Milt Larsen Variety Theater Collection PA Mss 108

Total Page:16

File Type:pdf, Size:1020Kb

Milt Larsen Variety Theater Collection PA Mss 108 http://oac.cdlib.org/findaid/ark:/13030/c8mp57tj No online items Guide to the Milt Larsen variety theater collection PA Mss 108 Finding aid prepared by Anh Huynh and Mona Luo and Zachary Liebhaber, 2016. UC Santa Barbara Library, Department of Special Research Collections University of California, Santa Barbara Santa Barbara 93106-9010 [email protected] URL: http://www.library.ucsb.edu/special-collections 2016 Guide to the Milt Larsen variety PA Mss 108 1 theater collection PA Mss 108 Title: Milt Larsen variety theater collection Identifier/Call Number: PA Mss 108 Contributing Institution: UC Santa Barbara Library, Department of Special Research Collections Language of Material: English Physical Description: 162.78 linear feet(58 document boxes, 7 half-size document boxes, 37 flat boxes, 25 flat oversize boxes, 11 cartons, 220 audiotape reels, 337 videocassettes, 3 film reels) Creator: Larsen, Milt? Date (inclusive): 1880s-2000s Date (bulk): 1920-1959 Abstract: This collection consists of materials amassed during the later half of the 20th century by Milt Larsen, founder of the Academy of Magical Arts at the Magic Castle in Hollywood, California, and the Society for the Preservation of Variety Arts. The collection, vast in breadth of format and coverage, documents the history of the variety arts in the United States from the vaudeville era onwards. Physical Location: Special Research Collections, UC Santa Barbara Library Access Restrictions The collection is open for research, with the exception of Series 7. SPVA files (Box 1-6). Many of the materials in this collection are brittle and will require special handing. Use Restrictions Copyright has not been assigned to the Department of Special Collections, UCSB. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Department of Special Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which also must be obtained. Preferred Citation [Identification of Item], Milt Larsen variety theater collection, PA Mss 108. Department of Special Collections, UC Santa Barbara Library, University of California, Santa Barbara. Acquisition Information Gift of Milt and Arlene Larsen, 2015. Biographical Note Writer, comedian, lyricist, magician and entrepeneur Milt Larsen was born in Pasadena California (1931) to William W. Larsen Sr. and Giselle Larsen, both performing magicians and publishers of Genii, the Conjuror's Magazine. Larsen wrote for the audience participation shows Truth or Consequences (1956-1977) and Malibu U (1967). As a lyricist, Larsen collaborated with Richard Sherman in the satirical albums Smash Flops and Banned Barbershop Ballads. Larsen also collaborated with Sherman on the comedy musical Pazzazz! In 1956 Larsen produced the still running magic review "It's Magic!" which has run annually since that year. In 1963 Larsen founded the Magic Castle in Hollywood (1963). A club for magicians, the Magic Castle is home to the Academy of Magical Arts. In addition to the Magic Castle, Larsen founded the Mayfair Music Hall (1973-1980) and the Variety Arts Theatre in Los Angeles (1977-1990). Larsen served as a consultant and actor in Hollywood films, and authored joke books and books on magic. In 2007 Milt and his late brother, Bill, received a star on Hollywood's Walk of Fame. Larsen, a theater historian, founded the Society for the Preservation of the Variety Arts (1975-1990), having gathered a collection of materials from the early days of variety theater and vaudeville, including scrapbooks, scripts, joke books and photographs. The collection, especially rich in materials related to Eddie Cantor, Ed Wynn, and Earl Carroll, now forms the Milt Larsen Variety Theater Collection at the library of the University of California, Santa Barbara. Scope and Content The Milt Larsen variety theater collection consists of a mix of materials and formats related to all aspects of variety theater from, roughly, the 1890s forward. Established by Milt Larsen, founder of the Academy of Magical Arts as well as the Society for the Preservation of Variety Arts, the collection is unique in its scope and breadth, and documents the development of the variety arts in the United States from stage to radio and film, and finally, television. The collection is especially strong in materials related to vaudeville, Broadway stage, film, television and radio stars Eddie Cantor, Ed Wynn, Billy House, Harold Peary, and Earl Carroll, as well as very early and rare materials related to lesser know vaudevillians. Materials include performer files containing correspondence, clippings, manuscripts, ephemera, and personal/biographical items; scripts, comedy sketches, jokes and gags; photographs; theater programs and playbills, and theater record and performer scrapbooks. Guide to the Milt Larsen variety PA Mss 108 2 theater collection PA Mss 108 The collection includes comprehensive collection of audiotape reels, ranging from 1953 to 1960, of the television show People are Funny, and many other materials in various audiovisual formats. In addition, the collection contains administrative files related to the Society for the Preservation of the Variety Arts (1975-1990), as well files related to the Mayfair Music Hall (1973-1980) and the Variety Arts Theatre in Los Angeles (1977-1990), all founded by Milt Larsen, and thus documenting his many activities and roles, including that of performer, producer, lyricist, writer, comedian, magician, and theater historian. Other Descriptive Information The collection retains, in general, original physical arrangement and folder titles. Arrangement This collection has been divided into the following series: 1. Artist Files, Mixed Materials, 2. Artist Files, Images, 3. Miscellaneous, 4. Scrapbooks, 5. Scripts, 6. Skits, Jokes and Gags, 7. Society for the Preservation of the Variety Arts (SPVA) Files, 8. Theater Programs and Playbills, 9. Audiovisual. Acronyms SPVA = Society for the Preservation of Variety Arts Separated Material Copies of The Jolson Journal Volumes 1-29 (1952-1960) have been separated for cataloging and will be accessible through the UC Santa Barbara Library online catalog. Subjects and Indexing Terms Vaudeville Artist files Audiotapes Clippings (information artifacts) Correspondence Scrapbooks Photographs Playbills Scripts Videocassettes Larsen, Milt? -- Archives Society for the Preservation of Variety Arts -- Archives Series 1. Artist Files, Mixed Materials 1920s-1950s Scope and Content This series contains mixed materials (photographs, corespondence, clippings, ephemera, loose scrapbook pages. Included in this series is an extensive collection of materials related to Eddie Cantor, including scripts, clippings, essays, notes, programs, and correspondence. The bulk of these materials range from the 1920s through the 1950s. Arrangement Materials in this series have been filed alphabetically by file title (mainly artist name). Separated Material Artist scrapbooks, scripts, and large collections of photographs have been separated and filed under the series "Scrapbooks," "Scripts," "Skits, Jokes and Gags," and "Artist Files, Images." box 17 Animal Behavior Enterprises box 17 Arthur, Dirk box 17 Ashton, Doug box 17 Autry, Barbara box 17 Aleco and Vera box 17 Aguilars Guide to the Milt Larsen variety PA Mss 108 3 theater collection PA Mss 108 Series 1.Artist Files, Mixed Materials 1920s-1950s Cantor, Eddie box 17 Arren, Charlotte and Broderick, Johnny box 17 The Agostinos box 17 Amazing Ashtons (Hoody) [1] box 17 Amazing Ashtons (Hoody) [2] box 17 Hoody Ashtons box 18 The Austins box 18 Albers, Dick box 18 Baretta' Birds box 18 Anthony, Philip box 18 Diane Allen Birds box 18 [?] Press 1963-1964 box 18 Six Antonettes box 18 Flying Abbots box 18 Adele and Gory box 18 Alfie the Baby Elephant box 18 Aradon, David box 18 Arnaot Bros box 18 Avner the Eccentric box 18 The Five Amandis box 18 Allen's Bears box 18 Almiros Cantor, Eddie Biography Singer, dancer, comedian, actor, songwriter, and author, "Banjo Eyes" and the "Apostle of Pep" Eddie Cantor (1892-1964) began his career as a vaudeville and "illustrated" song performer, making his Broadway debut in the Ziegfield Follies of 1917. As a regular Follies performer through the 1920s, Cantor appeared beside Bert Williams, Will Rogers, Fanny Brice, and W.C. Fields. In 1931, Cantor joined the Chase and Sanborn Hour radio variety show; other radio shows included Time to Smile (1940-1946), and Pabst Blue Ribbon Show (1946-1949). Cantor began making phonograph recordings in 1917, performing for such labels as Emerson, Vocalion, and under exclusive contract for both Columbia Records and Victor through the 1920s. Some of his hit songs included Makin' Whoppee, Yes! We Have No Bananas, and How Ya Gonna Keep 'em Down on the Farm (After They've Seen Paree?), and his own composition, Merrily We Roll Along. Appearing in short films in the 1920s, Cantor would become a major Hollywood film star throughout the 1930s, inclunding roles in the film version of Whoopee! (1930), Roman Scandals (1933), and Kid Millions (1934). In the 1950s, Cantor was an alternating host of the television variety show The Colgate Comedy Hour introducing variety acts and playing comic characters including the well known "Maxie the Taxi." Cantor authored many books, including Caught Short!: A Saga of Wailing Wall Street (1929). In addition to his artistic endeavors,
Recommended publications
  • Who's Who at Metro-Goldwyn-Mayer (1939)
    W H LU * ★ M T R 0 G 0 L D W Y N LU ★ ★ M A Y R MyiWL- * METRO GOLDWYN ■ MAYER INDEX... UJluii STARS ... FEATURED PLAYERS DIRECTORS Astaire. Fred .... 12 Lynn, Leni. 66 Barrymore. Lionel . 13 Massey, Ilona .67 Beery Wallace 14 McPhail, Douglas 68 Cantor, Eddie . 15 Morgan, Frank 69 Crawford, Joan . 16 Morriss, Ann 70 Donat, Robert . 17 Murphy, George 71 Eddy, Nelson ... 18 Neal, Tom. 72 Gable, Clark . 19 O'Keefe, Dennis 73 Garbo, Greta . 20 O'Sullivan, Maureen 74 Garland, Judy. 21 Owen, Reginald 75 Garson, Greer. .... 22 Parker, Cecilia. 76 Lamarr, Hedy .... 23 Pendleton, Nat. 77 Loy, Myrna . 24 Pidgeon, Walter 78 MacDonald, Jeanette 25 Preisser, June 79 Marx Bros. —. 26 Reynolds, Gene. 80 Montgomery, Robert .... 27 Rice, Florence . 81 Powell, Eleanor . 28 Rutherford, Ann ... 82 Powell, William .... 29 Sothern, Ann. 83 Rainer Luise. .... 30 Stone, Lewis. 84 Rooney, Mickey . 31 Turner, Lana 85 Russell, Rosalind .... 32 Weidler, Virginia. 86 Shearer, Norma . 33 Weissmuller, John 87 Stewart, James .... 34 Young, Robert. 88 Sullavan, Margaret .... 35 Yule, Joe.. 89 Taylor, Robert . 36 Berkeley, Busby . 92 Tracy, Spencer . 37 Bucquet, Harold S. 93 Ayres, Lew. 40 Borzage, Frank 94 Bowman, Lee . 41 Brown, Clarence 95 Bruce, Virginia . 42 Buzzell, Eddie 96 Burke, Billie 43 Conway, Jack 97 Carroll, John 44 Cukor, George. 98 Carver, Lynne 45 Fenton, Leslie 99 Castle, Don 46 Fleming, Victor .100 Curtis, Alan 47 LeRoy, Mervyn 101 Day, Laraine 48 Lubitsch, Ernst.102 Douglas, Melvyn 49 McLeod, Norman Z. 103 Frants, Dalies . 50 Marin, Edwin L. .104 George, Florence 51 Potter, H.
    [Show full text]
  • August 6, 1948
    " .~ emple Beth-Et Broad .& Glenham St s·, P~Otid~nc~, R~ I. ,THE JEWISH. I-IERALD VOL. xxxm. NO. 22 . FRIDAY, AUGUST 6, -1948 PROVIDENCE, R. I. 7 CENTS THE COPY Eddie . Cantor To Laullch GJC Drive . I Senate Gro11p Blocks Drive lo Admif Initial Gifts Meeting Jewish DPs, Polish Pogrom Victims Sept. 1 al Ledgemont Eddie Cantor, one of America's , WASHINGTON- A drive by migx:ation Subcommittee has best-known and best-loved cele­ seven prominent Republican sena- .taken no notice of · it although brit ies and entertainers; o n c e tors to open the \ way for immi- general amendments to the immi­ again will appear in a leading gration to the U.- S. A. of victims gration Jaws are now under study. role--this time as the guest of of the anti-Jewish violence in In view of the probable shortness honor at the General Jewish Com­ Poland after the war is bogging of the present special session, each mittee's Initial Gifts Dinner at the down in the Immigration sub- day that is lost makes it more and Ledgemont Country Club, Wed­ ·committee headed by Sen. Chap- more likely that the measure will nesday evening, Sept. 1. man Revercomb (R., W. Va.). die. The dramatic news that the al­ The bill woulq change the ter- Virtually Dead most-legendary Cantor had ac­ mination date of those eligible to More ambitious efforts to amend cepted the local GJC's invitation· come in under the Displaced Per- the act Ii '> as to bring in 400,000 to highlight the official opening sons Act from December, 194_5, to immigrants instead· of the 200,000 oi this year's drive, iri behalf of April, 1947.
    [Show full text]
  • Summer Classic Film Series, Now in Its 43Rd Year
    Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
    [Show full text]
  • Tom Hanks Halle Berry Martin Sheen Brad Pitt Robert Deniro Jodie Foster Will Smith Jay Leno Jared Leto Eli Roth Tom Cruise Steven Spielberg
    TOM HANKS HALLE BERRY MARTIN SHEEN BRAD PITT ROBERT DENIRO JODIE FOSTER WILL SMITH JAY LENO JARED LETO ELI ROTH TOM CRUISE STEVEN SPIELBERG MICHAEL CAINE JENNIFER ANISTON MORGAN FREEMAN SAMUEL L. JACKSON KATE BECKINSALE JAMES FRANCO LARRY KING LEONARDO DICAPRIO JOHN HURT FLEA DEMI MOORE OLIVER STONE CARY GRANT JUDE LAW SANDRA BULLOCK KEANU REEVES OPRAH WINFREY MATTHEW MCCONAUGHEY CARRIE FISHER ADAM WEST MELISSA LEO JOHN WAYNE ROSE BYRNE BETTY WHITE WOODY ALLEN HARRISON FORD KIEFER SUTHERLAND MARION COTILLARD KIRSTEN DUNST STEVE BUSCEMI ELIJAH WOOD RESSE WITHERSPOON MICKEY ROURKE AUDREY HEPBURN STEVE CARELL AL PACINO JIM CARREY SHARON STONE MEL GIBSON 2017-18 CATALOG SAM NEILL CHRIS HEMSWORTH MICHAEL SHANNON KIRK DOUGLAS ICE-T RENEE ZELLWEGER ARNOLD SCHWARZENEGGER TOM HANKS HALLE BERRY MARTIN SHEEN BRAD PITT ROBERT DENIRO JODIE FOSTER WILL SMITH JAY LENO JARED LETO ELI ROTH TOM CRUISE STEVEN SPIELBERG CONTENTS 2 INDEPENDENT | FOREIGN | ARTHOUSE 23 HORROR | SLASHER | THRILLER 38 FACTUAL | HISTORICAL 44 NATURE | SUPERNATURAL MICHAEL CAINE JENNIFER ANISTON MORGAN FREEMAN 45 WESTERNS SAMUEL L. JACKSON KATE BECKINSALE JAMES FRANCO 48 20TH CENTURY TELEVISION LARRY KING LEONARDO DICAPRIO JOHN HURT FLEA 54 SCI-FI | FANTASY | SPACE DEMI MOORE OLIVER STONE CARY GRANT JUDE LAW 57 POLITICS | ESPIONAGE | WAR SANDRA BULLOCK KEANU REEVES OPRAH WINFREY MATTHEW MCCONAUGHEY CARRIE FISHER ADAM WEST 60 ART | CULTURE | CELEBRITY MELISSA LEO JOHN WAYNE ROSE BYRNE BETTY WHITE 64 ANIMATION | FAMILY WOODY ALLEN HARRISON FORD KIEFER SUTHERLAND 78 CRIME | DETECTIVE
    [Show full text]
  • (XXXIX:9) Mel Brooks: BLAZING SADDLES (1974, 93M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links
    October 22, 2019 (XXXIX:9) Mel Brooks: BLAZING SADDLES (1974, 93m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTOR Mel Brooks WRITING Mel Brooks, Norman Steinberg, Richard Pryor, and Alan Uger contributed to writing the screenplay from a story by Andrew Bergman, who also contributed to the screenplay. PRODUCER Michael Hertzberg MUSIC John Morris CINEMATOGRAPHY Joseph F. Biroc EDITING Danford B. Greene and John C. Howard The film was nominated for three Oscars, including Best Actress in a Supporting Role for Madeline Kahn, Best Film Editing for John C. Howard and Danford B. Greene, and for Best Music, Original Song, for John Morris and Mel Brooks, for the song "Blazing Saddles." In 2006, the National Film Preservation Board, USA, selected it for the National Film Registry. CAST Cleavon Little...Bart Gene Wilder...Jim Slim Pickens...Taggart Harvey Korman...Hedley Lamarr Madeline Kahn...Lili Von Shtupp Mel Brooks...Governor Lepetomane / Indian Chief Burton Gilliam...Lyle Alex Karras...Mongo David Huddleston...Olson Johnson Liam Dunn...Rev. Johnson Shows. With Buck Henry, he wrote the hit television comedy John Hillerman...Howard Johnson series Get Smart, which ran from 1965 to 1970. Brooks became George Furth...Van Johnson one of the most successful film directors of the 1970s, with Jack Starrett...Gabby Johnson (as Claude Ennis Starrett Jr.) many of his films being among the top 10 moneymakers of the Carol Arthur...Harriett Johnson year they were released.
    [Show full text]
  • Ms Coll\Wheeler, R. Wheeler, Roger, Collector. Theatrical
    Ms Coll\Wheeler, R. Wheeler, Roger, collector. Theatrical memorabilia, 1770-1940. 15 linear ft. (ca. 12,800 items in 32 boxes). Biography: Proprietor of Rare Old Programs, Newtonville, Mass. Summary: Theatrical memorabilia such as programs, playbills, photographs, engravings, and prints. Although there are some playbills as early as 1770, most of the material is from the 19th and 20th centuries. In addition to plays there is some material relating to concerts, operettas, musical comedies, musical revues, and movies. The majority of the collection centers around Shakespeare. Included with an unbound copy of each play (The Edinburgh Shakespeare Folio Edition) there are portraits, engravings, and photographs of actors in their roles; playbills; programs; cast lists; other types of illustrative material; reviews of various productions; and other printed material. Such well known names as George Arliss, Sarah Bernhardt, the Booths, John Drew, the Barrymores, and William Gillette are included in this collection. Organization: Arranged. Finding aids: Contents list, 19p. Restrictions on use: Collection is shelved offsite and requires 48 hours for access. Available for faculty, students, and researchers engaged in scholarly or publication projects. Permission to publish materials must be obtained in writing from the Librarian for Rare Books and Manuscripts. 1. Arliss, George, 1868-1946. 2. Bernhardt, Sarah, 1844-1923. 3. Booth, Edwin, 1833-1893. 4. Booth, John Wilkes, 1838-1865. 5. Booth, Junius Brutus, 1796-1852. 6. Drew, John, 1827-1862. 7. Drew, John, 1853-1927. 8. Barrymore, Lionel, 1878-1954. 9. Barrymore, Ethel, 1879-1959. 10. Barrymore, Georgiana Drew, 1856- 1893. 11. Barrymore, John, 1882-1942. 12. Barrymore, Maurice, 1848-1904.
    [Show full text]
  • Published Sheet Music from the Rudy Vallee Collection
    Published Sheet Music from the Rudy Vallee Collection The Rudy Vallee collection contains almost 30.000 pieces of sheet music (about two thirds published and the rest manuscripts); about half of the titles are accessible through a database and we are presenting here the first ca. 2000 with full information. Song: 21 Guns for Susie (Boom! Boom! Boom!) Year: 1934 Composer: Myers, Richard Lyricist: Silverman, Al; Leslie, Bob; Leslie, Ken Arranger: Mason, Jack Song: 33rd Division March Year: 1928 Composer: Mader, Carl Song: About a Quarter to Nine From: Go into Your Dance (movie) Year: 1935 Composer: Warren, Harry Lyricist: Dubin, Al Arranger: Weirick, Paul Song: Ace of Clubs, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred Song: Ace of Diamonds, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred Song: Ace of Spades, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred K. Song: Actions (speak louder than words) Year: 1931 Composer: Vallee, Rudy; Himber, Richard; Greenblatt, Ben Lyricist: Vallee, Rudy; Himber, Richard; Greenblatt, Ben Arranger: Prince, Graham Song: Adios Year: 1931 Composer: Madriguera, Enric Lyricist: Woods, Eddie; Madriguera, Enric(Spanish translation) Arranger: Raph, Teddy Song: Adorable From: Adorable (movie) Year: 1933 Composer: Whiting, Richard A. Lyricist: Marion, George, Jr. Arranger: Mason, Jack; Rochette, J. (vocal trio) Song: African Lament (Lamento Africano) Year: 1931 Composer: Lecuona, Ernesto Lyricist: Gilbert, L. Wolfe Arranger: Katzman, Louis Song: African Lament (Lamento Africano)
    [Show full text]
  • The Rita Williams Popular Song Collection a Handlist
    The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy
    [Show full text]
  • Ronald Davis Oral History Collection on the Performing Arts
    Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.
    [Show full text]
  • Fitzsimmons Stores January 19, 1941 Page 2 Radio Life
    Mistress Mary "Quite Contrary" Livingstone A Sc Magazine, to Increase Your Listening Pleasure, Made Available for Only lc by Your Friendly FITZSIMMONS STORES JANUARY 19, 1941 PAGE 2 RADIO LIFE Contestant: :Telephone, Telegraph, Locate Your Stations Here and `Tel-a-wo man'." If I should win I would like tickets MTR KF1 KECA KHJ KIVO KISS KFOX KSI KERN KVOE KUL to one of the following listed in order 7 T T T T ?of their preference: 511IMIPC KIEVKIWBKNXft—a KDB PTA Bob Hope, Jack Benny, "Information 1111711111 n111'11111 Please.' 600 700 BOO 900 1000 1100 1200 1300 1400 1500 1700 Mrs. Wm. J. Donkey, 629 Robinson St., Los Angeles. THE EAR INSPIRES THE PEN— Sirs: On the Al Pearce progra m on KN X Jan. 3, 1941, Mr. Pearce in trying to sell Notes This department Is open to Vera Vague's new night club. She asked "foot warmers," said the war mers would readers to air their opinions on any him if he wanted some orphan cha m- be good for his grand ma, as she had ten subject Inspired by radio listening, In general to give the radio listening pagne. blankets on her bed with her feet sticking public an outlet for expression. The out, and the lady asked why she had her Jack: Orphan cha mpagne? editor reserves the right to edit all feet sticking out, and he said, "Do you letter.. The writer's name will he Vera Vague: W hy yes, it has no pop. withheld on request, but all letters think she wants those cold things in bed m ust be signed.
    [Show full text]
  • Copyrighted Material
    335 Index a “After You Get What You Want, You “Aba Daba Honeymoon” 151 Don’t Want It” 167 ABBA 313 Against All Odds (1984) 300 Abbott and Costello Meet Frankenstein “Age of Not Believing, The” 257 (1948) 155 Aguilera, Christina 323, 326 Abbott, Bud 98–101, 105, 109, 115 “Ah Still Suits Me” 87 ABC 229–230 “Ah, Sweet Mystery of Life” 78 Abdul, Paula 291 AIDS 317–318 About Face (1953) 151 “Ain’t There Anyone Here for “Abraham” 110–111 Love?” 170 Absolute Beginners (1986) 299 Aladdin (1958) 181 Academy Awards 46, 59, 73–74, 78, 82, Aladdin (1992) 309–310, 312, 318, 330 89, 101, 103, 107, 126, 128, 136, 140, Aladdin II, The Return of Jafar 142, 148–149, 151, 159, 166, 170, 189, (1994) 309 194, 200, 230, 232–233, 238, 242, 263, Alamo, The (1960) 187 267, 271, 282, 284, 286, 299, 308–309, Alexander’s Ragtime Band (1938) 83, 319, 320–321 85–88 Ackroyd, Dan 289 Alice in Wonderland (1951) 148 Adler, Richard 148 Alice in Wonderland: An X‐Rated Admiral Broadway Revue (1949) 180 Musical Fantasy (1976) 269 Adorable (1933) 69 All‐Colored Vaudeville Show, An Adventures of Priscilla, Queen of the (1935) 88 Desert, The (1994) 319 “All God’s Chillun Got Rhythm” 88–89 African AmericansCOPYRIGHTED 13–17, 21, 24, 28, 40, All New MATERIAL Mickey Mouse Club, The 43, 54–55, 78, 87–89, 109–111, 132, (1989–94) 326 163–164, 193–194, 202–203, 205–209, “All Out for Freedom” 102 213–216, 219, 226, 229, 235, 237, All‐Star Revue (1951–53) 179 242–243, 258, 261, 284, 286–287, 289, All That Jazz (1979) 271–272, 292, 309, 293–295, 314–315, 317–319 320, 322 “After the Ball” 22 “All You Need Is Love” 244 Free and Easy? A Defining History of the American Film Musical Genre, First Edition.
    [Show full text]
  • Jimmy Durante Papers PASC-M.0195
    http://oac.cdlib.org/findaid/ark:/13030/c8cv4m1z No online items Finding Aid for the Jimmy Durante Papers PASC-M.0195 Finding aid prepared by Alexandra Apolloni; machine-readable finding aid created by Julie Graham and Caroline Cubé. UCLA Library Special Collections Online finding aid last updated on 2021 January 19. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Jimmy Durante PASC-M.0195 1 Papers PASC-M.0195 Contributing Institution: UCLA Library Special Collections Title: Jimmy Durante papers Creator: Durante, Jimmy Identifier/Call Number: PASC-M.0195 Physical Description: 150 Linear Feet(342 boxes) Date (inclusive): circa 1920s-circa 1990 Abstract: Jimmy Durante had a decades-long career as a musician, songwriter, comedian, and actor. The collection consists of script material, scrapbooks, photographs, written music, audio recordings, printed material and ephemera, and a small amount of correspondence documenting Durante's extensive career as an entertainer on stage, radio, film, and television. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: Materials are in English. Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Physical Characteristics and Technical Requirements CONTAINS AUDIOVISUAL MATERIALS: This collection contains both processed and unprocessed audiovisual materials. Audiovisual materials are not currently available for access, unless otherwise noted in a Physical Characteristics and Technical Requirements note at the series and file levels.
    [Show full text]