Elizabeth Erb Resume 2020 Website

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Elizabeth Erb AEA [email protected] www.elizabetherb.com Height: 5’6” Weight: 110lbs Eyes: Blue Hair: Brown _________________________________________________________________________________________ NEW YORK/REGIONAL Richard III Young Elizabeth Shakespeare Theatre Company, D.C. David Muse One Man, Two Guvnors Pauline Chautauqua Theater Company Andrew Borba A Midsummer Night’s Dream Helena Chautauqua Theater Company Sarah Elizabeth Wansley The Christians Choir Chautauqua Theater Company Taibi Magar Measure for Measure Provost u/s (Performed) Santa Cruz Shakespeare Tyne Rafaeli The Two Gentlemen of Verona Sylvia u/s, Ensemble Santa Cruz Shakespeare Art Manke Candide (Devised Adaptation) Pangloss Santa Cruz Shakespeare Kate Jopson Pride and Prejudice Jane u/s Hangar Theatre Suzanne Agins Death Comes to Us All, Mary Agnes Vivien Hangar Theatre Christopher Núñez Peter Pan Nana, Tinkerbell Hangar Theatre Jake Beckhard Ajax Chorus Hangar Theatre Jake Beckhard Julius Caesar Portia u/s Great River Shakespeare Festival Jim Edmondson Coriolanus Coriolanus Great River Shakespeare Festival Bryan Hunt Earthquakes in London Mrs. Andrews Guthrie Theater Bruce Roach In Loving a Memory Dr. Rob Firebone Theatre, NYC Bryan Hunt Macbeth Weird Sister, Lady Macduff Public Theater of Minnesota Mark Hauck Henry VIII Katherine of Aragon RADA Nick Hutchinson As You Like It Rosalind Shakespeare's Globe Edu. Colin Hurley Romeo and Juliet Nurse U. of MN/Guthrie Theater Doug Scholz-Carlson The Cherry Orchard Charlotta Ivanovna U. of MN/Guthrie Theater Risa Brainin The Last Days of Judas Iscariot Judas Iscariot U. of MN/Guthrie Theater Jennie Ward READINGS/WORKSHOPS The Summer Place Actor Chautauqua Opera Company Ned Canty Love’s Labour’s Lost Katherine Match Lit: BardCore, NYC Bryan Hunt Joan Joan Shotz, Amios NYC Kristen Calgaro Our Walk Through the World Interviewer New Light Theater Project, NYC Bryan Hunt TRAINING BFA ACTING: University of Minnesota/Guthrie Theater BFA Actor Training Program Ken Washington, Marcela Lorca, Steve Cardamone, Bruce Roach, Lucinda Holshue, D’Arcy Smith, Michelle O’Neill, Randy Reyes Select Workshops: Patsy Rodenburg, Mark Rylance, Edward Darayni, Gabriel Levey, Michael Barakiva, Mike Ryan, Jayd McCarty, Kathleen McNenny Royal Academy of Dramatic Art (RADA) - Acting Shakespeare Course SPECIAL SKILLS Extensive Training in Various Dance (Irish - Nationally Ranked, Ballet, Jazz, Tap, African, Period), Singer, Proficient French, Basic Piano, Licensed Driver, Circus Skills, Juggling, Yoga, Downhill Skiing, Stage Combat (Rapier, Quarterstaff, Hand-to-hand).

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Rycroft, E. (2017)
Rycroft, E. (2017). Place on the late medieval and early modern stage: The case of Ane Satyre of the Thrie Estaitis. Shakespeare Bulletin, 35(2), 247-266. https://doi.org/10.1353/shb.2017.0016 Peer reviewed version Link to published version (if available): 10.1353/shb.2017.0016 Link to publication record in Explore Bristol Research PDF-document This is the final published version of the article (version of record). It first appeared online via Johns Hopkins University at https://muse.jhu.edu/article/662744. Please refer to any applicable terms of use of the publisher. University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ Place on the Late Medieval and Early Modern Stage: The Case of Ane Satyre of the Thrie Estaitis ELEANOR RYCROFT University of Bristol Place and space theory has now been applied widely throughout early modern studies to unlock such diverse areas as embodiment, cultural geography, poetry, performance, and politics. Its theoretical application across the disciplines of history, history of art, theater studies, English literature, and geography demonstrates the interdisciplinary potential of the “spatial turn.”1 At the heart of place and space theory—evident from its genesis in the works of Gaston Bachelard and Yi-Fu Tuan through to its most recent concern with placelessness in the digital age—is an assumption that space is an empty container, while place is a locale.
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Mara Sherman Director & Dramaturg MaraMakesTheater.com DIRECTING Romeo & Juliet Director Turning Glass Shakespeare The Veils * Assistant Director Nu Sass Productions Measure for Measure Assistant Director Britches & Hose Theater The Comedy of Errors Assistant Director WEST Performing Arts Devised Work Little Life Doreen Bechtol MBC S&P Accidental Lesbian Kai Winden UC Santa Cruz/ CA Tour The Spirit Lodge Camille Brown UC Santa Cruz DRAMATURGY Henri the 4th Parts 1 & 2 Kevin Finklestein Brave Spirits Theatre Macbeth Kirsten Brandt Santa Cruz Shakespeare Henry the Fourth, Part One Jim Warren American Shakespeare Center The Man in the Iron Mask* John Sipes Shakespeare Santa Cruz I Dream of Chang and Eng* Gina Marie Hayes UC Santa Cruz The Thinning Veil* Kirsten Brandt UC Santa Cruz Twelfth Night Patty Gallagher Shakespeare Santa Cruz The Three Musketeers Art Manke Shakespeare Santa Cruz OTHER PRODUCTION EXPERIENCE The Veils* Assistant Producer Nu Sass Productions The Winter’s Tale Assistant Stage Manager MBC S&P Or, Producer MBC S&P Henry the Fourth, Part Two Wardrobe Crew Shakespeare Santa Cruz Berzerkergäng Costumes/Puppets UC Santa Cruz EDUCATION/TRAINING 2015 Master of Fine Arts, Shakespeare and Performance, Mary Baldwin College 2014 Master of Letters, Shakespeare and Performance, Mary Baldwin College. 2014 Literary Department Internship, Oregon Shakespeare Festival 2011 BA, Literature- Pre and Early Modern Studies. Theatre Minor. UC Santa Cruz Relevant Coursework Directing III, MBC Shakespeare & Performance – Lisa Wolpe Directing II, MBC Shakespeare & Performance- Tom Cornford Directing I, MBC, Shakespeare & Performance- Matt Davies SKILLS and CERTIFICATION Stage Combat: Unarmed and Single Rapier (Level One, Certified Through DAI) Some Italian, German; Clarinet/Bass Clarinet, Mandolin; Red Cross First Aid Certified * World Premiere ** World Premiere Translation .
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Σ 6:1 2020 Awry Crowns: Queenship and Its Discontents Edited by Rosy Colombo Rosy Colombo – Introduction Monica Centanni – The Queen on Stage. Female Figures of Regality in Aeschylus Nadia Fusini – One, Two, Many Medeas Anton Bierl – Phaedra: a Tragic Queen in Turmoil Between Violent Love and Its Chaste Suppression. An Interpretation of Euripides’ Hippolytus in Initiatory Terms Guido Avezzù – The (Frustrated?) Regality of Electra Antonio Ziosi – Wounds and Flames: Dido and Her Sisters Michael Neill – A “Monstruous Empire”: Queenly Power in Anthony and Cleopatra Marisa Sestito – Unveiling Jocasta. The Brave Queen of Dryden and Lee Miscellany Milan Kroulík – “What is expected has not been accomplished”. A Historical Materialist Approach to Attic Tragedy Michael Carroll – Prophetic Deception: The Narrative of the Chariot Race in Sophocles’ Electra Special Section Gherardo Ugolini – “Man is a terrifying miracle”: Sophocles’ Antigone Staged by Massimiliano Civica. An Interview with the Director Paul A. Cantor – Patrick Gray, Shakespeare and the Fall of the Roman Republic: Selfhood, Stoicism and Civil War, Edinburgh: Edinburgh University Press, 2019, pp. 308 Elena Pellone – Jaq Bessell, Shakespeare in Action, London and New York: Bloomsbury (The Arden Shakespeare), 2019, pp. 213 Robert Sawyer – “Fine Young Cannibals”: Review of Eating Shakespeare: Cultural Anthropology as Global Methodology, ed. by Anne Sophie Refskou, Marcel Alvaro de Amorim, and Vinicius Mariano de Carvalho, London and New York: Bloomsbury Publishing, 2019, pp. 301 Barry Allen Spence – Beckett, Decadence, and the Art of Revisioning. Review of Stanley E. Gontarski, Revisioning Beckett: Samuel Beckett’s Decadent Turn, London: Bloomsbury Academic, 2018, pp. 320 Skenè. Journal of Theatre and Drama Studies S K E N È Journal of Theatre and Drama Studies 6:1 2020 Awry Crowns: Queenship and Its Discontents Edited by Rosy Colombo SKENÈ Journal of Theatre and Drama Studies Founded by Guido Avezzù, Silvia Bigliazzi, and Alessandro Serpieri Executive Editor Guido Avezzù.
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Katherine Steele Brokaw University of California, Merced • School of Social Sciences, Humanities, and Arts 5200 N
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