August 6, 1948
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Who's Who at Metro-Goldwyn-Mayer (1939)
W H LU * ★ M T R 0 G 0 L D W Y N LU ★ ★ M A Y R MyiWL- * METRO GOLDWYN ■ MAYER INDEX... UJluii STARS ... FEATURED PLAYERS DIRECTORS Astaire. Fred .... 12 Lynn, Leni. 66 Barrymore. Lionel . 13 Massey, Ilona .67 Beery Wallace 14 McPhail, Douglas 68 Cantor, Eddie . 15 Morgan, Frank 69 Crawford, Joan . 16 Morriss, Ann 70 Donat, Robert . 17 Murphy, George 71 Eddy, Nelson ... 18 Neal, Tom. 72 Gable, Clark . 19 O'Keefe, Dennis 73 Garbo, Greta . 20 O'Sullivan, Maureen 74 Garland, Judy. 21 Owen, Reginald 75 Garson, Greer. .... 22 Parker, Cecilia. 76 Lamarr, Hedy .... 23 Pendleton, Nat. 77 Loy, Myrna . 24 Pidgeon, Walter 78 MacDonald, Jeanette 25 Preisser, June 79 Marx Bros. —. 26 Reynolds, Gene. 80 Montgomery, Robert .... 27 Rice, Florence . 81 Powell, Eleanor . 28 Rutherford, Ann ... 82 Powell, William .... 29 Sothern, Ann. 83 Rainer Luise. .... 30 Stone, Lewis. 84 Rooney, Mickey . 31 Turner, Lana 85 Russell, Rosalind .... 32 Weidler, Virginia. 86 Shearer, Norma . 33 Weissmuller, John 87 Stewart, James .... 34 Young, Robert. 88 Sullavan, Margaret .... 35 Yule, Joe.. 89 Taylor, Robert . 36 Berkeley, Busby . 92 Tracy, Spencer . 37 Bucquet, Harold S. 93 Ayres, Lew. 40 Borzage, Frank 94 Bowman, Lee . 41 Brown, Clarence 95 Bruce, Virginia . 42 Buzzell, Eddie 96 Burke, Billie 43 Conway, Jack 97 Carroll, John 44 Cukor, George. 98 Carver, Lynne 45 Fenton, Leslie 99 Castle, Don 46 Fleming, Victor .100 Curtis, Alan 47 LeRoy, Mervyn 101 Day, Laraine 48 Lubitsch, Ernst.102 Douglas, Melvyn 49 McLeod, Norman Z. 103 Frants, Dalies . 50 Marin, Edwin L. .104 George, Florence 51 Potter, H. -
Frwmwwk 1 1 Tom Brown Inrl
PAGE 4 THE INDIANAPOLIS TIMES .TAN. 25, 1936 CANTOR TURNS FROM MOUSE TO MAN IN 'STRIKE ME PINK' Screen Enjoy WHERE, WHAT, WHEN While We Freeze, Ladies of the Picnic APOLLO ie's "The Widow Prom Monfe Carlo." Edd Battles With Racketeers with Del Rio and Warren Lead Donkey Dolores Head William, at 11:06. 12 55. 2:44. 4 33. 6:22. 8:11 and 10 00. CIRCLE 'Pane and Claw." with Prank Him and Parkyakarkus Through Hectic Mask Worn Buck, at 11. 1:50. 4 40. 7:30 and 10 20. Also. “Another Face.' with Brian Donlevy and PhvlliT Brooks, at 12:40. 3:30 6:20 and 9 10. INDIANA Scenes; Fewer Less Singing by • Captain Blood." with Errol Flvnn 'Bottom' Rath- 'Beauties/ Olivia De HaviUand and Basil bone. at 11:42. 2:10 4 40 . 7:10 and 9:40. — LOEW’S Charlie Chan Still Is Alive THE MOVIES ‘Widow From Monte Carlo’ Mr. Cagney Uses Headgear "Strike Me Pink." with Eddie Can- tor. Parkvakarkas Sallv Ellers and APOLLO — The Widow From Ethel Merman, at 11:28. 1 35. 3 42. Playing at Lyric in at Apollo—Circle Has in Film, ‘A Midsummer and 10:03 Monte Carlo.” Dolores Del Rio . a fl a- vk' . 5.49. 7:56 m LYRIC and Warren William caper Mystery Film. ‘Another Face.’ Night’s Dream.’ "Charlie Chan's Secret.” with through a jolly intrigue story Warner Oland. on the screen at JOHN W. THOMPSON with Louise Fazenda doing her several 11:26. 2:14. 5.02. 7:50 and 10 29 On BY daring feats. -
MGM Studio News (January 14, 1939)
. STUDIO NEWS Eddie Cantor Signed by M-G-M Star in Big Musical Comedy 'PIP ID -J Sf g W To Eddie Cantor will return to the screen under the banner of Metro- Goldwyn-Mayer. A contract just signed assures exhibitors at least Published In the Interests of Metro-Goldwyn-Mayer Pictures Studios one big Cantor musical comedy during 1939 with the star of “Kid VOL. V—CULVER CITY, CALIFORNIA, SATURDAY, JANUARY 14, 1939— No. 13 Boots,” “Whoopee,” “The Kid from Spain” and “Roman Scandals.” Although Cantor has not made a picture since “Ali Baba Goes to Town,” devoting Title Is Changed for all his time to radio, his activity on the New Nelson Eddy Film air has kept him closely associated with the As this issue of Studio News goes screen. to press, announcement is made His personal appear- that a new title has been chosen ances have been terrific for “Song of the West,’’ the Metro- successes in the Goldwyn-Mayer production star- and ring Nelson Eddy, with Virginia course of his radio work Bruce and Victor McLaglen. The he has constantly kept picture will be released as “The his audiences picture- Dusty Road.” minded with his screen discoveries. The latest is Cantor Terry Kilburn, the English boy actor who Wallace Beery scored in “Lord Jeff” and “Christmas Carol.” Cantor also was responsible to a Starts Work On great degree for the careers of Deanna Durbin and Bobby Breen. °Sergt. Madden' Detailed plans for Cantor’s first picture under his contract with M-G-M will be With “Stand Up and Fight” on its announced shortly. -
One Night with Fanny Brice
The American Century Theater presents Audience Guide Edited by Jack MarshallNovember 5–27 Rosslyn Spectrum Theater you can afford to seesee———— ppplaysplays you can’t afford to miss! About The American Century Theater The American Century Theater was founded in 1994. We are a professional company dedicated to presenting great, important, but overlooked American plays of the twentieth century . what Henry Luce called “the American Century.” The company’s mission is one of rediscovery, enlightenment, and perspective, not nostalgia or preservation. Americans must not lose the extraordinary vision and wisdom of past playwrights, nor can we afford to surrender our moorings to our shared cultural heritage. Our mission is also driven by a conviction that communities need theater, and theater needs audiences. To those ends, this company is committed to producing plays that challenge and move all Americans, of all ages, origins and points of view. In particular, we strive to create theatrical experiences that entire families can watch, enjoy, and discuss long afterward. These audience guides are part of our effort to enhance the appreciation of these works, so rich in history, content, and grist for debate. The American Century Theater is a 501(c)(3) professional nonprofit theater company dedicated to producing significant 20th Century American plays and musicals at risk of being forgotten. The American Century Theater is supported in part by Arlington County through the Cultural Affairs Division of the Department of Parks, Recreation, and Cultural Resources and the Arlington Commission for the Arts. This arts event is made possible in part by the Virginia Commission on the Arts and the National Endowment for the Arts, as well as by many generous donors. -
2010 Annual Report
2010 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Media Council Board of Governors ..............................................................................................................12 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA Events .................................................................................................................................14 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Robert M. -
Exposing Eddie Cantor, Trouble -Maker Why Frank Munn Sings to a Lost Love
THE LARGEST CIRCULATION OF ANY RADIO MAGAZINE FRED ALLEN AND PORTLAND HOFFA EXPOSING EDDIE CANTOR, TROUBLE -MAKER WHY FRANK MUNN SINGS TO A LOST LOVE . www.americanradiohistory.com New Kind of Dry Rouge aCt y Ataiz.0 on ag cz'ary. ALL NIGMT f , ,d,u.,.,g,r.,,,, ,1,1 de, ,,,h, , . ra :°;'.r,;, NAIL 1,1_ How often you have noticed that most dry rouge seems to lose the i uiry of its color within an hour or so of its application. That is beeatse the sr.droucc particles are so coarse ve n texture, , that they simply, fall areuy from your skin. SAVAGE Rouge, as Your ,nse of touch will instantly tell you, is a great ,lead finer in restore and :miter thin ordinary rouge. Its particles being so infinitely line. adhere much more closely to the skin than rouge has ever clung before. In leer, SAVAGE Rouge, for this reason, clings so insistently, it seems to bee a part of the skin itself ... refusing to y eld, even to the savage caresses its tempting smoorhirers and poise- quickening color might easily invite. The price its ?Cc and the shades, to keep sour lips and cheeks in thrilling harmony, match perfects' drove of SAVAGE LIPSTICK . known as the o transparent-colored indelible lipstick that aer1.1,11y keeps lips seductively soft instead Of drain.e them as indelible lipstick usually does. Apply it rub it in, and delight i ,hiding your lips lusciously, lastingly tinted, yet utterly grease- less. Only :Cc .rid each or the tout hues is as vibrantly alluring, as completely intoxicating as a ¡oriole niche Everyone has found them so. -
Theatrs Thears Theatrs
THE EVENING STAR, Washington, D. C. AMUSEMENTS. MONDAY,MAT 2«. 1952 AMUSEMENTS. A-14 Where and When Stage Dancer - The Passing Show Current Theater Attractions In Second Film As brutally outspoken as And Time of Showing HOLLYWOOD. the words Allyn Stage. McLerie, dancing Broad- way actress who I this betrayed iKerima Is Conrad's Girl, National—“ Call Me Madam”; makes her screen wt *jm 8:30 p.m. bow in Warner Bros.’ “Where’s Charley?” has been assigned b> husband hurls But Screen. to portray She's Also Herself Ambassador —“The San Fran- Jack L. Warner the sultry harem girl, Azuri. in “The mkm, his • By Jay Carmody 3:20, 5:25, Yf at wife... cisco Story”: 1:15, 7:30 Desert Song,” Technicolor mmf- and 9:40 p.m. musi- Growing up, a book-wormy kid back there in Illinois, the words cal. in Ahoy!”; Vs lU, the fury of .of Josepji Conrad seemed gospel true—although naturally quite dif- Capitol—“Skirts 11 a.m. Miss McLerie, contracted by the 1:45, 4:30, 7:15 and 10 p.m. Stage: ¦'uSP-'U’ VI f%- fferent. Burbank studio following her per- $lB discovery! There was his description of Aissa In “Outcast of the Islands,” 12:55, 3:40, 6:25 and 9:10 p.m. formance opposite Ray Bolger in RUtHT 51~i «or example: Columbia “Bingin’ in the both the stage and film versions “Even in repose it is impossible not to be aware of the sinuous Rain”; 11 a.m., 1:10, 3:20, 5:30, of “Where’s Charley?” has re- JERRY WALD l NORMAN XRASNA oi ner Doay, tne strange 7:40 and 9:50 p.m. -
22752 Hon. Nick J. Rahall Ii Hon. Lucille Roybal-Allard
22752 EXTENSIONS OF REMARKS October 7, 2005 front steps in Philadelphia. At 15, he won the You Now,’’ ‘‘Dungaree Doll,’’ ‘‘I’m Walking Be- launching a series of assaults directly Silver Award as ‘‘The Most Promising Male hind You,’’ ‘‘Heart,’’ ‘‘Games That Lovers against the small defensive perimeter the Vocalist of 1958.’’ By the time he was 18, he Play’’ and ‘‘Somebody Like You.’’ Marines had formed around their howitzers. had recorded dozens of hit singles, eight al- Although seriously depleted by heavy cas- f ualties, including the detachment com- bums and earned gold records for ‘‘Turn Me IN HONOR OF 7TH LANCE mander and the platoon sergeant, the gallant Loose’’ and ‘‘Tiger’’ and a gold album for ‘‘The men of the detachment steadfastly met and Fabulous Fabian.’’ In 1959, Fabian made his CORPORAL JAMES R. SARGENT contained each assault with withering fire screen debut in ‘‘Hound Dog Man’’ opposite from automatic weapons, grenades, and Carol Lynley. His role as a homicidal maniac HON. NICK J. RAHALL II point-blank individual weapons. On separate in a TV production entitled ‘‘A Lion Walks OF WEST VIRGINIA occasions, Marines braved the hail of gre- nade fragments and automatic weapons fire Among Us’’ directed by Robert Altman solidly IN THE HOUSE OF REPRESENTATIVES established his credentials as a versatile and to man a 4.2–inch mortar, an 81mm mortar, Friday, October 7, 2005 and a 30–caliber machine gun belonging to powerful actor. His impressive acting credits the Special Forces Detachment. Although include featured roles with John Wayne, Mr. RAHALL. Mr. Speaker, today, 7th Lance continually exposed, they brought the fires James Stewart, Jack Palance, Tuesday Weld, Corporal James R. -
1937-06-08 [P A-3]
gist. Throughout most of the distance head winds prevailed. I dare say they * Recent of averaged 20 miles an hour for the first Jean Harlow at half of Glimpses Hollywood the distance. Then came a stretch of doldrums, a period of clear skies, and then an area of low, ragged clouds strewn all about the sky and TO JEAN HARLOW the heaviest rain I ever saw. The heavens fairly opened. For- tunately, that was long after daylight. Associates in Film Industry The water splashed brown against the Flyer Crosses Atlantic From glass of my cockpit windows, a soiled Unite in Praise—Director emulsion mixed with the oil splashed Brazil to Africa in 13 from the propellers. Calls Her‘Great Actress.’ Hours 22 Minutes. Our flying speed seems to have been about what I had planned. Through- By he Associated Press. j E; the Associated Press. out my flight, calculations have been LOS ANGELES, June 8.—The death built on a base of 150 DAKAR, French Senegal, June 8 — speed miles an of Jean Harlow yesterday brought ex- Amelia Earhart flew here from hour. Reckoning the distance covered of sorrow from of her today pressions many today as about 1,900 our aver- St. of for an miles, famous associates in the motion- Louis, capital Senegal, age fell just a little short of the es- easier take-ofl on the next leg of her picture industry. timate. around the world. Some of the tributes: flight Aviators here said Miss Earhart's On this stretch, as on those that I Clark Gable, who was working in a time of 13 hours and 22 minutes for have preceded, X did not at all open up I picture with her when she was * the 1,900 miles from Natal, Brazil, to the engines. -
Danny Kaye Is Supported in Part by a Grant from the Mcelwaine-Stroock Fund of the Jewish Communal Fund, Made in Memory of Robert M
Audience Guide Written and compiled by Jack Marshall Theater you can afford to see— plays you can’t afford to miss! About The American Century Theater The American Century Theater was founded in 1994. We are a professional company dedicated to presenting great, important, but overlooked American plays of the twentieth century . what Henry Luce called “the American Century.” The company’s mission is one of rediscovery, enlightenment, and perspective, not nostalgia or preservation. Americans must not lose the extraordinary vision and wisdom of past playwrights, nor can we afford to surrender our moorings to our shared cultural heritage. Our mission is also driven by a conviction that communities need theater, and theater needs audiences. To those ends, this company is committed to producing plays that challenge and move all Americans, of all ages, origins and points of view. In particular, we strive to create theatrical experiences that entire families can watch, enjoy, and discuss long afterward. These audience guides are part of our effort to enhance the appreciation of these works, so rich in history, content, and grist for debate. The American Century Theater is a 501(c)(3) professional nonprofit theater company dedicated to producing significant 20th Century American plays and musicals at risk of being forgotten. This program is supported in part by Arlington County through the Arlington Commission for the Arts and Arlington Cultural Affairs, a division of Arlington Economic Development; the Virginia Commission for the Arts; the National Endowment for the Arts; the Arlington Community Foundation; and many generous donors. An Evening with Danny Kaye is supported in part by a grant from The McElwaine-Stroock Fund of the Jewish Communal Fund, made in memory of Robert M. -
RCA Victor LPV 500 Series
RCA Discography Part 23 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Victor LPV 500 Series This series contains reissues of material originally released on Bluebird 78 RPM’s LPV 501 – Body and Soul – Coleman Hawkins [1964] St. Louis Shuffle/Wherever There's A Will, Baby/If I Could Be With You/Sugar Foot Stomp/Hocus Pocus/Early Session Hop/Dinah/Sheikh Of Araby/Say It Isn't So/Half Step Down, Please/I Love You/Vie En Rose/Algiers Bounce/April In Paris/Just Friends LPV 502 – Dust Bowl Ballads – Woody Guthrie [1964] Great Dust Storm/I Ain't Got No Home In This World Anymore/Talkin' Dust Bowl Blues/Vigilante Man/Dust Cain't Kill Me/Pretty Boy Floyd/Dust Pneumonia Blues/Blowin' Down This Road/Tom Joad/Dust Bowl Refugee/Do Re Mi/Dust Bowl Blues/Dusty Old Dust LPV 503 – Lady in the Dark/Down in the Valley: An American Folk Opera – RCA Victor Orchestra [1964] Lady In The Dark: Glamour Music Medley: Oh Fabulous One, Huxley, Girl Of The Moment/One Life To Live/This Is New/The Princess Of Pure Delight/The Saga Of Jenny/My Ship/Down In The Valley LPV 504 – Great Isham Jones and His Orchestra – Isham Jones [1964] Blue Prelude/Sentimental Gentleman From Georgia/(When It's) Darkness On The Delta/I'll Never Have To Dream Again/China Boy/All Mine - Almost/It's Funny To Everyone But Me/Dallas Blues/For All We Know/The Blue Room/Ridin' Around In The Rain/Georgia Jubilee/You've Got Me Crying Again/Louisville Lady/A Little Street Where Old Friends Meet/Why Can't This Night Go On Forever LPV 505 – Midnight Special – Leadbelly [1964] Easy Rider/Good Morning Blues/Pick A Bale Of Cotton/Sail On, Little Girl, Sail On/New York City/Rock Island Line/Roberta/Gray Goose/The Midnight Special/Alberta/You Can't Lose-A Me Cholly/T.B. -
Bob Hope at the National Press Club, July 8, 1980
Bob Hope at the National Press Club, July 8, 1980 Bob Hope (right) with White House photographer Andrew J. “Buck” May (left), July 1980. National Press Club Archives Comedian Bob Hope (1903-2003) treated journalists at a National Press Club luncheon on July 8, 1980, to jokes he planned to deliver later in the week during performances at Washington’s Kennedy Center Concert Hall. As part of a summer tour that coincided with the 1980 presidential election campaign, Hope’s appearances at the Press Club and Kennedy Center gave audiences the opportunity to hear the legendary funnyman gently, but pointedly, skewer those in power, a talent he had perfected since Franklin D. Roosevelt’s presidency. When Hope appeared in March 1944 at the White House Correspondents Association dinner at the Statler Hotel—the annual political roast hosted by the Washington press corps—and left Roosevelt roaring with laughter, the syndicated columnist Richard Wilson announced that a new era had begun. “The gap left by the death of [political humorist] Will Rogers has been filled,” Wilson wrote. “Bob Hope has stepped into his shoes. From now on he will be sought in Washington to provide that extra touch at the capital’s lavish public functions.” Hope’s Press Club appearance came during the final phases of a career that spanned most of the twentieth century. The entertainment historian and critic Leonard Maltin has noted that Hope “may be the most popular entertainer in the history of Western civilization.” A versatile performer—in addition to comedy, he excelled as a singer and dancer—Hope began in vaudeville in the 1920s, gained prominence on the Broadway musical stage during the 1930s, and became one of the nation’s top radio 1 and movie stars in the 1940s.