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Etiquette Inside the Jingu Precinct How to Worship Kami Naiku Is The
Kodenchi (Site of the previous sanctuary) 古殿地 Main sanctuary A divine palace of Amaterasu-Omikami stands here. The Holy Mirror (a symbol of Amaterasu-Omikami) is enshrined inside the main sacred palace at the innermost courtyard of the main sanctuary and the main palace is enclosed with four rows of Naiku is the most venerable sanctuary in Japan. Here is a jinja (Shinto shrine) wooden fences. Pilgrims usually worship the enshrined kami in dedicated to Amaterasu-Omikami, the ancestral kami (Shinto deity) of the Imperial front of the gate of the third row of the fence. family. She was enshrined in Naiku about 2,000 years ago and has been revered as a guardian of Japan. Aramatsuri-no-miya There are 14 superior affiliated jinja which are revered next to the main sanctuaries of Naiku and Geku in Jingu. This jinja occupies the highest rank among them and is dedicated to a vigorous spirit of Geheiden Amaterasu-Omikami. (outer treasury) One of the auxiliary jinja of Naiku to store harvested rice for 外幣殿 offering to kami in rituals. An architectural style of this jinja is similar to that of the main palace of the main sanctuary but smaller in size. It is said that the style of jinja in Jingu derived from rice granary Jingu is a sanctuary to pray for public of ancient Japan. happiness. If someone have personal wish, he or she can dedicate a prayer by offering kagura (ceremonial music Kazahinomi-no-miya Rest house for Pilgrims. and dance) to kami of Jingu. Amulets Souvenirs and drink vending One of the superior affiliated jinja dedicated to a couple of Jingu can be obtained here. -
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VOLUME 1: BORDERS 2018 Published by National Institute of Japanese Literature Tokyo EDITORIAL BOARD Chief Editor IMANISHI Yūichirō Professor Emeritus of the National Institute of Japanese 今西祐一郎 Literature; Representative Researcher Editors KOBAYASHI Kenji Professor at the National Institute of Japanese Literature 小林 健二 SAITō Maori Professor at the National Institute of Japanese Literature 齋藤真麻理 UNNO Keisuke Associate Professor at the National Institute of Japanese 海野 圭介 Literature KOIDA Tomoko Associate Professor at the National Institute of Japanese 恋田 知子 Literature Didier DAVIN Associate Professor at the National Institute of Japanese ディディエ・ダヴァン Literature Kristopher REEVES Associate Professor at the National Institute of Japanese クリストファー・リーブズ Literature ADVISORY BOARD Jean-Noël ROBERT Professor at Collège de France ジャン=ノエル・ロベール X. Jie YANG Professor at University of Calgary 楊 暁捷 SHIMAZAKI Satoko Associate Professor at University of Southern California 嶋崎 聡子 Michael WATSON Professor at Meiji Gakuin University マイケル・ワトソン ARAKI Hiroshi Professor at International Research Center for Japanese 荒木 浩 Studies Center for Collaborative Research on Pre-modern Texts, National Institute of Japanese Literature (NIJL) National Institutes for the Humanities 10-3 Midori-chō, Tachikawa City, Tokyo 190-0014, Japan Telephone: 81-50-5533-2900 Fax: 81-42-526-8883 e-mail: [email protected] Website: https//www.nijl.ac.jp Copyright 2018 by National Institute of Japanese Literature, all rights reserved. PRINTED IN JAPAN KOMIYAMA PRINTING CO., TOKYO CONTENTS -
In Silent Homage to Amaterasu: Kagura Secret Songs at Ise Jingū and the Imperial Palace Shrine
In Silent Homage to Amaterasu: Kagura Secret Songs at Ise Jingū and the Imperial Palace Shrine in Modern and Pre-modern Japan Michiko Urita A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2017 Reading Committee: Patricia Shehan Campbell, Chair Jeffrey M. Perl Christina Sunardi Paul S. Atkins Program Authorized to Offer Degree: Music ii ©Copyright 2017 Michiko Urita iii University of Washington Abstract In Silent Homage to Amaterasu: Kagura Secret Songs at Ise Jingū and the Imperial Palace Shrine in Modern and Pre-modern Japan Michiko Urita Chair of the Supervisory Committee: Professor Patricia Shehan Campbell Music This dissertation explores the essence and resilience of the most sacred and secret ritual music of the Japanese imperial court—kagura taikyoku and kagura hikyoku—by examining ways in which these two songs have survived since their formation in the twelfth century. Kagura taikyoku and kagura hikyoku together are the jewel of Shinto ceremonial vocal music of gagaku, the imperial court music and dances. Kagura secret songs are the emperor’s foremost prayer offering to the imperial ancestral deity, Amaterasu, and other Shinto deities for the well-being of the people and Japan. I aim to provide an understanding of reasons for the continued and uninterrupted performance of kagura secret songs, despite two major crises within Japan’s history. While foreign origin style of gagaku was interrupted during the Warring States period (1467-1615), the performance and transmission of kagura secret songs were protected and sustained. In the face of the second crisis during the Meiji period (1868-1912), which was marked by a threat of foreign invasion and the re-organization of governance, most secret repertoire of gagaku lost their secrecy or were threatened by changes to their traditional system of transmissions, but kagura secret songs survived and were sustained without losing their iv secrecy, sacredness, and silent performance. -
Ancient Magic and Modern Accessories: Developments in the Omamori Phenomenon
Western Michigan University ScholarWorks at WMU Master's Theses Graduate College 8-2015 Ancient Magic and Modern Accessories: Developments in the Omamori Phenomenon Eric Teixeira Mendes Follow this and additional works at: https://scholarworks.wmich.edu/masters_theses Part of the Asian History Commons, Buddhist Studies Commons, and the History of Religions of Eastern Origins Commons Recommended Citation Mendes, Eric Teixeira, "Ancient Magic and Modern Accessories: Developments in the Omamori Phenomenon" (2015). Master's Theses. 626. https://scholarworks.wmich.edu/masters_theses/626 This Masters Thesis-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Master's Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. ANCIENT MAGIC AND MODERN ACCESSORIES: DEVELOPMENTS IN THE OMAMORI PHENOMENON by Eric Teixeira Mendes A thesis submitted to the Graduate College in partial fulfillment of the requirements for the degree of Master of Arts Comparative Religion Western Michigan University August 2015 Thesis Committee: Stephen Covell, Ph.D., Chair LouAnn Wurst, Ph.D. Brian C. Wilson, Ph.D. ANCIENT MAGIC AND MODERN ACCESSORIES: DEVELOPMENTS IN THE OMAMORI PHENOMENON Eric Teixeira Mendes, M.A. Western Michigan University, 2015 This thesis offers an examination of modern Japanese amulets, called omamori, distributed by Buddhist temples and Shinto shrines throughout Japan. As amulets, these objects are meant to be carried by a person at all times in which they wish to receive the benefits that an omamori is said to offer. In modern times, in addition to being a religious object, these amulets have become accessories for cell-phones, bags, purses, and automobiles. -
The Story of IZUMO KAGURA What Is Kagura? Distinguishing Features of Izumo Kagura
The Story of IZUMO KAGURA What is Kagura? Distinguishing Features of Izumo Kagura This ritual dance is performed to purify the kagura site, with the performer carrying a Since ancient times, people in Japan have believed torimono (prop) while remaining unmasked. Various props are carried while the dance is that gods inhabit everything in nature such as rocks and History of Izumo Kagura Shichiza performed without wearing any masks. The name shichiza is said to derive from the seven trees. Human beings embodied spirits that resonated The Shimane Prefecture is a region which boasts performance steps that comprise it, but these steps vary by region. and sympathized with nature, thus treasured its a flourishing, nationally renowned kagura scene, aesthetic beauty. with over 200 kagura groups currently active in the The word kagura is believed to refer to festive prefecture. Within Shimane Prefecture, the regions of rituals carried out at kamikura (the seats of gods), Izumo, Iwami, and Oki have their own unique style of and its meaning suggests a “place for calling out and kagura. calming of the gods.” The theory posits that the word Kagura of the Izumo region, known as Izumo kamikuragoto (activity for the seats of gods) was Kagura, is best characterized by three parts: shichiza, shortened to kankura, which subsequently became shikisanba, and shinno. kagura. Shihoken Salt—signifying cleanliness—is used In the first stage, four dancers hold bells and hei (staffs with Shiokiyome paper streamers), followed by swords in the second stage of Sada Shinno (a UNESCO Intangible Cultural (Salt Purification) to purify the site and the attendees. -
Animagazin 5. Sz. (2012. Szeptember 10.)
Felhasznált irodalom BBC cikkek/vallások: SINTÓ // pintergreg (Pintér Gergő) Shinto A sintó szorosan kapcsolódik Japánhoz és a japán kultúrához, mond- Encyclopedia of Shinto hatni egyidős velük, a japánok azonban nem vallásként tekintenek rá, inkább Wikipédia (en, hu) Shinto, életstílusnak nevezhetnénk. Shintai, Shinto shrine, Hokora stb. cikkei Green shinto, szentélyek Bevezető Kami a világban Terebess Ázsia A sintó egy kifejezetten helyi Bár a kami szót leggyakrabban Lexikon / Sintó vallás, és most nem csak arra gon- istennek fordítják, pontosabb lenne / Shimenawa dolok, hogy egy országra korlátozódik, a ,,lélek”, ,,szellem” kifejezés, azonban még Japánon belül is az, ugyanis a semmiképpen nem keverendő össze a / Esküvő követői nem egy egységes nagy val- nyugati istenfogalommal. A kami nem láshoz köthetők, hanem egy-egy helyi mindenható, nem tökéletes, időnként szentélyhez kötődő kamihoz. hibázik (akár az ember), természetétől A shintō (神道) szót két kanji fogva nem is különbözik tőle, ráadásul alkotja. Az első ,,shin” (神), jelentése ugyanabban a világban is él, mint az ,,lélek”, ,,isten”, és a kínai shên (isten) ember. De kami lehet egy erdő, egy szóból származik, a második a ,,to” hegy, vagy egy természeti jelenség pl. (道), ami a szintén kínai ,,tao” szóból vihar vagy cunami, de akár egy ember ered, és utat jelent. A sintó jelentése is kamivá válhat halála után. Ugyan- tehát ,,az istenek útja”. akkor nem minden kami rendelkezik A sintó felfogás szerint a lelkek névvel, ilyenkor úgy hivatkoznak rá, is ugyanabban a világban léteznek, mint pl. ennek vagy annak a helynek mint az emberek, bár létezik látható a kamija. (kenkai) és láthatatlan (yukai) világ, ezek nem különülnek el egymástól, hanem egy szoros egységet alkotnak és kapcsolatban állnak egymással. -
Examining Japan's Kagura Dance Form
International Journal of Cultural and Digital Tourism Volume 5, Spring 2018 Copyright © IACUDIT ISSN (Online): 2241-9705 ISSN (Print): 2241-973X Traditional Performing Arts as a Regional Resource: Examining Japan’s Kagura Dance Form Kenta Yamamoto 1* 1* Kokugakuin University, Japan Abstract This article focuses on Kagura, a traditional Japanese dance form mainly practiced in rural Japan. This article throws light on how each community in the peripheral regions of Japan views this dance form. By doing so, we also focus on how regional cultural resources contribute to regional sustainability in these areas. Regional cultural resources are often viewed as tourism resources—that is, they are used to boost tourism. However, some of the cases considered in this paper show that regional cultural resources can be used in other manners. In other words, these cases show that tourism is not the only way to sustain regional cultures. The findings presented in this article pertain to the broader question of how to properly implement a culture- based sustainable regional development plan. The findings and suggestions presented in this article can be applied to other contexts also. Keywords: tradition, the tourists’ gaze, Japan, rural areas, cultural resources, community JEL Classification: P25, R11 1. Introduction This article throws light on the ways in which Japan’s declining birth rate and growing elderly population impact the cultural resources of its peripheral regions. This article also focuses on the broader question of how to properly implement a culture-based sustainable regional development plan to develop regional resources and revitalize and preserve traditional communities. Following the Second World War, Japan experienced a steady wave of urbanization. -
Childbearing in Japanese Society: Traditional Beliefs and Contemporary Practices
Childbearing in Japanese Society: Traditional Beliefs and Contemporary Practices by Gunnella Thorgeirsdottir A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Social Sciences School of East Asian Studies August 2014 ii iii iv Abstract In recent years there has been an oft-held assumption as to the decline of traditions as well as folk belief amidst the technological modern age. The current thesis seeks to bring to light the various rituals, traditions and beliefs surrounding pregnancy in Japanese society, arguing that, although changed, they are still very much alive and a large part of the pregnancy experience. Current perception and ideas were gathered through a series of in depth interviews with 31 Japanese females of varying ages and socio-cultural backgrounds. These current perceptions were then compared to and contrasted with historical data of a folkloristic nature, seeking to highlight developments and seek out continuities. This was done within the theoretical framework of the liminal nature of that which is betwixt and between as set forth by Victor Turner, as well as theories set forth by Mary Douglas and her ideas of the polluting element of the liminal. It quickly became obvious that the beliefs were still strong having though developed from a person-to- person communication and into a set of knowledge aquired by the mother largely from books, magazines and or offline. v vi Acknowledgements This thesis would never have been written had it not been for the endless assistance, patience and good will of a good number of people. -
Complete Poison Blossoms from a Thicket of Thorn : the Zen Records of Hakuin Ekaku / Hakuin Zenji ; Translated by Norman Waddell
The Publisher is grateful for the support provided by Rolex Japan Ltd to underwrite this edition. And our thanks to Bruce R. Bailey, a great friend to this project. Copyright © 2017 by Norman Waddell All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be used or reproduced in any manner whatsoever without written permission from the publisher, except in the case of brief quotations embodied in critical articles and reviews. ISBN: 978-1-61902-931-6 THE LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA Names: Hakuin, 1686–1769, author. Title: Complete poison blossoms from a thicket of thorn : the zen records of Hakuin Ekaku / Hakuin Zenji ; translated by Norman Waddell. Other titles: Keisåo dokuzui. English Description: Berkeley, CA : Counterpoint Press, [2017] Identifiers: LCCN 2017007544 | ISBN 9781619029316 (hardcover) Subjects: LCSH: Zen Buddhism—Early works to 1800. Classification: LCC BQ9399.E594 K4513 2017 | DDC 294.3/927—dc23 LC record available at https://lccn.loc.gov/2017007544 Jacket designed by Kelly Winton Book composition by VJB/Scribe COUNTERPOINT 2560 Ninth Street, Suite 318 Berkeley, CA 94710 www.counterpointpress.com Printed in the United States of America Distributed by Publishers Group West 10 9 8 7 6 5 4 3 2 1 To the Memory of R. H. Blyth CONTENTS Chronology of Hakuin’s Life Introduction BOOK ONE Instructions to the Assembly (Jishū) BOOK TWO Instructions to the Assembly (Jishū) (continued) General Discourses (Fusetsu) Verse Comments on Old Koans (Juko) Examining Old -
A POPULAR DICTIONARY of Shinto
A POPULAR DICTIONARY OF Shinto A POPULAR DICTIONARY OF Shinto BRIAN BOCKING Curzon First published by Curzon Press 15 The Quadrant, Richmond Surrey, TW9 1BP This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to http://www.ebookstore.tandf.co.uk/.” Copyright © 1995 by Brian Bocking Revised edition 1997 Cover photograph by Sharon Hoogstraten Cover design by Kim Bartko All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 0-203-98627-X Master e-book ISBN ISBN 0-7007-1051-5 (Print Edition) To Shelagh INTRODUCTION How to use this dictionary A Popular Dictionary of Shintō lists in alphabetical order more than a thousand terms relating to Shintō. Almost all are Japanese terms. The dictionary can be used in the ordinary way if the Shintō term you want to look up is already in Japanese (e.g. kami rather than ‘deity’) and has a main entry in the dictionary. If, as is very likely, the concept or word you want is in English such as ‘pollution’, ‘children’, ‘shrine’, etc., or perhaps a place-name like ‘Kyōto’ or ‘Akita’ which does not have a main entry, then consult the comprehensive Thematic Index of English and Japanese terms at the end of the Dictionary first. -
Music of the Lion Dance in Japanese Tradition*
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repository of the Academy's Library Music of the Lion Dance in Japanese Tradition* János KÁRPÁTI Budapest The lion dance is one of the most popular momentum of kagura ceremonies and folk feasts, the matsuris, which can be performed inside the shrines just as much as on nearby stages or in the area in front of the shrines. The word shishi itself means “lion”, people do not recall the real animal, but rather the image of the mythical creature. Lions have never lived in Japan, and they used to exist only in the southern regions of China. Besides the zoomorphic mythical creatures of the dragon and the phoenix, it was the tiger that first be- came the subject of cultic respect in China: it was worshipped as the king of the animals and the enemy of demons. According to the records of the Cere- monies (Li-ch’i), the classical book of Confucianists, separate offering was given to the honour of the tiger during the autumn feasts. The cult of the lion spread in China quite late along with Buddhism and it must have reached Korea and Japan by the transmission of Buddhist mythology. It was not only religion that had an intermediary role in that, but the practice of court music. Since the Japanese imperial court adopted the praxis of the Chinese Tang-court to its own environment, it also emulated the mo- ments that are especially important now as the proofs of the lion cult. -
Alma M. Karlin's Visits to Temples and Shrines in Japan
ALMA M. KARLIN’S VISITS TO TEMPLES AND SHRINES IN JAPAN Chikako Shigemori Bučar Introduction Alma M. Karlin (1889-1950), born in Celje, went on a journey around the world between 1919 and 1928, and stayed in Japan for a lit- tle more than a year, from June 1922 to July 1923. There is a large col- lection of postcards from her journey archived in the Regional Museum of Celje. Among them are quite a number of postcards from Japan (528 pieces), and among these, about 100 of temples and shrines, including tombs of emperors and other historical persons - i.e., postcards related to religions and folk traditions of Japan. Karlin almost always wrote on the reverse of these postcards some lines of explanation about each picture in German. On the other hand, the Japanese part of her trav- elogue is very short, only about 40 pages of 700. (Einsame Weltreise / Im Banne der Südsee, both published in Germany in 1930). In order to understand Alma Karlin’s observation and interpretation of matters related to religions in Japan and beliefs of Japanese people, we depend on her memos on the postcards and her rather subjective impressions in her travelogue. This paper presents facts on the religious sights which Karlin is thought to have visited, and an analysis of Karlin’s understand- ing and interpretation of the Japanese religious life based on her memos on the postcards and the Japanese part of her travelogue. In the following section, Alma Karlin and her journey around the world are briefly presented, with a specific focus on the year of her stay in Japan, 1922-1923.