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Who's Who at Metro-Goldwyn-Mayer (1939)
W H LU * ★ M T R 0 G 0 L D W Y N LU ★ ★ M A Y R MyiWL- * METRO GOLDWYN ■ MAYER INDEX... UJluii STARS ... FEATURED PLAYERS DIRECTORS Astaire. Fred .... 12 Lynn, Leni. 66 Barrymore. Lionel . 13 Massey, Ilona .67 Beery Wallace 14 McPhail, Douglas 68 Cantor, Eddie . 15 Morgan, Frank 69 Crawford, Joan . 16 Morriss, Ann 70 Donat, Robert . 17 Murphy, George 71 Eddy, Nelson ... 18 Neal, Tom. 72 Gable, Clark . 19 O'Keefe, Dennis 73 Garbo, Greta . 20 O'Sullivan, Maureen 74 Garland, Judy. 21 Owen, Reginald 75 Garson, Greer. .... 22 Parker, Cecilia. 76 Lamarr, Hedy .... 23 Pendleton, Nat. 77 Loy, Myrna . 24 Pidgeon, Walter 78 MacDonald, Jeanette 25 Preisser, June 79 Marx Bros. —. 26 Reynolds, Gene. 80 Montgomery, Robert .... 27 Rice, Florence . 81 Powell, Eleanor . 28 Rutherford, Ann ... 82 Powell, William .... 29 Sothern, Ann. 83 Rainer Luise. .... 30 Stone, Lewis. 84 Rooney, Mickey . 31 Turner, Lana 85 Russell, Rosalind .... 32 Weidler, Virginia. 86 Shearer, Norma . 33 Weissmuller, John 87 Stewart, James .... 34 Young, Robert. 88 Sullavan, Margaret .... 35 Yule, Joe.. 89 Taylor, Robert . 36 Berkeley, Busby . 92 Tracy, Spencer . 37 Bucquet, Harold S. 93 Ayres, Lew. 40 Borzage, Frank 94 Bowman, Lee . 41 Brown, Clarence 95 Bruce, Virginia . 42 Buzzell, Eddie 96 Burke, Billie 43 Conway, Jack 97 Carroll, John 44 Cukor, George. 98 Carver, Lynne 45 Fenton, Leslie 99 Castle, Don 46 Fleming, Victor .100 Curtis, Alan 47 LeRoy, Mervyn 101 Day, Laraine 48 Lubitsch, Ernst.102 Douglas, Melvyn 49 McLeod, Norman Z. 103 Frants, Dalies . 50 Marin, Edwin L. .104 George, Florence 51 Potter, H. -
August 6, 1948
" .~ emple Beth-Et Broad .& Glenham St s·, P~Otid~nc~, R~ I. ,THE JEWISH. I-IERALD VOL. xxxm. NO. 22 . FRIDAY, AUGUST 6, -1948 PROVIDENCE, R. I. 7 CENTS THE COPY Eddie . Cantor To Laullch GJC Drive . I Senate Gro11p Blocks Drive lo Admif Initial Gifts Meeting Jewish DPs, Polish Pogrom Victims Sept. 1 al Ledgemont Eddie Cantor, one of America's , WASHINGTON- A drive by migx:ation Subcommittee has best-known and best-loved cele seven prominent Republican sena- .taken no notice of · it although brit ies and entertainers; o n c e tors to open the \ way for immi- general amendments to the immi again will appear in a leading gration to the U.- S. A. of victims gration Jaws are now under study. role--this time as the guest of of the anti-Jewish violence in In view of the probable shortness honor at the General Jewish Com Poland after the war is bogging of the present special session, each mittee's Initial Gifts Dinner at the down in the Immigration sub- day that is lost makes it more and Ledgemont Country Club, Wed ·committee headed by Sen. Chap- more likely that the measure will nesday evening, Sept. 1. man Revercomb (R., W. Va.). die. The dramatic news that the al The bill woulq change the ter- Virtually Dead most-legendary Cantor had ac mination date of those eligible to More ambitious efforts to amend cepted the local GJC's invitation· come in under the Displaced Per- the act Ii '> as to bring in 400,000 to highlight the official opening sons Act from December, 194_5, to immigrants instead· of the 200,000 oi this year's drive, iri behalf of April, 1947. -
MGM Studio News (January 14, 1939)
. STUDIO NEWS Eddie Cantor Signed by M-G-M Star in Big Musical Comedy 'PIP ID -J Sf g W To Eddie Cantor will return to the screen under the banner of Metro- Goldwyn-Mayer. A contract just signed assures exhibitors at least Published In the Interests of Metro-Goldwyn-Mayer Pictures Studios one big Cantor musical comedy during 1939 with the star of “Kid VOL. V—CULVER CITY, CALIFORNIA, SATURDAY, JANUARY 14, 1939— No. 13 Boots,” “Whoopee,” “The Kid from Spain” and “Roman Scandals.” Although Cantor has not made a picture since “Ali Baba Goes to Town,” devoting Title Is Changed for all his time to radio, his activity on the New Nelson Eddy Film air has kept him closely associated with the As this issue of Studio News goes screen. to press, announcement is made His personal appear- that a new title has been chosen ances have been terrific for “Song of the West,’’ the Metro- successes in the Goldwyn-Mayer production star- and ring Nelson Eddy, with Virginia course of his radio work Bruce and Victor McLaglen. The he has constantly kept picture will be released as “The his audiences picture- Dusty Road.” minded with his screen discoveries. The latest is Cantor Terry Kilburn, the English boy actor who Wallace Beery scored in “Lord Jeff” and “Christmas Carol.” Cantor also was responsible to a Starts Work On great degree for the careers of Deanna Durbin and Bobby Breen. °Sergt. Madden' Detailed plans for Cantor’s first picture under his contract with M-G-M will be With “Stand Up and Fight” on its announced shortly. -
The Victor Black Label Discography
The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig ISBN 978-1-7351787-3-8 ii The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig American Discography Project UC Santa Barbara Library © 2017 John R. Bolig. All rights reserved. ii The Victor Discography Series By John R. Bolig The advent of this online discography is a continuation of record descriptions that were compiled by me and published in book form by Allan Sutton, the publisher and owner of Mainspring Press. When undertaking our work, Allan and I were aware of the work started by Ted Fa- gan and Bill Moran, in which they intended to account for every recording made by the Victor Talking Machine Company. We decided to take on what we believed was a more practical approach, one that best met the needs of record collectors. Simply stat- ed, Fagan and Moran were describing recordings that were not necessarily published; I believed record collectors were interested in records that were actually available. We decided to account for records found in Victor catalogs, ones that were purchased and found in homes after 1901 as 78rpm discs, many of which have become highly sought- after collector’s items. The following Victor discographies by John R. Bolig have been published by Main- spring Press: Caruso Records ‐ A History and Discography GEMS – The Victor Light Opera Company Discography The Victor Black Label Discography – 16000 and 17000 Series The Victor Black Label Discography – 18000 and 19000 Series The Victor Black -
Vintage Uke Music Revised 2020.Xlsx
9/20/2020 Title Folder 12 street rag !no covers a fool such as i (now and then there's) A A Lady Loves ‐ 1952 L A Man Never Marries A Wife ‐ 1951 M A Nickel Ain't Worth A Cent Today ‐ 1951 N A Picnic In The Park ‐ 1951 P A Sleepin' Bee ‐ 1954 S a very precious love !no covers a woman in love !no covers A Woman In Love ‐ 1955 W a you're adorable A abdul the bulbul ameer A Abie's Irish Nose ‐ 1925 A About A Quarter To Nine A absence makes heart grow fonder A accent on youth A ac‐cent‐tchu‐ate the positive A Across The Breakfast Table ‐ 1929 A Adam's Apple A Adelaide ‐ 1955 A Adios A Adorable ‐ 1933 A After a million dreams A after all it's you A After All You're All I'm After ‐ 1930 A After All You're All I'm After ‐ 1933 A After Business Hours ‐ 1929 A after i say i'm sorry A after i've called you sweetheart A After My Laughter Came Tears A After Tea ‐ 1925 A after you A After You Get What You Want A After You Get What You Want You Don't Want It ‐ 1920A After You've Gone A after_my_laughter_came_tears A ah but is it love A Ah But It Is Love ‐1933 A ah sweet mystery of life A Ah Wants To Die From Eatin' Possum Pie ‐ 1925 A Ah! The Moon Is Here ‐ 1933 A ah‐ha A ain't gonna rain new verses A Ain't Got A Dime To My Name ‐ 1942 A ain't it cold !no covers ain't misbehavin' A aint misbehavin vintage !no covers aint no flies on auntie A Ain't No Flies On Aunty A ain't no land like dixie A aint she sweet A Ain't That a Grand and Glorious Feeling ‐ 1927 A Ain't we carryin' on A Ain't We Got Fun A Ain't You Baby A ain't_misbehavin' A Ain't‐cha A alabama -
One Night with Fanny Brice
The American Century Theater presents Audience Guide Edited by Jack MarshallNovember 5–27 Rosslyn Spectrum Theater you can afford to seesee———— ppplaysplays you can’t afford to miss! About The American Century Theater The American Century Theater was founded in 1994. We are a professional company dedicated to presenting great, important, but overlooked American plays of the twentieth century . what Henry Luce called “the American Century.” The company’s mission is one of rediscovery, enlightenment, and perspective, not nostalgia or preservation. Americans must not lose the extraordinary vision and wisdom of past playwrights, nor can we afford to surrender our moorings to our shared cultural heritage. Our mission is also driven by a conviction that communities need theater, and theater needs audiences. To those ends, this company is committed to producing plays that challenge and move all Americans, of all ages, origins and points of view. In particular, we strive to create theatrical experiences that entire families can watch, enjoy, and discuss long afterward. These audience guides are part of our effort to enhance the appreciation of these works, so rich in history, content, and grist for debate. The American Century Theater is a 501(c)(3) professional nonprofit theater company dedicated to producing significant 20th Century American plays and musicals at risk of being forgotten. The American Century Theater is supported in part by Arlington County through the Cultural Affairs Division of the Department of Parks, Recreation, and Cultural Resources and the Arlington Commission for the Arts. This arts event is made possible in part by the Virginia Commission on the Arts and the National Endowment for the Arts, as well as by many generous donors. -
FOREST LAWN MEMORIAL PARK Hollywood Hills Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills
Welcome to FOREST LAWN MEMORIAL PARK Hollywood Hills Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Order of Service Waltzing Matilda Played by the Forest Lawn Organist – Anthony Zediker Eulogy to be read by Jack. L. Warner Pall Bearers, To be Announced. Photo by Tony Duran Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Photo by Tony Duran Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Orry-Kelly Filmography 1963 Irma la Douce 1942 Always in My Heart (gowns) 1936 Isle of Fury (gowns) 1963 In the Cool of the Day 1942 Kings Row (gowns) 1936 Cain and Mabel (gowns) 1962 Gypsy (costumes designed by) 1942 Wild Bill Hickok Rides (gowns) 1936 Give Me Your Heart (gowns) 1962 The Chapman Report 1942 The Man Who Came to Dinner (gowns) 1936 Stage Struck (gowns) 1962 Five Finger Exercise 1941 The Maltese Falcon (gowns) 1936 China Clipper (gowns) (gowns: Miss Russell) 1941 The Little Foxes (costumes) 1936 Jailbreak (gowns) 1962 Sweet Bird of Youth (costumes by) 1941 The Bride Came C.O.D. (gowns) 1936 Satan Met a Lady (gowns) 1961 A Majority of One 1941 Throwing a Party (Short) 1936 Public Enemy’s Wife (gowns) 1959 Some Like It Hot 1941 Million Dollar Baby (gowns) 1936 The White Angel (gowns) 1958 Auntie Mame (costumes designed by) 1941 Affectionately Yours (gowns) 1936 Murder by an Aristocrat (gowns) 1958 Too Much, Too Soon (as Orry Kelly) 1941 The Great Lie (gowns) 1936 Hearts Divided (gowns) -
2010 Annual Report
2010 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Media Council Board of Governors ..............................................................................................................12 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA Events .................................................................................................................................14 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Robert M. -
Exposing Eddie Cantor, Trouble -Maker Why Frank Munn Sings to a Lost Love
THE LARGEST CIRCULATION OF ANY RADIO MAGAZINE FRED ALLEN AND PORTLAND HOFFA EXPOSING EDDIE CANTOR, TROUBLE -MAKER WHY FRANK MUNN SINGS TO A LOST LOVE . www.americanradiohistory.com New Kind of Dry Rouge aCt y Ataiz.0 on ag cz'ary. ALL NIGMT f , ,d,u.,.,g,r.,,,, ,1,1 de, ,,,h, , . ra :°;'.r,;, NAIL 1,1_ How often you have noticed that most dry rouge seems to lose the i uiry of its color within an hour or so of its application. That is beeatse the sr.droucc particles are so coarse ve n texture, , that they simply, fall areuy from your skin. SAVAGE Rouge, as Your ,nse of touch will instantly tell you, is a great ,lead finer in restore and :miter thin ordinary rouge. Its particles being so infinitely line. adhere much more closely to the skin than rouge has ever clung before. In leer, SAVAGE Rouge, for this reason, clings so insistently, it seems to bee a part of the skin itself ... refusing to y eld, even to the savage caresses its tempting smoorhirers and poise- quickening color might easily invite. The price its ?Cc and the shades, to keep sour lips and cheeks in thrilling harmony, match perfects' drove of SAVAGE LIPSTICK . known as the o transparent-colored indelible lipstick that aer1.1,11y keeps lips seductively soft instead Of drain.e them as indelible lipstick usually does. Apply it rub it in, and delight i ,hiding your lips lusciously, lastingly tinted, yet utterly grease- less. Only :Cc .rid each or the tout hues is as vibrantly alluring, as completely intoxicating as a ¡oriole niche Everyone has found them so. -
Theatrs Thears Theatrs
THE EVENING STAR, Washington, D. C. AMUSEMENTS. MONDAY,MAT 2«. 1952 AMUSEMENTS. A-14 Where and When Stage Dancer - The Passing Show Current Theater Attractions In Second Film As brutally outspoken as And Time of Showing HOLLYWOOD. the words Allyn Stage. McLerie, dancing Broad- way actress who I this betrayed iKerima Is Conrad's Girl, National—“ Call Me Madam”; makes her screen wt *jm 8:30 p.m. bow in Warner Bros.’ “Where’s Charley?” has been assigned b> husband hurls But Screen. to portray She's Also Herself Ambassador —“The San Fran- Jack L. Warner the sultry harem girl, Azuri. in “The mkm, his • By Jay Carmody 3:20, 5:25, Yf at wife... cisco Story”: 1:15, 7:30 Desert Song,” Technicolor mmf- and 9:40 p.m. musi- Growing up, a book-wormy kid back there in Illinois, the words cal. in Ahoy!”; Vs lU, the fury of .of Josepji Conrad seemed gospel true—although naturally quite dif- Capitol—“Skirts 11 a.m. Miss McLerie, contracted by the 1:45, 4:30, 7:15 and 10 p.m. Stage: ¦'uSP-'U’ VI f%- fferent. Burbank studio following her per- $lB discovery! There was his description of Aissa In “Outcast of the Islands,” 12:55, 3:40, 6:25 and 9:10 p.m. formance opposite Ray Bolger in RUtHT 51~i «or example: Columbia “Bingin’ in the both the stage and film versions “Even in repose it is impossible not to be aware of the sinuous Rain”; 11 a.m., 1:10, 3:20, 5:30, of “Where’s Charley?” has re- JERRY WALD l NORMAN XRASNA oi ner Doay, tne strange 7:40 and 9:50 p.m. -
George P. Johnson Negro Film Collection LSC.1042
http://oac.cdlib.org/findaid/ark:/13030/tf5s2006kz No online items George P. Johnson Negro Film Collection LSC.1042 Finding aid prepared by Hilda Bohem; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections Online finding aid last updated on 2020 November 2. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections George P. Johnson Negro Film LSC.1042 1 Collection LSC.1042 Contributing Institution: UCLA Library Special Collections Title: George P. Johnson Negro Film collection Identifier/Call Number: LSC.1042 Physical Description: 35.5 Linear Feet(71 boxes) Date (inclusive): 1916-1977 Abstract: George Perry Johnson (1885-1977) was a writer, producer, and distributor for the Lincoln Motion Picture Company (1916-23). After the company closed, he established and ran the Pacific Coast News Bureau for the dissemination of Negro news of national importance (1923-27). He started the Negro in film collection about the time he started working for Lincoln. The collection consists of newspaper clippings, photographs, publicity material, posters, correspondence, and business records related to early Black film companies, Black films, films with Black casts, and Black musicians, sports figures and entertainers. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Portions of this collection are available on microfilm (12 reels) in UCLA Library Special Collections. -
El Espectáculo De La Otredad: La Representación Racial Y De Género En Roman Scandals
EL ESPECTÁCULO DE LA OTREDAD: LA REPRESENTACIÓN RACIAL Y DE GÉNERO EN ROMAN SCANDALS MARÍA APARISI GALÁN UNIVERSITY OF VALENCIA Abstract - The present paper analyses the strategies of racialization and genderization developed in the musical film Roman Scandals (Frank Tuttle 1933) and especially those used in the musical number “Keep Young and Beautiful”, in which Eddie (Eddie Cantor) uses blackface to hide in the bathrooms of ancient Rome in the company of half-naked white women and their black maids. Through a theoretical framework that draws on the contributions of Decolonial Studies, Postcolonialism Studies and Whiteness Studies, together with the methodological tools of Feminist Film Theory, we aim to reveal the phenomena of coloniality of power and gender that returns the white man’s position of power that he had lost as a result of the Great Depression. Key words: otherness; blackface; musical; fetish; look. 1. Introducción El siguiente artículo tiene el propósito de abordar las estrategias de representación racial y de género desarrolladas en la película Roman Scandals (Frank Tuttle, 1933) y concretamente aquellas utilizadas en el número musical “Keep Young and Beautiful” en el que Eddie (Eddie Cantor) utiliza el blackface para hacerse pasar por un hombre negro experto en belleza etíope entre mujeres blancas semidesnudas y sus criadas negras. A través de un marco teórico que bebe de los Estudios Decoloniales, las aportaciones del Postcolonialismo y los estudios de la blanquitud, junto con las herramientas metodológicas de la Teoría Fílmica Feminista, pretendemos desvelar el proceso de significación de la otredad racial y de género articulado por la instancia enunciativa del discurso fílmico, que produce y reproduce los fenómenos de la colonialdiad de poder y de género para asegurar la posición de poder del hombre blanco.