Shakespeare Reception in China
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Performing Masculinity in Peri-Urban China: Duty, Family, Society
The London School of Economics and Political Science Performing Masculinity in Peri-Urban China: Duty, Family, Society Magdalena Wong A thesis submitted to the Department of Anthropology of the London School of Economics for the degree of Doctor of Philosophy, London December 2016 1 DECLARATION I certify that the thesis I have presented for examination for the MPhil/ PhD degree of the London School of Economics and Political Science is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorisation does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of 97,927 words. Statement of use of third party for editorial help I confirm that different sections of my thesis were copy edited by Tiffany Wong, Emma Holland and Eona Bell for conventions of language, spelling and grammar. 2 ABSTRACT This thesis examines how a hegemonic ideal that I refer to as the ‘able-responsible man' dominates the discourse and performance of masculinity in the city of Nanchong in Southwest China. This ideal, which is at the core of the modern folk theory of masculinity in Nanchong, centres on notions of men's ability (nengli) and responsibility (zeren). -
Chinese Bond Market and Interbank Market1 Contents
Handbook on Chinese Financial System Chapter 6: Chinese Bond Market and Interbank Market1 Marlene Amstad and Zhiguo He Target: min 15, max 40 pages. Approx 1500 charac. per page : min 22’500 max 60’000. Current number of pages: 48. Current number of characters: 70558. Contents 1 Overview of Chinese Bond Markets ..................................................................................................................2 2 Bond Markets and Bond Types .........................................................................................................................3 2.1 Segmented Bond Markets ...........................................................................................................................3 2.1.1 The Interbank Market .........................................................................................................................3 2.1.2 The Exchange Market .........................................................................................................................4 2.2 Bond Types .................................................................................................................................................4 2.2.1 Government Bonds .............................................................................................................................5 2.2.2 Financial Bonds ..................................................................................................................................6 2.2.3 Corporate Bonds .................................................................................................................................7 -
Universiteit Leiden
Universiteit Leiden MA Thesis When Shakespeare encounters China: A study on the translation strategies in the Chinese translation of Romeo and Juliet Presented to the Faculty of Humanities, Institute for Area studies Presented by: Alessandra Battistelli s1896229 [email protected] July 2018 TABLE OF CONTENTS Introduction…………………………………………………………………………………………………………….. 2 1. How China entered in contact with Shakespeare: Historical shifts of China’s attitude towards the greatest English dramatist…………………………………………………………... 3 1.1 Initial phase…………………………………………………………………………………………….. 3 1.2 The Beginning of Chinese Shakespeare……………………………………………………… 4 1.3 Halt to Shakespeare studies………………………………………………………………………. 6 1.4 Final rebirth of a Chinese Shakespeare………………………………………………………. 7 2. Translation theories in China……………………………………………………………………………. 9 2.1 Lin Shu and Yan Fu: the initiators of Western literature’s translations…………….. 9 2.2 Lu Xun and Qu Qiubai: following May the 4th Movement……………………………... 11 2.3 Fu Lei and Qian Zhongshu: surpassing the criterion of “fidelity”……………………. 13 3. Translating Shakespeare in Chinese…………………………………………………………………. 16 3.1 Rendering the blank verse in Chinese………………………………………………… 16 3.2 Cultural discrepancies in the translation…………………………………………………… 23 4. Translating Romeo and Juliet into Chinese……………………………………………………. 26 4.1 Rendering sexual references in Chinese…………………………………………………… 26 4.2 How to translate Shakespeare’s puns into Chinese……………………………………. 27 4.3 Mythological references in Romeo and Juliet…………………………………………… -
General Problems in Chinese Translations of Shakespeare
www.ccsenet.org/ach Asian Culture and History Vol. 2, No. 2; July 2010 General Problems in Chinese Translations of Shakespeare Yanna Sun Department of Foreign Languages, Zhengzhou University of Light Industry Zhengzhou 450002, Henan, China E-mail: [email protected] Zhengzhou University of Light Industry Fund for Doctoral Research Abstract Shakespeare was not known to the Chinese until Lin Zexu’s (1785-1850) translation of Hugh Murray’s (1789-1845) Cyclopedia of Geography (1836). Since then, the Chinese perception of Shakespeare has changed several times, from his being regarded as a story-teller to being fully received as a seasoned playwright and poet, through to his plays being rendered into the Chinese language and performed on the Chinese stage. First and foremost is the question of how to adequately translate Shakespeare. The quality of the translation is important, particularly for those readers who have no knowledge at all of the English language or of the historical and cultural backdrop to his plays. But this is no easy task – not least because there are many significant cultural and linguistic divergences between China and England and their respective languages. Through detailed analysis of previous Chinese renditions of Shakespearian plays, this article will point out some general problems frequently facing the translator of the playwright. Keywords: Chinese translations of Shakespeare, General problems in renditions, Language, Culture Since the first true rendition of a Shakespearian play into modern vernacular Chinese by Tian Han with his Hamlet in the year 1921, many Chinese scholars have attempted to translate Shakespeare and his works. After the founding of the People’s Republic of China in particular, apart from the ten-year Cultural Revolution between 1967 and 1977, translations, together with performances and literary criticism, flourished. -
Myths and Misconceptions in U.S.-China Relations
U.S.-CHINA RELATIONS: MANAGEABLE DIFFERENCES OR MAJOR CRISIS? DAVID G. BROWN LI PENG VICTOR D. CHA MICHAEL MCDEVITT CHU SULONG & WILLIAM H. OVERHOLT ZHOU LANJUN JOHN L. HOLDEN SHAO YUQUN JIA QINGGUO YANG XIYU October 2018 Contents Introduction .................................................................................................................... 1 Donald S. Zagoria Articles An Uphill Battle: China’s Efforts to Manage Uncertainties in U.S.-China Relations ..... 3 Jia Qingguo The Growing U.S.-China Competition under the Trump Administration ................... 10 Chu Shulong & Zhou Lanjun Myths and Misconceptions in U.S.-China Relations .................................................... 19 William H. Overholt U.S.-China Economic Relations: Ballast in Stormy Seas, or Unsecured Cargo? ..................................................................................................... 31 John L. Holden Whither Sino-U.S. Relations: Maritime Disputes in the East China and South China Seas? ............................................................................... 41 Michael McDevitt Summit Diplomacy: Opening of a New Era or a New Cycle on the Korean Peninsula? ........................................................................... 53 Yang Xiyu Diplomacy or Coercion? ............................................................................................... 62 Victor Cha The Taiwan Issue During the Trump Administration: Challenges and Opportunities for China and the United States ................................. -
U.S.-Japan-China Relations Trilateral Cooperation in the 21St Century
U.S.-Japan-China Relations Trilateral Cooperation in the 21st Century Conference Report By Brad Glosserman Issues & Insights Vol. 5 – No. 10 Honolulu, Hawaii September 2005 Pacific Forum CSIS Based in Honolulu, the Pacific Forum CSIS (www.csis.org/pacfor/) operates as the autonomous Asia-Pacific arm of the Center for Strategic and International Studies in Washington, DC. The Forum’s programs encompass current and emerging political, security, economic, business, and oceans policy issues through analysis and dialogue undertaken with the region’s leaders in the academic, government, and corporate areas. Founded in 1975, it collaborates with a broad network of research institutes from around the Pacific Rim, drawing on Asian perspectives and disseminating project findings and recommendations to opinion leaders, governments, and members of the public throughout the region. Table of Contents Page Acknowledgements iv Executive Summary v Report The year in review 1 Energy security and the impact on trilateral cooperation 4 Issues in the bilateral relationship 6 Opportunities for cooperation 9 Selected Papers United States, Japan, and China Relations: Trilateral Cooperation in the 21st Century by Yoshihide Soeya 15 Chinese Perspectives on Global and Regional Security Issues by Gao Zugui 23 Sino-U.S. Relations: Healthy Competition or Strategic Rivalry? by Bonnie S. Glaser 27 Sino-U.S. Relations: Four Immediate Challenges by Niu Xinchun 35 Sino-Japanese Relations 60 Years after the War: a Japanese View by Akio Takahara 39 Building Sino-Japanese Relations Oriented toward the 21st Century by Ma Junwei 47 Comments on Sino-Japanese Relations by Ezra F. Vogel 51 The U.S.-Japan Relationship: a Japanese View by Koji Murata 55 Toward Closer Sino-U.S.-Japan Relations: Steps Needed by Liu Bo 59 The China-Japan-U.S. -
Images of Women in Chinese Literature. Volume 1. REPORT NO ISBN-1-880938-008 PUB DATE 94 NOTE 240P
DOCUMENT RESUME ED 385 489 SO 025 360 AUTHOR Yu-ning, Li, Ed. TITLE Images of Women in Chinese Literature. Volume 1. REPORT NO ISBN-1-880938-008 PUB DATE 94 NOTE 240p. AVAILABLE FROM Johnson & Associates, 257 East South St., Franklin, IN 46131-2422 (paperback: $25; clothbound: ISBN-1-880938-008, $39; shipping: $3 first copy, $0.50 each additional copy). PUB TYPE Books (010) Reports Descriptive (141) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS *Chinese Culture; *Cultural Images; Females; Folk Culture; Foreign Countries; Legends; Mythology; Role Perception; Sexism in Language; Sex Role; *Sex Stereotypes; Sexual Identity; *Womens Studies; World History; *World Literature IDENTIFIERS *Asian Culture; China; '`Chinese Literature ABSTRACT This book examines the ways in which Chinese literature offers a vast array of prospects, new interpretations, new fields of study, and new themes for the study of women. As a result of the global movement toward greater recognition of gender equality and human dignity, the study of women as portrayed in Chinese literature has a long and rich history. A single volume cannot cover the enormous field but offers volume is a starting point for further research. Several renowned Chinese writers and researchers contributed to the book. The volume includes the following: (1) Introduction (Li Yu- Wing);(2) Concepts of Redemption and Fall through Woman as Reflected in Chinese Literature (Tsung Su);(3) The Poems of Li Qingzhao (1084-1141) (Kai-yu Hsu); (4) Images of Women in Yuan Drama (Fan Pen Chen);(5) The Vanguards--The Truncated Stage (The Women of Lu Yin, Bing Xin, and Ding Ling) (Liu Nienling); (6) New Woman vs. -
Surface Modelling of Human Population Distribution in China
Ecological Modelling 181 (2005) 461–478 Surface modelling of human population distribution in China Tian Xiang Yuea,∗, Ying An Wanga, Ji Yuan Liua, Shu Peng Chena, Dong Sheng Qiua, Xiang Zheng Denga, Ming Liang Liua, Yong Zhong Tiana, Bian Ping Sub a Institute of Geographical Sciences and Natural Resources Research, Chinese Academy of Sciences, 917 Building, Datun, Anwai, Beijing 100101, China b College of Science, Xi’an University of Architecture and Technology, Xi’an 710055, China Received 24 March 2003; received in revised form 23 April 2004; accepted 4 June 2004 Abstract On the basis of introducing major data layers corresponding to net primary productivity (NPP), elevation, city distribution and transport infrastructure distribution of China, surface modelling of population distribution (SMPD) is conducted by means of grid generation method. A search radius of 200 km is defined in the process of generating each grid cell. SMPD not only pays attention to the situation of relative elements at the site of generating grid cell itself but also calculates contributions of other grid cells by searching the surrounding environment of the generating grid cell. Human population distribution trend since 1930 in China is analysed. The results show that human population distribution in China has a slanting trend from the eastern region to the western and middle regions of China during the period from 1930 to 2000. Two scenarios in 2015 are developed under two kinds of assumptions. Both scenarios show that the trends of population floating from the western and middle regions to the eastern region of China are very outstanding with urbanization and transport development. -
Different Translations and Contested Meanings: Motor for the 1911 Revolution in China When the Western Concept of 'Social' W
Different Translations and Contested Meanings: Motor for the 1911 Revolution in China Hailong Tian Tianjin University of Commerce, Tianjin 300134, China Email: [email protected] When the Western concept of ‘social’ was introduced to China via Japan in about 1898, the Japanese words 社会 (pronounced as xiakayi) was directly adopted by the intellectuals and the concept of the social was translated as 社会 (pronounced as shèhuì) in the Chinese language. However, the indigenous Chinese characters 社会 did not have the same connotation as that carried by the Japanese words and, as a result, multiple meanings exist with the Chinese characters 社会 (shèhuì). What makes this complex situation more contestable was that the concept of the social was also translated as qún (群) by some other intellectuals. Similar situation happened with the translation of the Western concept of the economic as jīngjì (经济) which adopted the Japanese words 経済(kezai) and as shēngjì xué (生计学) which are traditional Chinese words. Though later shèhuì and jīngjì survived their respective counterparts and became standard translations in Chinese, the early different translations, together with the different connotations in each translation, indicate different interpretations of the concepts of the social and the economic given by intellectuals of different educational backgrounds. Drawing on the theories of conceptual history, this article examines a particular contest over concepts of the social and the economic, namely, the debate from 1905 to 1907 between two groups of intellectuals respectively represented by Sun Yet-san and Liang Qichao. In particular, the article investigates 1) how these two historical figures conceptualized the concepts of the social and the economic, 2) what are the potentials that determined their conceptualizations, and 3) in what way the conceptualizations served as a driving force for the 1911 revolution. -
Nora's Performance in China
Nora’s Performance in China (1914-2010): Inspiration, Communities and Political Theatre By Xiaofei Chen Master thesis Center for Ibsen Studies UNIVERSITETET I OSLO Spring semester, 2010 Acknowledgements I came to Oslo University by serendipity. When I was searching the resources for my thesis Nora’s rewriting in China(1914-1948), by accident the website of Ibsen Center jumped out. Then I came to Norway and studied at Ibsen Center. Whether in Norway or in China, many people asked me why I had chosen Ibsen studies and had come to Norway. I always said because I liked Ibsen’s plays and Norway has an Ibsen Center. It turned out that I had chosen correctly. At the Ibsen Center, professors and students from all over the world gave me lots of chances to access different ideas and insights into Ibsen studies, especially from theatre and performance aspects. I could access the original Ibsen’s texts and understand Norwegian society in Ibsen’s times, and I could watch Ibsen’s performances from different countries either in the National Theatre or through DVDs in class. Thanks to Ibsen Center for giving me the opportunity to study here, and I also want to show my appreciation for all the professors at the Ibsen Center: especially Frode Helland, Astrid Sæther, Jon Nygaard, Atle Kittang, Erika Fischer-Lichte and Nilu Kamaluddin, Julie Holledge, Knut Brynhildsvoll, who gave me the latest information about Ibsen studies through lectures and seminars. My special thanks for my professor, Jon Nygaard, who gave me the inspiration to write this topic with fresh insight. -
Copyright Undertaking
Copyright Undertaking This thesis is protected by copyright, with all rights reserved. By reading and using the thesis, the reader understands and agrees to the following terms: 1. The reader will abide by the rules and legal ordinances governing copyright regarding the use of the thesis. 2. The reader will use the thesis for the purpose of research or private study only and not for distribution or further reproduction or any other purpose. 3. The reader agrees to indemnify and hold the University harmless from and against any loss, damage, cost, liability or expenses arising from copyright infringement or unauthorized usage. IMPORTANT If you have reasons to believe that any materials in this thesis are deemed not suitable to be distributed in this form, or a copyright owner having difficulty with the material being included in our database, please contact [email protected] providing details. The Library will look into your claim and consider taking remedial action upon receipt of the written requests. Pao Yue-kong Library, The Hong Kong Polytechnic University, Hung Hom, Kowloon, Hong Kong http://www.lib.polyu.edu.hk LAO SHE’S CHA GUAN (TEAHOUSE) AND ITS ENGLISH TRANSLATIONS A SYSTEMIC FUNCTIONAL PERSPECTIVE ON DRAMA TRANSLATION by Wang Bo Presented to the Faculty of Humanities The Hong Kong Polytechnic University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF APPLIED LANGUAGE SCIENCES THE HONG KONG POLYTECHNIC UNIVERSITY OCTOBER 2017 Abstract As an appliable theory, the appliability of Halliday’s systemic functional linguistic framework has been widely recognized in translation studies. Within this framework, a text could be described by the different metafunctional modes of meaning: the ideational (experiential and logical), the interpersonal, and the textual. -
SHAKESPEARE STUDIES in CHINA by Hui Meng Submitted to the Graduate Degree Program in English and the Graduate Faculty of the Un
SHAKESPEARE STUDIES IN CHINA By Copyright 2012 Hui Meng Submitted to the graduate degree program in English and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Geraldo U. de Sousa ________________________________ Misty Schieberle ________________________________ Jonathan Lamb Date Defended: April 3, 2012 ii The Thesis Committee for Hui Meng certifies that this is the approved version of the following thesis: SHAKESPEARE STUDIES IN CHINA ________________________________ Chairperson Geraldo U. de Sousa Date approved: April 3, 2012 iii Abstract: Different from Germany, Japan and India, China has its own unique relation with Shakespeare. Since Shakespeare’s works were first introduced into China in 1904, Shakespeare in China has witnessed several phases of developments. In each phase, the characteristic of Shakespeare studies in China is closely associated with the political and cultural situation of the time. This thesis chronicles and analyzes noteworthy scholarship of Shakespeare studies in China, especially since the 1990s, in terms of translation, literary criticism, and performances, and forecasts new territory for future studies of Shakespeare in China. iv Table of Contents Introduction ………………………………………………………………………………1 Section 1 Oriental and Localized Shakespeare: Translation of Shakespeare’s Plays in China …………………………………………………………………... 3 Section 2 Interpretation and Decoding: Contemporary Chinese Shakespeare Criticism……………………………………………………………….