the national gallery 1 review of the year 2014– 2015 national gallery staff publications april 2014 – march 2015 Rachel Billinge, Research Associate, ‘The Examination of Apollo and Daphne Lynne Harrison, Assistant Conservator Conservation by Infrared Reflectography and ‘Incident Preparedness at the National ‘Imaging, photophysical properties and DFT X-radiography’, in Andrea di Lorenzo Gallery: Developing a grab bag for rapid calculations of manganese blue (barium and Aldo Galli (eds), Antonio and Piero response to a corrosive attack’, Studies manganate(VI) sulphate) – a modern del Pollaiuolo: ‘Silver and Gold, Painting in Conservation (online publication), pigment’, Chem. Commun., 50 (2014), and Bronze’, exh. cat., Museo Poldi August 2014 (with Morwenna Blewett 15297–15300 (with Gianluca Accorsi, Pezzoli, Milan 2014, pp. 125–9 (with and David Peggie) Giovanni Verri, Angela Acocella, Rachel Billinge and Jill Dunkerton) Francesco Zerbetto, Giovanni Lerario, Sarah Herring, Isaiah Berlin Assistant Guiseppe Gigli and David Saunders) Alan Crookham, Research Centre Manager Curator of Post-1800 Paintings ‘The Examination of Apollo and Daphne ‘Art or Document? Layard’s Legacy and Catalogue entry: ‘Théodore Rousseau, by Infrared Reflectography and Bellini’s Sultan’, Museum History Journal, The Valley of Saint-Vincent (NG3296)’, X-radiography’, in Andrea di Lorenzo vol. 8, no. 1 (January 2015), pp. 28–40 in Sylvie Patry (ed.), Inventing and Aldo Galli (eds), Antonio and Piero ‘Curatorial constructs: archives in fine art Impressionism: Paul Durand-Ruel del Pollaiuolo: ‘Silver and Gold, Painting exhibitions’, Archives and Records: The and the Modern Art Market, exh. cat., and Bronze’, exh. cat., Museo Poldi Journal of the Archives and Records The National Gallery, London 2015 Pezzoli, Milan 2014, pp. 125–9 (with Association, vol. 35, issue 1 (Spring 2015), Caroline Campbell and Jill Dunkerton) pp. 18–28 Helen Howard, Scientific Officer – Inorganic Analyst Morwenna Blewett, Assistant Restorer Jill Dunkerton, Senior Restorer ‘The Painted Design and its Relation to ‘Incident Preparedness at the National ‘Antonello da Messina and Oil Painting the Ceiling Structure’ and ‘The Original Gallery: Developing a grab bag for rapid in the Fifteenth Century’, in Michael Decorative Scheme Revealed by Paint response to a corrosive attack’, Studies in J. Kwakkelstein and Bette Talvacchia (eds), Analysis’ (with Richard Lithgow), in J. Hall Conservation (online publication), August Around Antonello da Messina. Reintegrating and S. Wright (eds), Conservation and 2014 (with Lynne Harrison and David Peggie) Quattrocento Culture, proceedings of the Discovery: Peterborough Cathedral Nave ‘A Safe Haven: Refugee Restorers and the international conference held at the Dutch Ceiling and Related Structures, Swindon National Gallery, London’, in J. Bridgland Institute for Art History, Florence, 19–20 2015, pp. 77–83 and 84–9 (ed.), ICOM-CC 17th Triennial Conference October 2012, Florence 2014, pp. 33–49 Preprints, Melbourne, 15–19 September ‘The Examination of Apollo and Daphne Rachel Morrison, Scientific Officer – 2014, Paris 2014 by Infrared Reflectography and Organic Analyst ‘Institutional Restorers, Cultural Plunder and X-radiography’, in Andrea di Lorenzo ‘Practice Makes Imperfect: Reynolds’s New Collections’, in Tanja Baensch, Kristina and Aldo Galli (eds), Antonio and Piero Painting Technique’ and ‘Catalogue’, Kratz-Kessemeier and Dorothee Wimmer del Pollaiuolo: ‘Silver and Gold, Painting National Gallery Technical Bulletin: (eds), Museen im Nationalsozialismus: and Bronze’, exh. cat., Museo Poldi Joshua Reynolds in the National Gallery Akteure – Orte – Politik, Berlin 2015 Pezzoli, Milan 2014, pp. 125–9 (with and the Wallace Collection, vol. 35 Rachel Billinge and Caroline Campbell) (2014), pp. 12–111 (with Ashok Roy Caroline Campbell, Interim Head of the and Alexandra Gent) Curatorial Department and Curator of Italian Susan Foister, Director of Public ‘The Strawberry Girl: Repetition in Paintings before 1500 (from 1 August 2014) Engagement (and Deputy Director) Reynolds’s Studio Practice’, in European Building the Picture: Architecture in Italian ‘Joshua Reynolds at the National Gallery’, in Paintings 15th–18th Century: Copying, Renaissance Painting, online exh. cat., National Gallery Technical Bulletin: Joshua Replicating and Emulating, proceedings The National Gallery, London, 2014 Reynolds in the National Gallery and the of the CATS conference, Copenhagen (with Amanda Lillie, Alasdair Flint et al.) Wallace Collection, vol. 35 (2014), pp. 6–8 2012, London 2014, pp. 122–31 (with Exhibition review: The Springtime of Alexandra Gent and Rica Jones) the Renaissance. Sculpture and the Arts Allison Goudie, Harry M. Weinrebe in Florence 1400–60 (Palazzo Strozzi, Curatorial Assistant Britta New, Assistant Restorer Florence, and Musée du Louvre, Paris, ‘3 March 1815, Le Printemps ou le retour de ‘The Painted Support: Properties and 2013–14), Renaissance Studies, vol. 28 la Violette’ and ‘20 March 1815, Napoleon Behaviour of Wood’, in Nico Kos and Paul (November 2014), pp. 793–8 among the Violets’, in Katherine Astbury, van Duin (eds), The Conservation of Panel Book review: James Banker, Piero della Katherine Hambridge and Mark Philp Paintings and Related Objects. Research Francesca: Artist and Man (Oxford (eds), The Last Stand: Napoleon’s 100 days Agenda 2014–2020 (N.W.O, The Getty University Press, 2014), The Burlington in 100 objects, Warwick Digital Foundation, Rijksmuseum 2014) pp. 17– Magazine, vol. 156 (December 2014), p. 820 Humanities 2015, http://www.100days.eu 70; www.nwo.nl\science4arts the national gallery 2 review of the year 2014– 2015 Harriet O’Neill, Vivmar Curatorial Assistant ‘Covenants and Connections: the Sassetti Jennifer Sliwka, Howard and Roberta Contributions to Nicholas Penny and Peter Chapel, Santa Trinita’, in Stephen Prickett Ahmanson Fellow in Art and Religion Schade, The Sansovino Frame, exh. cat., (ed.), The Edinburgh Companion to the Book review: John J. Marciari and Suzanne The National Gallery, London 2015 Bible and the Arts, Edinburgh 2014 Boorsch, Francesco Vanni: Art in Late Book review: Christopher Irvine, The Cross Renaissance Siena (Yale University Press, Leila Packer, McCrindle Curatorial Assistant and Creation in Christian Liturgy and 2013), Print Quarterly, vol. XXXI, no. 4 ‘Spranger’s spring to fame, and back Art (SPCK, 2013), Art and Christianity (December 2014), pp. 426–8 to obscurity: a reassessment of Enquiry, vol. 78 (Summer 2014) p. 15 Bartholomeus Spranger, the Antwerp- Exhibition review: ‘Letter from Marika Spring, Head of Science born artist who won the patronage Pannonhalma’, Art and Christianity Jo Kirby, Maarten van Bommel and of Rudolf II’, The Art Newspaper, Enquiry, vol. 80 (Winter 2014), pp. 2–5 André Verhecken, with Marika Spring, no. 266 (March 2015) Ina Vanden Berghe, Heike Stege and Contributions to Marjorie E. Wieseman, Christopher Riopelle, Curator of Mark Richter, Natural Colorants for Jonathan Bikker, Erik Hinterding and Post-1800 Paintings Dyeing and Lake Pigments, Practical Marijn Schapelhouman, with Albert ‘Almost Nothing’, in Neo-Impressionism Recipes and their Historical Sources, Godycki and Lelia Packer, Rembrandt: and the Dream of Realities, exh. cat., London 2014 The Late Works. Supplement with The Phillips Collection, Washington DC Provenance, Selected Literature and 2014, pp. 75–85 Hayley Tomlinson, Assistant Restorer Bibliography, The National Gallery, Book review: Pierre Sérié, La peinture Book review: Jo Kirby, Maarten van London 2014; www.nationalgallery.org. d’histoire en France 1860–1900: la lyre Bommel and André Verhecken, with uk/rembrandt/the_late_works/ ou le poignard (Arthéna, 2014); Magali Marika Spring, Ina Vanden Berghe, supplement Briat-Philippe, L’invention du passé I: Heike Stege and Mark Richter, Natural Gothique mon amour 1802–1830 Colorants for Dyeing and Lake Pigments David A. Peggie, Scientific Officer – (Hazan, 2014); Stephen Bann and (Archetype Publications in association Organic Analyst Stéphane Paccoud, Invention du passé II: with CHARISMA, 2014), The Picture ‘The Chemistry and Chemical Investigation Histoires de coeur et d’épée en Europe Restorer, no. 45 (Autumn 2014), p. 59 of the Transition from Egg Tempera 1802–1850 (Hazan, 2014), The Art Painting to Oil in Italy in the 15th Newspaper, no. 265 (February 2015) Marjorie E. Wieseman, Curator of Century’, in Antonio Sgamellotti, Dutch and Flemish Paintings 1600–1800 Brunetto Giovanni Brunetti and Anne Robbins, Assistant Curator Rembrandt: The Late Works, exh. cat., Costanza Miliani (eds), Science and of Post-1800 Paintings The National Gallery, London, and Art: The Painted Surface, Royal Society ‘A la conquête de Londres’, in Sylvie Patry Rijksmuseum, Amsterdam, 2014 of Chemistry, 2014, pp. 209–29 (ed.), Paul Durand-Ruel, Le pari de (with Jonathan Bikker, Erik Hinterding, ‘Incident Preparedness at the National l’impressionnisme, exh. cat., Musée Gregor J. M. Weber et al.) Gallery: Developing a grab bag for rapid du Luxembourg, Paris 2014; and 14 Dutch Paintings: The National Gallery, response to a corrosive attack’, Studies catalogue entries 2nd rev. ed., London 2014 in Conservation (online publication), ‘Durand-Ruel’s Conquest of London’, ‘The Craeyvanger Portraits in Context: August 2014 (with Morwenna Blewett in Sylvie Patry (ed.), Inventing Shedding Light on Caspar Netscher’s and Lynne Harrison) Impressionism: Paul Durand-Ruel Early Career’, Oud Holland, vol. 127 and the Modern Art Market, exh. cat., (2014),