The Evolution of the Byzantine “Divine Liturgy”
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The Office of Vespers
THE PATRIARCHAL ORTHODOX CHURCH OF ROMANIA ARCHDIOCESE OF WESTERN EUROPE THE OFFICE OF VESPERS TYPIKON ( With Litiya & Artoklasia Service ) ? The priest vests with the epitrachelion in the sanctuary. He opens the curtain and the Royal Doors Standing before the holy table facing East, he blesses himself saying loudly : Priest Blessed is Our God, always, Now and Forever, and to the Ages of Ages. + Choir Amen. Glory to Thee our God, Glory to Thee. The Choir Leader begins the Trisagion Prayers. The priest closes the Holy Doors and curtain Choir Come let us worship and bow down before God our King ( + metanie ) Come let us worship and bow down before Christ, our King and God ( + metanie ) Come let us worship and bow down before Christ himself, our King, and our God ( + metanie ) O Heavenly King, the Paraclete, the Spirit of Truth, who are present everywhere filling all things, Treasury of good things, and Giver of Life, come and dwell in us, cleanse us of every stain, and save our souls, O Good One. + Holy God, Holy Mighty, Holy Immortal, Have mercy on us ( three times) + Glory to the Father, and to the Son, and to the Holy Spirit, Now, and forever, and to the Ages of Ages, Amen. All Holy Trinity have mercy on us. Lord forgive us our sins. Master pardon our transgressions. Holy One, visit and heal our infirmities for your name’s sake. Lord have mercy, Lord have mercy, Lord have mercy. + Glory to the Father, and to the Son, and to the Holy Spirit Now, and forever, and to the Ages of Ages, Amen. -
Essays on Liturgy: I
82-065 ..---------------------r------ - Salle de lecture Reading Room 55 ESSAYS ON l~TURGV: ~ National Bulletin on Liturgy A review published by the Canadian Conference of Catholic Bishops This Bulletin is primarily pastoral in scope, and is prepared for members of parish liturgy committees, readers, musicians, singers, teachers, religious, seminarians, and clergy, and all who are involved in preparing and celebrating the community liturgy. Editor REV. PATRICK BYRNE Editorial Office NATIONAL LITURGICAL OFFICE 90 Parent Avenue (613) 236-9461 Ottawa, Ontario K1 N 7B1 ext. 246 Business Office PUBLICATIONS SERVICE 90 Parent Avenue Ottawa, Ontario K1 N 7B1 Published fives times a year Appears every two months, except July and August Subscription: $6.00 a year; outside Canada, $7.00 Price per copy: $1.50; outside Canada, $1.75 Subscriptions available through Publications Service of the CCCB, or through the chancery office in each diocese in Canada. Excerpts from the English translation of The Ordination of Deacons, Priests, and Bishops© 1976, International Committee on English in the Liturgy, Inc. (ICEL); excerpts from the English translation of The Institution of Readers and Acolytes the Admission to Candidacy For Ordina tion as Deacons and Priests© 1976 ICEL. All rights reserved. National Bulletin on Liturgy, copyright© Concacan, Inc., 1978. No part of this Bulletin may be reproduced in any form without the written permission of the Publications Service of the CCCB. International Standard Serial Number: CN ISSN 0084-8425. Legal deposit: National Library, Ottawa. Canada. Second Class Mail - Registration Number 2994. national bulletin on liturgy volume 11 number 65 september october 1978 ESSAYS ON LITURGY: I This issue of the Bulletin offers a series of articles on liturgy, designed to provoke discussion and reflection. -
Singing the Prostopinije Samohlasen Tones in English: a Tutorial
Singing the Prostopinije Samohlasen Tones in English: A Tutorial Metropolitan Cantor Institute Byzantine Catholic Metropolia of Pittsburgh 2006 The Prostopinije Samohlasen Melodies in English For many years, congregational singing at Vespers, Matins and the Divine Liturgy has been an important element in the Eastern Catholic and Orthodox churches of Southwestern Ukraine and the Carpathian mountain region. These notes describes one of the sets of melodies used in this singing, and how it is adapted for use in English- language parishes of the Byzantine Catholic Church in the United States. I. Responsorial Psalmody In the liturgy of the Byzantine Rite, certain psalms are sung “straight through” – that is, the verses of the psalm(s) are sung in sequence, with each psalm or group of psalms followed by a doxology (“Glory to the Father, and to the Son…”). For these psalms, the prostopinije chant uses simple recitative melodies called psalm tones. These melodies are easily applied to any text, allowing the congregation to sing the psalms from books containing only the psalm texts themselves. At certain points in the services, psalms or parts of psalms are sung with a response after each verse. These responses add variety to the service, provide a Christian “pointing” to the psalms, and allow those parts of the service to be adapted to the particular hour, day or feast being celebrated. The responses can be either fixed (one refrain used for all verses) or variable (changing from one verse to the next). Psalms with Fixed Responses An example of a psalm with a fixed response is the singing of Psalm 134 at Matins (a portion of the hymn called the Polyeleos): V. -
SACRED MUSIC Fall 2003 Volume 130 No.3
SACRED MUSIC Fall 2003 Volume 130 No.3 - ...... ~ . _0- -~'f'. ........ --. -, -. -~- . Aerial View. St. Peter's and Piazza, Rome Renaissance-Baroque. 1506-1668. Chief Architects: Bramante, Michelangelo, Maderna, Bernini SACRED MUSIC Volume 130, Number 3, Fall 2003 FROM THE EDITOR 3 THE CHANTS OF THE PROPRIUM MISSAE versus ALIUS CANTUS APTUS 5 Professor Laszlo Dobszay REVIEWS 27 OPEN FORUM 28 NEWS 28 CONTRIBUTORS 32 SACRED MUSIC Continuation of Caecilia, published by the Society of St. Caecilia since 1874, and The Catholic Choirmaster, published by the Society of St. Gregory of America since 1915. Published quarterly by the Church Music Association of America. Office of Publication: 134 Christendom Drive, Front Royal, VA 22630-5103. E-mail: [email protected] Editorial Assistant: Christine Collins News: Kurt Poterack Music for Review: Calvert Shenk, Sacred Heart Major Seminary, 2701 West Chicago Blvd., Detroit, MI 48206 Susan Treacy, Dept. of Music, Franciscan University, Steubenville, OH 43952-6701 Membership, Circulation and Advertising: P.O. Box 960, Front Royal, VA 22630 CHURCH MUSIC ASSOCIATION OF AMERICA Officers and Board of Directors President Father Robert Skeris Vice- President Father Robert Pasley General Secretary Rosemary Reninger Treasurer Vincent Sly Directors Rev. Ralph S. March, S.O. Cist. Kurt Poterack Father Robert Pasley Paul F. Salumunovich Rosemary Reninger Brian Franck Rev. Robert A. Skeris Calvert Shenk Susan Treacy Ralph Stewart Monsignor Richard Schuler Vincent Sly Stephen Becker Membership in the Church Music Association of America includes a subscription to SACRED MUSIC. Membership is $30.00 annually; student membership is $15.00 annually. Single copies are $7.50. Send applications and changes of address to SACRED MUSIC, P.O. -
MISSAE Versus ALIUS CANTUS APTUS
Are we allowed to replace the Mass Propers with hymns? Should we? Professor László Dobszay answers in the below article, printed in Sacred Music (Vol. 130, No. 3, Fall 2003). THE CHANTS OF THE PROPRIUM MISSAE versus ALIUS CANTUS APTUS 1. What arrangement of the Mass chants emerges before the eyes of an unbiased read er of the Liturgy Constitution promulgated by the Second Vatican Council? If we dis regard what happened after the Synod, and concentrate our attention upon the text of Sacrosanctum Concilium, this is the picture we receive. The Mass is celebrated in most cases in Latin (Art. 36), although some parts (lections, bidding prayer: Art. 54) sometimes (when and where it seems useful) resound in the vernacular (Art. 36/2). The faithful are able to chant the responses, the acclamations and the Ordinary also in Latin (Art. 54, cf. Kyriale Simplex). Gregorian chant has pride of place in liturgical singing (Art. 116). The chants of the Proper are sung by a choir or schola (Art. 114), from the Graduate Romanum in the great churches, and from the Graduate Simplex in the smaller ones (Art. 117); but the congregation, too, may join the Chant (Art. 114), singing psalms and antiphons (Art. 30). The chant is complemented by sacred polyphony taken from the heritage of sacred music, or from a repertory of new compositions. These take their texts chiefly from the Sacred Scriptures or the litur gical books (Art. 121), correspond at all points with the spirit of the liturgy (Art. 116) and are characterized by the hallmarks of a true ecclesiastical thinking (Art. -
Byzantine Lutheranism!
Byzantine Lutheranism? Byzantine Lutheranism! Through the 1596 Union of Brest, many Ruthenian Orthodox bishops, with their eparchies, entered into communion with the Pope at Rome. They did this with the understanding that they and their successors would always be able to preserve their distinctive Eastern customs, such as a married priesthood, and the use of the Byzantine Rite for worship, in a language understood by the people. The Ukrainian Greek Catholic Church became (and remains) the heir of this 1596 union. The region of Galicia in eastern Europe (now a part of Ukraine), inhabited mostly by ethnic Ukrainians, was a part of the Austro-Hungarian Empire until the end of the First World War. After a few years of regional conflict Galicia then came under the jurisdiction of a newly reconstituted Polish state. Soon thereafter, under pressure from the hierarchy of the Polish Roman Catholic Church and with the collusion of the Pope, the Stanyslaviv Eparchy of the Ukrainian Greek Catholic Church in Galicia began to undergo an imposed Latinization. This Latinization process manifested itself chiefly in the prohibition of any future ordinations of married men, and in the requirement that the Western Rite Latin Mass be used for worship. The Ukrainians who were affected by this felt betrayed, and many of them began to reconsider their ecclesiastical associations and allegiance to the Pope. This was the setting for the emergence of a Lutheran movement among the Ukrainians of this region, in the 1920s. This movement was initially prompted by two -
The Bugnini-Liturgy and the Reform of the Reform the Bugnini-Liturgy and the Reform of the Reform
in cooperation with the Church Music Association of America MusicaSacra.com MVSICAE • SACRAE • MELETEMATA edited on behalf of the Church Music Association of America by Catholic Church Music Associates Volume 5 THE BUGNINI-LITURGY AND THE REFORM OF THE REFORM THE BUGNINI-LITURGY AND THE REFORM OF THE REFORM by LASZLO DOBSZAY Front Royal VA 2003 EMINENTISSIMO VIRO PATRI VENERABILI ET MAGISTRO JOSEPHO S. R. E. CARDINALI RATZINGER HOC OPUSCULUM MAXIMAE AESTIMATIONIS AC REVERENTIAE SIGNUM D.D. AUCTOR Copyright © 2003 by Dobszay Laszlo Printed in Hungary All rights reserved under International and Pan-American Conventions. No part of these texts or translations may be reproduced in any form without written permission of the publisher, except for brief passages included in a review appearing in a magazine or newspaper. The author kindly requests that persons or periodicals publishing a review on his book send a copy or the bibliographical data to the following address: Laszlo Dobszay, 11-1014 Budapest, Tancsics M. u. 7. Hungary. K-mail: [email protected] Contents INTRODUCTION Page 9 1. HYMNS OF THE HOURS Page 14 2. THE HOLY WEEK Page 20 3. THE DIVINE OFFICE Page 45 4. THE CHANTS OF THE PROPRIUM MISSAE VERSUS "ALIUS CANTUS APTUS" Page 85 5. THE READINGS OF THE MASS AND THE CALENDAR Page 121 6. THE TRIDENTINE MOVEMENT AND THE REFORM OF THE REFORM Page 147 7. HIGH CHURCH - LOW CHURCH: THE SPLIT OF CATHOLIC CHURCH MUSIC Page 180 8. CHURCH MUSIC AT THE CROSSROADS Page 194 A WORD TO THE READER Page 216 Introduction The growing displeasure with the "new liturgy" introduced after (and not by) the Second Vatican Council is characterized by two ideas. -
Rt. Rev. Archimandrite Robert F. Taft, SJ
Rt. Rev. Archimandrite Robert F. Taft, S.J. Professor Emeritus PONTIFICIO ISTITUTO ORIENTALE Piazza S. Maria Maggiore 7 00185 Roma, ITALIA Tel. +39-06-44741-7139 FAX +39-06-446-5576 Email [email protected] B I B L I O G R A P H Y (as of November 2011) Abbreviations: AL = Analecta Liturgica (S. Anselmo, Rome) BBGG = Bollettino della Badia Greca di Grottaferrata BELS = Bibliotheca Ephemerides Liturgicae, Subsidia CCOr = ContaCOr, Collegium Orientale Eichstätt und Oriens Occidens e. V., Eichstätt, Germany DOP = Dumbarton Oaks Papers ECJ = Eastern Churches Journal EOC = «Edizioni Orientalia Christiana» (Rome, PIO) EOrans = Ecclesia Orans LMD = La Maison-Dieu Logos = Logos: A Journal of Eastern Christian Studies/Revue des études de l’Orient chrétien/Журнал Східньохристиянських Студій OC = Oriens Christianus OCA = Orientalia Christiana Analecta OCP = Orientalia Christiana Periodica OKS = Ostkirchliche Studien PIO = Pontificio Istituto Orientale (Rome) POC = Proche-orient chrétien REN = Renasterea (Cluj, Romania) SA = Studia Anselmiana (S. Anselmo, Rome) SL = Studia Liturgica SOC = Studi sull’Oriente cristiano TS = Theological Studies Chronological List of Publications: To this list can be added several abstracts published in New Testament Abstracts 1960-1964. In addition, several of Fr. Taft’s “vota” or official responses and briefs composed at the request of Vatican Congregation for the Oriental Churches on various liturgical issues and sent under the name of the Congregatio pro Ecclesiis Orientalibus to local Churches as official responses of the Holy See, have been published anonymously, and without Fr. Taft’s authorization, in India in the journal Christian Orient as well as in the anthology Roman Documents on the Syro-Malabar Liturgy (up-dated and enlarged edition, Oriental Institute of Religious Studies India No. -
Robert F. Taft, S.J. the 2001 Vatican Addai and Mari Decision
Robert F. Taft, S.J. Pontificio Istituto Orientale Piazza S, Maria Maggiore 7 00185 Rome ITALY PROFILE : Robert F. Taft, S.J., born in Providence, RI (USA) Jan. 9, 1932, entered the Society of Jesus on August 14, 1949. After receiving the MA and Licentiate in Philosophy, he taught from 1956-59 at Baghdad College, Baghdad, Iraq, followed by an MA in Russian Studies at Fordham University in NY (1961), and an MA and STL in theology in 1964. He was ordained to the priesthood in the Byzantine Slavonic (Russian) Rite in 1963. He is Professor- emeritus of Oriental Liturgy at the Pontifical Oriental Institute, Rome, and founder and editor-in-chief of its Anaphorae Orientales series. He studied there his doctorate (1965-70), then did postdoctoral studies in Oriental Philology at the University of Louvain (1971-72). The bibliography of his publications and writings comprises over 800 titles written in English, French, and Italian, mostly scholarly publications on Eastern Liturgy, including 23 books, three of them co-authored. His writings have been translated into eighteen different languages. Fr. Taft is also Consultor for Liturgy of the Vatican Congregation for the Oriental Churches, and a member of several Vatican commissions and other editorial and advisory boards. Fr. Taft has received numerous ecclesiastical honors and academic awards, including three honorary doctorates and election as Corresponding Fellow of the British Academy, the highest honor the Academy confers in recognition of scholarly distinction. He is the first American Jesuit -
The Acolyte Service Handbook
St. Demetrios Greek Orthodox Church 815 NE 15th Street • Fort Lauderdale, FL 33301 PHONE (954)-467-1515• FAX (954)-467-0212 THE ACOLYTE SERVICE HANDBOOK Thank You to Fr. Christos Mars for creating such a wonderful resource for Acolytes and allowing us to customize it for our use here at St. Demetrios. 2 Acolyte PLEDGE HEAVENLY HIGH PRIEST JESUS CHRIST— I, an Acolyte of the Annunciation Cathedral, solemnly promise to serve You faithfully, obediently, and reverently. Let nothing separate me from You. If I am weak in my faith, strengthen me. Help me to devote myself to Your Holy Gifts. Guide me in the path that leads to Your Kingdom. Teach me to become a better Christian so that I may wear the Altar Boy’s robe worthily and in humility. My prayer is to serve You in all my thoughts, words and deeds and to become a better Orthodox Christian so that in all I do I may testify to Your glory. For blessed is the Holy Trinity, the Father and the Son and the Holy Spirit now and forever and unto the ages of ages Amen. 3 FOR THOSE SERVING IN THE HOLY ALTAR 1. Remember that you serve in the holiest and most sacred part of the Church. Being in the Altar is a rare honor and privilege. You are close to Jesus Christ and His Holy Angels. You are at the Altar Table where the sacrificial offering of the precious Body and Blood of Christ is made. 2. Christ wants those who serve Him in the Altar to be reverent and clean in body and soul. -
Synodum Constantinopolitanum – Canones the Canons of The
0691-0691 – Synodum Constantinopolitanum – Canones The Canons Of The Council in Trullo; Often Called The Quintisext Council. this file has been downloaded from http://www.ccel.org/ccel/schaff/npnf214.html NPNF (V2-14) Philip Schaff 355 THE CANONS OF THE COUNCIL IN TRULLO; OFTEN CALLED THE QUINISEXT COUNCIL. A.D. 692. Elenchus. Introductory Note. The Canons with the Ancient Epitome and Notes. Excursus to Canon VI., On the Marriage of the Clergy. Introductory Note. 356 From the fact that the canons of the Council in Trullo are included in this volume of the Decrees and Canons of the Seven Ecumenical Councils it must not for an instant be supposed that it is intended thereby to affirm that these canons have any ecumenical authority, or that the council by which they were adopted can lay any claim to being ecumenical either in view of its constitution or of the subsequent treatment by the Church of its enactments. It is true that it claimed at the time an ecumenical character, and styled itself such in several of its canons, it is true that in the mind of the Emperor Justinian II., who summoned it, it was intended to have been ecumenical. It is true that the Greeks at first declared it to be a continuation of the Sixth Synod and that by this name they frequently denominate and quote its canons. But it is also true that the West was not really represented at it at all (as we shall see presently); that when the Emperor afterwards sent the canons to the Pope to receive his signature, he absolutely refused to have anything to do with them; and it is further true that they were never practically observed by the West at all, and that even in the East their authority was rather theoretical than real. -
Guidelines for Cantors Diocese of Manchester
GUIDELINES FOR CANTORS DIOCESE OF MANCHESTER TABLE OF CONTENTS Introduction to the Ministry of Cantor 4 A) The Role of the Cantor 5 B) Qualifications and Formation of Cantors 8 C) Considerations for Cantor Ministry 10 D) Scheduling and Serving 16 E) Minister Preparation 17 F) Proper Attire for Sunday Liturgy 18 G) Good Practices for Cantors in Serving at Mass 20 H) To Bow or Not to Bow . and Other Postures 21 Appendices 23 “A Cantor’s Prayer” 26 2 LIST OF MAIN DOCUMENT ABBREVIATIONS GIRM General Instruction of the Roman Missal LOH Liturgy of the Hours LM Lectionary for Mass NDRHC Norms for the Distribution and Reception of Holy Communion Under Both Kinds In the Dioceses Of the United States of America STL Sing to the Lord: Music in Divine Worship SC Sacrosanctum concilium (Constitution on the Sacred Liturgy) USCCB United States Conference of Catholic Bishops 3 GUIDELINES FOR CANTORS IN THE DIOCESE OF MANCHSTER “The Eucharist is the source and summit of the Christian Life.”1 The Eucharist constitutes “the church’s entire spiritual wealth, that is, Christ Himself, our Passover and living bread.”2 It is the “sacrament of sacraments.”3 Through it “the work of our redemption is accomplished.”4He who is the “living bread that came down from heaven” (Jn 6:51) assures us, “Whoever eats my flesh and drinks my blood has eternal life, and I will raise him on the last day. For my flesh is true food, and my blood is true drink.” (Jn 6:54‐55) “Singing is for the one who loves.”5 St.