Official Guide to the World's Columbian Exposition, Full
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VILLAGE WIDE ARCHITECTURAL + HISTORICAL SURVEY Final
VILLAGE WIDE ARCHITECTURAL + HISTORICAL SURVEY Final Survey Report August 9, 2013 Village of River Forest Historic Preservation Commission CONTENTS INTRODUCTION P. 6 Survey Mission p. 6 Historic Preservation in River Forest p. 8 Survey Process p. 10 Evaluation Methodology p. 13 RIVER FOREST ARCHITECTURE P. 18 Architectural Styles p. 19 Vernacular Building Forms p. 34 HISTORIC CONTEXT P. 40 Nineteenth Century Residential Development p. 40 Twentieth Century Development: 1900 to 1940 p. 44 Twentieth Century Development: 1940 to 2000 p. 51 River Forest Commercial Development p. 52 Religious and Educational Buildings p. 57 Public Schools and Library p. 60 Campuses of Higher Education p. 61 Recreational Buildings and Parks p. 62 Significant Architects and Builders p. 64 Other Architects and Builders of Note p. 72 Buildings by Significant Architect and Builders p. 73 SURVEY FINDINGS P. 78 Significant Properties p. 79 Contributing Properties to the National Register District p. 81 Non-Contributing Properties to the National Register District p. 81 Potentially Contributing Properties to a National Register District p. 81 Potentially Non-Contributing Properties to a National Register District p. 81 Noteworthy Buildings Less than 50 Years Old p. 82 Districts p. 82 Recommendations p. 83 INVENTORY P. 94 Significant Properties p. 94 Contributing Properties to the National Register District p. 97 Non-Contributing Properties to the National Register District p. 103 Potentially Contributing Properties to a National Register District p. 104 Potentially Non-Contributing Properties to a National Register District p. 121 Notable Buildings Less than 50 Years Old p. 125 BIBLIOGRAPHY P. 128 ACKNOWLEDGEMENTS RIVER FOREST HISTORIC PRESERVATION COMMISSION David Franek, Chair Laurel McMahon Paul Harding, FAIA Cindy Mastbrook Judy Deogracias David Raino-Ogden Tom Zurowski, AIA PROJECT COMMITTEE Laurel McMahon Tom Zurowski, AIA Michael Braiman, Assistant Village Administrator SURVEY TEAM Nicholas P. -
Fair Treatment? African-American Presence at International Expositions in the South, 1884 – 1902
FAIR TREATMENT? AFRICAN-AMERICAN PRESENCE AT INTERNATIONAL EXPOSITIONS IN THE SOUTH, 1884 – 1902 BY SARA S. CROMWELL A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS IN LIBERAL STUDIES December 2010 Winston-Salem, North Carolina Approved By: Anthony S. Parent, Ph.D., Advisor Jeanne M. Simonelli, Ph.D., Chair John Hayes, Ph.D. ACKNOWLEDGMENTS Many thanks to my friends, family, and coworkers for their support, encouragement, and patience as I worked on my thesis. A special thank you to the Interlibrary Loan Department of the Z. Smith Reynolds Library for their invaluable assistance in my research. And finally, thanks to Dr. Parent, Dr. Simonelli, and Dr. Hayes for their helpful advice throughout the process. ii TABLE OF CONTENTS LIST OF FIGURES ............................................................................................... iv ABSTRACT .......................................................................................................... v INTRODUCTION ................................................................................................. 1 CHAPTER ONE WORLD‘S INDUSTRIAL AND COTTON CENTENNIAL EXPOSITION AT NEW ORLEANS, 1884-85 .............................................................................. 17 CHAPTER TWO A DECADE OF CHANGES .................................................................................. 40 CHAPTER THREE COTTON STATES AND INTERNATIONAL EXPOSITION -
Exploring Urban Forestry's Effect on Climate Change in Chicago's Englewood Neighborhood
Exploring Urban Forestry’s Effect on Climate Change in Chicago’s Englewood Neighborhood Terminal Project Master of Landscape Architecture University of Florida Monica Sabato Roche 2020 October 01 Committee Chair: Dave Hulse Committee Members: Yi Luo & Kathryn Frank Table of Contents Cover page Approval page Abstract Table of Contents Figures, Tables, and Images List 01 Introduction 10 1.1 Inspiration 1.2 Project Summary Literature & Gaps 1.3 Goals & Objectives 1.4 Project Scope and Significance 1.5 Researchable Topic 1.6 Overview of Chapters 02 Methodology 29 2.1 Neighborhood and Block Selection 2.2 Process Diagram 2.3 ENVI-met Input Data Requirements 2.4 Why ENVI-met? 2.5 Materials, Trees, and Plants 2.6 Weather Data July 2019 - 2050 03 Results 41 3.1 ENVI-met 2019 Leonardo 2D Microclimate Simulation Base Model 3.2 ENVI-met 2050 Leonardo 2D Microclimate Simulation ROW Street Tree 3.3 ENVI-met 2050 Leonardo 2D Microclimate Simulation Vacant Residential 3.4 Comparison of Leonardo 2D 2050 Microclimate Models - M2/M3, M3/M2 3.5 Assessment of Outcomes 2 04 Block Canopy Planting Design 46 4.1 Considerations 4.2 Street Tree Selection 4.3 ROW/Street Tree Selection 4.4 Vacant Residential and Legacy Tree Planting 4.5 Community Level Outcomes and Benefits 4.6 Shadow calculation 4.7 ROW Street Tree Planting Design 4.8 Materials 4.10 Study Area Tree Siting 05 Observations and Conclusion 54 5.1 Observations 5.2 Limitations 5.3 Conclusion 06 Appendix 64 A. Splash Pad Design B. RCP – Representative Concentrated Pathway C. -
Il Linguaggio Della Luce Secondo Vittorio Storaro MAGIC LANTERN Vittorio Storaro’S Language of Light – Paolo Calafiore
NEW BIM LIBRARY AVAILABLE 329 Luce e genius loci Park Associati Light and genius loci: Park Associati La luce nelle città Un'inchiesta Light in the cities: A reportage Vittorio Storaro Una vita per la luce Vittorio Storaro A Life in Light Outdoor LED Lighting Solutions for architecture and urban spaces. Poste ta ane spa – Sped. 1, LO/M n°46) art. 1,comma (conv. 353/2003 – D.L. n L. 27.02.2004 – n A.P. 1828-0560 SSN caribonigroup.com 2019 Anno / year 57 – n.329 2019 trimestrale / quarterly – € 15 Reverberi: innovazione nella SMART CITY TECNOLOGIE ALL’AVANGUARDIA PER CITTÀ INTELLIGENTI LTM: SENSORE LUMINANZA/TRAFFICO e condizioni metereologiche Reverberi Enetec investe nella “Computer vision” e lancia il sensore LTM. Misura della luminanza della strada monitorata, del fl usso di traffi co e delle condizioni meteo debilitanti, in particolare strada bagnata, nebbia, neve. Informazioni che, trasmesse ai sistemi della gamma Reverberi ed Opera, permettono la regolazione in tempo reale ad anello chiuso del fl usso luminoso. I test fi eld hanno dimo- strato potenzialità di risparmio energetico dell’ordine del 30%, ed aggiuntive al 25%-35% conseguibili con dispositivi di regolazione basati su cicli orari. t$POGPSNFBMMB6/*F$&/QBSUFTVJTFOTPSJEJMVNJOBO[B t$SJUFSJ"NCJFOUBMJ.JOJNJ $". EJBDRVJTUPEFMMB1VCCMJDB"NNJOJ TUSB[JPOFEFM <5065,,<967,( Reverberi Enetec srl - [email protected] - Tel 0522-610.611 Fax 0522-810.813 Via Artigianale Croce, 13 - 42035 Castelnovo né Monti - Reggio Emilia www.reverberi.it Everything comes from the project Demí With OptiLight -
Download Artist's CV
ERNESTO NETO 1964 Born in Rio de Janeiro, Brazil Lives and works in Rio de Janeiro, Brazil Education Escola de Artes Visuais Pargua Lage, Rio de Janeiro, Brazil Museu de Arte Moderna, Rio de Janeiro, Brazil Solo Exhibitions 2021 SunForceOceanLife, The Museum of Fine Arts, Houston Mentre la vita ci respira, GAMeC, Bergamo, Italy 2020 Water Falls from my Breast to the Sky, Museum of Contemporary Art Chicago, Chicago (permanent commission) 2019 Ernesto Neto: Sopro (Blow), Malba, Museum of Latin American Art, Buenos Aires, Argentine (traveling to Palacio de La Moneda Cultural Center, Santiago, Chile) Ernesto Neto: Children of the Earth, Tanya Bonakdar Gallery, Los Angeles Ernesto Neto: Sopro (Blow), curated by Jochen Volz, Pinacoteca, São Paulo, March 30 – July 15; [traveled to Malba, Museum of Latin American Art, Buenos Aires, Argentina; Palacio de La Moneda Cultural Center, Santiago, Chile] 2018 GaiaMotherTree, Beyeler Foundation for the Zurich train station, Basel 2017 Um dia todos fomos peixes, Blue Project Foundation, Barcelona Fortes D’Aloia & Gabriel Galeria, São Paulo Water Falls from my Breast to the Sky, Museum of Contemporary Art Chicago, Chicago (permanent installation) 2016 The Serpent’s Energy Gave Birth to Humanity, Tanya Bonakdar Gallery, New York Ernesto Neto, Museum of Contemporary Art Kiasma, Helsinki, Finland Enresto Neto: Rui Ni / Voices of the Forest, KUNSTEN Museum of Modern Art Aalborg, Denmark 2015 Ernesto Neto: The Jaguar and the Boa, Kunsthalle Krems, Krems an der Donau, Austria Ernesto Neto and the Huni Kuin ~ -
Venice's Giardini Della Biennale and the Geopolitics of Architecture
FOLKLORIC MODERNISM: VENICE’S GIARDINI DELLA BIENNALE AND THE GEOPOLITICS OF ARCHITECTURE Joel Robinson This paper considers the national pavilions of the Venice Biennale, the largest and longest running exposition of contemporary art. It begins with an investigation of the post-fascist landscape of Venice’s Giardini della Biennale, whose built environment continued to evolve in the decades after 1945 with the construction of several new pavilions. With a view to exploring the architectural infrastructure of an event that has always billed itself as ‘international’, the paper asks how the mapping of national pavilions in this context might have changed to reflect the supposedly post-colonial and democratic aspirations of the West after the Second World War. Homing in on the nations that gained representation here in the 1950s and 60s, it looks at three of the more interesting architectural additions to the gardens: the pavilions for Israel, Canada and Brazil. These raise questions about how national pavilions are mobilised ideologically, and form/provide the basis for a broader exploration of the geopolitical superstructure of the Biennale as an institution. Keywords: pavilion, Venice Biennale, modernism, nationalism, geopolitics, postcolonialist. Joel Robinson, The Open University Joel Robinson is a Research Affiliate in the Department of Art History at the Open University and an Associate Lecturer for the Open University in the East of England. His main interests are modern and contemporary art, architecture and landscape studies. He is the author of Life in Ruins: Architectural Culture and the Question of Death in the Twentieth Century (2007), which stemmed from his doctoral work in art history at the University of Essex, and he is co-editor of a new anthology in art history titled Art and Visual Culture: A Reader (2012). -
Japan and the World Expositions As a Tool for Cultural Diplomacy During the Meiji Period
Facultad de Ciencias Humanas y Sociales Grado en Relaciones Internacionales Trabajo Fin de Grado Japan and the World Expositions as a tool for cultural diplomacy during the Meiji Period Estudiante: Elena Molina Urosa Directora: Ana Trujillo Dennis Madrid, abril 2019 Table of content: 1. INTRODUCTION: .............................................................................................................................. 2 2. OBJECTIVES AND METHODOLOGY: ................................................................................................. 3 3. STATE OF PLAY: ............................................................................................................................... 4 4. THEORETICAL FRAMEWORK:........................................................................................................... 6 5. HISTORICAL OVERVIEW: ................................................................................................................ 10 6. MEIJI GOVERNMENT’S STRATEGY FOR BUILDING JAPANESE IDENTITY AND NATIONALIST SENTIMENT: ...................................................................................................................................... 15 6.1. Japan’s domestic policy: ........................................................................................................ 16 6.2. Japan’s foreign policy: ............................................................................................................ 19 7. WORLD EXPOSITIONS: .................................................................................................................. -
Afrofuturism: the World of Black Sci-Fi and Fantasy Culture
AFROFUTURISMAFROFUTURISM THE WORLD OF BLACK SCI-FI AND FANTASY CULTURE YTASHA L. WOMACK Chicago Afrofuturism_half title and title.indd 3 5/22/13 3:53 PM AFROFUTURISMAFROFUTURISM THE WORLD OF BLACK SCI-FI AND FANTASY CULTURE YTASHA L. WOMACK Chicago Afrofuturism_half title and title.indd 3 5/22/13 3:53 PM AFROFUTURISM Afrofuturism_half title and title.indd 1 5/22/13 3:53 PM Copyright © 2013 by Ytasha L. Womack All rights reserved First edition Published by Lawrence Hill Books, an imprint of Chicago Review Press, Incorporated 814 North Franklin Street Chicago, Illinois 60610 ISBN 978-1-61374-796-4 Library of Congress Cataloging-in-Publication Data Womack, Ytasha. Afrofuturism : the world of black sci-fi and fantasy culture / Ytasha L. Womack. — First edition. pages cm Includes bibliographical references and index. ISBN 978-1-61374-796-4 (trade paper) 1. Science fiction—Social aspects. 2. African Americans—Race identity. 3. Science fiction films—Influence. 4. Futurologists. 5. African diaspora— Social conditions. I. Title. PN3433.5.W66 2013 809.3’8762093529—dc23 2013025755 Cover art and design: “Ioe Ostara” by John Jennings Cover layout: Jonathan Hahn Interior design: PerfecType, Nashville, TN Interior art: John Jennings and James Marshall (p. 187) Printed in the United States of America 5 4 3 2 1 I dedicate this book to Dr. Johnnie Colemon, the first Afrofuturist to inspire my journey. I dedicate this book to the legions of thinkers and futurists who envision a loving world. CONTENTS Acknowledgments .................................................................. ix Introduction ............................................................................ 1 1 Evolution of a Space Cadet ................................................ 3 2 A Human Fairy Tale Named Black .................................. -
YOUNG LEADERS PROGRAM October 16-19, 2019 Chicago, Illinois TABLE of CONTENTS
YOUNG LEADERS PROGRAM October 16-19, 2019 Chicago, Illinois TABLE OF CONTENTS ABOUT THE FRENCH-AMERICAN FOUNDATION 2 AND THE YOUNG LEADERS PROGRAM OUR SUPPORTERS & SPONSORS 3 PROGRAM AGENDA 6 BIOGRAPHIES OF YOUNG LEADERS 11 BIOGRAPHIES OF SPEAKERS 32 BIOGRAPHIES OF FOUNDATION LEADERSHIP AND STAFF 39 THINGS TO SEE, DO, & EAT IN CHICAGO 46 FRENCH-AMERICAN FOUNDATION 1 SUPPORTERS & SPONSORS THE FRENCH-AMERICAN FOUNDATION—UNITED STATES WOULD LIKE TO THANK THE FOLLOWING SUPPORTERS: ABOUT THE FRENCH-AMERICAN FOUNDATION We are grateful for the leading partnership of the Since their founding in 1976, the French-American Foundation—United States AMERICAN EXPRESS FOUNDATION and the French-American Foundation—France have been committed to enriching in support of the 2019 Young Leaders Program. We would like to thank the a transatlantic relationship that is essential in today’s world. The Foundations Board of Directors for their generosity and support. Special thanks also go to bring together French and American leaders, policymakers and a wide range of the individual and corporate contributors to our 2019 Gala. professionals to exchange views on common problems and to create productive, lasting links between people which have a far-reaching effect in both countries. WE WOULD ALSO LIKE TO THANK THE FOLLOWING IN-KIND To accomplish these objectives, the Foundations arrange a wide variety of CONTRIBUTORS TO THE YOUNG LEADERS PROGRAM: programs, including conferences, lectures, prizes, and its principal Young Leaders Theory and Siddhartha Shukla ‘16 program, -
The Making of the Panama-California Exposition, 1909-1915 by Richard W
The Journal of San Diego History SAN DIEGO HISTORICAL SOCIETY QUARTERLY Winter 1990, Volume 36, Number 1 Thomas L. Scharf, Editor The Making of the Panama-California Exposition, 1909-1915 by Richard W. Amero Researcher and Writer on the history of Balboa Park Images from this article On July 9, 1901, G. Aubrey Davidson, founder of the Southern Trust and Commerce Bank and Commerce Bank and president of the San Diego Chamber of Commerce, said San Diego should stage an exposition in 1915 to celebrate the completion of the Panama Canal. He told his fellow Chamber of Commerce members that San Diego would be the first American port of call north of the Panama Canal on the Pacific Coast. An exposition would call attention to the city and bolster an economy still shaky from the Wall Street panic of 1907. The Chamber of Commerce authorized Davidson to appoint a committee to look into his idea.1 Because the idea began with him, Davidson is called "the father of the exposition."2 On September 3, 1909, a special Chamber of Commerce committee formed the Panama- California Exposition Company and sent articles of incorporation to the Secretary of State in Sacramento.3 In 1910 San Diego had a population of 39,578, San Diego County 61,665, Los Angeles 319,198 and San Francisco 416,912. San Diego's meager population, the smallest of any city ever to attempt holding an international exposition, testifies to the city's extraordinary pluck and vitality.4 The Board of Directors of the Panama-California Exposition Company, on September 10, 1909, elected Ulysses S. -
Art-Related Archival Materials in the Chicago Area
ART-RELATED ARCHIVAL MATERIALS IN THE CHICAGO AREA Betty Blum Archives of American Art American Art-Portrait Gallery Building Smithsonian Institution 8th and G Streets, N.W. Washington, D.C. 20560 1991 TRUSTEES Chairman Emeritus Richard A. Manoogian Mrs. Otto L. Spaeth Mrs. Meyer P. Potamkin Mrs. Richard Roob President Mrs. John N. Rosekrans, Jr. Richard J. Schwartz Alan E. Schwartz A. Alfred Taubman Vice-Presidents John Wilmerding Mrs. Keith S. Wellin R. Frederick Woolworth Mrs. Robert F. Shapiro Max N. Berry HONORARY TRUSTEES Dr. Irving R. Burton Treasurer Howard W. Lipman Mrs. Abbott K. Schlain Russell Lynes Mrs. William L. Richards Secretary to the Board Mrs. Dana M. Raymond FOUNDING TRUSTEES Lawrence A. Fleischman honorary Officers Edgar P. Richardson (deceased) Mrs. Francis de Marneffe Mrs. Edsel B. Ford (deceased) Miss Julienne M. Michel EX-OFFICIO TRUSTEES Members Robert McCormick Adams Tom L. Freudenheim Charles Blitzer Marc J. Pachter Eli Broad Gerald E. Buck ARCHIVES STAFF Ms. Gabriella de Ferrari Gilbert S. Edelson Richard J. Wattenmaker, Director Mrs. Ahmet M. Ertegun Susan Hamilton, Deputy Director Mrs. Arthur A. Feder James B. Byers, Assistant Director for Miles Q. Fiterman Archival Programs Mrs. Daniel Fraad Elizabeth S. Kirwin, Southeast Regional Mrs. Eugenio Garza Laguera Collector Hugh Halff, Jr. Arthur J. Breton, Curator of Manuscripts John K. Howat Judith E. Throm, Reference Archivist Dr. Helen Jessup Robert F. Brown, New England Regional Mrs. Dwight M. Kendall Center Gilbert H. Kinney Judith A. Gustafson, Midwest -
Catalogue of the Officers and Alumni of Rutgers College
* o * ^^ •^^^^- ^^-9^- A <i " c ^ <^ - « O .^1 * "^ ^ "^ • Ellis'* -^^ "^ -vMW* ^ • * ^ ^^ > ->^ O^ ' o N o . .v^ .>^«fiv.. ^^^^^^^ _.^y^..^ ^^ -*v^^ ^'\°mf-\^^'\ \^° /\. l^^.-" ,-^^\ ^^: -ov- : ^^--^ .-^^^ \ -^ «7 ^^ =! ' -^^ "'T^s- ,**^ .'i^ %"'*-< ,*^ .0 : "SOL JUSTITI/E ET OCCIDENTEM ILLUSTRA." CATALOGUE ^^^^ OFFICERS AND ALUMNI RUTGEES COLLEGE (ORIGINALLY QUEEN'S COLLEGE) IlSr NEW BRUJSrSWICK, N. J., 1770 TO 1885. coup\\.to ax \R\l\nG> S-^ROUG upsoh. k.\a., C\.NSS OP \88\, UBR^P,\^H 0? THP. COLLtGit. TRENTON, N. J. John L. Murphy, Printer. 1885. w <cr <<«^ U]) ^-] ?i 4i6o?' ABBREVIATIONS L. S. Law School. M. Medical Department. M. C. Medical College. N. B. New Brunswick, N. J. Surgeons. P. and S. Physicians and America. R. C. A. Reformed Church in R. D. Reformed, Dutch. S.T.P. Professor of Sacred Theology. U. P. United Presbyterian. U. S. N. United States Navy. w. c. Without charge. NOTES. the decease of the person. 1. The asterisk (*) indicates indicates that the address has not been 2. The interrogation (?) verified. conferred by the College, which has 3. The list of Honorary Degrees omitted from usually appeared in this series of Catalogues, is has not been this edition, as the necessary correspondence this pamphlet. completed at the time set for the publication of COMPILER'S NOTICE. respecting every After diligent efforts to secure full information knowledge in many name in this Catalogue, the compiler finds his calls upon every one inter- cases still imperfect. He most earnestly correcting any errors, by ested, to aid in completing the record, and in the Librarian sending specific notice of the same, at an early day, to Catalogue may be as of the College, so that the next issue of the accurate as possible.