Rapport Annuel De Gestion 2016-2017 De La SODEC
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Relance Culturelle 2020 - 2021
Liste des projets soutenus par la SODEC au volet 2 – relance culturelle 2020 - 2021 Objet Domaine Client Région administrative Relance salle cinéma et adaptation aux mesures sanitaires Cinéma et production télévisuelle Yuppie Films inc. (Cinéma Valleyfield) Montérégie Relance salle cinéma et adaptation aux mesures sanitaires Cinéma et production télévisuelle Cinéma Triomphe inc. Lanaudière Relance salle cinéma et adaptation aux mesures sanitaires Cinéma et production télévisuelle Cinéma Galerie du Cap inc. Lanaudière Relance salle cinéma et adaptation aux mesures sanitaires Cinéma et production télévisuelle Cinéma de Jonquière inc. Lanaudière Relance salle cinéma et adaptation aux mesures sanitaires Cinéma et production télévisuelle 9235-5676 Québec inc. (Cinémas Fleur-de-Lys) Lanaudière Relance salle cinéma et adaptation aux mesures sanitaires Cinéma et production télévisuelle 3560201 Canada inc. (Cinéma Odyssée) Lanaudière Relance salle cinéma et adaptation aux mesures sanitaires Cinéma et production télévisuelle 9139-9808 Québec inc. (Cinéma Élysée) Lanaudière Relance salle cinéma et adaptation aux mesures sanitaires Cinéma et production télévisuelle Cinéma Public Montréal Relance salle cinéma et adaptation aux mesures sanitaires Cinéma et production télévisuelle 9230-2058 Québec inc. (Maison du cinéma, La) Estrie Relance salle cinéma et adaptation aux mesures sanitaires Cinéma et production télévisuelle 2738-4478 Québec inc. (Cinéma Le scénario) Bas-Saint-Laurent Relance salle cinéma et adaptation aux mesures sanitaires Cinéma et production télévisuelle Fondella divertissements inc. Montérégie Relance salle cinéma et adaptation aux mesures sanitaires Cinéma et production télévisuelle Azur Divertissements inc. Montérégie Relance salle cinéma et adaptation aux mesures sanitaires Cinéma et production télévisuelle Azur Divertissements inc. Montérégie Relance salle cinéma et adaptation aux mesures sanitaires Cinéma et production télévisuelle Cinéma Beloeil inc. -
PDF Version Française
Rapport annuel 2020 2021 Avec la participation du gouvernement du Canada SOMMAIRE 3 Mission 4 Message du président 6 Le conseil d’administration et l’équipe 8 Les partenaires financiers 9 Une francophonie fière et volontaire 10 Préserver ce lien de confiance 11 Résilience et créativité pour saisir de nouvelles opportunités 12 Les communautés francophones du Canada 18 Les prix 22 Les certifications 23 L’accès au financement 26 Résultats financiers 2020-2021 32 Volet Initiatives individuelles – Projets acceptés 51 Volet Initiatives collectives – Projets acceptés 62 Fonds d’urgence relatif à la COVID-19 69 Volet Vidéoclip – Projets acceptés 71 Liste complète de tous les projets acceptés en 2020-2021 100 États financiers 2020-2021 Patrice Michaud Cœur de pirate Bon Débarras Crédit : Andréanne Gauthier Crédit : Villedepluie Crédit : Vitor Munhoz 2 musicaction Rapport annuel 2020/2021 Mission À l’initiative des radiodiffuseurs privés et des professionnels de l’industrie du disque et du spectacle, la Fondation Musicaction, une organisation à but non lucratif, a vu le jour en 1985. Sa mission première : contribuer au développement de la musique francophone d’ici en offrant un soutien financier aux projets de l’industrie indépendante et des artistes canadiens. De la production d’enregistrements sonores à la réalisation d’initiatives collectives sur les marchés internationaux, tout en appuyant la commercialisation des albums, le soutien aux activités scéniques et la promotion des artistes des communautés francophones en situation minoritaire, Musicaction met à la disposition des acteurs de l’industrie une panoplie d’instruments dont l’objectif commun est de favoriser l’essor et le rayonnement de la création musicale proprement canadienne. -
Gilité Passi U
e m s i l a é e n t n r i o i l u s i RAPPORT ANNUEL s t b e f DE GESTION DE LA l a o r t u p p c é t a i SODEC a v d i t l i a t 2019-2020 é r é p t u m i o o c iv t p e a c c ré n n e r io a A s sp gi as n lité p ra t re rtu équité ouve Montréal, le 4 septembre 2020 Madame Nathalie Roy Ministre de la Culture et des Communications Ministère de la Culture et des Communications Édifice Guy-Frégault 225, Grande Allée Est, Bloc A, 1er étage Québec (Québec) G1R 5G5 Madame la Ministre, J’ai le plaisir de vous transmettre le rapport annuel de gestion de la Société de développement des entreprises culturelles (SODEC) pour l’exercice financier se terminant le 31 mars 2020. Ce rapport vous est remis pour dépôt à l’Assemblée nationale. Il a été produit conformément aux dispositions de la Loi sur la SODEC ainsi que de la Loi sur l’administration publique. Veuillez agréer, Madame la Ministre, l’expression de mes sentiments les meilleurs. La présidente et chef de la direction, Louise Lantagne 905, avenue De Lorimier, 4e étage, Montréal (Québec) H2K 3V9 | 514 841-2200 | 1 800 363-0401 | sodec.gouv.qc.ca Présentation d’Antigone au festival CINEMANIA De gauche à droite : Guilhem Caillard, Antoine Desrochers, Maidy Teitelbaum, Louise Lantagne, Sophie Deraspe, Nahéma Ricci et Nour Belkhiria Lou-Adriane Cassidy à la soirée Côte à Côte aux BIS de Nantes Naomi Fontaine au Salon du livre de l’Outaouais TABLE DES MATIÈRES Mot du président du conseil d’administration 6 4. -
The Barr Brothers
The Barr Brothers Bio Over the last several years, The Barr Brothers have increasingly become one of the western world’s most distinguished purveyors of eclectic modern-Americana. Fronted by the poly-rhythmic, jocular drumming of Andrew Barr, the songs and guitar playing of brother Brad Barr, and the innovative harp wizardry of Sarah Pagé--who has single-handedly redefined the instrument and its context. The group has been expanding and contracting its sound and its size from their home base in Montreal, QC. Bass, pedal steel, keyboards, and horns come in and out of the mix freely. Equally at home in solemn Arcadian ballads, swampy North African improvs, or classic rock and roll revelry, The Barr Brothers continue to embrace and enchant audiences with their methodical-yet-whimsical approach to music making. The two brothers and Sarah began performing Brad's songs around North America, bringing in other friends on other instruments when needed, spinning these otherwise bedroom- folk songs into an intricate, open terrain. The link they maintain to the past fuses wonderfully with poetic insight into the conditions of the present, while incorporating everything from Malian rhythms to the Elmore James-esque slide guitar. Homemade percussion instruments reminisce the likes of Tom Waits’ five-years-buried muffler and a Jockey Full of Bourbon, while reviving Celtic folk traditions, polyrhythmic harp interplay, and the fire of West African Blues. Their self-titled debut album The Barr Brothers (2011) dances a fine line between the crossroads of Robert Johnson, Arthurian ballads, and the poetic sensibilities of Leonard Cohen. Their sophomore album, Sleeping Operator (2014) delves deeper into the connections between the Delta blues and its ancestry in West and North Africa, while still rooting itself in the softness of Appalachian folk and the soaring resilience of a song’s connective tissues. -
Marked Once Again by a Great Turnout
Inside this week General Store est. in 1909 and Percé wireless network McInnis Cement: Caisse still sells just about everything overloaded during tourist boom de dépôt takes control Contract 400119680 VOLUME 42 / NO 32 / AUGUST 17, 2016 $1.50 (Tax included) SHIGAWAKE AGRICULTURAL FAIR AND MUSIC FESTIVAL: Marked once again by a great turnout Gilles Gagné lot of local bands on Thurs- day. Actually, it is their day SHIGAWAKE: – Statistics and we saw keen interest in still have to be aligned, mak- them this year. It is also nice ing it a bit early for a thor- to see people from here, or ough wrap up but the with roots here, make their organizers of the Shigawake holiday plans around the Agricultural Fair and Music event,” says Meghan Clinton. Festival know for sure that For Friday, she was glad the 2016 edition of their about the decision she and the event was another great suc- programming crew made cess. about starting the music night The four days of the agri- with Romeo “Tunny” Hottot cultural fair and music festi- and Glenn Patterson, two fid- val were characterized by dlers. strong points, and SPEC “It went very well. It was Photo: P. MacWhirter The lawn tractor race has become a very popular event. it was close to the record of Festival. This year’s Saturday bers now that we sell week- last year,” she says. crowd might have been even end passes,” she says. The 2015 combination of larger, considering the num- The lawnmower race has the Barr Brothers and Gaspe- ber of people on the entire also become a huge attrac- sian singer Marie-Pierre fairgrounds site. -
Feuille Nominationsavec Logo.Pmd
N O M I N A T I O N S 2015 Gala de l’ADISQ Révélation de l’année Groupe ou duo de l’année • Bernhari • Alfa Rococo présenté par Radio-Canada • Philippe Brach • Galaxie Dimanche, 8 novembre • Jérôme Couture • Kaïn Salle Wilfrid-Pelletier • Valérie Lahaie • Marie-Eve Janvier et Jean-François Breau Animateur : Louis-José Houde • David Portelance • Radio Radio Spectacle de l’année - Interprète féminine de l’année Auteur-compositeur-interprète • Marie-Pierre Arthur Album de l’année - Adulte contemporain • Accords, Sylvain Cossette • Brigitte Boisjoli • Si l'aurore, Marie-Pierre Arthur • Le Voyage d'hiver, Keith Kouna • Isabelle Boulay • Sur la terre, Pierre Flynn • Le feu de chaque jour, Patrice Michaud • Marie-Mai • Hervieux, Marc Hervieux • 22h22, Ariane Moffatt • Ariane Moffatt • Après la tombée du rideau, Patrick Norman • Himalaya mon amour, Alex Nevsky • Un homme qui vous ressemble, Mario Pelchat Interprète masculin de l’année Spectacle de l’année - Interprète • Louis-Jean Cormier Album de l’année - Folk • Légendes d'un peuple - Le collectif, • Marc Dupré • La foire et l'ordre, Philippe Brach Artistes variés • Jean Leloup • Les grandes artères, Louis-Jean Cormier • Sans regret, Brigitte Boisjoli • Alex Nevsky • Face à l'ouest, Kevin Parent • Merci Serge Reggiani, Isabelle Boulay • Vincent Vallières • Plus tard qu'on pense, Fred Pellerin • Les années bonheur, Michel Louvain, • Panorama, Tire le coyote Renée Martel, Chantal Pary Chanson de l’année • À la croisée des silences, Chloé Sainte-Marie • Rien à faire, Marie-Pierre Arthur Album -
Orreport Annual 2013 – 2014
FA Annual 2013 – 2014 C T OR Repor t We acknowledge the financial support of the Government of Canada through the Department of Canadian Heritage Canada Music Fund and of Canada's Private Radio Broadcasters. 2 Message From the Chair We are extremely FACTOR 2013–2014 FACTOR proud of the role we play in supporting Canadian musical artists Message From the Chair 3 After serving on FACTOR’s Board of Directors for the past six years, it is with pride that I write my last message as Chair. It is remarkable to think how much FACTOR has changed since I first became involved with the organization. Over this time, FACTOR has made a number of important improvements and transforma- tional changes in the way it administers funding for the Canadian independent music industry. These include efforts to build staff expertise to ensure consistent, fair and transparent funding; to develop a res- ponsible investment strategy for surplus funding that ensures long-term 2013–2014 FACTOR funding stability; the modernization of our application processes and client services with investments in digital infrastructure; and, most importantly, a re-design of our programs to better reflect how the industry is monetizing recorded music and to ensure investments are made in areas where they will have the greatest potential to be com- mercially meaningful. FACTOR’s ability to successfully navigate the dramatic changes shaping the Canadian independent music industry is due in large part to the stable funding it receives from the public-private partnership shared between Canada’s private radio broadcasters and the Government of Canada through the Department of Canadian Heritage. -
Société Canadienne Des Auteurs, Compositeurs Et Éditeurs De Musique Exercice Clos Le 31 Décembre 2016
SOMMAIRE UN MESSAGE DU CHEF DE LA DIRECTION 1 UN MESSAGE DU PRÉSIDENT DU CONSEIL D’ADMINISTRATION DE LA SOCAN 3 FAITS SAILLANTS 2016 5 BILAN 6 FINANCES 6 SERVICES AUX MEMBRES 41 LICENCES 44 RÉPARTITIONS 46 RELATIONS INTERNATIONALES 48 PANTHÉON DES AUTEURS ET COMPOSITEURS CANADIENS 50 FONDATION SOCAN 53 OPÉRATIONS 55 AFFAIRES DU QUÉBEC 57 RÉUSSITES 60 LES GALAS DE LA SOCAN 2016 60 PRIX #1 DE LA SOCAN 63 LE PRIX DE LA CHANSON SOCAN 71 EN COULISSES 74 À PROPOS DE NOUS 74 GOUVERNANCE 75 CONSEIL D’ADMINISTRATION 76 ÉQUIPE DE LA DIRECTION 77 CULTURE, COMMUNAUTÉ ET ALTRUISME 78 Eric Baptiste Chef de la direction UN MESSAGE DU CHEF DE LA DIRECTION C’est un réel bonheur pour moi, en tant que chef de la direction de la SOCAN, de servir nos presque 150 000 membres auteurs, compositeurs et éditeurs de musique. Je suis ravi de vous présenter le rapport annuel 2016, une année qui fut des plus significatives et réussies depuis la création de notre organisation il y a plus de 90 ans. « Propulsé par la SOCAN » est le thème du rapport annuel de cette année. Les défis et les opportunités créés par la transition rapide vers un monde « global » et « numérique » que nous vivons sont sans précédent et exigent conséquemment des solutions sans précédent ; je suis fier de pouvoir dire que la SOCAN livre la marchandise. Nous continuons de bâtir une plateforme puissante et flexible qui offre des services sur mesure inégalés à tous les joueurs de l’écosystème musical numérique au Canada et partout dans le monde. -
Thecribs Biog2017 Copy
THE BARR BROTHERS BIOGRAPHY 2017 To begin their third album, The Barr Brothers had to make some noise together. No plans or distrac- tions, no preconceptions. No friends or strangers, label reps or engineers, no cellphone trills or city sound. No partners. No children. Not even any notebooks of lyrics – verses, choruses, chords preconsid- ered and plotted out. For the first time the band’s three members – namesake siblings Brad and Andrew Barr, harpist Sarah Pagé – would go songless into studio. Empty-handed, whole-hearted, down miles of snowy road to a cabin on a frozen lake, a place full of windows and microphones and starlight and sun- shine, with amplifiers in the bedrooms, their volumes turned up loud. They spent a whole week playing. These were improvisations lasting hours at a time – noons and mid- nights, dusks and dawns, a chance to remember who they were and who they were becoming. Some of this was groove: patterns inspired by India, West Africa and 808 drum machines, deeper and heavier than what they’d tried before. Some of it came from Pagé’s new inventions: humbuckers, Kleenex-box signal-splitters, hacks to make her harp into a versatile, sub-bass-booming noisemaker. But there was also plain old guitar – songs opened up by that big electric sound. Brad had asked, “How do we make music when there is no song?” The answer was this roaming, three-dimensional music, filled with nos- talgia and experiments and rolling space, found on the fringes of Saint Zenon, Québec (pop. 1,1150). The stakes felt high. -
Mountain Stage Guest Artist List
MOUNTAIN STAGE GUEST ARTIST LIST 1981 March Bob Thompson Jazz Trio, Putnam County Pickers 1983 December Larry Parson’s Chorale, Bob Thompson Jazz Trio, John Pierson 1984 January Currence Brothers, Ethel Caffie-Austin Singers, Terry Wimmer February Rhino Moon, Moloney, O’Connell & Keane, Alan Klein, Robert Shafer March Trapezoid, Charleston String Quartet, Bonnie Collins, April Stark Raven, Joe Dobbs/Friends, Alan Freeman, Joe McHugh May Hot Rize, Red Knuckles & Trailblazers, Karen McKay, Alan/Jeremy Klein June Norman Blake/Rising Fawn Ensemble, Appalachian String Quartet, Elmer Bird, Jeff and Angela Scott July Still Portrait, Everett Lilly/Appalachian Mountain, Sweet Adelines August Bill Danoff, Ann Baker/Bob Thompson Trio, Bob Shank, Alice Rice September Clan Erdverkle, Ron Sowell, Tracy Markusic, Shirley Fisher October Critton Hollow String Band, Tom Church, Marc & Cheryl Harshman November Turley Richards, Night Sky, Mountain Stage Regulars December (1 hr. Christmas special) West Virginia Brass, Bob Thompson, Devon McNamara 1985 January Turley Richards, West Virginia Brass, Bonnie Collins February Whetstone Run, Lucky Jazz Band, Alice Rice March Alex de Grassi, Nat Reese, Maggie Anderson April Guy Clark, Trapezoid, Marc Harshman May Bob Thompson, Ann Baker, Paul Skyland, Devon McNamara June 1 (Spoleto-Chas, SC) Hot Rize, Red Knuckles, John Roberts/Tony Barrand, Moving Star Singers June John McEuen, Mountain Thyme, John Rosenbohm, Bonnie Collins July Bill Danoff, Steadfast, Faith Holsaert August Buster Coles, Bing Brothers, Bob Baber -
Katie Moore's Picture of Montreal on "Fooled by the Fun" | No Depression 2015-10-23, 3:59 PM
Katie Moore & Andrew Horton Katie Moore’s music has always challenged quick categorization by laying its hat on the hooks between folk, Americana, country and 70’s Southern California. Her latest album examines her favourite aspects of the roots of country and bluegrass: harmony singing. Six More Miles (Fat Rainbow Records) is a duets album recorded with Andrew Horton, who has served as bassist in Katie’s band for over 10 years and who fronts the Firemen, a shit- kickin’ country band that has brought the honky-tonk back to Montreal. The album was recorded live over two days at Mixart Studio in Montreal by producer Warren Spicer, and features some of Montreal’s sharpest musicians, including Joe Grass (Patrick Watson, Barr Brothers) on dobro and mandolin, Sage Reynolds (Jordan Officer) on bass, and Alex Kehler (Soulwood) on fiddle and nyckelharpa – an old-time Swedish stringed instrument similar to the hurdy-gurdy but sounded with a bow instead of a wheel. Inspired by the warm sounds of classic country albums such as Merle Haggard’s Roots Vol. 1, the songs on Six More Miles are anchored by Katie and Horton’s lush vocals and emboldened with simple arrangements. Katie’s 2015 album, Fooled by the Fun was declared “one of the strongest Americana releases by a Canadian this year” by No Depression, while her 2011 album Montebello won a GAMIQ award as well as the Socan Songwriting award. This new recording, Six More Miles, showcases Katie and Andrew’s effortless harmonies. The two have been singing together, on stage and off, for years. -
Hs18 Web.Pdf
Welcome! Greetings everyone and WELCOME to the 28th Annual High Sierra Music Festival. This year we celebrate our 20th festival in Quincy, CA, a community where we feel more and more at home every year. We thank you for growing with us here in Quincy, and for being the best festival audience in the country! What you hold in your hands is our handy dandy pocket guide, it contains everything you’ll need to navigate your days and nights at the festival. We hope you’ll immerse yourself in all High Sierra has to offer and take the opportunity to check out some of the goings-on you haven’t had a chance to check out before. Perhaps one of the intimate late night acoustic Troubadour sessions in the Mineral Building, or the High Sierra Swirl—our daily late afternoon beer and wine tast- ing adjacent to the food court in the Tulsa E. Scott Building, or a stroll to Pioneer pool out by Shady Grove for a refreshing swim, or our evening Stretch Salon to work out the kinks, or maybe you just want “be here” in NOW, a space we’ve designed for you to decom- press. While you’re busy catching your favorite High Sierra bands be sure you make time to check out an act you’ve never heard before because discovery is always a big part of what makes High Sierra... High Sierra! A new activity of interest this year is the opportunity to participate in an environmental action at the Keen bus in the Grandstand Meadow.