the national gallery 1 review of the year 2014– 2015 national gallery staff publications april 2014 – march 2015

Rachel Billinge, Research Associate, ‘The Examination of Apollo and Daphne Lynne Harrison, Assistant Conservator Conservation by Infrared Reflectography and ‘Incident Preparedness at the National ‘Imaging, photophysical properties and DFT X-radiography’, in Andrea di Lorenzo Gallery: Developing a grab bag for rapid calculations of manganese blue (barium and Aldo Galli (eds), Antonio and Piero response to a corrosive attack’, Studies manganate(VI) sulphate) – a modern del Pollaiuolo: ‘Silver and Gold, Painting in Conservation (online publication), pigment’, Chem. Commun., 50 (2014), and Bronze’, exh. cat., Museo Poldi August 2014 (with Morwenna Blewett 15297–15300 (with Gianluca Accorsi, Pezzoli, Milan 2014, pp. 125–9 (with and David Peggie) Giovanni Verri, Angela Acocella, Rachel Billinge and Jill Dunkerton) Francesco Zerbetto, Giovanni Lerario, Sarah Herring, Isaiah Berlin Assistant Guiseppe Gigli and David Saunders) Alan Crookham, Research Centre Manager Curator of Post-1800 Paintings ‘The Examination of Apollo and Daphne ‘Art or Document? Layard’s Legacy and Catalogue entry: ‘Théodore Rousseau, by Infrared Reflectography and Bellini’s Sultan’, Museum History Journal, The Valley of Saint-Vincent (NG3296)’, X-radiography’, in Andrea di Lorenzo vol. 8, no. 1 (January 2015), pp. 28–40 in Sylvie Patry (ed.), Inventing and Aldo Galli (eds), Antonio and Piero ‘Curatorial constructs: archives in fine art Impressionism: Paul Durand-Ruel del Pollaiuolo: ‘Silver and Gold, Painting exhibitions’, Archives and Records: The and the Modern Art Market, exh. cat., and Bronze’, exh. cat., Museo Poldi Journal of the Archives and Records The National Gallery, London 2015 Pezzoli, Milan 2014, pp. 125–9 (with Association, vol. 35, issue 1 (Spring 2015), Caroline Campbell and Jill Dunkerton) pp. 18–28 Helen Howard, Scientific Officer – Inorganic Analyst Morwenna Blewett, Assistant Restorer Jill Dunkerton, Senior Restorer ‘The Painted Design and its Relation to ‘Incident Preparedness at the National ‘Antonello da Messina and Oil Painting the Ceiling Structure’ and ‘The Original Gallery: Developing a grab bag for rapid in the Fifteenth Century’, in Michael Decorative Scheme Revealed by Paint response to a corrosive attack’, Studies in J. Kwakkelstein and Bette Talvacchia (eds), Analysis’ (with Richard Lithgow), in J. Hall Conservation (online publication), August Around Antonello da Messina. Reintegrating and S. Wright (eds), Conservation and 2014 (with Lynne Harrison and David Peggie) Quattrocento Culture, proceedings of the Discovery: Peterborough Cathedral Nave ‘A Safe Haven: Refugee Restorers and the international conference held at the Dutch Ceiling and Related Structures, Swindon National Gallery, London’, in J. Bridgland Institute for Art History, Florence, 19–20 2015, pp. 77–83 and 84–9 (ed.), ICOM-CC 17th Triennial Conference October 2012, Florence 2014, pp. 33–49 Preprints, Melbourne, 15–19 September ‘The Examination of Apollo and Daphne Rachel Morrison, Scientific Officer – 2014, Paris 2014 by Infrared Reflectography and Organic Analyst ‘Institutional Restorers, Cultural Plunder and X-radiography’, in Andrea di Lorenzo ‘Practice Makes Imperfect: Reynolds’s New Collections’, in Tanja Baensch, Kristina and Aldo Galli (eds), Antonio and Piero Painting Technique’ and ‘Catalogue’, Kratz-Kessemeier and Dorothee Wimmer del Pollaiuolo: ‘Silver and Gold, Painting National Gallery Technical Bulletin: (eds), Museen im Nationalsozialismus: and Bronze’, exh. cat., Museo Poldi Joshua Reynolds in the National Gallery Akteure – Orte – Politik, Berlin 2015 Pezzoli, Milan 2014, pp. 125–9 (with and the Wallace Collection, vol. 35 Rachel Billinge and Caroline Campbell) (2014), pp. 12–111 (with Ashok Roy Caroline Campbell, Interim Head of the and Alexandra Gent) Curatorial Department and Curator of Italian Susan Foister, Director of Public ‘The Strawberry Girl: Repetition in Paintings before 1500 (from 1 August 2014) Engagement (and Deputy Director) Reynolds’s Studio Practice’, in European Building the Picture: Architecture in Italian ‘Joshua Reynolds at the National Gallery’, in Paintings 15th–18th Century: Copying, Renaissance Painting, online exh. cat., National Gallery Technical Bulletin: Joshua Replicating and Emulating, proceedings The National Gallery, London, 2014 Reynolds in the National Gallery and the of the CATS conference, Copenhagen (with Amanda Lillie, Alasdair Flint et al.) Wallace Collection, vol. 35 (2014), pp. 6–8 2012, London 2014, pp. 122–31 (with Exhibition review: The Springtime of Alexandra Gent and Rica Jones) the Renaissance. Sculpture and the Arts Allison Goudie, Harry M. Weinrebe in Florence 1400–60 (Palazzo Strozzi, Curatorial Assistant Britta New, Assistant Restorer Florence, and Musée du Louvre, Paris, ‘3 March 1815, Le Printemps ou le retour de ‘The Painted Support: Properties and 2013–14), Renaissance Studies, vol. 28 la Violette’ and ‘20 March 1815, Napoleon Behaviour of Wood’, in Nico Kos and Paul (November 2014), pp. 793–8 among the Violets’, in Katherine Astbury, van Duin (eds), The Conservation of Panel Book review: James Banker, Piero della Katherine Hambridge and Mark Philp Paintings and Related Objects. Research Francesca: Artist and Man (Oxford (eds), The Last Stand: Napoleon’s 100 days Agenda 2014–2020 (N.W.O, The Getty University Press, 2014), The Burlington in 100 objects, Warwick Digital Foundation, Rijksmuseum 2014) pp. 17– Magazine, vol. 156 (December 2014), p. 820 Humanities 2015, http://www.100days.eu 70; www.nwo.nl\science4arts the national gallery 2 review of the year 2014– 2015

Harriet O’Neill, Vivmar Curatorial Assistant ‘Covenants and Connections: the Sassetti Jennifer Sliwka, Howard and Roberta Contributions to Nicholas Penny and Peter Chapel, Santa Trinita’, in Stephen Prickett Ahmanson Fellow in Art and Religion Schade, The Sansovino Frame, exh. cat., (ed.), The Edinburgh Companion to the Book review: John J. Marciari and Suzanne The National Gallery, London 2015 Bible and the Arts, Edinburgh 2014 Boorsch, Francesco Vanni: Art in Late Book review: Christopher Irvine, The Cross Renaissance Siena (Yale University Press, Leila Packer, McCrindle Curatorial Assistant and Creation in Christian Liturgy and 2013), Print Quarterly, vol. XXXI, no. 4 ‘Spranger’s spring to fame, and back Art (SPCK, 2013), Art and Christianity (December 2014), pp. 426–8 to obscurity: a reassessment of Enquiry, vol. 78 (Summer 2014) p. 15 Bartholomeus Spranger, the Antwerp- Exhibition review: ‘Letter from Marika Spring, Head of Science born artist who won the patronage Pannonhalma’, Art and Christianity Jo Kirby, Maarten van Bommel and of Rudolf II’, The Art Newspaper, Enquiry, vol. 80 (Winter 2014), pp. 2–5 André Verhecken, with Marika Spring, no. 266 (March 2015) Ina Vanden Berghe, Heike Stege and Contributions to Marjorie E. Wieseman, Christopher Riopelle, Curator of Mark Richter, Natural Colorants for Jonathan Bikker, Erik Hinterding and Post-1800 Paintings Dyeing and Lake Pigments, Practical Marijn Schapelhouman, with Albert ‘Almost Nothing’, in Neo-Impressionism Recipes and their Historical Sources, Godycki and Lelia Packer, Rembrandt: and the Dream of Realities, exh. cat., London 2014 The Late Works. Supplement with The Phillips Collection, Washington DC Provenance, Selected Literature and 2014, pp. 75–85 Hayley Tomlinson, Assistant Restorer Bibliography, The National Gallery, Book review: Pierre Sérié, La peinture Book review: Jo Kirby, Maarten van London 2014; www.nationalgallery.org. d’histoire en France 1860–1900: la lyre Bommel and André Verhecken, with uk/rembrandt/the_late_works/ ou le poignard (Arthéna, 2014); Magali Marika Spring, Ina Vanden Berghe, supplement Briat-Philippe, L’invention du passé I: Heike Stege and Mark Richter, Natural Gothique mon amour 1802–1830 Colorants for Dyeing and Lake Pigments David A. Peggie, Scientific Officer – (Hazan, 2014); Stephen Bann and (Archetype Publications in association Organic Analyst Stéphane Paccoud, Invention du passé II: with CHARISMA, 2014), The Picture ‘The Chemistry and Chemical Investigation Histoires de coeur et d’épée en Europe Restorer, no. 45 (Autumn 2014), p. 59 of the Transition from Egg Tempera 1802–1850 (Hazan, 2014), The Art Painting to Oil in Italy in the 15th Newspaper, no. 265 (February 2015) Marjorie E. Wieseman, Curator of Century’, in Antonio Sgamellotti, Dutch and Flemish Paintings 1600–1800 Brunetto Giovanni Brunetti and Anne Robbins, Assistant Curator Rembrandt: The Late Works, exh. cat., Costanza Miliani (eds), Science and of Post-1800 Paintings The National Gallery, London, and Art: The Painted Surface, Royal Society ‘A la conquête de Londres’, in Sylvie Patry Rijksmuseum, Amsterdam, 2014 of Chemistry, 2014, pp. 209–29 (ed.), Paul Durand-Ruel, Le pari de (with Jonathan Bikker, Erik Hinterding, ‘Incident Preparedness at the National l’impressionnisme, exh. cat., Musée Gregor J. M. Weber et al.) Gallery: Developing a grab bag for rapid du Luxembourg, Paris 2014; and 14 Dutch Paintings: The National Gallery, response to a corrosive attack’, Studies catalogue entries 2nd rev. ed., London 2014 in Conservation (online publication), ‘Durand-Ruel’s Conquest of London’, ‘The Craeyvanger Portraits in Context: August 2014 (with Morwenna Blewett in Sylvie Patry (ed.), Inventing Shedding Light on Caspar Netscher’s and Lynne Harrison) Impressionism: Paul Durand-Ruel Early Career’, Oud Holland, vol. 127 and the Modern Art Market, exh. cat., (2014), pp. 31–47 Nicholas Penny, Director The National Gallery, London 2015; The Sansovino Frame, exh. cat., and 15 catalogue entries Humphrey Wine, Curator of 17th- The National Gallery, London 2015 and 18th-Century French Paintings (with Peter Schade and Harriet O’Neill) Ashok Roy, Director of Collections ‘The National Gallery in the Nineteenth ‘Composition, Gesture and Meaning in Editor and contributor, National Gallery Century and French Eighteenth- an Early Painting by Veronese’, Artibus Technical Bulletin: Joshua Reynolds in Century Painting’, in Guillaume et historiae, vol. 70, no. XXXV (2014), the National Gallery and the Wallace Faroult, Monica Preti and Christoph pp. 211–19 Collection, vol. 35, National Gallery Vogtherr (eds), Delicious Decadence: Company, London 2014 The Rediscovery of French Eighteenth- Chloë Reddaway, Howard and Roberta ‘A Passion for Portraits: Elizabeth Cay’s Century Painting in the Nineteenth Ahmanson Fellow in Art and Religion Pastels’, Studies in Conservation, vol. 59, Century, Farnham and Burlington (VT) ‘Reading Hermeneutic Space: Pictorial and no. 5 (2014), pp. 279–88 (with Thea Burns) 2014, pp. 121–40 Spiritual Transformation in the Brancacci Chapel’, in James Romaine and Linda Peter Schade, Head of Framing Richard Wragg, Archivist Stratford (eds), Revisioning: Critical The Sansovino Frame, exh. cat., The ‘A Naval Wife: The Letters of Susannah Methods of Seeing Christianity in National Gallery, London 2015 (with Middleton’, Bulletin of the John Rylands the History of Art, Oregon 2014 Nicholas Penny and Harriet O’Neill) Library, vol. 90, no. 2 (2014), pp. 111–26 the national gallery 3 review of the year 2014– 2015 national gallery staff external commitments april 2014 – march 2015

Paul Ackroyd, Restorer Member of the Advisory Committee for Member of the International Commission Visiting Lecturer and External Examiner, the cleaning of the Ghent Altarpiece, for the restoration of Leonardo’s La belle Conservation of Easel Paintings Sint Baafskathedraal, Ghent ferronière, Musée du Louvre, Paris postgraduate course, Courtauld Institute of Art Susan Foister, Director of Public Denise King, Photography Visiting Lecturer, Conservation of Easel Engagement (and Deputy Director) and Imaging Manager Paintings course at the Stichting Member of Peer Review College, Member of the Committee and Events Restauratie Atelier Limburg, Maastricht Arts and Humanities Research Liaison Officer, Association for Historical Council (AHRC) and Fine Art Photography Susanna Avery-Quash, Senior Research Curator (History of Collecting) Jonathan Franklin, Librarian Minna Moore Ede, Assistant Curator Member of the Editorial Board for Member of the Art Libraries Section of Renaissance Paintings Studi di Memofonte, no. 12 (2014), Standing Committee, International Curator, Royal Ballet Deloitte Ignite in Memory of Francis Haskell Federation of Library Associations Festival, Royal Opera House, London Visiting Lecturer, University of Buckingham and Institutions External Examiner, Christie’s Education Matthew Morgan, Adult Learning Officer Senior Research Fellow, University Lynne Harrison, Assistant Conservator Associate Lecturer, Birkbeck College, of Buckingham’s Humanities Consultant / Contributor to the Getty University of London, Department Research Institute Research Project, Ancient Panel of Media and Cultural Studies Paintings Examination, Analysis Rachel Billinge, Research Associate, and Research (APPEAR) Deborah Myers, Head of Development Conservation Member of the Planned Giving Member of Peer Review College, Arts and Gill Hart, Head of Adult Learning Committee, UJIA Humanities Research Council (AHRC), Trustee for VocalEyes until December 2014 Britta New, Assistant Restorer Catherine Higgitt, Principal Visiting Lecturer, Conservation of Easel Morwenna Blewett, Assistant Restorer Scientific Officer Paintings course at the Stichting Member of the History and Theory of Member of the Committee, Users’ Restauratie Atelier Limburg (SRAL), Conservation Working Group ICOM-CC Group for Mass Spectrometry Maastricht, (University of Amsterdam) and Chromatography (MaSC) Mid-Career Participant, Panel Paintings Caroline Campbell, Interim Head of Member of the Staffordshire Hoard Initiative, Getty Foundation the Curatorial Department and Curator Research Project Advisory Panel of Italian Paintings before 1500 Leila Packer, McCrindle Curatorial Assistant (from 1 August 2014) Larry Keith, Head of Conservation Member, CODART (Curators of Dutch Council Member, Society for and Keeper and Flemish Art) Renaissance Studies External Examiner, Conservation of Member of the Board of Studies, Easel Paintings postgraduate course, David A. Peggie, Scientific Officer – Department of Conservation and Courtauld Institute of Art Organic Analyst Technology, Courtauld Institute of Art, Member of the Board of Studies, Member of the Committee, Users’ University of London Conservation of Easel Paintings Group for Mass Spectrometry postgraduate course, Courtauld and Chromatography (MaSC) Alan Crookham, Research Centre Manager Institute of Art Convenor, Archives and Society Seminars, External Examiner, Hamilton Kerr Nicholas Penny, Director Institute of Historical Research, Institute, University of Cambridge Ex-officio University of London Adviser, Bank of America Art Expert Adviser to the DCMS referring Member, Committee for Art and Design Conservation Program cases to the Reviewing Committee Archives (CADA), ARLIS UK & Ireland Conservation Adviser, Heritage on the Export of Works of Art Conservation Trust Member of the Board of Electors to Jill Dunkerton, Senior Restorer Member of the Advisory Board, the Slade Professorship of Fine Art, Member of the Advisory Committee for the Wallace Collection Reynolds Project University of Oxford cleaning of Titian’s Jupiter and Antiope Member, Comitato Scientifico Sala Member of the Advisory Board of (La Vénus du Pardo), Musée du Louvre, Paris delle Asse, Castello Sforzesco, Milan the Government Art Collection the national gallery 4 review of the year 2014– 2015

Trusteeships and Memberships Fellow of the American Academy Member of Department of Paintings Trustee of the Francis Haskell of Arts and Sciences (2007) Conservation Visiting Committee, Memorial Fund Fellow of the British Academy (2010) The Metropolitan Museum of Art, Trustee of the Bridget Riley Art Honorary Fellow of Saint Catherine’s New York Foundation (2011) College, Cambridge (2009) Member of the Advisory Board, Trustee of the Heritage Conservation Honorary Fellow of King’s College, Wallace Collection Reynolds Project Trust (2008) London (2013) Trustee of the Wallace Collection, London Trustee of The Burlington Magazine Honorary Fellow of Balliol College, Foundation (1993) Oxford (2014) Marika Spring, Head of Science Member of the Consultative Committee Member of the International Board of The Burlington Magazine (1987) Chloë Reddaway, Howard and Roberta of Studies, Department of Conservation Member of the Editorial Policy Committee Ahmanson Fellow in Art and Religion and Technology, Courtauld Institute of The Burlington Magazine Visiting Fellow, King’s College London of Art Member of the Governing Board of (Centre for Arts and the Sacred) Member of Peer Review College, Arts the Courtauld Institute of Art (2008) Module Supervisor and Assessor, and Humanities Research Council (AHRC) Member of the Courtauld Remuneration Creative Arts in Christian Mission Member of the Advisory Committee for Committee (2008) and Ministry, Sarum College the cleaning of the Ghent Altarpiece, Member of the Courtauld Gallery Visiting Lecturer and Assessor, The Sint Baafskathedraal, Ghent and Academic Committee (2008) Visual Arts and Pastoral Theology, Student Project External Examiner, Member of the Bizot Group (2008) Westminster College, Cambridge Conservation of Easel Paintings Member of the Advisory Board External Supervisor, Westcott House, postgraduate course, Courtauld of Prospettiva Cambridge Institute of Art Member of the Comité Scientifique Visiting Lecturer, Westcott Foundation, of Arthena (2008) Cambridge Marjorie E. Wieseman, Curator of Dutch Member of the Dal Pozzo Catalogue Associate, Westminster Abbey Institute and Flemish Paintings 1600–1800 Advisory Committee Member of the Steering Group for Visiting Lecturer, Central Saint Martins Member of the Consultative Committee Theology, Modernity and the Arts, College of Art and Design of The Sculpture Journal Duke Initiatives in Theology and the Arts Member, CODART (Curators of Dutch Member of the International Committee Member of Art and Christianity Enquiry and Flemish Art) for the publication of Canova’s letters Member of the Society for the Arts in Executive Committee, ALCS and writings Religious and Theological Studies (Association for Low Country Studies) Member of the Editorial Board of Member of the Society for the Study Member, Committee for Low Countries the Sculpture Publication Project of Theology Studies in London (VISTAS) (2013) Member of the Council of The British Ashok Roy, Director of Collections Richard Wragg, Archivist School at Rome (2010) Member of the Advisory Council, Hamilton Editor, Archives and Records Member of the Scientific Committee Kerr Institute, University of Cambridge Association, ARC Magazine of Arte Veneta (2014) Member of the CHARISMA project Member of the Archives and Member of the Internal Consulting (EU project FP7-228330) Records Association Registration Committee for Commentari d’arte (2014) Member of Scientific Advisory Committee, Scheme Committee Fellow of the Society of Antiquaries Centre for Art Technological Studies Member of the Archives and Records of London (2003) and Conservation, Copenhagen Association Training Group