Contents
Editor's Foreword xxix Introduction Julian Rushton i
Parti: Keynote Papers
Scholarship, Authenticity, Honesty Bernard Williams 9 The Heritage of Pythagoras: Nineteen to the Dozen Roger Penrose 18
Partii: Round Tables
ROUND TABLE I: PERCEPTION AND COGNITION Brain and Music: An Electrophysiological Approach Mireille Besson and Pascaline Regnault 3 3 Perception of Tonal Pitch Space and Tonal Tension Lola L. Cuddy and Nicholas A. Smith 47 The Timing Implications of Musical Structures Bruno H. Repp 6o Listening to a Piece of Music: A Schematization Process Based on Abstracted Surface Cues Irène Deliège 71 Music and Affect: Empirical and Theoretical Contributions from Experimental Psychology Carol L. Krumhansl 88 Strong Experiences of and with Music Alf Gabrielsson and Siv Lindström Wik ioo Contents
Response John Sloboda 109 First Response to the Respondent Eleanor Self ridge-Field 111 Second Response to the Respondent Christian Kaden 115
ROUND TABLE 2: LITERARY STUDIES Music and Narrative in Recent Theory Christopher Butler 118 'All Russian Music is So Sad': Two Constructions of the Russian Soul, through Literature and Music Marina Frolova-Walker 129 Drowning in Music: Ophelia's Death and Feminist Hermeneutics Heather Hadlock 139 The Study of Medieval Music: Some Thoughts on Past, Present, and Future Susan Rankin 154 The Music of Rhetoric Elaine Sisman 169
ROUND TABLE 3: DIRECTIONS IN MUSICOLOGY Statement Andrew Dell'Antonio 179 Statement Stefano Castelvecchi 185 Response Margaret Bent 191 Response Suzanne G. Cusick 195 Response Annegret Fauser 205 Response Ralph P. Locke 209 Response Jiirg Stenzl 218 Response Rose Rosengard Subotnik 221 Contents
Closing Remarks Andrew Dell'Antonio 2.2.6 Closing Remarks Stefano Castelvecchi 228
ROUND TABLE 4: HISTORIOGRAPHY Music Historiography, Critical Theory, and Other Tales John Deathridge 230 The Problem of the French Revolution in Music Historiography and History Michael Fend 239 Difficoltà della storiografia dell'opera italiana Fabrizio Della Seta 251 Collapsing the Dialectic: The Enlightenment Tradition in Music and its Critics Reinhard Strohm 263
ROUND TABLE 5: SOCIOLOGY Music and Sociology: Perspectives, Horizons Christian Kaden 273 Ethnomusicology and Music Sociology Philip V. Bohlman 288 Musical Practices and Hidden Musicians: A Perspective from Sociology and Anthropology Ruth Finnegan ¿99 Music from an Anthropological Perspective Volker Kaiisch 3°9 From Music-Makers to Virtual Singers: New Musics and Puzzled Scholars Tullía Magrini 32° Music and Cultural Practices Peter J. Martin 331 The Sociology of Music as Self-Critical Musicology Mario Vieira de Carvalho 342 Bibliography 35^
ROUND TABLE 6: PHILOSOPHY New Music and Philosophy Lewis Rowell & Contents
'Absolute Music' and the 'New Musicology' Peter Kivy 378 Signs and Transcendence Eero Tarasti 389 'Authenticity', 'Interpretation', and 'Practice': Probing their Limits Ruth Katz 401 Response: Four Philosophies of Musical Interpretation Naomi Cutntning 409
ROUND TABLE 7: CULTURAL POLITICS Musicology and Sexuality: The Example of Edward J. Dent Philip Brett 418 Beethoven's Ironies Arthur Nestrovski 428 Ethnography, Ethnomusicology, and Post-White Theory Deborah Wong 439
Part III: Reports on Study Sessions
1 Music in Tuscany: Past Research and Future Projects Carolyn Gianturco 457 2 The Circulation of Music in Europe 1700-1850 Rudolf Rasch 460 3 Music and/as Ethics — 463 4 The Dating and Chronology of the Works of Josquin des Prez Eric Jas 464 5 a Musicology, Popular Music Studies, and Political Economy; 5b Musicology, Popular Music Studies, and Cultural Geography; 29 Musicology, Popular Music Studies, and the Interpretative Sciences Dai Griffiths 467 6 Berlioz et autour de Berlioz: Un artiste en son temps Peter Bloom 473 7 Portuguese Musical Outreach: Five Centuries Robert Stevenson 476 8 Research in Music Performance: New Methods and Tools José Bowen 479 viii Contents
9 Feminist Epistemologies in Ethnomusicology Elizabeth Tolbert 481 io Musicology and Biography Philip Olleson 483 ii Opera Orchestras in Eighteenth- and Nineteenth-Century Europe Franco Piperno 486 12 The Early Violin Peter Walls 489 13 Auditory Scene Analysis: Future Directions for Musicological Research Maria Anna Harley 491 14 Chant and Liturgy: Compositional Planning in Liturgical Chant Roman Hankeln 493 15 Music Iconography: Transmission and Transformation of Symbolic Images Ann Buckley 496 16 Repertory and Canon: The Dynamics of Canon Formation, 1700-1870 William Weber 498 17 Perspectives on Instrumental Music of the Late Fifteenth and Early Sixteenth Centuries John Kmetz and Keith Polk 501 18 Theatrical Dance and Music, 1650-1850 Sarah McCleave 5°4 19 British Music since Britten Alastair Borthwick 5°7 20 Semiotics, Structural Semantics, Rhetoric: Musical Language Sciences in Contemporary Musicology Marta Grabócz 5°9 21 Interpreting Performance: Chopin-Playing in Perspective John Rink 5^ 22 Theorizing the Transnational Ingrid Monson 515 23 Sense and Sonority in Aquitanian Polyphony and the Conductus — 517 24 The Evolution of Musical Instruments Laurence Libin S1^ Contents
2.5 Der Mensuralcodex St Emmeram (Clm 14274): Eine zentrale Quelle für die Musik Mitteleuropas im 15. Jahrhundert und ihre musikalischen, liturgischen, und theologischen Voraussetzungen Bernhold Schmid 2.6 Opéra et mélodrame en France, 1800-30: Une enquête sur les genres David Charlton 27 Music, Politics, and Patronage in Spanish and Portuguese Dominions in the Early Modern Period Michael Noone 28 Chant and Analysis: Where Are We, and Where Do We Go Now? Barbara Haggh 29 Musicology, Popular Music Studies, and the Interpretative Sciences. See under $a 30 Musical Data and Computer Applications John B. Howard 31 Keyboard Organology: Past, Present, and Future John Koster 32 Kulturelle Traditionen in Mitteleuropa: Musikleben zwischen Zentralismus und regionaler Spezifik am Beispiel der Rolle von Vereinen Cornelia Szabó-Knotik 33 Implications for Mainstream Musicology of Recent Research in Music Cognition Richard Parncutt 34 La vie musicale sous Vichy, 1940—1944 Myriam Chimènes 35 Chant and Palaeography Charles T. Downey 36 Music between East and West: The Work of Lutoslawski, Penderecki, and Górecki in the Context of Culture and History Mieczyslaw Tomaszewski 37 Musicology and Art History Tilman Seebass 38 Theorizing Mixed Media Nicholas Cook 39 'To the Ends of the Earth': Refugee Musicians in East Asia and Latin America, 1933-1945 Horst Weber Contents
40 The History of the Papal Chapel Richard Sherr 557 41 Rapporti tra testo, musica e scena nello spettacolo a Napoli nel Settecento Franco Carmelo Greco 560 4z The Early Sixteenth-Century Organ in England: Its Form, Music, and Place in the Liturgy John Harper 562 43 Contexts for Brass: History, Performance, Culture Jeffrey Nussbaum 565 44 Race and Culture in the Aesthetics of William Grant Still (1895-1978) Catherine Parsons Smith 568 45 Redefining the Low Countries Karl Kugle 571 46 Recent Mozart Research and Der neue Köchel Neal Zaslaw 573 47 Music, Healing, and Culture: Towards a Comparative Perspective Penelope Gouk 575 48 Fascism and Music Karen Painter 578 49 New Methods, New Visions: Computational Initiatives for a New Millennium John B. Howard 580
Part IV: Abstracts of Free Papers
SESSION I: LITURGY AND HOMILETICS The Emerging Chant Repertory in Early Roman Sermons and Commentaries (Fifth-Seventh Centuries) Peter Jeffery 585 The Influence of Homiletic and Exegetical Literature on the Fleury Lament of Rachel Susan Boynton 585 Le vocabulaire de la psalmodie dans la Règle de St Benoît, à la lumière des données musicales traditionnelles Olivier Cullin 586
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How to Build an Alleluia Mitchell P. Brauner History and Liturgy: The Historia of Thomas Becket Kay Brainerd Slocum
SESSION Z: THE HISTORIOGRAPHY OF EARLY MUSIC Towards a Theory of Musical Patronage in the Renaissance and Baroque Eras: A Proposal between Anthropology and Semiotics Claudio Annibaldi Inaudible Efforts, Labeur des doigts, and the Monumentalizing Impulse: Towards a Sociology of Musical Auctoritas in Francophone Europe, 12.00-1600 Sebastian Klotz Music in Seventeenth-Century Emblem Books: Mass Manipulation of Cultural Values Linda Phyllis Austern Artusi's Rage: Fear and Loathing in the Prima prattica Vivian S. Ratnalingam 'Enemies of Love': Staging Female Excess in Monteverdi's II ballo delle ingrate Bonnie Gordon A Jungian Perspective on Monteverdi's Late Madrigals Jeffrey Kurtzman
SESSION 3: EIGHTEENTH-CENTURY OPERA The Rhetoric of the Enlightened Hero: Gender and Operatic Reforms in Early Eighteenth-Century Italy Wendy Heller Les éditions parisiennes de livrets d'opéras et leur contrefaçon bruxelloise dans la seconde moitié du XVIIIe siècle Marie Cornaz Trembley's Polyp and the Natural History of Opera buffa Wye ]. Allanbrook Alfieri and the Transformation of Opera seria Marita P. McClymonds The London Opera of Joseph Haydn: Loss, Lament, and Lieto fine Caryl L. Clark xii Contents
SESSION 4: BROADCASTING AND THE MEDIA Opera Studies, Film Studies: Gounod's Faust and the History of Early French Cinema Rose M. Theresa 592 'A Spectre-World Cuts Through our Space': Early German Radio Criticism and the Listening Subject Nathan E. MacBrien 592 Unión Radio: Música, comunicación e ideología Julio Arce Bueno 592 La zarzuela como material ideológico en el cine y la televisión 1940-70 Juan P. Arregui 593 New Music on the New Third: Exploring BBC Music Policies and Practices in the Post-War Decade Jenny Doctor 593 When Teaching Ten Thousand was Not Enough: E. Azalia Hackley and African-American Music Journalism Juanita Karpf 594
SESSION 5: EARLY POLYPHONY Is it Polyphony? Manuel Pedro Ferreira 594 The Medieval Motet in Occitania and the 'Occitanian' Motet Elizabeth Aubrey 594 The Study of Pigments in Medieval Manuscripts Mary E. Wolinski 595 Secular-Song Tenors and the Fourteenth-Century Motet Alice V. Clark 595 Added Contratenors in the Ballades of Guillaume de Machaut Elizabeth Leach 596
SESSION 6: THE SIXTEENTH-CENTURY TRADITION Sacred Music at the Court of Fernando de Aragon, Duke of Calabria: The Context of Barcelona MS 1166/1967 and a 'Parody' Mass on Josquin's Inviolata Bernadette Nelson 59& Laura, L'aura, Laurels: Strategies of Multiplication in Petrarch and Marenzio Luminita Aluas 59& xiii Contents
Carnival and Carne vale: Orlando di Lasso and Roman Courtesans Donna Cardamone Jackson 597 Music in the Tragedia spirituale Laura Macy 597 The Masses Salve regina and O magnum misterium: New Light on Victoria's Parody Technique Eugene Casjen Cramer 597
SESSION 7: ANALYSIS OF NINETEENTH-CENTURY MUSIC Registrai Direction and Melodic Implication Zohar Eitan 598 An Exegesis of the Kyrie from Beethoven's Mass in C, Op. 86 Jeremiah W. McGrann 598 Nineteenth-Century Hallmark, Theoretical Problem: Third Relations in Schubert's 'Unfinished' and Beethoven's 'Waldstein' Suzannah Clark 599 Rossini as Master of Instrumental Composition: Bonifazio Asioli's Analysis of the Sinfonia from La Cenerentola PeterA.Hoyt 599 Brahms the Autumnal: Cyclical and Progressive Structures and Meanings in Im Herbst, Op. 104 No. 5 Frank Samarotto 599
SESSION 8: METHODOLOGIES Ethnomusicologies of the West: Questions of Perspective and Scope Jonathan Stock 600 American Musicology and 'The Archives of Eden' Harry White 600 Problems in the Application of Linguistic/Semiotic Principles to Music Suk Won Yi 601 Music in Action: The View from Sociology Tia DeNora 601 Queen Elisabeth of Belgium, the A-Bomb and Einstein's Violin: About Pacificism, Pantheism, and the Passion for Music Willem Erauw 602
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SESSION 9: THE FIFTEENTH-CENTURY TRADITION The Wedding of Pious and Profane: A Cultural Context forth e Chanson Mass M. Jennifer Bloxam 602 Musical Life at the Collegiate Church of Saint-Omer, Northern France, c. 1460—1504 Andrew Kirkman 6oz The Meaning of Okeghem's Intemerata dei mater Jeffrey Dean 603 Obrecht's Anchises: Virgilian Allusion in Mille quingentis Sean Gallagher 603 The Controversial Identity of an Iberian Poet-Musician of the Renaissance: 'Badajoz el músico' Emilio Ros-Fábregas 604
SESSION IO: BAROQUE SACRED MUSIC Music in the Cathedral of Manila: Evidence for the First Two Centuries from the Archdiocesan Archive William Summers 604 Modelos de financiación de musica en las catedrales españolas: Formas e implicaciones Javier Suárez-Pajares 604 Music, Ritual, and the Writings of Teodosio Herrera y Bonilla (1652-1734) Greta J. Olson 605 The Sounding City: Urban History and Music in Baroque Jaén Miguel-A. Marín 605 Iconografia musical en la tarasca barroca madrileña: Algunos ejemplos representativos Alicia González de Buitrago García 605 The Interior—Exterior Duality in the Performances of the Musical Ensembles of Granada: Non-Salaried Posts and Extravagantes Performances Juan Ruiz Jiménez 606
SESSION II: MUSIC AND SOCIETY IN THE NINETEENTH CENTURY Salon, Gender, and Musical Culture in Sweden around 1800 Eva Öhrström 606 Contents
Chladni as Musician Manqué Kathryn L. Reichard 607 Byron and the Poetics of Berlioz's 'Harold' Symphony Janet Johnson 607 'Música sabia': The Reception of Classical Music in Madrid (c.1830-1870) Judith Etzion 607 Four-Hand Transcription: Changing Performing Spaces and Genres Thomas Christensen 608 Early Nineteenth-Century Virtuosity and its Public: Power, Gender, and Class in the Concert Hall James A. Deaville 608
SESSION iz: NEW Music The Visual Language of American Experimental Music Nancy Perloff 609 Roland Barthes's 'Text' and Aleatory Music: Is the 'Birth of the Reader' the Birth of the Listener? Jeongwon Joe 609 Imploding the System: Kagel and the Deconstruction of Modernism Paul Attinello 609 Can Literary Criticism Contribute to the Study of Musical Borrowing? The Case of Twentieth-Century Italian Music Susanna Pasticci 610 An Object-Orientated Analysis of Twentieth-Century Piano Music Didier Guigue 610 Musical-Historical Conceptions in the Light of the Systematic Approach Elena Markova and Vladimir Mironov 611
SESSION 13: EARLY THEORY AND Music Law as a Sister Discipline of Music in the Middle Ages and Renaissance C. Matthew Balensuela 611 Time out of Time: Eternity as a Thirteenth-Century Philosophical Issue Exemplified in Music Nancy van Deusen 611 Ordo naturalis in Eleventh-Century Theoretical Systems Gabriella llnitchi 612
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Glosses on Music and Grammar and the Advent of Music-Writing in the West Charles M. Atkinson 612
SESSION 14: Music AND SOCIETY AROUND 1700 Carnival, Commedia dell'arte and the Paris Opéra in the Late Years of the Sun King, 1697—1710 Georgia Cowart 613 Musicians, Amateurs, and Collectors: Early French Auction Catalogues as Musical Sources Albert Cohen 613 Queen Marie Leczinska as Patron of Music: Opera and Chamber Music at the Court of Louis XV M. Elizabeth C. Bartlet 613 The Personal Network: A Sociological Approach to 'Imported' Villancico Texts and Music Supply at Segovia Cathedral (1650-1700) Pablo-L. Rodriguez 614 Collecting and Enlightenment: Musical Instruments in the Natural History Cabinet of Charles III of Spain (1759-88) Cristina Bordas 614
SESSION 15: NINETEENTH-CENTURY TOPICS Virtue, Reform, and 'Pure' Music in Second Empire Paris Michael Strasser 615 Felix Mendelssohn Bartholdys geistliche Vokalmusik: Ein Versuch ihrer chronologischen und stilistischen Einordnung Hiromi Hoshino 615 The Stornello and its Popularity in Ottocento Italy Roberta Montemorra Marvin 615 Apocalypse (Now?): Politics in the Sacred Music of Johannes Brahms Daniel Beller-McKenna 616 Orientalism in Borodin's Prince Igor Firoozeh Khazrai 616 Canonizing the Dutchman: Wagnerism and Der fliegende Holländer Stephen McClatchie 617
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SESSION I6: TECHNOLOGY AND SYSTEMATIC MUSICOLOGY Music and Technology Frank Pecquet 617 Did Greco-Roman Hydraules have Keyboards? Eugene L. Szonntagh 617 The Applicability of Psychological Methods in the Study of Musical Rhythm Youn Kim 618 Acoustique musicale et musicologie: L'apport de l'outil acoustique dans l'analyse perceptive Marie-Cécile Barras 618 Stochastic Analysis and Music Predictability Mario H. A. Koppers 618 Cognitive-Perceptual Effects in Music: Shepard Tones and the Canon per tonos from J. S. Bach's Musical Offering Denis Collins and Andrew Schloss 619
SESSION 17: GLUCK AND EIGHTEENTH-CENTURY AESTHETICS Retorica e tragedia per musica: L'lphigénie en Aulide di Gluck (1774) Alessandra Martina 619 Gluck's L'lphigénie en Aulide (1774—5): Reception and Revision Daniel Heartz 620 Les rêveries renouvelées des Grecs: Facture, Function, and Performance Practice in a Vaudeville Parody of Gluck's Iphigénie en Tauride (1779) Bruce Alan Brown 620 Gluck in the Age of Living Reproduction: Fin-de-siècle Critics Speak on 'Antiquarian' Opera Sheryl Zukowski 620 Romantic Music Aesthetics and its Literary Origins in the Writings of Karl Philipp Moritz Monika Hennemann 621 Gothic Architecture and Baroque Polyphony: A Romantic Blend James Haar 621
SESSION 18: THE EIGHTEENTH-CENTURY TRADITION Rediscovered East-European Sources of Hasse 's Sacred Music Ernest Harriss II 622 xviii Contents
Reading the Metre: Verse Forms in Oratorio Librettos written for Handel by Charles Jennens and Thomas Morell Donald Burrows 622 Musicology, Politics, and Heraldry: The Te deum: A 'State Motet' at the Time of Louis XIV and Louis XV Jean-Paul Montagnier 622 Riepel, Leibniz, and the Ars combinatoria in Seventeenth- and Eighteenth-Century Musical Thought Stefan Eckert 623
SESSION 19: EARLY TWENTIETH CENTURY
Musical Symbolism in the Operas of Debussy and Bartók Elliott Antokoletz 623 'Loneliness' and 'Love': The Literary Context of Bela Bartók's Bluebeard's Castle Judit Frigyesi 624 David: Stravinsky's Music-Hail Ballet Thomas P. Gordon 624 'Schönberg ist Theosoph': Anmerkungen zu einer wenig beachteten Beziehung Beat A.Föllmi 624 Schönbergs Vortragsideal rekonstruiert anhand einer Quelle zu Op. 10 Hermann Danuser 625 Objectifs et méthodes d'une herméneutique de la création et de la réception musicales Christian Hauer 625
SESSION 20: ETHNOLOGY
Interrogating Musicological Otherness in India: Ma'dan-ul- Mausiqi as a 'Mine' of Music History Regula Burckhardt Qureshi 626 'White Facts about Blacks': Interculturalism, Music Education, and Identity in South Africa Eduardo Correia 626 Der Tonartbegriff in der traditionellen türkischen Musik M. Erturul Bayraktarkatal 627 xix Contents
Oral Traditions and Performance Practices in the Encyclopedia Jiu gong da eben nan bei ci gong pu, a Collection of Southern and Northern Chinese Songs Lulu Huang Chang 627 Objectification of Music and the 'Domination of Nature' {Naturbeherrschung): T. W. Adorno's Theory in the Light of Comparative Music Aesthetics Ayako Tatsumura 627 The Body in Music Ramón Pelinski 628
SESSION 21: RENAISSANCE SOURCE STUDIES Identifying Composer Autographs in Pre-1600 Manuscripts Jessie Ann Owens 628 In the Workshop of a Late-Medieval Editor: Johannes Martini and the Manuscript I-MOe a.M. 1.13 Murray Steib 628 The Structure of the Chigi Codex: An Enigma Resolved Fabrice Fitch 629 Who is Katherine? The Women of the Berg & Neuber-Gerlach- Kauffmann Printing Dynasty Susan Jackson 629 The Printing of the Novum et insigne opus musicum (RISM 15 37/1 and RISM 1538/3) Royston Gustavson 630 Parthenia: A Paradigmatic Epithalamion Janet Pollack 630
SESSION 22: OPERA AROUND 1700 Comisión nobiliaria en la circulación de la ópera italiana en Iberoamérica en los primeros años del siglo XVIII Annibale Cetrangolo 630 A New Source of Seventeenth-Century Spanish Theatre Music from Mexico City JohnKoegel 631 Between the Market and the Public Institution: The First Spanish Opera Company in the Commercial Theatres in Madrid during the Eighteenth Century José-Máximo Leza 631 Contents
Italian Opera and/in Spanish Theatres: Francesco Corradini in Valencia (17Z7-31) Andrea Bombi 632 Sacrilege, Power Politics, and Lèse-majesté: The Political Uses of Opera in Eighteenth-Century Gustavian Sweden Bertil H. van Boer, ]r 632
SESSION 23: TWENTIETH-CENTURY TOPICS (Musical) Jugendstil Revisited: Interspecific Conceptual Modelling and the Turn-of-the-Century Peripheral Artsong Zoltan Roman 633 The Piano in Gustav Mahler's Um Mitternacht: Invention or Error? Sue Plutnlee Taylor 633 To the Jew a Foreign Tongue: Mahler's Orchestration as a Sign of Difference K.M.Knittel 633 Machine Music Hugh Macdonald 634 Rose R. and Emilia Marty: The Representation of the Human Experience of Time in Janaèek's The Makropoulos Affair Francis Maes 634 Magic, Ritual, and Mystery in the Poetic Conception of Manuel de Falla's Music Michael Christoforidis 635
SESSION 24: JAZZ AND POP What is Jazz, and How Might Scholars Write About It? Barry Kernfeld 635 As Fats Waller Tells It: It's a Sin to Tell a Lie Paul S. Machlin 635 'We are Not Hurdy-Gurdies': Musicians in a Changing Music World Philomeen Lelieveldt 636 Operatic Intersections with Rock Music: Popularizing Opera Ken McLeod 636 Punk, Funk, Dub, and Disco: British Post-Funk and the Avant-Garde Groove Theo Cateforis 637
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SESSION 25: SEVENTEENTH-CENTURY TOPICS Music and Military Virtue in Early Modern France: The Equestrian Ballet Kate van Orden 637 Guido Casoni (d. 1642) on Love as Music, a Theme for All Seasons Don Harrán 638 Music of Devotion in Counter-Reformation Rome: Borboni's Musicali concenti Kimberlyn Montford 638 Behind the Dragon's Mask: Hidden Political Music of the Restoration JoAnn Taricani 638 Baroque, musique, littérature: La nouvelle espagnole du XVIIe siècle, genre littéraire et source musicologique Maria Sanhuesa Fonseca 639
SESSION 26: EIGHTEENTH-CENTURY INSTRUMENTAL MUSIC The String Quartets of Franz Asplmayr and their Relationship to the Development of Haydn's String-Quartet Style Dennis C. Monk 639 Trumpets, Feldmusik, Continuity, and Hierarchy: Music and the Imperial Procession during the Reign of Maria Theresia Janet Page 640 Empress Marie Thérèse of Austria as Musician and Musical Patron John A.Rice 640 The Hofkapelle under Joseph II and Mozart's Appointment Dorothea Link 640 Title, Function, and the Concept of Genre: The Earliest 'True' Symphonies Eugene K. Wolf 641
SESSION 27: NINETEENTH-CENTURY OPERA Bellini and his Music as Political Symbol Denise P. Gallo 641 Mimesis and Hysteria in La muette de Portici Mary Ann Smart 642 Issues in the Reception of Meyerbeer's Les Huguenots Kerry Murphy 642
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Music-Literature-Theatre-History: A New Approach to Nineteenth- Century Czech Opera Jarmila Gabrielová 642 'Che bella cosa scrivere a tre voci': Verdi's Use of the Trio Form (Musical, Dramatic, and Aesthetic Conception) Ursula Kramer 643 Beyond Exoticism: Cio-Cio-San's Screen and the 'Uses of Convention' Helen Greenwald 643
SESSION Z8: TRANSNATIONALISM Musicology and Missiology Ann L. Silverberg 644 Chinese Politics and Western Musicians in China: A Reflection on Contemporary Exchanges versus Experiences of the Eighteenth- Century Musician-Priests Joyce Z. Lindorff 644 The Iwakura Mission's Encounters with Western Music and their Consequence Tatsuhiko Itoh 644 Russian Roots, American Branches: Music in Cognate Cultures Margarita Mazo 645 The History of German-Russian Musical Contact: German Musical Families in St Petersburg from the Second Half of the Nineteenth Century to the Beginning of the Twentieth Janna Kniazeva 645
SESSION 29: HILDEGARD OF BINGEN Interdisciplinary Objects: The Case of Hildegard of Bingen Honey Meconi 646 Rhetorical Chant? The Relationship between Music and Text in the Repertory of Hildegard of Bingen Catherine Jeffreys 646 Hildegard's Ordo virtutum: Musical Rhetoric and Monastic Education Margot Fassler 647 Contents
SESSION 30: EARLY DANCE Would You Like to Dance this Frottola? Choreographic Concordances in Two Early Sixteenth-Century (Tuscan?) Sources Barbara Sparti 647 The Travelling Dance-Band: Patterns of Transmission of Dance and Music in Fifteenth-Century Europe Jennifer Nevile 64J The Myth of Stylized Dance G. Yvonne Kendall 648
SESSION 31: EARLY TWENTIETH-CENTURY USA Revising Ives Philip Lambert 648 DuBose Hey ward's Drafts for the Porgy Story as Cultural Politics John Andrew Johnson 648 Ruth Crawford Seeger and John Cage: New Connections between Two American Originals Teresa Davidian 649
SESSION 3z: EARLY TWENTIETH-CENTURY FRANCE The Symphony as Political Tool in Early Twentieth-Century France Brian J. Hart 649 French Political Ideology as 'Performative Context': The Concert by World War I Jane F. Fulcher 650 Poulenc and the Painters: The Influence of Art and Artists on his Life and Music Carl B. Schmidt 650
SESSION 33: RENAISSANCE THEORY On the One and the Many: Conflicting Ontologies of Sound in Late Fifteenth-Century Music Theory Leonora Saavedra 651 Musica theorica und Musica practica im Lichte der Studia humanitatis: Astronomie und Medizin als Grundlage und Rechtfertigung für Franchinus Gaffurius' Proportionendenken Walter Kurt Kreyszig 651
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Compositio levis et utilis: Simple Formulas as Substitutes for Counterpoint Studies in the Teaching of Composition around 1500 Dietrich Helms 652 Zwischen der Musiktheorie und Poetik der Renaissance: Decorum Rysza rd ]. Wieczo rek 652 Glareanus and Vasari: Two Competing Views of Historical Progress from Late Renaissance Europe Stefano Mengozzi 653 Theories, Proof, and Dissent in Spanish Music Theory, 1508-77 Wolfgang F rei s 653
SESSION 34: SCHUBERT AND SONG Schubert Iconography: New and Problematic Issues Eva Badura-Skoda 653 Franz Schubert and the Liederspiel: From the Kosegarten Cycle to Die schöne Müllerin Morten Solvik 654 Schubert's Activities in the 'Unsinnsgesellschaft' (1817-18): New Literary and Iconographical Documents Rita Steblin 654 Schubert's Free Verse Setting Jürgen Thym 655 Die Gedichte der schwäbischen Dichterin Friederike Robert in den Vertonungen von Fanny Hensel Annegret Huber 655 Performing Purcell's 'Mad Bess' in Late Eighteenth- and Early Nineteenth-Century England Robert Toft 655
SESSION 35: Music AND LITERATURE: TWENTIETH CENTURY Indagando la musicalità della poesia di Gabriele d'Annunzio: II Poema paradisiaco Marco della Sciucca 656 Faustus, Mephistopheles ... and Gretchen? The Significance of Thomas Mann in the Music of Luigi Dallapiccola i947~55 Raymond Fearn 656 Ghost Trio: Die Musik in Samuel Becketts dramatischem Spätwerk Michael Maier 657
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'Es lebe Kulturkampf!': Polish Parody Songs from Nazi Concentration Camps Barbara Milewski and Bret Werb 657 At Home and Abroad: The Critical Reception of Ethel Smyth's Operas in England and Germany Elizabeth Kertesz 657 Alexander Mikhailov as Musicologist Larissa Kirillina 658
SESSION 36: NATIONALISM General Histories of Music and the Place of the European Periphery MelitaMilin 658 Baltic Music-History Writing: Problems and Perspectives Uwe Lippus 659 La révision de Boris Godounov par le compositeur letton Melngailis (19Z4): Premiers éléments sur une version inconnue de l'opéra de Moussorgski Jean-Marie Jacono and Arnolds Klotins 659 Some Premisses for the Study of Peripheral Musical Nationalism in the Twentieth Century: Fernando Lopes-Graça and the Problem of Tradition in Contemporary Portuguese Music Teresa Cascudo 659 How Musicological and Ethnomusicological is Spanish Flamenco? Joaquina Labajo 660
Part V: Abstracts of Poster Sessions
SESSIONI: ANALYTICAL APPLICATIONS The Antiphons for the Consecration of Virgins and the Changing Role of Plainchant in the Middle Ages James Borders 66} Computer Applications to Sketch Studies: A Database with Image Access for Berg's Sketches for Wozzeck Patricia Hall and William Koseluk 66} Multimedia Environments for the Study of Musical Structure Daniel C. Jacobson 66} Knowledge-Based Simulations: Technological Tools for Music Research Deron L. McGee 664 Contents
Toward a Model for Background Motivic Structure Michael Schiatto 664 Computer Applications and Visual Aids for a Historically Orientated Structural Analysis of Pitches Rainer Zillhardt 665
SESSION 2: NEW COMPUTER APPLICATIONS IN MUSICOLOGY POCO: Tools for Analysing, Modifying, and Generating Performance Expression in Music Peter Desain and Henkjan Honing 665 An Adaptive Optical Music Recognition System Ichiro Fujinaga 666 Music, Memory, and Time Vetri Toiviainen and Mauri Kaipainen 666 A Parallel Processing Key-Finding Model: Structure and Applications Piet G. Vos and Erwin W. Van Geenen 666
SESSION 3: DATABASES Lessico italiano della didattica vocale Sergio Durante 667 Villanelle alla napolitana e canzonette alla romana Marco Giuliani 667 RISM A/II CD-ROM Klaus Keil 668 Hispanic Music Archive and Library Project Paul R. Laird 668 Colección musical 'Fondo Canuto Berea' (archivo y partituras) de la Biblioteca de la Diputación Provincial de La Coruña (España) Dolores Liaño Pedreira 668 An Antiphonal from Kranj: Analytical Approach to its Contents Jurij Snoj 668 The Grey Collection of the South African Library, Cape Town: Studies of Western Plainchant Sources in South Africa Carol Steyn and Morné Bezuidenhout 669
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SESSION 4: MULTIMEDIA Shepherd-Musicians in Catalano-Aragonese Iconography from the Fourteenth and Fifteenth Centuries Jordi Ballester 669 How did Harry James Make us Love him? Michael Meckna 670 The Third Symphony of Gustav Mahler: Ballet by John Neumeier Robert Riggs and Mary Riggs 670 Music Criticism Today Michael Saffle 671 The Duangong: A Qiang Shaman Emma Zevik and Chen Zhong 671
Acknowledgments 673 Index of Contributors 675