DOCSLIB.ORG

A Legal Primer on Managing Museum Collections, Third Edition 3Rd Edition Download Free

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
A Legal Primer on Managing Museum Collections, Third Edition 3Rd Edition Download Free A LEGAL PRIMER ON MANAGING MUSEUM COLLECTIONS, THIRD EDITION 3RD EDITION DOWNLOAD FREE Marie C Malaro | 9781588343222 | | | | | A Legal Primer on Managing Museum Collections, Third Edition For example, anthropology museums will pay special attention to Native American objects that may be subject to repatriation, and paleontology museums may look carefully at whether proper permitting procedures were followed when they are offered fossil collections. Yes No. Stay in Touch Sign up. Pass it on! The Alliance offers a vast range of advocacy tools — A Legal Primer on Managing Museum Collections online guides and trainings to boost your advocacy skills, to in-depth Issue Briefs on federal policy affecting museums. For example, a history museum may only collect objects relevant to a particular county or even a single person, or focus on a type of object such as automobiles or stamps. Beautiful Symmetry. We scoured our vast selection of vintage books for the most beautiful dust jackets, and soon discovered that selecting just 30 was a nearly impossible task. Privacy notice This website stores cookies on your computer. Drawing: A Complete Guide. A Legal Primer on Managing Museum Collections, 3rd Edition : This publication focuses on collection-related problems and legal entanglement issues, reviews relevant cases and court decisions and gives advice on when a museum should seek legal counsel. Available from:. Foundation Finder is a free tool that allows searching by name Third Edition 3rd edition basic financial and contact information on more than 70, private and community foundations in the United States. Oxford University Press: London, These cookies are used to collect information about how you interact with our website and allow us to remember you. Our annual Museums Advocacy Day in Washington, DC provides an opportunity for museums to make the case for museums as key providers of Third Edition 3rd edition, as economic engines and as community anchors. Lessons in Masterful Portrait Drawing. Please try again later. If during the found property process a claimant wishes to challenge the museum's tie to the collection, the claimant must support their case with evidential paperwork. We use this information in order to improve and customize your browsing experience and for analytics and metrics about our visitors both on this website and other media. Acculturation Cultural appropriation Cultural area Cultural artifact Cultural baggage Cultural behavior Cultural bias Cultural capital Cross-cultural Cultural communication Cultural conflict Cultural cringe Cultural dissonance Cultural emphasis Cultural framework Cultural heritage Cultural icon Cultural identity Cultural industry Cultural invention Cultural landscape Cultural learning A Legal Primer on Managing Museum Collections leveling Cultural memory Cultural pluralism Cultural practice Cultural property Cultural reproduction Cultural system Cultural technology Cultural universal Cultureme Enculturation High- and low-context cultures Interculturality Manuscript culture Material culture Non-material culture Organizational culture Print culture Protoculture Safety culture Technoculture Trans-cultural diffusion Transculturation Visual culture. While each museum has its own procedures for accessioning, in most cases it begins with either an offer from a donor to give an object to a museum, or a recommendation from a curator to acquire an object through purchase or trade. Inspired by Your Browsing History. Because museums cannot collect everything, each potential Third Edition 3rd edition addition must be carefully considered as to its appropriateness for a given museum's defined area of interest. Read more about Institutional Codes of Ethics. I Accept and dismiss this message. While in the past many museums accepted objects with little deliberation, today most museums have accepted the need for formal accessioning procedures and practices. The guides provide best practices basics and worksheets on the following topics: collections management; collections care; visitor services; exhibitions and education; managing and training staff; marketing; and security and risk management. Drawing Masterclass. Manual of Strategic Planning for Museums : This publication offers proven methods for successful strategic planning in museums. Are you a current AAM member? Dmitry Kirsanov. Michael Massen. Help Learn to edit Community portal Recent changes Upload file. From Wikipedia, the free encyclopedia. Views Read Edit View history. Chiara Marletto. Accessioning is the formal, legal process of accepting an object into a museum collection. Free eBooks It may also be appropriate if an object is badly deteriorated or threatening other objects. Legal Issues Overview Handout. For example, a history museum may only collect objects relevant to a particular county or even a single person, or focus on a type of object such as automobiles or stamps. Other disciplines have different concerns. Conservation and restoration of cultural heritage. First Edition Books. The site offers resources that explain how the site works and tips about the grant search and application process. Produced by. However, such restrictions can prevent museums from changing their exhibits as scholarship evolves and may introduce conservation issues for delicate objects not suited to continued display. Aging artwork Anastylosis Arrested decay Architecture Cradling paintings Detachment of wall paintings Desmet method Historic paint analysis Imaging of cultural heritage Inpainting Kintsugi Leafcasting Lining of paintings Mass deacidification Mold control and prevention in libraries Overpainting Paper splitting Radiography of cultural objects Reconstruction architecture Rissverklebung Textile stabilization Transfer of panel paintings UVC-based preservation VisualAudio. There are ethical issues to consider since many donors of objects typically expect the museum to care for them in perpetuity. Read more about Strategic Institutional Plans. Sign in. This term was developed so that collections with incomplete provenance would be handled ethically and with transparency. Institutions with living collections may use different terminology for collections management activities for plants or animals but should utilize the same principles as used for non-living collections. Read more about Collections Management Policies. Why is Nazi-era art a concern? The Princeton Review. Once the decision has been made to accept an object, it is formally accessioned through a Deed of Gift and entered into the museum's catalog records. Once you've completed the form below, confirm your subscription in the email sent to you. Category Commons WikiProject Changes. Read more. Yes No. Generally, first choice is to transfer an object to another use or division in a A Legal Primer on Managing Museum Collections, such as deaccessioning a duplicate object from a permanent collection into a teaching collection. Download as PDF Printable version. Are you a current AAM member? The guides provide best practices basics and worksheets on the following topics: collections management; collections Third Edition 3rd edition visitor services; exhibitions and education; managing and training staff; marketing; and security and risk management. You may improve this articlediscuss the issue on the talk pageor create a new articleas appropriate. Packed with stories Third Edition 3rd edition insights for museum people, Field Notes is delivered to your inbox every Monday. Looking for More Great Reads? Drawing: A Complete Guide. A natural history museum, for example, will have mammals in a separate collection from insects. While each museum has its own procedures for accessioning, in most cases it begins with either an offer from a donor to give an object to a museum, or a recommendation from a curator A Legal Primer on Managing Museum Collections acquire an object through purchase or trade. From abstract design to detailed illustrations, enjoy these gorgeous vintage dust jackets. Additionally, if the museum is old, it has decades of accessioning paperwork that may require its own preservation plan. Once Third Edition 3rd edition completed the form below, confirm your subscription in the email sent to you. We use this information in order to improve and customize your browsing experience and for analytics and metrics about our visitors both on this website and other media. For example, material from underwater archaeological sites may need to be kept wet, and some very rare and badly deteriorated objects require oxygen-free environments. While not completely enforced in its day, it did set a precedent for caring for national cultural property. Answering these questions often A Legal Primer on Managing Museum Collections investigating an object's provenancethe history of an object from the time it was made. Collection (artwork) While in the past many museums accepted objects with little deliberation, today most museums have accepted the need for formal accessioning procedures and practices. It updated definitions to close loopholes and increased fines and penalties for violators. Racket Programming the Fun Way. Shop signed books. Download as PDF Printable version. This Legal Issues Webinar Series is concerned with the legal and ethical aspects of managing collections. Repatriation of Cultural Property". To find out more about the cookies we use, see our Privacy Policy. Categories : Museology. Download Hi Res. If you are a current AAM member, please sign-up using the email address associated with
Load more

Recommended publications
  • The Preservation Evolution a Review of Preservation Literature, 1999–2001
    47(2) LRTS 59 The Preservation Evolution A Review of Preservation Literature, 1999–2001 JeanAnn Croft The literature representing 1999 to 2001 reveals that the preservation field is absorbed in an evolution. The literature demonstrates that trusted practices are changing to improve outcomes and further advance the preservation field. Simultaneously, in the wake of the digital revolution, preservation professionals dream about merging traditional and digital technologies in the hope that both long-term preservation and enhanced access will be achieved. This article attempts to relate the values of the discipline in order to inspire further research and persuade more work in formulating hypotheses to integrate preservation the- ory and practice. Finally, this overview of the literature will communicate the scope of the preservation problem, clarify misconceptions in the field, and docu- ment areas that warrant further investigation and refinement. he literature representing 1999 to 2001 reveals that the preservation field is Tcontinually absorbed in an evolution. This literature review examines the trends and customs of the preservation field as documented in the literature, and attempts to relate the values of the discipline in order to inspire further research and persuade more work in formulating hypotheses to integrate preservation theory and practice. Finally, this depiction of the literature will communicate the scope of the preservation problem, clarify misconceptions in the field, and document areas that warrant further investigation and refinement. Following up the preceding preservation literature reviews that have been pub- lished in this journal, this work provides a sampling of the preservation litera- ture and will not include book reviews, annual reports, preservation project announcements, technical leaflets, and strictly specialized conservation litera- ture.
    [Show full text]
  • Proceedings of the International Symposium on Glocal Perspectives on Intangible Cultural Heritage: Local Communities, Researchers, States and UNESCO
    Proceedings of the International Symposium on Glocal Perspectives on Intangible Cultural Heritage: Local Communities, Researchers, States and UNESCO 7 -9 July 2017 Tokyo, Japan Center for Glocal Studies (CGS), Seijo University and International Research Centre for Intangible Cultural Heritage in the Asia-Pacifi c Region (IRCI) Proceedings of the International Symposium on Glocal Perspectives on Intangible Cultural Heritage: Local Communities, Researchers, States and UNESCO 7 -9 July 2017 Tokyo, Japan Center for Glocal Studies (CGS), Seijo University and International Research Centre for Intangible Cultural Heritage in the Asia-Pacifi c Region (IRCI) Published by Center for Glocal Studies, Seijo University (CGS) Seijo 6-1-20, Setagaya-ku, Tokyo 157-8511, Japan E-mail: [email protected] website: http://www.seijo.ac.jp/research/glocal-center/ and International Research Centre for Intangible Cultural Heritage in the Asia-Pacifi c Region (IRCI) c/o Sakai City Museum, 2 Cho Mozusekiun-cho, Sakai-ku, Sakai City, Osaka 590-0802 Japan E-mail: [email protected] website: http://www.irci.jp © Center for Glocal Studies, Seijo University (CGS) © International Research Centre for Intangible Cultural Heritage in the Asia-Pacifi c Region (IRCI) Published on 30 November, 2017 Contents Foreword Wataru IWAMOTO and Tomiyuki UESUGI ………………………………………………………ⅳ Welcome Remarks Junichi TOBE …………………………………………………………………………………… 3 Opening Remarks 1.Tomiyuki UESUGI ……………………………………………………………………………… 4 2 .Wataru IWAMOTO………………………………………………………………………………… 6 3.Tim CURTIS ………………………………………………………………………………………
    [Show full text]
  • JAIC , Volume 39, Number 3, Article 1 (Pp
    Paper Splitting: History and Modern Technology The MIT Faculty has made this article openly available. Please share how this access benefits you. Your story matters. Citation Brückle, Irene and Jana Dambrogio. "Paper Splitting: History and Modern Technology." Journal of the American Institute for Conservation, 39.3 (2000). As Published http://cool.conservation-us.org/jaic/articles/ jaic39-03-001_indx.html Version Final published version Citable link http://hdl.handle.net/1721.1/120743 Terms of Use Article is made available in accordance with the publisher's policy and may be subject to US copyright law. Please refer to the publisher's site for terms of use. JAIC , Volume 39, Number 3, Article 1 (pp. to ) 28/10/2013 22:52 JAIC , Volume 39, Number 3, Article 1 (pp. to ) PAPER SPLITTING: HISTORY AND MODERN TECHNOLOGY IRENE BRÜCKLE, & JANA DAMBROGIO ABSTRACT—ABSTRACT—In the 19th century, restorers used paper splitting to separate recto and verso of double-sided prints or drawings. Today, the treatment is employed for strengthening weakened paper. Two German conservation centers are chiefly responsible for the development of the process to its current level of sophistication: over the course of more than 30 years, Günter Müller at the Thuringian University and State Library at Jena perfected manual paper splitting; over the same time period, Wolfgang Wächter, now at the Zentrum für Bucherhaltung in Leipzig, developed the paper- splitting machine. We outline the history of paper splitting and describe the contemporary processes from firsthand observations and interviews with the conservators at Jena and Leipzig. Technical evaluations of contemporary paper splitting are summarized, and some observations on objects that were split for the authors are documented (a 19th-century newspaper page, a 17th-century document written in iron gall ink, 17th-century book leaves).
    [Show full text]
  • AATA Online Categories
    AATA Online Categories Methods of Examination, Analysis, and Documentation (formerly A1-A5) Contains abstracts about the process of obtaining and/or storing information using a variety of techniques, including microscopy, imaging, and dating techniques; analytical techniques that establish chemical composition or physical state; data collection and management (e.g., GIS and GPS); and computer modeling. If the abstract deals with a method of analysis or examination independent of a specific material, or if it deals with the analysis or examination of too wide a range of materials to justify inclusion in Materials and Objects: Analysis, Treatment, and Techniques, it is classified here. Crossover technology and technology transfer are also included in this section. Field Editor: Marie-Claude Corbeil, Canada Preventive Conservation and General Topics (formerly B1-B5) Abstracts in this section address the general body of knowledge relating to preventive conservation, collections care, general treatment procedures and materials, conservation practice, health and safety, policy and legislation, history, ethics, and theory. Included as well are abstracts relating to conservation management and cultural tourism. Abstracts that are potentially relevant to all conservators, regardless of specialty, or that discuss a wide variety of materials appear here. For example, a work dealing with the effects of environmental pollution on cultural property in general would be included in this section, whereas a work describing the effect of pollution on the corrosion of metals would be located in Metals and Metallurgical By-products. Field Editors: Ruth Norton, United States, and Francoise Hanssen-Bauer, Norway Archaeological Conservation (formerly C1-C5) Focuses on the documentation, analysis, and management of both underwater and terrestrial archaeological sites and assemblages for the purposes of their conservation and preservation.
    [Show full text]
  • Present State of Advocacy and Education for Library Preservation in Japan
    Date 4th version : 25/07/2006 How did we get here? Present state of Advocacy and Education for Library Preservation in Japan Toru Koizumi Rikkyo University Library Tokyo, JAPAN (former Standing Committee member of Preservation and Conservation Section) Meeting: 96 Preservation and Conservation with Continuing Professional Education and Workplace Learning and the Preservation and Conservation Core Activity Simultaneous Interpretation: Yes WORLD LIBRARY AND INFORMATION CONGRESS: 72ND IFLA GENERAL CONFERENCE AND COUNCIL 20-24 August 2006, Seoul, Korea http://www.ifla.org/IV/ifla72/index.htm Abstract: Preservation is the primary mission of the library. Librarians must think of preserving all formats of library resources for future generations. New technology should be developed and informed to librarians. In addition, traditional conservation techniques are to be maintained and known by librarians. I would like to introduce several aspects of preservation and conservation in Japan, such as advocacy of acid-free paper achieved 96% use for publis hed books, the campaign of “preventive conservation” after the Great Hanshin-Awaji Earthquake (1995). In addition, universities have increased conservation courses for cultural property since Japan ratified the convention of World Heritage. Library preservation has many aspects from repairing books to binding, microfilming, mass deacidification, digitizing library materials, disaster planning and so on. Librarians should know all countermeasures in an integrated manner in order to select adequate alternatives. 1 1. Conservation Education at Present Preservation and conservation are called "ho-zon" and "ho-go" in Japanese. It literally means "to keep the existence" or "to maintain the present state”. In this article, I use the "preservation" as a comprehensive, positive, and administratively broader word.
    [Show full text]
  • Preservation and Conservation of Documents; Problems and Solutions
    -32 Barcelona 1997 - Lligall 12 Janus 1998.1 Preservation and conservation of documents; problems and solutions Helen Forde Head of Preservation Services^ PRO y England INTRODUCTION When I was first invited to give this paper I had some misgivings about the title; I am not capable of producing a global solution to an age-old problem. Problems are comparatively easy - solutions are not. Reflection led me to the conclusion that others, more qualified than I, had also failed to devise a total remedy to the challenges presented by the inevitable decay of archival material. That is comforting. Let us be honest and admit that archival materials are not indestructible, and they were never intended to last indefinitely. We do, however, have to satisfy ourselves that the actions we take now will not accelerate decay, and will not cause our successors greater problems than those posed by the original material itself. The questions I want to explore in this paper concern the current status of preservation and conservation, some of the problems, both theoretical and practical, some possible solutions and the way forward. CURRENT STATUS OF ARCHIVAL PRESERVATION AND CONSERVATION The current status of preservation and conservation seems to be at a watershed after some forty years. There is a sense that the wheel has almost turned full circle - back to basics in the profession if you like - and that preservation is returning to its place as a core activity of everyone involved in libraries and archives. One of the crucial changes is the realisation that access is supported by preservation; consequently increased demand results in increasing need to ensure the survival of the material.
    [Show full text]
  • Cultural Literacy: What Every American Needs to Know Free Download
    CULTURAL LITERACY: WHAT EVERY AMERICAN NEEDS TO KNOW FREE DOWNLOAD E. D Hirsch,Joseph F. Kett,James S. Trefil | 251 pages | 01 May 1988 | Random House USA Inc | 9780394758435 | English | New York, United States What Does Every American Need to Know Today? Nice thought, difficult to enforce. That is to say, while I may agree with Hirsch's general concept that we need more common cultural literacy, the details are where things get hung up. Others, like nativism, are both a specific historical reference and recurring motif in American politics. But in practice, recognizing the true and longstanding diversity of American identity is not an either-or. Because 5, or even items is too daunting a place to start, I ask here only for your top ten. This would be all well and good for a print book, but who thought they should Cultural Literacy: What Every American Needs to Know I should have read a description of this book before listening to the whole thing. Published May by Vintage first published I should have read a description of this book before listening to the whole thing. You can only study scientific methods in specific instances, and in order to understand Cultural Literacy: What Every American Needs to Know instances, you need to know the scientific facts and concepts represented in our list. Preview — Cultural Literacy by E. Hirsch was taken by some critics to be a political conservative because he argued that cultural literacy is inherently a culturally conservative enterprise. The culturally literate person is able to talk to and understand others of that culture with fluency.
    [Show full text]
  • Structure and Lining: a Review
    Coddington, J. and Young, C. (2018) Structure and lining: A review. AIC News, 43(3), 1, 6-9. This is the author’s final accepted version. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/162704/ Deposited on: 22 May 2018 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk 01- Lead Article Structure and Lining: A Review By Jim Coddington and Christina Young Historically, changes in the practice of structural conservation of paintings reflect the general thrust of change in conservation practice; slow and perhaps even methodical. Only occasionally can we identify landmark moments or events that have shifted the field. The 1974 Greenwich Lining Conference is one such event in the history of the conservation of paintings. The conference’s nominal topic was lining, or the addition of a second fabric to the back of the original, a profound intervention on the work of art and thus a topic of the great importance then and now. The conference papers and discussions scrutinized then current practices in lining and the structural restoration of paintings as well as new approaches that were in development at the time. Box start Conference Proceedings were published in 2000, as: Villers C., ed. 2004. Lining Paintings: Papers from the Greenwich Conference on Comparative Lining Techniques, Archetype Publications. Box end What was manifestly clear in 1974 was that our understanding of the mechanics of paintings, their mechanisms of deterioration and other fundamental questions was limited.
    [Show full text]
  • Use of Photogrammetry for Digital Surveying, Documentation and Communication of Cultural Heritage
    Use of Photogrammetry for Digital Surveying, Documentation and Communication of Cultural Heritage. The Case of Virtual Reconstruction of the Access Doors for the Nameless Temple of Tipasa (Algeria) BAYA BENNOUI-LADRAA, National Center for Archaeological Research, Algeria YOUCEF CHENNAOUI, Polytechnic School of Architecture and Urbanism, Algeria This paper presents a methodological contribution to the field of the process of archaeological restoration based on virtual anastylosis. In particular, we treat the reconstruction of fragments of the nameless Temple of Tipasa in Algeria. Our work is focused more specifically on the virtual restoration of the three access doors into the temple’s sacred courtyard. Here, we have found many fragments, including the voussoirs, which were revealed during excavation, encouraging the development of our hypothesis about the original condition of the temple. The protocol followed is based on the photogrammetric survey of the blocks, which has allowed us to generate 3D models of the elements constituting the entrance facade into the sacred courtyard. The historical documentation as well as architectural treatises made it possible to fill in the gaps in the evidence with the aim of reconstructing the temple as best as can be done. The main objective of the research was to provide a corpus of data in 2D and 3D of all the blocks which served, at first, for the documentation and the study of the remains. Secondarily, the same documentation proved useful for development of a hypothesis of virtual reconstitution for making more comprehensible to the general public the history of the site of Tipasa. Key words: Photogrammetry, 3D Reconstruction, Virtual Anastylosis, Corpus, Temple.
    [Show full text]
  • Visualdsp++ 5.0 Getting Started Guide Iii CONTENTS
    W5.0 Getting Started Guide Revision 3.0, August 2007 Part Number 82-000420-01 Analog Devices, Inc. One Technology Way Norwood, Mass. 02062-9106 a Copyright Information ©2007 Analog Devices, Inc., ALL RIGHTS RESERVED. This document may not be reproduced in any form without prior, express written consent from Analog Devices, Inc. Printed in the USA. Disclaimer Analog Devices, Inc. reserves the right to change this product without prior notice. Information furnished by Analog Devices is believed to be accurate and reliable. However, no responsibility is assumed by Analog Devices for its use; nor for any infringement of patents or other rights of third parties which may result from its use. No license is granted by impli- cation or otherwise under the patent rights of Analog Devices, Inc. Trademark and Service Mark Notice The Analog Devices icon bar and logo, the CROSSCORE logo, VisualDSP++, Blackfin, SHARC, TigerSHARC, and EZ-KIT Lite are registered trademarks of Analog Devices, Inc. All other brand and product names are trademarks or service marks of their respective owners. CONTENTS PREFACE Purpose of This Manual ................................................................. vii Intended Audience ......................................................................... vii Manual Contents .......................................................................... viii What’s New in This Manual .......................................................... viii Technical or Customer Support ......................................................
    [Show full text]
  • The State of Recorded Sound Preservation in the United States: a National Legacy at Risk in the Digital Age
    The State of Recorded Sound Preservation in the United States: A National Legacy at Risk in the Digital Age August 2010 Commissioned for and sponsored by the CounCil on library and information resourCes and the library of Congress The State of Recorded Sound Preservation in the United States: A National Legacy at Risk in the Digital Age August 2010 from last round: National Recording Preservation Board OF THE LIBRARY OF CONGRESS revised: Commissioned for and sponsored by the National Recording Preservation Board OF THE LIBRARY OF CONGRESS Council on Library and Information Resources and The Library of Congress Washington, D.C. National Recording Registry OF THE LIBRARY OF CONGRESS The National Recording Preservation Board The National Recording Preservation Board was established at the Library of Congress by the National Recording Preservation Act of 2000. Among the provisions of the law are a directive to the Board to study and report on the state of sound recording preservation in the United States. More information about the National Recording Preservation Board can be found at http://www.loc.gov/rr/record/nrpb/. ISBN 978-1-932326-36-9 CLIR Publication No. 148 Copublished by: Council on Library and Information Resources 1752 N Street NW, Suite 800 Washington, DC 20036 Web site at http://www.clir.org and The Library of Congress 101 Independence Avenue, SE Washington, DC 20540 Web site at http://www.loc.gov Additional copies are available for $30 each. Orders must be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/abstract/pub148abst.html.
    [Show full text]
  • Values in Heritage Management
    Values in Heritage Management Values in Heritage Management Emerging Approaches and Research Directions Edited by Erica Avrami, Susan Macdonald, Randall Mason, and David Myers THE GETTY CONSERVATION INSTITUTE, LOS ANGELES The Getty Conservation Institute Timothy P. Whalen, John E. and Louise Bryson Director Jeanne Marie Teutonico, Associate Director, Programs The Getty Conservation Institute (GCI) works internationally to advance conservation practice in the visual arts—broadly interpreted to include objects, collections, architecture, and sites. The Institute serves the conservation community through scientific research, education and training, field projects, and the dissemination of information. In all its endeavors, the GCI creates and delivers knowledge that contributes to the conservation of the world’s cultural heritage. © 2019 J. Paul Getty Trust Library of Congress Cataloging-in-Publication Data Names: Values in heritage management (2017 : Getty Conservation Institute), author. | Avrami, Erica C., editor. | Getty Conservation Institute, The text of this work is licensed under a Creative issuing body, host institution, organizer. Commons Attribution-NonCommercial- Title: Values in heritage management : emerging NoDerivatives 4.0 International License. To view a approaches and research directions / edited by copy of this license, visit https://creativecommons Erica Avrami, Susan Macdonald, Randall .org/licenses/by-nc-nd/4.0/. All images are Mason, and David Myers. reproduced with the permission of the rights Description: Los Angeles, California : The Getty holders acknowledged in captions and are Conservation Institute, [2019] | Includes expressly excluded from the CC BY-NC-ND license bibliographical references. covering the rest of this publication. These images Identifiers: LCCN 2019011992 (print) | LCCN may not be reproduced, copied, transmitted, or 2019013650 (ebook) | ISBN 9781606066201 manipulated without consent from the owners, (epub) | ISBN 9781606066188 (pbk.) who reserve all rights.
    [Show full text]