Structuralism, Poststructuralism and New Hermeneutics
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Modern Criticism and Theory
MODC_C15.qxd 12/13/07 1:52 PM Page 280 15 Michel Foucault Introductory note Michel Foucault (1926–84) was, at the time of his death, Professor of the History of Systems of Thought at the Collège de France in Paris, a title that succeeds (or fails) as much as any other single phrase in the effort to encapsulate his unique, inter-disciplinary field of research. He has been variously described as philo- sopher, social scientist, and historian of ideas. He was certainly one of the most powerful and influential figures in a remarkable galaxy of intellectual stars who shone in Paris in the 1960s and 70s. Foucault was often at pains to deny that he was a ‘structuralist’, but he may legitimately be described as a post-structuralist. Structuralism ignored or dis- trusted the superficial appearances or commonsense view of cultural phenomena in its efforts to grasp the conditions of their possibility. Foucault did the same, but where the structuralists, like Lévi-Strauss, or the early Barthes, used language and linguistics as their methodological model or tool, Foucault used the history of social and political institutions and discourses. As one of his commentators (Paul Robinow) has said, ‘Foucault is highly suspicious of claims to universal truths. He doesn’t refute them; instead his consistent response is to historicize grand abstrac- tions.’ His example has had a powerful effect upon the writing of literary history in Britain and America. The essay ‘What is an Author?’ is typical of this historicizing approach. Foucault shows that the idea of the author, which we tend to take for granted, as a timeless, irreducible category, is, rather, a ‘function’ of discourse which has changed in the course of history. -
Perceptual Variation and Structuralism
NOUSˆ 54:2 (2020) 290–326 doi: 10.1111/nous.12245 Perceptual Variation and Structuralism JOHN MORRISON Barnard College, Columbia University Abstract I use an old challenge to motivate a new view. The old challenge is due to variation in our perceptions of secondary qualities. The challenge is to say whose percep- tions are accurate. The new view is about how we manage to perceive secondary qualities, and thus manage to perceive them accurately or inaccurately. I call it perceptual structuralism. I first introduce the challenge and point out drawbacks with traditional responses. I spend the rest of the paper motivating and defending a structuralist response. While I focus on color, both the challenge and the view generalize to the other secondary qualities. 1. Perceptual Variation Our perceptual experiences tell us that lemons are yellow and sour. It’s natural to infer that lemons really are yellow and sour. But perceptions vary, even among ordinary observers. Some perceive lemons as slightly greener and sweeter. This gives rise to a challenge that forces us to rethink the nature of perception and the objectivity of what we perceive. For concreteness, I’ll focus on the perceptions of two ordinary observers, Miriam and Aaron. I’ll also focus on their perceptions of a particular lemon’s color. These restrictions will make the challenge easier to understand and the responses easier to compare. But the challenge and responses are perfectly general. Toward the end of the paper I’ll return to sourness and the other secondary qualities. When Miriam and Aaron look at the same lemon, their perceptions differ. -
The Meanings of Structuralism : Considerations on Structures and Gestalten, with Particular Attention to the Masks of Levi-Strauss
The meanings of structuralism : considerations on structures and Gestalten, with particular attention to the masks of Levi-Strauss Sonesson, Göran Published in: Segni e comprensione 2012 Link to publication Citation for published version (APA): Sonesson, G. (2012). The meanings of structuralism : considerations on structures and Gestalten, with particular attention to the masks of Levi-Strauss. Segni e comprensione, XXVI(78), 84-101. Total number of authors: 1 General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 International RIVISTA TELEMATICA QUADRIMESTRALE - ANNO XXVI NUOVA SERIE - N. 78 – SETTEMBRE-DICEMBRE 2012 1 This Review is submitted to international peer review Create PDF files without this message by purchasing novaPDF printer (http://www.novapdf.com) Segni e comprensione International Pubblicazione promossa nel 1987 dal Dipartimento di Filosofia e Scienze sociali dell’Università degli Studi di Lecce, oggi Università del Salento, con la collaborazione del “Centro Italiano di Ricerche fenomenologiche” con sede in Roma, diretto da Angela Ales Bello. -
Roman Jakobson, Parallelism, and Structural Poetics
Chapter 2 Roman Jakobson, Parallelism, and Structural Poetics In the early to mid-twentieth century these very issues regarding the conver- gence of poetics, style, language, and discourse structure were being exten- sively explored by eastern European literary theorists.1 The discipline that eventually emerged from the movement became variously known as, “critical theory, semiotics, structuralism, literary linguistics, cultural studies,”2 and one could add “structural poetics.” The movement was also in many ways a pre- cursor to DA. Structural poetics pioneered the analysis of literature, namely poetry, as discursive linguistic communicative function, or to use their termi- nology, a “semiotic system.” Saussurean structural linguistics functioned as the theoretical bedrock for evaluating literary texts as discourse. It is to Saussure’s theory of language that we now turn. 2.1 Structuralism, Structural Semiotics, Linguistics, and Discursivity French linguist Ferdinand de Saussure innovatively conceptualised language (Fr. langue) as an integrated and organised system of signs (i.e., semiotic sys- tem) whose various parts, or constituents (i.e., signs or signifiers), are only properly understood as a part of the greater structural (i.e., semiotic) system. Saussure conceived of gross constituent units, or “constituents” for short, as ar- bitrary signifiers (signs) that point to something meaningful (signified). There is a distinction, then, between the signified (meaning) and the signifier (form). The sign, or signifier, is the form that that which is meaningful (i.e., signified) takes within the system of forms. Implicit to this concept of the signifier and the signified is the idea that signification is activated precisely through the sign’s place within the greater 1 This movement is most directly associated with various schools of literary linguistic theory including New Criticism, Russian Formalism (or simply “formalism”), the Prague School, Structuralism, and Czech Structuralism. -
Peirce's Theory of Communication and Its Contemporary Relevance
Ahti-Veikko Pietarinen Peirce’s Theory of Communication and Its Contemporary Relevance Introduction The mobile era of electronic communication has created a huge semi- otic system, constructed out of triadic components envisaged by the American scientist and philosopher Charles S. Peirce (1839–1914), such as icons, indices and symbols, and signs, objects and interpretants. Iconic signs bear a physical resemblance to what they represent. Indices point at something and say “there!”, and symbols signify objects by conven- tions of a community.1 All signs give rise to interpretants in the minds of the interpreters. It is nonetheless regrettable that the somewhat simplistic triadic ex- posé of Peirce’s theory of signs has persisted in semiotics as the some- how exhaustive and final description of what Peirce intended. The more fascinating and richer structure of signs emerging from their intimate relation to intercommunication and interaction (Peirce’s terms) has been noted much less frequently. Despite this shortcoming, the full Peircean road to inquiry – per- formed by the dynamic community of learning inquirers, or the com- 1 In fact, according to Peirce (2.278 [1895]): “The only way of directly communi- cating an idea is by means of an icon; and every indirect method of communicating an idea must depend for its establishment upon the use of an icon.” Peirce’s chef d’œuvre came shortly after these remarks into being as his diagrammatic system of existential graphs, a thoroughly iconic representation of and a way of reasoning about “moving pictures of thought”, which encompassed not only propositional and predicate logic, but also modalities, higher-order notions, abstraction and category-theoretic notions. -
Heidegger and the Hermeneutics of the Body
International Journal of Gender and Women’s Studies June 2015, Vol. 3, No. 1, pp. 16-25 ISSN: 2333-6021 (Print), 2333-603X (Online) Copyright © The Author(s). All Rights Reserved. Published by American Research Institute for Policy Development DOI: 10.15640/ijgws.v3n1p3 URL: http://dx.doi.org/10.15640/ijgws.v3n1p3 Heidegger and the Hermeneutics of the Body Jesus Adrian Escudero1 Abstract Phenomenology, Feminist Studies and Ecologism have accused Heidegger repeatedly for not having taken into account the phenomenon of the body. Without denying the validity of such critiques, the present article focuses its attention first on the question of Dasein’s neutrality and asexuality. Then it analyzes Heidegger’s remarks on temporality as the horizon of all meaning, paying special attention to its significance for Butler’s notion of performativity. Keywords: body, Dasein, gesture, performativity, temporality In Being and Time we find only one reference to corporeality in the context of Heidegger’s analysis of spatiality. Therefore, his analysis of human existence is often accused of forgetting about the body. This criticism has particular force in the field of French phenomenology. Alphonse de Waehlens, for instance, lamented the absence of the fundamental role that the body and perception play in our everyday understanding of things. Jean-Paul Sartre expanded upon this line of criticism by emphasizing the importance of the body as the first point of contact that human beings establish with their world. However, in the context of the first generation of French phenomenologists, Maurice Merleau-Ponty was undoubtedly the first whose systematic analysis of bodily perception established the basis for a revision of Heidegger’s understanding of human life (Askay, 1999: 29-35). -
[email protected]
Palacký University, Olomouc Roman O. Jakobson: A Work in Progress edited and with an introduction by Tomáš Kubíček and Andrew Lass Olomouc 2014 Recenzenti: prof. PhDr. Petr A. Bílek, CSc. prof. PhDr. Dagmar Mocná, CSc. Publikace vznikla v rámci projektu Inovace bohemistických studií v mezioborových kontextech. Tento projekt je spolufi nancován Evropským sociálním fondem a státním rozpočtem České republiky. Zpracování a vydání publikace bylo umožněno díky fi nanční podpoře udělené roku 2014 Ministerstvem školství, mládeže a tělovýchovy ČR v rámci Institucionálního rozvojového plánu, programu V. Excelence, Filozofi cké fakultě Univerzity Palackého v Olomouci: Zlepšení publikačních možností akademických pedagogů ve fi lologických a humanitních oborech. Neoprávněné užití tohoto díla je porušením autorských práv a může zakládat občanskoprávní, správněprávní, popř. trestněprávní odpovědnost. Editors © Tomáš Kubíček and Andrew Lass, 2014 © Univerzita Palackého v Olomouci, 2014 ISBN 978-80-244-4386-7 Neprodejná publikace Content Introduction .................................................................................................................5 Parallelism in prose ...................................................................................................11 Wolf Schmid Reopening the “Closing statement”: Jakobson’s factors and functions in our Google Galaxy .......................................25 Peter W. Nesselroth Elective Affi nities: Roman Jakobson, Claude Lévi-Strauss and his Antropologie Structurale ..............................................................................37 -
Romantic Love, Absence and Jealousy in Roland Barthes’
“ “Affective emotions”: Romantic love, absence and jealousy in Roland Barthes’ Fragments d’un discours amoureux Léonie A. J. Mol 5884780 rMA Cultural Analysis Final thesis Supervisor : J. G. C. de Bloois University of Amsterdam June 17, 2016 Table of contents Introduction: “Shimmerings”: Barthes, Romantic Love and Affect ....................................................... 3 Barthes, romantic love, affect .............................................................................................................. 3 Methodology ....................................................................................................................................... 9 Organization of the thesis .................................................................................................................. 12 Chapter One: Love as absence .............................................................................................................. 16 The Discourse of the Absent: Barthes’ Analysis of Absence, Discourse and Love .......................... 17 Truth and Absence ............................................................................................................................. 19 The Knight of Resignation: Romantic Love as Self-Containment .................................................... 21 An Encounter between Me and the Other: Kierkegaard and Levinas ............................................... 23 Splendid Isolation and Absence ....................................................................................................... -
A Semiotic Theory of Music: According to a Peircean Rationale
A SEMIOTIC THEORY OF MUSIC: ACCORDING TO A PEIRCEAN RATIONALE The Sixth International Conference on Musical Signification University of Helsinki Université de Provence (Aix-Marselle I) Aix-en-Provence, December 1-5, 1998 José Luiz Martinez (Ph.D.) [1] The recent growth of musical applications of Peirce’s general theory of signs, such as in the works of David Lidov (1986), Robert Hatten (1994), William Dougherty (1993, 1994), shows that this approach, once set properly in both musical and semiotic contexts, has great analytical power on questions of musical signification. In this paper I will present the structure of a semiotic theory of music, as demonstrated in my doctoral dissertation, Semiosis in Hindustani Music (Imatra: International Semiotics Institute), submitted and approved by the University of Helsinki in 1997. [2] Peirce, in his studies of semiotics, concluded that thought is only possible by means of signs (vide CP 1.538, 4.551, 5.253). Music is a species of thought; and thus, the idea that music is sign and depends on significative processes, or semiosis, is obviously true. A musical sign can be a system, a composition or its performance, a musical form, a style, a composer, a musician, hers or his instrument, and so on. According to Peirce, signification occurs in a triadic relation of a sign and the object it stands for to an interpretant (CP 6.347), which - in music - is another sign developed in the mind of a listener, musician, composer, analyst or critic. [3] In Peirce’s classification of the sciences, semiotics (or semeiotic) has three branches: Speculative Grammar, Critic and Methodeutic (or Speculative Rhetoric) (CP 1.192). -
Qualia NICHOLAS HARKNESS Harvard University, USA
Qualia NICHOLAS HARKNESS Harvard University, USA Qualia (singular, quale) are cultural emergents that manifest phenomenally as sensuous features or qualities. The anthropological challenge presented by qualia is to theorize elements of experience that are semiotically generated but apperceived as non-signs. Qualia are not reducible to a psychology of individual perceptions of sensory data, to a cultural ontology of “materiality,” or to philosophical intuitions about the subjective properties of consciousness. The analytical solution to the challenge of qualia is to con- sider tone in relation to the familiar linguistic anthropological categories of token and type. This solution has been made methodologically practical by conceptualizing qualia, in Peircean terms, as “facts of firstness” or firstness “under its form of secondness.” Inthephilosophyofmind,theterm“qualia”hasbeenusedtodescribetheineffable, intrinsic, private, and directly or immediately apprehensible experiences of “the way things seem,” which have been taken to constitute the atomic subjective properties of consciousness. This concept was challenged in an influential paper by Daniel Dennett, who argued that qualia “is a philosophers’ term which fosters nothing but confusion, and refers in the end to no properties or features at all” (Dennett 1988, 387). Dennett concluded, correctly, that these diverse elements of feeling, made sensuously present atvariouslevelsofattention,wereactuallyidiosyncraticresponsestoapperceptions of “public, relational” qualities. Qualia were, in effect, -
Hermeneutical Phenomenology and the Philosophy of Science Patrick A
Fordham University Masthead Logo DigitalResearch@Fordham Hermeneutic and Phenomenological Philosophies Research Resources of Science 1991 Hermeneutical Phenomenology and the Philosophy of Science Patrick A. Heelan Georgetown University, [email protected] Follow this and additional works at: https://fordham.bepress.com/phil_research Part of the Continental Philosophy Commons, and the Philosophy of Science Commons Recommended Citation Heelan, Patrick A., "Hermeneutical Phenomenology and the Philosophy of Science" (1991). Research Resources. 11. https://fordham.bepress.com/phil_research/11 This Article is brought to you for free and open access by the Hermeneutic and Phenomenological Philosophies of Science at DigitalResearch@Fordham. It has been accepted for inclusion in Research Resources by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected]. Hermeneutical Phenomenology and the Philosophy of Science Heelan, Patrick, “Hermeneutical Phenomenology and the Philosophy of Science,” in Silverman, Hugh (ed.), Gadamer and Hermeneutics: Science, Culture, and Literature, (New York: Routledge, 1991). pp. 213-228 HERMENEUTICAL PHENOMENOLOGY AND THE PHILOSOPHY OF SCIENCE PATRICK A. HEELAN PART I: Continental and Analytic Philosophy of Science Compared The two most characteristic interests of continental philosophy1 are (1) its preoccupation with the problem of the “constitution” of knowledge, and (2) the effect of the historical and cultural world context of science on the “social constitution” of scientific knowledge. Such constitution is “hermeneutical,” when it essentially involves language, natural and artifactual symbols, and historical communities of interpreters. Continental philosophy from the start sees science as an institution in a cultural, historical, and hermeneutical setting. The domain of its discourse is values, subjectivity, Life Worlds, history, and society, as these affect the constitution of scientific knowledge. -
French Theory
FLUSSER STUDIES 31 Martha Schwendener Flusser and French Theory “Saussure did not impress me.”1 So wrote Flusser in the 1969 essay “In Search of Meaning (Philosoph- ical Self-portrait),” before he returned to Europe and settled for the last decades of his life in France. Rather than Francophone writers – and particularly Saussure, the linguist and figurehead of a strain of language philosophy that would guide French thought in the twentieth century – Flusser acknowledged a host of other thinkers: Kant, Camus, José Ortega y Gasset, Nietzsche, Cassirer, Cohen, Hartmann, the entire Marburg School, the Viennese School, Bertrand Russell, Wittgenstein, and Heidegger, Joyce, Pound, Eliot, Goethe, Thomas Mann, and particularly Kafka and Rilke. In other words, practically anything but French writers. However, the last two decades of Flusser’s life brought him in close con- tact with French thinkers, from Abraham Moles to Jean Baudrillard. Moreover, his increasing contact with German media theory and the U.S. art world, which was besotted with French “theory” (a desig- nation I will explain in a moment) were crucial to his legacy. Paradoxically, even though Flusser’s reception lagged in France, I would argue that his importance is in large part due to the avenues opened up by French theory and the “model” – one of Flusser’s favorite terms – for his own visionary thinking. First, French “theory.” Anaël Lejeune, Olivier Mignon, and Raphaël Pirenne write that French theory refers “roughly to the structuralist and post-structuralist thought that developed in France from the 1960s to the 1980s” and which should be differentiated from “French thought.”1 French theory, as opposed to French thought, offered a degree of heterogeneity and intellectual freedom – which is why it was largely adopted by radical thinkers, in the vein of Flusser.