BY MIKE POULTON DRAMATISTS PLAY SERVICE INC. BRING UP THE BODIES Copyright © 2016, Mike Poulton and Tertius Enterprises Ltd Copyright © 2014, Mike Poulton and Tertius Enterprises Ltd Bring Up the Bodies Copyright © 2012, Tertius Enterprises Ltd All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of BRING UP THE BODIES is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation professional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, electronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval systems, photocopying, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for BRING UP THE BODIES are controlled exclusively by DRAMATISTS PLAY SERVICE, INC., 440 Park Avenue South, New York, NY 10016.
    [Show full text]
  • Sacred Hunger by Barry Unsworth (1993) - Not Even Past
    Sacred Hunger by Barry Unsworth (1993) - Not Even Past BOOKS FILMS & MEDIA THE PUBLIC HISTORIAN BLOG TEXAS OUR/STORIES STUDENTS ABOUT 15 MINUTE HISTORY "The past is never dead. It's not even past." William Faulkner NOT EVEN PAST Tweet 0 Like THE PUBLIC HISTORIAN Sacred Hunger by Barry Unsworth (1993) Making History: Houston’s “Spirit of the by Robert A. Olwell Confederacy” Sacred Hunger, a novel by Barry Unsworth (which was awarded the 1992 Booker Prize) is the story of a single ship and a single voyage. The novel begins in 1752, in Liverpool, England. The Royal African Company, a chartered corporation created in the mid- 17th-century with a monopoly on trade with the African coast, has just lost the last of its privileges, making the slave trade, for the first time, a “free trade” (all irony intended). Inspired by the promise of lucrative profits, a May 06, 2020 Liverpool merchant, William Kemp, commissions the construction of a ship to engage in the newly opened More from The Public Historian trade. Before the ship sets sail, Kemp engages his nephew, Matthew Paris, a disgraced apothecary, to serve as the ship’s surgeon. BOOKS In the scales of Kemp’s complacent morality, his good America for Americans: A History of deed in “saving” Paris, will be amply repaid in the Xenophobia in the United States by healthier and more valuable slaves that his ship will be Erika Lee (2019) able to sell once it reaches America. This fictional view closely mirrors that of Thomas Jefferson, who once wrote that masters who spared pregnant slave women from field labor were wise as well as kind, for “a child raised every 2 years is of more profit than the crop of the best laboring man.” To Jefferson, this happy equation revealed the hand of an enlightened creator in making “our interest and our duties coincide perfectly.” April 20, 2020 In the chapters that follow the ship’s arrival on the African coast, Unsworth vividly and accurately describes the painstaking and painful process by which a slave ship “made” a cargo in the mid-18th- More Books century.
    [Show full text]
  • MA Issues in Modern Culture Reading List 20-21.Pdf
    M.A. Issues in Modern Culture Reading List 2020–21 AUTHORS AUTUMN TERM 1. Gustave Flaubert Dr Scarlett Baron Gustave Flaubert, Madame Bovary [1857], trans. Margaret Mauldon (Oxford: Oxford University Press, 2008). Gustave Flaubert, ‘A Simple Heart’, in Three Tales [1877], trans. A.J. Krailsheimer (Oxford: Oxford University Press, 1991). Gustave Flaubert, Dictionary of Received Ideas [1913], in Bouvard and Pécuchet, with the Dictionary of Received Ideas, trans. A.J. Krailsheimer (Harmondsworth: Penguin, 1977). Further Reading: Gustave Flaubert, Selected Letters, trans. Geoffrey Wall (Harmondsworth: Penguin, 1997). Julian Barnes, Flaubert’s Parrot (London: Jonathan Cape, 1984) Jonathan Culler, Flaubert: The Uses of Uncertainty (London: Paul Elek, 1974). Stephen Heath, Flaubert: Madame Bovary (Cambridge: Cambridge University Press, 1992). Christopher Prendergast, The Order of Mimesis: Balzac, Stendhal, Nerval, Flaubert (Cambridge: Cambridge University Press, 1986). Francis Steegmuller, Flaubert in Egypt: A Sensibility on Tour [1972] (Harmondsworth: Penguin Classics, 1996). Geoffrey Wall, Flaubert: A Life (New York: Farrar, Straus and Giroux, 2001). Tim Unwin (ed.), The Cambridge Companion to Flaubert (Cambridge: Cambridge University Press, 2004). Jennifer Yee, The Colonial Comedy: Imperialism in the French Realist Novel (New York: Oxford University Press, 2016). 2. Henry James Professor Philip Horne Henry James, The Golden Bowl (1904), ed. Ruth Bernard Yeazell (Penguin Classics, 2009) This contains the ‘Preface’ to the (only very slightly different) New York Edition version of the novel (1909); the other Prefaces (collected in The Art of the Novel, ed. R.P. Blackmur, 1934; now U. of Chicago Press) Henry James, ‘The Lesson of Balzac’ (1905) Available at: https://archive.org/details/questionourspee01jamegoog/page/n9/mode/2up Secondary Reading: Nicola Bradbury, Henry James: The Later Novels (Oxford University Press, 1979).
    [Show full text]
  • The International in Ben Okri's ​The Famished Road Colleen
    Exploring the “Edge of Reality”: the International in Ben Okri’s The Famished Road ​ Colleen Maher Honors Thesis Spring 2019 Maher 1 Abstract Ben Okri’s The Famished Road (1993) follows Azaro, an abiku child, and his family ​ ​ ​ ​ through life in an impoverished neighborhood in what can be assumed to Lagos, Nigeria, just before the advent of Nigerian independence. Okri says “[A] true invasion takes place not when a society has been taken over by another society in terms of its infrastructure, but in terms of its mind and its dreams and its myths, and its perception of reality” (qtd. in Hawley 32). Okri, like many magical realists, ultimately uses his novel as a means of resistance to Western epistemologies. Okri’s novel is exemplary of a localized mode of magical realism, and Okri uses the license of magical realism to explore the interpenetration of the national and, especially, the international within the local. This thesis examines the ways in which centrifugal and centripetal movements within the text suggest the potential for neocolonialism, while at the same time speculating a liberated future. The thesis concludes with an acknowledgement of the paradoxes extent within The Famished Road. ​ ​ Maher 2 Chapter One: A Famished Road, a Full Tradition With heady, visceral details and dizzying jumps in setting, deeply human characters and bizarre spirits, Ben Okri’s The Famished Road is more than reality. Okri’s novel follows the life ​ ​ of a young boy nicknamed Azaro living with his mother and father in a harsh neighborhood which they call their “ghetto” (Okri 82).
    [Show full text]
  • Hollinghurst, Alan (B
    Hollinghurst, Alan (b. 1954) by Raymond-Jean Frontain Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2006 glbtq, Inc. Reprinted from http://www.glbtq.com Alan Hollinghurst. Photograph by Robert Alan Hollinghurst has been as warmly celebrated for his elegant prose style and subtle Taylor. representations of moral ambiguities, as he has been criticized by gay and straight Image courtesy readers alike for his frank representations of casual gay sex. In recent years he has Bloomsbury USA. emerged as the most important gay novelist in Great Britain since E. M. Forster. Hollinghurst extends the narrative tradition inaugurated by Christopher Isherwood and developed most significantly by Edmund White in which a character's gayness is simply a given in the novel, forcing the reader to adjust his or her expectations accordingly. Hollinghurst neither idealizes nor melodramatizes his characters' experiences, but dares to present the emotional complexities of everyday gay life in all of their mundanity. Hollinghurst possesses a sharp eye for social excesses and for the individual's propensity for self-delusion. His satiric impulse is tempered by a lyrical gift that renders many passages poems in prose. In Hollinghurst's novels, an exquisite aesthetic sensibility is conjoined with what Hollinghurst himself terms an acceptance of sex as "an essential thread running through everything . in a person's life." Were Marcel Proust or Ronald Firbank able to impose his style upon the subject matter of Jean Genet, the result would read like Hollinghurst's fiction. Biography Hollinghurst was born on May 26, 1954, into an economically comfortable, politically conservative household in Stroud, Gloucestershire.
    [Show full text]
  • Hilary Mantel Papers
    http://oac.cdlib.org/findaid/ark:/13030/c8gm8d1h No online items Hilary Mantel Papers Finding aid prepared by Natalie Russell, October 12, 2007 and Gayle Richardson, January 10, 2018. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org © October 2007 The Huntington Library. All rights reserved. Hilary Mantel Papers mssMN 1-3264 1 Overview of the Collection Title: Hilary Mantel Papers Dates (inclusive): 1980-2016 Collection Number: mssMN 1-3264 Creator: Mantel, Hilary, 1952-. Extent: 11,305 pieces; 132 boxes. Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org Abstract: The collection is comprised primarily of the manuscripts and correspondence of British novelist Hilary Mantel (1952-). Manuscripts include short stories, lectures, interviews, scripts, radio plays, articles and reviews, as well as various drafts and notes for Mantel's novels; also included: photographs, audio materials and ephemera. Language: English. Access Hilary Mantel’s diaries are sealed for her lifetime. The collection is open to qualified researchers by prior application through the Reader Services Department. For more information, contact Reader Services. Publication Rights The Huntington Library does not require that researchers request permission to quote from or publish images of this material, nor does it charge fees for such activities. The responsibility for identifying the copyright holder, if there is one, and obtaining necessary permissions rests with the researcher.
    [Show full text]
  • The Famished Road
    The Famished Road The Famished Road: Ben Okri’s Imaginary Homelands Edited by Vanessa Guignery The Famished Road: Ben Okri’s Imaginary Homelands, Edited by Vanessa Guignery This book first published 2013 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2013 by Vanessa Guignery and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-4534-5, ISBN (13): 978-1-4438-4534-2 TABLE OF CONTENTS Acknowledgements.....................................................................................................vii Introduction...................................................................................................................... 1 To See or not to See: Ben Okri’s The Famished Road Vanessa Guignery Chapter One ....................................................................................................................17 Ben Okri in Conversation Vanessa Guignery and Catherine Pesso-Miquel Chapter Two ...................................................................................................................30 Episodes and Passages: Spiralling Structure in Ben Okri’s The Famished Road Kerry-Jane Wallart Chapter Three
    [Show full text]