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Mitteilungen Aus Dem Brenner-Archiv
Zum Erstdruck von Annemarie Schwarzenbachs Georg Trakl von Walter Fähnders (Osnabrück) und Andreas Tobler (Berlin/Bern) Am 9. April 1931 schreibt Annemarie Schwarzenbach an Erika Mann: Ich weiss nicht genau wie es mir geht, ich wohne in einem Haus in der Stadt, schlafe schlecht, sitze treu am Schreibtisch ganz versoffen in Papieren, Büchern, schwarzem Kaffee, Rauch, Fleiss u. Melancholie. So nämlich musste man still- heiter oder melancholisch werden. Meistens bin ich das Erstere. Das Alleinsein ist wunderlich.1 Es ist ein Donnerstag – der letzte von den insgesamt drei Tagen, die die noch nicht ganz 23jährige Doktorandin Annemarie Schwarzenbach zum Abfassen ihrer Prüfungsarbeit in ihrem Nebenfach ‚Deutsche Literatur seit Goethes Tod’ zur Verfügung hat. Als sie an ihrer Arbeit schreibt, wohnt sie bei ihrer Freundin Erna Mende (1908-2001) in der Dreikönigstrasse 37 unweit der Seepromenade in Zürich.2 Mein Thema heisst „Georg Trakl“ u. ist fesselnd u. hübsch. [...] Wenn ich eine Weile über Georg Trakl geschrieben habe, gehe ich mit [Thomas Manns 1922 erstmals erschienenem Aufsatzband] „Rede und Antwort“ in den Garten, einen richtigen Stadtgarten mit Kies u. Moosgeruch. Ich lese „Rede u. Antwort“. Dann gehe ich wieder zu Trakl u. dem schrecklich unordentlichen Schreibtisch, oder ans Fenster. In letzterem Fall sehe ich Autos, Fords, Victorys u. Radfahrer u. merke dass ich Kopfschmerzen habe.3 Aufgewachsen war Annemarie Schwarzenbach (1908-1942), die aus einer der vermögendsten und angesehensten Schweizer Industriellenfamilien entstammte4, auf dem am linken Zürichseeufer gelegenen Landgut Bocken. Nach privatem Schulunterricht bei den Eltern bis zu ihrem fünfzehnten Lebensjahr, dem Besuch der Zürcher Privatschule Dr. Götz-Azzolini und des Hochalpinen Töchterinstituts Fetan (Unterengadin) legte sie im Herbst 1927 ihre Matura ab.5 Zum Wintersemester 1927/28 immatrikulierte sie sich an der Universität Zürich im Hauptfach Geschichte6, das sie dort nach eigenen Angaben „mit der Unterbrechung eines kurzen Aufenthaltes in Nordamerika“7 zunächst zwei Semester studierte. -
At Home, at Headquarters a Few of the Many Top Companies That Rule from Geneva Talk About Why They Are Here…
Why Geneva is your best choice in Europe At home, at headquarters www.whygeneva.ch A few of the many top companies that rule from Geneva talk about why they are here… Caterpillar Columbia Sportswear DuPont easyJet Electronic Arts Firmenich P&G Richemont Group … as do some new ones that have just arrived! Contents A small area with room for talent Headquarters of global brands Why Geneva succeeds as a business base 2 Something hard to imagine if one doesn’t know Geneva has never been a one-industry town. If the Diversity and density Geneva well, is the extraordinarily high density city was once upon a time famous for its medieval Pierre-François Unger, Minister of Regional of decision-makers present here, on a territory fair and, later on, for its private banks and fine Affairs, Economy and Health, on Geneva’s that covers only 282km2. With UN standard- watches, Geneva has added many other high rare combination of expertise 3 setters, government missions and consulates value-added industries to its portfolio: financial ser- New in Town 4 from every country, global companies and major vices of all kinds, commodity-trading, flavours and P&G’s second health care industry associations, research institutes and fragrances, high-end watches and jewellery, con- joint venture in Geneva 6 influential NGOs such as the World Economic sumer products, trade, biotech, medtech, cleantech, Forum, Geneva may possibly have the largest ICT, micro and nano-technology… Over 930 multi- The new wave of tech solutions concentration of thinkers and doers in the nationals are now based in Geneva – among which HP Innovation Centres goes upstream 8 world. -
The Art of Horological Complications
the art of horological complications 2020/2021 THE ART OF Horological Complications © Gerhard D. Wempe KG, Hamburg 2020 Author: Thomas Wanka 2020/2021 Noble radiance BREITLING 81 Metal bracelets make wristwatches into sporty luxury items 8 Chronomat Limited Wempe Edition 82 ROLEX 19 HUBLOT 85 Oyster Perpetual GMT-Master II 20 Big Bang Integral Titanium 86 Oyster Perpetual Day-Date 40 22 CHOPARD 89 PATEK PHILIPPE 25 Alpine Eagle Chronograph 90 Nautilus Chronograph 5980/1R 26 Nautilus 5711/1R 28 GIRARD-PERREGAUX 93 Laureato Ininity - exclusively available at Wempe 94 BREGUET 31 Marine Tourbillon Équation Marchante 32 ROGER DUBUIS 97 Classique 7337 34 Excalibur Spider Huracán 98 A. LANGE & SÖHNE 37 FERDINAND BERTHOUD 101 Odysseus 38 Chronomètre FB 1 102 Zeitwerk Minute Repeater 40 ULYSSE NARDIN 105 JAEGER-LECOULTRE 43 Executive Blast Black 106 Master Control Chronograph Calendar 44 TUDOR 109 Master Grande Tradition Grande Complication 46 Black Bay Fifty-Eight Navy Blue 110 CARTIER 49 TAG HEUER 113 Pasha de Cartier 50 Carrera Heuer 02 114 VACHERON CONSTANTIN 53 WEMPE IRON WALKER GLASHÜTTE I/SA 117 Overseas Perpetual Calendar Ultra-Thin 54 Iron Walker Automatic Chronograph 118 IWC SCHAFFHAUSEN 57 Iron Walker Automatic Diver‘s Watch 120 Portugieser Perpetual Calendar 58 LONGINES 123 GLASHÜTTE ORIGINAL 61 Spirit Pilot‘s Chronograph 124 Senator Cosmopolite 62 MONTBLANC 127 WEMPE CHRONOMETERWERKE GLASHÜTTE I/SA 65 Heritage Manufacture Pulsograph Limited Edition 128 Chronometerwerke Automatic Pilot‘s Watch Bronze 66 NOMOS GLASHÜTTE 131 175 Years -
Departure Without Destination. Annemarie Schwarzenbach As Photographer 18.09.20–03.01.21
Exhibition Guide Founded by Maurice E. and Martha Müller and the heirs of Paul Klee Departure without Destination. Annemarie Schwarzenbach as photographer 18.09.20–03.01.21 Table of contents 1 “A Love for Europe” 7 2 “Little Encounters” 12 3 The “New Earth” 15 4 “Beyond New York” 21 5 “Between Continents” 28 6 “The Happy Valley” 31 Biography 36 3 Floorplan 3 4 5 LOUNGE 2 6 1 4 Writer, journalist, photographer, traveller, cosmopolitan: Annemarie Schwarzenbach is one of the most dazzling and contradictory figures in modern Swiss cultural history. Schwarzenbach saw herself primarily as a writer. Yet she was also a pioneer of photojournalism in Switzerland. Around 300 of her texts appeared in Swiss magazines and newspapers during her lifetime. From 1933, they were increasingly accompanied by her own pho- tographs. However, since the majority of these images remained unpublished, the quality and scope of her work as a photographer has been relatively unknown until recently. Most of Schwarzenbach’s photographs were taken during her travels, which between 1933 and 1942 took her across Europe, to the Near East and Central Asia, to the United States and Central and North Africa. Her work as a journalist, but also her upper class background and her status as the wife of a diplomat granted her an extraordinary freedom of travel for the period. Her images and writings are closely intertwined and document the upheavals, tensions, and conflicts of the period leading up to World War II: the consequences of the Great Depression, the hope for social progress, the threat of National Socialism, the effects of modernization and industrialization, or the European fascination with the “orient”. -
562 Ausstellungskalender
AUSSTELLUNGSKALENDER Designing for Tomorrow’s De - d’Orsay and the Musée de l’Orange - mands; Mohamed Bourouissa. rie. –5.3.17: Jean Tinguely. Machine MACBA. –12.3.17: Hard gelatin. Spectacle. 27.11.–5.2.17: Jordan Museu Picasso. –29.1.17: Cubism Wolfson. Part 1: Manic/Love. and war. The crystal in the flame. Van Gogh Museum. –29.1.17: Dau - Museu Nacional D’Art de Catalu - bigny, Monet, Van Gogh. Impres- nya. –15.1.17: Lluïsa Vidal. sions of Landscape. –31.1.17: Marianne Breslauer. AUSSTELLUNGSKALENDER Antwerpen (B). Middelheim Muse - –2.2.17: Ismael Smith, la bellesa i els um. –2.4.17: Roman Signer. Projet monstres. 17.11.–19.2.17: Picasso i Der Ausstellungskalender erfasst pour un jardin. l’art romànic. die Ausstellungen während ihrer Museum van Hedendaagse Kunst. La Pedrera. –22.1.17: Jorge Oteiza. gesamten Laufzeit. Wenn der Ver - –5.2.17: Conceptual, Surrealist, Basel (CH). Kunstmuseum. anstalter das Erscheinen eines Pictorial. Photo-Based Art in Belgi - –8.1.17: Archäologie des Heils. Das Ausstellungskatalogs mitteilt, ist um (1960s–early 1990s). (K). Christusbild im 15. und 16. Jh. dem Titel das Zeichen (K) beige - Apolda. Kunsthaus. –18.12.: –22.1.17: Der figurative Pollock. (K). geben. George Braque. „Der Zauberer und 26.11.–12.3.17: Catharina van Eet - die Vögel“. velde. Aachen. Couven Museum. –31.12.: Appenzell (CH). Museum Liner. Kunstmuseum Gegenwart . Galant und elegant. Fächer vom Ro - –27.11.: Jonathan Bragdon. Zeich - –26.2.17: Joëlle Tuerlinckx. 26.11.– koko zum Historismus. nungen, Fotografien, Gedichte. 12.3.17: Johannes Willi. Manor Ludwig-Forum. -
Bibliographie Zur Deutschsprachigen Schweizerliteratur (BSL)
1 ISSN 1420-3677 Bibliographie zur deutschsprachigen Schweizerliteratur (BSL) Vol. 23(1998) Herausgegeben von der Schweizerischen Landesbibliothek Bern Redaktion: Gaby Rauch 2003 2 Vorbemerkungen Die "Bibliographie zur deutschsprachigen Schweizerliteratur" (BSL) erscheint seit 1976. Sie umfasst zwei Teile: A Allgemeines B Autoren Selbständig erscheinende Publikationen, sowie Lizenzausgaben und Uebersetzungen werden nur aufgenommen, wenn sie auch rezensiert worden sind. Prinzipiell werden alle Autoren der deutschsprachigen Schweiz erfasst, soweit sie als solche erkennbar sind. Zusätzlich wurden ausländische Autoren aufgenommen, die schon längere Zeit in der Schweiz leben und hier arbeiten. Nicht berücksichtigt werden Veröffentlichungen von und über Thomas Mann, Hermann Hesse und Rainer Maria Rilke. Erschlossen wird die Bibliographie durch ein Register der Autoren, Herausgeber, Rezensenten und Körperschaften. Zusätzliche Beiträge verdanke ich der Redaktion der "Bibliographie annuelle des lettres romandes". Gaby Rauch 3 Verzeichnis der ausgewerteten Zeitungen und Zeitschriften Aargauer Zeitung. Aarau. 1998 Akzente. Zeitschrift für Literatur. München. 45,1998 Allemagne d’aujourd’hui. Paris. 1998 Allmende. Eine alemannische Zeitschrift. Sigmaringen. 18,1998 Annabelle/Elle. Gazette. Zürich. 1998 Arbitrium. Zeitschrift für Rezensionen zur germanistischen Literaturwissenschaft. Tübingen. 1998 Arcadia. Zeitschrift für vergl. Literaturwissenschaft. Berlin. Bd.33,1998 Aufbau. New York. 64,1998 Basler Magazin (BM). Basel. 1998 Basler Zeitung (BaZ). Basel. 1998 Beiträge zur Geschichte der deutschen Sprache und Literatur. Tübingen. Bd.120,1998 Börsenblatt für den Deutschen Buchhandel. Frankfurt a.M. 1998 Brückenbauer. Zürich. 1998 Bücherpick. Das aktuelle Buchmagazin. Bern. 1998 Der Bund / Der kleine Bund. Bern. Bd.31,1998 Colloquia Germanica. Bern. 31,1998 Colloquium Helveticum. Schweizer Hefte für allgemeine und vergleichende Literaturwissenschaft. Bern. 1998 Coop-Zeitung. Wochenzeitung der Coop-Gruppe. Basel. -
In International Management the Replication Of
Master’s Degree programme Second Cycle (D.M. 270/2004) in International Management Final Thesis The Replication of Strategic Format as Internationalization Method Calzedonia Case Supervisor Ch. Prof. Vladi Finotto Graduand Federica Giarola Matriculation Number 855683 Academic Year 2016 / 2017 ABSTRACT Business organizations may expand internationally by replicating part of their value chain, such as products, prices, marketing and communication tools, organizational structures and stores design through the creation of a format. However, it is difficult for replicators to find the right format, to adjust it in order to adapt to local environments and to transfer knowledge abroad. To dicover these issues, I studied the organizational structure of Calzedonia, the firm leader of underwear apparel, involving interested offices with long interviews. I find that Calzedonia, after a period of exploration, proceeded in terms of replicating a format in a flexible manner, supporting an ongoing learning process aimed to adapt what is flexible to the market. The format, in fact, presents two fundamental characteristics: fixed features used everywhere without modifications and flexible ones able to adapt locally. Another finding is how Calzedonia uses the format in its internationalization strategy, through franchising network. I conclude the thesis with an overview of the future challenges just approached by the firm: US and China markets. 1 CONTENTS AKNOWLEDGMENTS ........................................................................................................... -
Dolce & Gabbana's Communication and Branding Analysis
FACE Business Case Dolce & Gabbana’s Communication and Branding Analysis Il presente lavoro è stato redatto grazie al contributo degli studenti del corso di Laurea Magistrale in Fashion Communication: Cristiana Avolio, Federica Fancinelli, Valentina Foschi, Veronica Rimondi e Camilla Tosi 1 The work aims to analyze the communication strategies of Dolce&Gabbana, one of the most famous brands on a national and international level, that has been able to create, within a varied audience, a global strong recognition. The fashion company was founded in 1985 by two designers: Domenico Dolce and Stefano Gabbana. 1. Zeitgeist and social context The inspiration of the designers Stefano Dolce and Domenico Gabbana comes from Sicily and the post-war neo-realist filmography, a land of perfumes and mysteries, a precious treasure chest of memories from which derive motifs destined to characterize each new collection. Surely their point of strength and recognition, both in lingerie and tailoring, is the black lace, a symbol of rigor and feminine sensuality; in fact the woman of Dolce & Gabbana, in balance between the modest and uninhibited, embodies the woman of our time with a strong and fragile personality at the same time, a concrete woman but also a dreamer. Protagonists of the fashion shows and the advertising campaigns are often the icon of the typical Italian beauty as: Bianca Balti, Monica Bellucci, Maria Grazia Cucinotta and Bianca Brandolini d'Adda. The Mediterranean woman becomes the point of reference and the muse of the two designers who highlight her shapes and her strong personality. For example, the bustier, as a synonymous for excellence of femininity that women, of all ages, have always used to outline and emphasize their bodies, recurs frequently in the brand pictures. -
Kunsthaus Zürich 2012 ‹Trois Scenes Simultanément›, Rosa Brux, Brüssel, Belgien 2012 ‹Warenhaus›, Akku, Emmenbrücke
November 2016 Fr. 10.– / € 8.– 11/2016 *Aargauer Kunsthaus 28. 8. 2016 – 13. 11. 2016 Aargauerplatz CH–5001 Aarau Di – So 10 – 17 Uhr Do 10 – 20 Uhr Karl Ballmer www.aargauerkunsthaus.ch Kopf und Herz Max von Moos Der Zeichner CARAVAN 3 / 2016: Samuli Blatter Ausstellungsreihe für junge Kunst 28. 8. 2016 – 8. 1. 2017 Ding Ding Bild: Urs Frei, Ohne Titel, 1990, Aargauer Kunsthaus, Aarau / Anonyme Schenkung Objektkunst aus der Sammlung 160725_KUNSTBULLETIN_155x210_SEPT_LAY.indd 1 28/09/16 09:27 FOKUS 28 Fiona Tan — Sammlerin und Geografin der Zeit. Verena Kuni 38 Primitive Ökonomien — Wirtschaft anders gedacht. Brita Polzer 46 Vanessa Billy — Auflösung im Kreislauf. Deborah Keller 54 Performance im Blickfeld — Performing on Air. Romy Rüegger 56 Ansichten — F für Flucht, Fälschung, Freiheit oder Fuck. Roberta De Righi 58 En marche — Rapports sur la mobilité des corps. Laurence Schmidlin 62 Video Sound Art Festival — Erotismo urbano. Boris Magrini HINWEISE 64 Curator’s Choice — Digitale Kunst — Projekt des Monats / Bionymous 65 Users’ Choice — Digitale Kunst — Projekt des Monats / Tabita Rezaire — Ass4sale 65 Altdorf — Die Linie im Raum 66 Basel — Erin Shirreff / Castasegna — Vaclav Pozarek 68 Düsseldorf — Sammlung Dorothee und Konrad Fischer 69 Genf — John Chamberlain / Interlaken — in_visible limits 70 Karlsruhe — Dürer / Kentridge / La Chaux-de-Fonds — PAN 71 Paris — Mark Geffriaud / Paris — !Mediengruppe Bitnik / Rapperswil — Face to face 74 Rapperswil — SchwesternBilder / Villingen-Schwenningen — Desperate Housewives? 75 Winterthur — -
Brand Reputation E Comunicazione. Il Caso Dolce&Gabbana Ed Il
Dipartimento di Impresa e Management Cattedra di Strategie di comunicazione e tecniche di pubblicità BRAND REPUTATION E COMUNICAZIONE. IL CASO DOLCE&GABBANA ED IL POSIZIONAMENTO SUL MERCATO CINESE. Relatore Candidata Prof. Gianluca Comin Rosy Pia De Seta Matricola 223731 Anno Accademico 2019/2020 INDICE INTRODUZIONE 3 Parte prima Capitolo 1: Reputazione aziendale 1.1 Il concetto di reputazione 5 1.2 Costruzione, monitoraggio e managing della reputazione 8 1.3 Crisi reputazionale 13 1.4 Comunicazione ingannevole 17 1.5 Gestione della crisi comunicativa. Il piano di comunicazione di crisi. 22 Parte seconda Capitolo 2: Il mercato cinese, croce e delizia 2.1 Conoscere e il mercato con cui si vuole comunicare. La Cina 31 2.2 Opportunità e crescita dei brand della moda nel mercato cinese. Insidie e minacce alla crescita del brand nel mercato cinese 35 2.3 I brand italiani alla conquista del mercato cinese: Valentino; Prada; Gucci, Versace; Givenchy 38 Capitolo 3: Crisi reputazionale, il caso D&G 3.1 Storia del brand 47 3.2 Stile comunicativo dell’azienda. 50 3.3 Brand reputation e posizionamento: importanza dei social media per la reputazione 55 3.4 Crisi comunicative del brand, in particolare: il caso Cina. Approccio utilizzato per la risoluzione della crisi ed effetti collaterali 60 3.5 Oltre il concetto di reputazione, “giusto o sbagliato: basta che se ne parli” 64 3.6 D&G ad oggi 67 CONCLUSIONI 73 Bibliografia 83 2 INTRODUZIONE “Un gioco può essere descritto in termini di strategie, che i giocatori devono seguire nelle loro mosse: l’equilibrio c’è, quando nessuno riesce a migliorare in maniera unilaterale il proprio comportamento. -
Watches & Jewellery Salesfluxspreadspatinaofcaution
FT SPECIAL REPORT Watches & Jewellery Thursday April 25 2013 www.ft.com/reports | twitter.com/ftreports Sales flux spreads patina of caution Inside » BaselWorld New exhibition space brings The principal reason for light to lacklustre uncertainty is the experience of old clampdown on the giving of gifts in China, writes Page 2 James Shotter Emerald named fter three years of relentless growth, the path the Swiss colour of 2013 watch industry will follow Move to green gets in 2013 is less clearly sign- posted. boost from red ALast September, Swiss watch carpet exposure exports recorded their first decline since the financial crisis, and have Page 6 since oscillated sharply: up in October and November, down in December, up in January, down again in February. Time for safety These fluctuations have spread a patina of caution across the industry. Breitling to launch Nick Hayek, Swatch’s chief executive, second generation has spoken of the need to “calm down the spirits” on growth expectations. of Emergency with One participant described this locator beacon year’s Salon International de la Haute Horlogerie, the January fair at which Page 8 analysts say Richemont’s brands tra- ditionally book up to 60 per cent of their annual orders, as “serene, not Designers take ebullient”. “This year in one word? Unpredicta- organic approach ble,” says Thierry Fritsch, chief exec- Use of alternative utive of Chaumet, the Parisian jewel- ler-cum-watchmaker that belongs to gems raises LVMH’s stable of brands. concern over ethics The principal reason for the uncer- tainty is mainland China. The world’s Uncertain times: the slowdown in exports of Swiss watches to China reflects a wider deceleration in the mainland economy Getty Page 11 third-largest watch market – behind Hong Kong and the US – has powered growth in recent years but has slowed a sharp crackdown by the new presi- ing in China is going to be one of the remain relatively sanguine. -
Price List for Books
Author Title Retail Interiors 1973-1974, Ltd. Edition of 24 loose plates, in Adams, Robert $550 folio and clothbound case, #14/100 Portfolio Latinoamericano 1974-1996. Throckmorton Algaze, Mario $35 Gallery exhibit catalogue Jessie Tarbox Beals: First Woman News Photographer - Alland, Alexander $35 HB, DJ, 1978 Anrakuji, Emi e hagaki, HB with photo, signed, Ed. 34/500 $125 ARAKI, Nobuyoshi Viaggio Sentimentale - 1st, SB with stiff wrapper, 2000 $300 Araki, Nobuyoshi Kaori (HB, Reflex Gallery) $125 Arbus, Amy On the Street - 1st, HB, illustrated boards, 2006, signed $100 Arndt, Thomas Frederick Thomas Frederick Arndt: Men in America: Photographs $60 & David Travis 1973-1987 - softcover, 1988 Attie, Shimon The Writing on the Wall, HB with DJ $120 Barns, Lawrence The Male Nude In Photography - softcover, 1980 $60 Ilse Bing: Three Decades of Photography - 1st, softcover, Barrett, Nancy C. $70 1985, New Orleans Museum of Art Basilico, Gabriele L'esperienza dei luoghi (first edition, DJ, signed) $125 Marian Drew: Photographs and Video Works - 1st, HB, Batchen, Geoffrey $50 2006 Jardins Do Paraiso: Exposição , Galeria Do Museu Bauret, Gabriel Antropologico Da Universidade de Coimbra, Novembro $40 de 1993, softcover Fotografia Latinoamericana desde 1860 Hasta nuestros Belliter, Erika (intro) $60 dias - HB, Spanish text, 1982 Biermann, Aenne Fotografien 1925-33 - softcover, 1987 $80 Malerei und Photographie im Dialog - 1st, soft cover, Billeter, Erika $100 1979, Benteli Verlag David Wojnarowicz: Tongues Of Flame - sofcover, 1990, Blinderman, Barry $60 1st Boltanski, Christian Night In August, 1998 $125 Borhan, Pierre Andre Kertesz: His Life and Work - 1st, HB, DJ,1994 $150 Boucher, Pierre Boucher, Photo Graphiste - 1st, HB, DJ, 1988 $70 Brandt, Nick On This Earth (first edition, first printing) $125 Brassai The Artists of My Life - HB with DJ, 1982 $75 Brassai Brassai - 1st soft cover - Fundacio Antoni Tapies, 1993 $60 Marianne Breslauer., Retrospektive Fotografie- 1979, SB, Breslauer, Marianne $100 Edition Marzona RUHR - Ltd.