DOCSLIB.ORG

The Diary Of

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Diary Of KURT LANDISMAN (Lighting Designer) Local SARA SPARKS* (Stage Manager) has previously ABOUT CENTER REPERTORY COMPANY audiences will be familiar with his work through worked at Center REP as the Stage Manager for past productions designed for Center REP including Dancing Lessons and Shirley Valentine. She has Center REP is the resident, professional theatre Communicating Doors, Mamma Mia!, Disney's worked all around the Bay, including TheatreWorks, company of the Lesher Center for the Arts. Our Freaky Friday, Altar Boyz, Mirandolina, Deathtrap, California Shakespeare Theater, Shotgun Players, season consists of six productions a year – a variety CENTER REPERTORY COMPANY Life Could Be a Dream, Ella, the Musical, Sweet Aurora Theatre Company, 42nd Street Moon, San of musicals, dramas and comedies, both classic Michael Butler, Artistic Director Scott Denison, Managing Director Charity, and Xanadu. His designs have been seen Francisco Shakespeare Festival, San Jose Stage and contemporary, that continually strive to reach throughout the Bay Area at many theaters including Company, Pear Theatre, Palo Alto Players, Silicon new levels of artistic excellence and professional San Francisco Opera, ACT, Berkeley Rep, San Valley Shakespeare, Eugenie Chan Theater Projects standards. Jose Rep, Theatreworks, California Shakespeare and RE:ACT. She is also a lighting designer, recently Festival, The Magic Theatre, and Marin Theatre designing Uncanny Valley, Major Barbara, and Our mission is to celebrate the power of the human Company. Locally his work has garnered 19 Bay Uncle Vanya at Pear Theatre. imagination by producing emotionally engaging, Area Critics Circle Awards, 5 LA Dramalogue intellectually involving, and visually astonishing Awards and 5 Shellie Awards. Nationally, his work SCOTT DENISON (Managing Director) has been live theatre, and through Outreach and Education programs, to enrich and advance the cultural life of The Diary of has been seen at many regional opera & ballet the General Manager for the Lesher Center for the companies, including the Los Angeles Opera, Arts since it opened 28 years ago and has worked the communities we serve. Minnesota Opera, Virginia Opera, Tulsa Opera, for the Arts in this area for over 45 years. Scott What does it mean to be a producing theatre? and Ballet Arizona. His designs have also been has directed over 150 productions, including The We hire the finest professional directors, actors presented off-Broadway, represented at Circle Wizard of Oz, the musical hit Cinderella, Disney’s and designers to create our productions at Rep, and the Douglas Fairbanks Theatres. Other Beauty and the Beast, Hairspray, The Music Man, Center REP. These are not touring productions – designs internationally include world premieres Les Misérables and for the past 20 seasons Center they’re conceived and developed here, the sets of plays by Sam Shepard in Japan, and Singapore, REP’s A Christmas Carol as well as all Fantasy Forum and costumes are built in our shops, and the as well as the San Francisco Opera in Shanghai, productions since 1970. He created and produces actors rehearse in our rehearsal hall. Whether China, and the Moscow Circus in Tokyo, Japan. the annual Shellie Awards now celebrating 40 Anne Frank the production is a Bay Area premiere or a kurtlandisman.com years. Scott has also designed lights for over Shakespearean classic, each is devised to be a one By Frances Goodrich and Albert Hackett 250 productions, including the national touring of a kind, artistic creation that will be a unique TEDDY HULSKER (Sound & Projections Designer) is production of Sylvia. Under Denison’s guidance the theatre experience for our audience. Adapted by Wendy Kesselman a San Francisco Bay Area born and multidisciplinary Lesher Center for the Arts presents over 850 public theater artist and program director of the artist events each year. He coordinates performing arts What does it mean to be a professional theatre? ensemble Klanghaus. Specializing in Sound and activities with over 100 producers and producing It means that all our artists and artisans are Projection design, recent design credits include organizations. Scott created the Chevron Family career theatre-practitioners. Many of the actors You Mean to Do Me Harm at the San Francisco Theatre Festival which hosts over 7,000 guests in this production are members of Actors’ Equity Scenic Designer Costume Designer Lighting Designer Playhouse, Eureka Day at Aurora Theater, and each year. He is also the Managing Director of the Association; our directors and designers are In Case of Moon Disaster with Mugwumpin. He Center REPertory Company producing professional members of professional unions. All do theatre Nina Ball Jessie Amoroso Kurt Landisman received the Landisman Fellowship for Emerging productions each season and is the director and because it is their profession and their passion. Designer in 2012 and was awarded Best Sound co-founder of Fantasy Forum Actors Ensemble, Design in 2018 for his work on Warplay with theater an adult family performing arts company which We are very proud to have the opportunity to Sound & Projections Wig Designer Stage Manager company NCTC by the Bay Area Theater Critics presents programs for the young and Young at produce professional theatre for our community in Circle in 2018. His installations and performances Heart. the beautiful theatres here at the Lesher Center for Designer Lindsay Saier Sara Sparks* have been seen and heard in San Francisco, the Arts. Thank you for your support. Oakland, Berlin, New York, Detroit, and LA. Recent OUR SPONSORS original creations include the installation Spoken- Teddy Hulsker Barn Owl THANK YOU TO THE STAFF OF THE Word-Disco-Karaoke and the play which Chevron (Season Sponsor) has been the leading LESHER CENTER FOR THE ARTS was created in collaboration with playwright Evan corporate sponsor of Center REP and the Johnson. Lesher Center for the Arts for the past twelve Production Services Audience Services years. In fact, Chevron has been a partner of Coordinator Coordinator LINDSAY SAIER (Wig Designer) is delighted to be the LCA since the beginning, providing funding Toni Kilcoyne Courtney Egg Cast working with Center REP. She has traveled around for capital improvements, event sponsorships Technical Staff Ticket Office Staff the country playing with hair and makeup On and and more. Chevron generously supports every Steve Pino Jeremiah Vierling Monique Hafen Adams* Justin Hernandez Alison Quin Off Broadway, in educational and regional theatres, Center REP show throughout the season, and Alex Bull Rami Kim and commercial, film, and fashion. She re-located is the primary sponsor for events including Maria Campbell Robert Nolan back to the Bay Area 3 years ago, and is the Wig the Chevron Family Theatre Festival in July. Chris Currie Bailey Ferris Joe Ayers Domenique Lozano* Maya Michal Sherer Jacqualyn Metcalf Jennifer Haga Master for American Conservatory Theater(A.C.T. Chevron has proven itself not just as a generous Lexie Oswald Eli Humel SF). In her spare time she designs and creates supporter, but also a valued friend of the arts. Garrick Schuster Brandon Lawrence Michael Butler* Marcia Pizzo* Kevin Singer custom wigs, body, facial hair, and prosthetics. Find Josh Stouffer Shannon Taylor her on instagram @LSaier and LindsaySaier.com. Diablo Regional Arts Association (DRAA) Josh Yarnell Usher Coordinator (Season Partner) is both the primary fundraising Steve Young Pat Mitchell Michael Patrick Gaffney* Paul Plain Victor Talmadge* organization of the Lesher Center for the Arts (LCA) and the City of Walnut Creek’s appointed curator for the LCA’s audience outreach. DRAA’s role in Center REPertory Company the community is all about building partnerships Michael Butler Artistic Director Directed by Timothy Near with the focused goal of enhancing artistic Scott Denison Managing Director quality at the LCA and providing opportunities for Production Manager Education Directors everyone to enjoy the arts. Through partnerships Jeff Collister Jeff Draper with the LCA and its producers, individual donors, Technical Director Kerri Shawn THE VIDEOTAPING OR MAKING OF ELECTRONIC OR OTHER AUDIO AND/OR VISUAL RECORDINGS OF THIS PRODUCTION OR DISTRIBUTING corporate and foundation sponsors and the Joshua Lipps Int. Costume Manager City of Walnut Creek, DRAA plays a vital role in Master Electrician Michelle Kincaid RECORDINGS ON ANY MEDIUM, INCLUDING THE INTERNET, IS STRICTLY PROHIBITED, A VIOLATION OF THE AUTHOR'S RIGHTS AND advancing the arts for the betterment of the Del Medoff Wardrobe Supervisor ACTIONABLE UNDER UNITED STATES COPYRIGHT LAW. FOR MORE INFORMATION, PLEASE VISIT: WWW.SAMUELFRENCH.COM/WHITEPAPER community. Please visit us online at www.draa.org. Carpenters Kiara Montgomery Kevin Bennett 1st Hand/Draper Lesher Foundation (Foundation Sponsor) As the Trevor Frey Alea Gonzalez Arian Grimsrud Stichers Margaret Lesher Theatre namesake family for the Lesher Center for the Arts, Gabriel Johnson Michael A. Berg the Lesher Foundation has provided funding to Brennan Shreves Judy DeHont March 29 - April 28, 2019 Center REP and the Lesher Center since the Center Asst. Stage Manager Julia McLeod Lesher Center for the Arts opened in 1990. Their support has had a profound Joe Coe Linda Scotting impact on the quality of Center REP’s productions Deck Crew Stephanie Weldon Season Season Partner Foundation Sponsor and has greatly enhanced the experience for Justin Hernandez Dresser Center REP’s audiences. Grant-making
Load more

Recommended publications
  • Transgender Representation on American Narrative Television from 2004-2014
    TRANSJACKING TELEVISION: TRANSGENDER REPRESENTATION ON AMERICAN NARRATIVE TELEVISION FROM 2004-2014 A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Kelly K. Ryan May 2021 Examining Committee Members: Jan Fernback, Advisory Chair, Media and Communication Nancy Morris, Media and Communication Fabienne Darling-Wolf, Media and Communication Ron Becker, External Member, Miami University ABSTRACT This study considers the case of representation of transgender people and issues on American fictional television from 2004 to 2014, a period which represents a steady surge in transgender television characters relative to what came before, and prefigures a more recent burgeoning of transgender characters since 2014. The study thus positions the period of analysis as an historical period in the changing representation of transgender characters. A discourse analysis is employed that not only assesses the way that transgender characters have been represented, but contextualizes American fictional television depictions of transgender people within the broader sociopolitical landscape in which those depictions have emerged and which they likely inform. Television representations and the social milieu in which they are situated are considered as parallel, mutually informing discourses, including the ways in which those representations have been engaged discursively through reviews, news coverage and, in some cases, blogs. ii To Desmond, Oonagh and Eamonn For everything. And to my mother, Elaine Keisling, Who would have read the whole thing. iii ACKNOWLEDGMENTS Throughout the research and writing of this dissertation, I have received a great deal of support and assistance, and therefore offer many thanks. To my Dissertation Chair, Jan Fernback, whose feedback on my writing and continued support and encouragement were invaluable to the completion of this project.
    [Show full text]
  • June 1-3,2(>(>7
    Leonard A. Anderson M. Seth Reines Executive Director Artistic Director June 1-3,2(>(>7 nte Media -I1 I - I , ,, This program is partially supportec grant from the Illinois Arts Council. Named a Partner In Excellence by the Illinois Arts Council. IF IT'S GOT OUR NAME ON IT YOlU'VE GOT OUR WORD ON If. attachments that are tough enough for folks Ib you. And then we put wr gllarantee on m,m, In fact,we ofb the WustryS only 3-year warm&, Visit mgrHd.com. Book By James Goldman Music Lyrics by Stephen Sondheim Produced Originally on Broadway by Harold Prince By special arrangement with Cameron Mackintosh Directed & Staged by Tony Parise Assistant To The Directorr AEA Stage Manager Marie Jagger-Taylor* Tom Reynolds* Lighting Designer Musical Director Sound Designer Joe Spratt P. Jason Yarcho David J. Scobbie The Cast (In Order of Appearance) Dimitri Weismann .............................................................................................Guy S. Little Jr.* Roscoe....................................................................................................................... Tom Bunfill Phyllis Rogers Stone................................................................................... Colleen Zenk Pinter* Benjamin Stone....................................................................................................... Mark Pinter* Sally Durant Plumrner........................................................................................ a McNeely* Buddy Plummer........................................................................................................
    [Show full text]
  • Spring Preview Spring World Premiere Previewchildren’S Or Teens’ Show SAN FRANCISCO
    THEATRE BAY AREA 2016 spring preview spring World Premiere previewChildren’s or Teens’ Show SAN FRANCISCO 3Girls Theatre Company 3girlstheatre.org Thick House 1695 18th St. Z Below 470 Florida St. ` 2016 Salon Reading Series (By resident & associate playwrights) Thru 6/19 ` Low Hanging Fruit (By Robin Bradford) Z Below 7/8-30 ` 2016 New Works Festival Thick House David Naughton, Abby Haug & Lucas Coleman in 42nd Street Moon's production of 8/22-28 The Boys From Syracuse. Photo: David Allen 42nd Street Moon ` The Colored Museum American Conservatory Theater (By George C. Wolfe; dirs. Velina Brown, L. 42ndstreetmoon.org act-sf.org Peter Callender, Edris Cooper-Anifowoshe Geary Theater Eureka Theatre & Michael Gene Sullivan) 415 Geary St. 215 Jackson St. Thru 3/6 Strand Theater ` The Boys from Syracuse ` Antony and Cleopatra 1127 Market St. (By R. Rodgers, G. Abbott & L. Hart; dir. (By Shakespeare; dir. Jon Tracy) Greg MacKellan) 5/6-29 ` The Realistic Joneses 3/23-4/17 (By Will Eno; dir. Loretta Greco) Geary Theater ` The Most Happy Fella AlterTheater Ensemble 3/9-4/3 altertheater.org 4/27-5/15 ACT Costume Shop ` The Unfortunates (By Frank Loesser; dir. Cindy Goldfield) 1117 Market St. (By J. Beavers, K. Diaz, C. Hurt, I. Merrigan African-American Shakespeare & R.; dir. Shana Cooper) ` Vi [working title] Strand Theater Company (By Michelle Carter) Thru 4/10 african-americanshakes.org 6/2-19 Buriel Clay Theater 762 Fulton St. All information listed comes directly from publicity information supplied to Theatre Bay Area by the producing companies. Please contact companies or venues directly with questions.
    [Show full text]
  • BOOK &MUSIC by Joe Kinosian BOOK
    BOOK & MUSIC by Joe Kinosian BOOK & LYRICS by Kellen Blair DIRECTED by Scott Schwartz Printer’s Ad Printer’s Ad LEARNING & EDUCATION USING THEATRE AS A CATALYST TO INSPIRE CREATIVITY “ATC’S EDUCATION DEPARTMENT HAS BEEN NOTHING SHORT OF A MIRACLE.” -Cheryl Falvo, Crossroads English Chair / Service Learning Coordinator Theatre skills help support critical thinking, decision-making, teamwork and improvisation. It can bridge the gap from imagination to reality. We inspire students to feel that anything is possible. LAST SEASON WE REACHED OVER 11,000 STUDENTS IN 80 SCHOOLS ACROSS 8 AZ COUNTIES For more information about our Learning & Education programs, visit EDUCATION.ARIZONATHEATRE.ORG IN THIS ISSUE November-December 2014 Title Page ............................................................................5 The Cast ............................................................................. 6 About the Play .......................................................................12 About Arizona Theatre Company .......................................................15 ATC Leadership .....................................................................20 The Creative Team ................................................................... 28 Staff forMurder for Two ..............................................................36 Board of Trustees ...................................................................40 Theatre Information ................................................................. 47 Corporate and Foundation Donors ....................................................49
    [Show full text]
  • Olympia Dukakis Answers Our 5 Questions Champions Circle Monthly Giving Summer 2014 Program Allows You to Contribute Contents Vol
    MAGAZINE SUMMER 2014 Death With Dignity WINS OUTSMART Dementia Olympia Dukakis Answers Our 5 Questions Champions Circle monthly giving Summer 2014 program allows you to contribute contents Vol. 13 / No. 3 automatically each month, helping us plan our work more effectively. Signing up is simple, and you can make changes or cancel at any time. FEATURES Join our Champions Circle with the 16 06 Outsmart Dementia: State Your envelope in this issue or online at End-of-Life Wishes CompassionAndChoices.org/Donate A supporter urges everyone to add C&C’s exclusive dementia provision to their advance directive. 08 Death With Dignity Is a Winning Be a CHAMPION for Choice Election Issue Increasingly, candidates are successfully campaigning on a death-with-dignity platform. 06 DEPARTMENTS 02 Inside View 03 Words & Pictures 03 04 Keeping Count 05 Words to Live (and Die) By Compassion & Choices is the nation’s oldest and largest 11 nonprofit organization working to improve care and expand Rx for Peace at Life’s End choice at the end of life. We: Knowing that I am Support patients and families “automatically, once a 12 Advocacy in Action Educate the public and professionals Advocate across the nation month, financially supporting 16 National Programs Update Advancing death with dignity since 1980. Learn more at Compassion & Choices as it CompassionAndChoices.org. assists families such as mine 21 State Spotlight: Vermont gives me great satisfaction.” 22 Five Questions for Olympia Dukakis – Kathy Cerminara, Fort Lauderdale, FL inside view words & pictures MAGAZINE Chief Editor “There’s nothing else in the United The Power Sonja Aliesch States that so many people agree Art Director with,” Compassion & Choices of You Bhavna Kumar President Barbara Coombs Lee Director of Communications told Diane Rehm on her NPR- Each of us holds the potential to & Marketing syndicated show, referring to the 70 percent of effect great change.
    [Show full text]
  • June 2018 Welcome Mike Hausberg
    JUNE 2018 WELCOME MIKE HAUSBERG Welcome to The Old Globe and this production of The Tempest. Our goal is to serve all of San Diego and beyond through the art of theatre. Below are the mission and values that drive our work. We thank you for being a crucial part of what we do. MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large. STATEMENT OF VALUES The Old Globe believes that theatre matters. Our commitment is to make it matter to more people. The values that shape this commitment are: TRANSFORMATION Theatre cultivates imagination and empathy, enriching our humanity and connecting us to each other by bringing us entertaining experiences, new ideas, and a wide range of stories told from many perspectives. INCLUSION The communities of San Diego, in their diversity and their commonality, are welcome and reflected at the Globe. Access for all to our stages and programs expands when we engage audiences in many ways and in many places. EXCELLENCE Our dedication to creating exceptional work demands a high standard of achievement in everything we do, on and off the stage. STABILITY Our priority every day is to steward a vital, nurturing, and financially secure institution that will thrive for generations. IMPACT Our prominence nationally and locally brings with it a responsibility to listen, collaborate, and act with integrity in order to serve.
    [Show full text]
  • The Virtual Vaudeville Prototype
    392 From (Archival) Page to (Virtual) Stage: The Virtual Vaudeville Prototype Tonia Sutherland ABSTRACT This article explores the difficulties archivists face in capturing, preserving, and representing performance and other ephemeral or intangible cultural expressions. It also examines the applicability of existing archival theory and practice for recon- structing historical performances in digital environments. Using the Virtual Vaudeville Prototype as a case study, the research considers the efficacy of new media technologies for those who strive to capture performative expressions to redress erasures and silences in the historical record. The article provides brief historical context for vaudeville as a mode of performance at the turn of the twentieth century, discusses the Virtual Vaudeville Prototype and the archival evidence upon which it was built, and considers Virtual Vaudeville as both an evidence-based project fash- ioned from archival research and as an archival record in its own right. © Tonia Sutherland. KEY WORDS Archives, Performance studies, Digital humanities, Digital arts and culture, Virtual Vaudeville, Digital technologies, Motion capture, New media The American Archivist Vol. 79, No. 2 Fall/Winter 2016 392–416 From (Archival) Page to (Virtual) Stage: The Virtual Vaudeville Prototype 393 rchives provide societies with an opportunity to preserve cultural evidence; however, capturing and preserving temporal, event-based, ephemeral, and intangibleA cultural heritage such as performances, oral traditions, social prac- tices, and festive events presents an ongoing archival challenge. The difficul- ties archivists face in capturing, preserving, and representing ephemeral and intangible culture create erasures, gaps, and vagaries in the historical record kept by archives; these erasures will ultimately not only make ephemeral works inaccessible, but will also systematically silence and render invisible the unique ways that indigenous and other cultures communicate and represent ideas, solve problems, and express human emotions.
    [Show full text]
  • 1920 Patricia Ann Mather AB, University
    THE THEATRICAL HISTORY OF WICHITA, KANSAS ' I 1872 - 1920 by Patricia Ann Mather A.B., University __of Wichita, 1945 Submitted to the Department of Speech and Drama and the Faculty of the Graduate School of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. Redacted Signature Instructor in charf;& Redacted Signature Sept ember, 19 50 'For tne department PREFACE In the following thesis the author has attempted to give a general,. and when deemed.essential, a specific picture of the theatre in early day Wichita. By "theatre" is meant a.11 that passed for stage entertainment in the halls and shm1 houses in the city• s infancy, principally during the 70' s and 80 1 s when the city was still very young,: up to the hey-day of the legitimate theatre which reached. its peak in the 90' s and the first ~ decade of the new century. The author has not only tried to give an over- all picture of the theatre in early day Wichita, but has attempted to show that the plays presented in the theatres of Wichita were representative of the plays and stage performances throughout the country. The years included in the research were from 1872 to 1920. There were several factors which governed the choice of these dates. First, in 1872 the city was incorporated, and in that year the first edition of the Wichita Eagle was printed. Second, after 1920 a great change began taking place in the-theatre. There were various reasons for this change.
    [Show full text]
  • READING INTERNATIONAL, INC. (Exact Name of Registrant As Specified in Its Charter)
    UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K ☑ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2017 or ☐ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from _______ to ______ Commission File No. 1-8625 READING INTERNATIONAL, INC. (Exact name of registrant as specified in its charter) NEVADA 95-3885184 (State or other jurisdiction of incorporation or organization) (I.R.S. Employer Identification Number) 5995 Sepulveda Boulevard, Suite 300 Culver City, CA 90230 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including Area Code: (213) 235-2240 Securities Registered pursuant to Section 12(b) of the Act: Title of each class Name of each exchange on which registered Class A Nonvoting Common Stock, $0.01 par value NASDAQ Class B Voting Common Stock, $0.01 par value NASDAQ Securities registered pursuant to Section 12(g) of the Act: None Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes ☐ No ☑ If this report is an annual or transition report, indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or 15(d) of the Securities Exchange Act of 1934. Yes ☐ No ☑ Indicate by check mark whether registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Exchange Act of 1934 during the preceding 12 months (or for shorter period than the Registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days.
    [Show full text]
  • Post No Bills
    Rattlestick Playwrights Theater gratefully relies on donor support. Giving has never been easier. Use your phone to scan the QR code and donate now.. Post No Bills Or, detach the form below and return it to the house manager - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Name Billing address City, ST, Zip Code I (we) pledge a total of $____________________ to be paid: ☐now ☐monthly ☐quarterly ☐yearly. Credit card number | Exp. date By Mando Alvarado Authorized Signature Directed by Please make checks, corporate matches, or other gifts payable to: Michael Ray Escamilla Rattlestick Productions, Inc. 224 Waverly Place, New York, NY 10014 I (we) would like Rattlestick to use the following name(s) in all acknowledgements: ________________________________ ☐I (we) wish to have our gift remain anonymous. Support Rattlestick: As a nonprofit theater serving New York receive additional discounts, invitations City for the past 20 years, Rattlestick to private events, benefits and more. For Presents Playwrights Theater relies on the gener- more information, or to make a contri- osity of its patrons who donate through- bution, visit our website at out the season. Our Patron Program is a www.rattlestick.org/donatetorattlestick THE FEW new initiative for our most dedicated or contact: supporters to become a vital part of the Hannah Baxter by Rattlestick family, with seven levels of Individual Giving Manager giving tailored to fit all of our patrons, [email protected] Samuel D. Hunter no matter your budget. Please consider making a donation to Rattlestick and directed by 1. Friend—$75 Davis McCallum 25% discount on tickets to shows throughout the season 2. Donor—$150 50% discounts on tickets to shows throughout the season with 3.
    [Show full text]
  • Cornerdirector’S
    GABLES of Ojai 701 N Montgomery St • Ojai, CA 93023 • (805) 646-1446 March 2020 CornerDirector’s It is with sadness that we say “Goodbye” to one of our longest serving Residents. Dorothea Phelan moved in to the Gables in 2006 and quickly took on a number of roles. She has been the President of the Residents’ Association for many years, leading a committee of her peers. Dorothea has also been our Chief Librarian, organizing and maintaining our Upcoming Events 3/2 Lynn & Buzz: Healing & Broadway inventory of well-thumbed books. 3/4 Chef Chat with Salvador 3/4 Trader Joe’s & 99-Cent Store If you have ever noticed how shiny our silver is, 3/5 Resident Council well guess what, that’s down to our Silver 3/6 Filmore Fish Hatchery Polisher, Miss Dorothea. Also, on numerous 3/8 Daylight Saving Begins holidays throughout the year, including 3/11 Trip to Kohl’s & Pet store Christmas, Thanksgiving, Valentine’s, etc., 3/12 Doggie Days talk with Amanda Dorothea is our Chief Decorator, beautifying 3/13 Farewell Party for Mrs. Dorothea our common areas with seasonal decor. 3/14 Sadie the Service Dog & Tuesday 3/18 Walmart Trip with Kelley Dorothea is moving back to Nevada to be close 3/19 Mayor Johnny to family. So with a heavy heart, we wish her all 3/23 PLBs & Safety talk with Craig the best, thank her for her service and 3/26 Music with Tom Lennon friendship, and hope she comes back to visit 3/27 Patty Van Dyke: Creative process talk soon and often.
    [Show full text]
  • Production Sound Mixer Feature & TV Resume
    LORI DOVI cas Production Sound Mixer 310.351.7247 [email protected] Credits: Director: Production Co: SUICIDE SQUAD (Los Angeles) David Ayer Warner Bros. Feature-Jarred Leno, Will Smith NOCTURNAL ANIMALS Tom Ford NA Prods, Focus Features Feature-Jake Gyllenhall, Amy Adams THE TRIALS OF CATE MCCALL Karen Moncrieff Sunrise Productions Feature- Kate Beckinsale, James Cromwell, Nick Nolte Prod: Marc Bienstock FRIGHT NIGHT (3D Project) Craig Gillespie Dreamworks Feature-Colin Farrell, Toni Collette Ray Angelic, Michael DeLuca, Shelly Strong A SINGLE MAN Tom Ford Fade to Black Productions, Weinstein Co Feature starring Colin Firth & Julianne Moore Prod: Andrew Miano, Bob Salerno (Numerous Awards & Nominations) THE HARD TIMES OF RJ BERGER David Katzenburg MTV/ New Remote Productions TV Series Seth Grahame-Smith Prod: Craig Cannold TERMINATOR SALVATION (2nd Unit) McG & Charles Gibson The Halcyon Co & Warner Bros. Pictures Feature-Christian Bale, Helena Bonham Carter Prod: Jeffrey Silver, Moritz Borman THE BURNING PLAIN Guillermo Arriaga 2929 Productions Feature-Kim Basinger, Charlize Theron Prod: Walter Parkes, Laurie MacDonald, Ray Nominated Golden Lion-Venice Fest 500 DAYS OF SUMMER Marc Webb Fox Searchlight Pictures Feature-Zooey Deschanel, Joseph Gordon-Levitt Prod: Mason Novick, Nominated Best Sound-MPSE Golden Reel Jessica Tuchnisky, Mark Waters CARRIERS Alex & David Pastor Paramount Vantage/This is That Prod. Feature-Chris Pine, Piper Perabo Producers: Anthony Bregman, Ray Angelic SUNSHINE CLEANING Nominated Sundance Grand Jury Prize
    [Show full text]