1972 ELA&FN Soc Transactions Vol XIII
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Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland a study © Adrienne Clare Scullion Thesis submitted for the degree of PhD to the Department of Theatre, Film and Television Studies, Faculty of Arts, University of Glasgow. March 1992 ProQuest Number: 13818929 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818929 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Frontispiece The Clachan, Scottish Exhibition of National History, Art and Industry, 1911. (T R Annan and Sons Ltd., Glasgow) GLASGOW UNIVERSITY library Abstract This study investigates the cultural scene in Scotland in the period from the 1880s to 1939. The project focuses on the effects in Scotland of the development of the new media of film and wireless. It addresses question as to what changes, over the first decades of the twentieth century, these two revolutionary forms of public technology effect on the established entertainment system in Scotland and on the Scottish experience of culture. The study presents a broad view of the cultural scene in Scotland over the period: discusses contemporary politics; considers established and new theatrical activity; examines the development of a film culture; and investigates the expansion of broadcast wireless and its influence on indigenous theatre. -
'The Merry Muses'. In: Scott, P
Bold, V. (2012) On editing 'The Merry Muses'. In: Scott, P. and Simpson, K. (eds.) Robert Burns and Friends, Essays by W. Ormiston Roy Fellows Presented to G. Ross Roy. University of South Carolina Press, Columbia, South Carolina. ISBN 9781439270974 Copyright © 2013 The Author. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge The content must not be changed in any way or reproduced in any format or medium without the formal permission of the copyright holder(s) When referring to this work, full bibliographic details must be given http://eprints.gla.ac.uk/66158/ Deposited on: 28 Jan 2014 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk On editing The Merry Muses I was delighted to be asked to contribute to this volume, as I am extremely grateful to Ross, and to Patrick, for their generosity when I was a W. Ormiston Roy Fellow in the summer of 1998. It was a great privilege to spend a block of uninterrupted time in the peerless collection, and in Columbia. I have fond memories of days spent with multiple, and rare, editions by my side, familiarising myself with the reception of James Macpherson in North America,1 and of hospitable evenings and weekends conducting research within the welcoming Scottish community. Ross and Lucie made particularly sure, as they have with all the Fellows, that I was never bored, hungry or thirsty: their legendary hospitality involved fine meals, whisky and good fellowship, enhanced by the delightful company of Wallace the dog. -
American Clan Gregor Society Marshall Magruder Memorial Library List of Books (Alphabetical by Author)
American Clan Gregor Society Marshall Magruder Memorial Library List of Books (Alphabetical by Author) Adam and Charles Black (Firm) Black's picturesque tourist of Scotland / by Black, Adam and Charles. Edinburgh : A. and C. Black, 1867. University of Baltimore : Special Collections American Clan Gregor - DA870 - .B626 1867 __________________ Adam, Frank. The clans, septs, and regiments of the Scottish Highlands. Edinburgh : Johnston & Bacon, 1970. University of Baltimore : Special Collections American Clan Gregor - DA880.H6A6 1970 __________________ Adam, Robert James. Papers on Sutherland estate management, 1802-1816, edited by R. J. Adam. Edinburgh : printed for the Scottish History Society by T. and A. Constable, 1972. University of Baltimore : Special Collections American Clan Gregor - DA880.A33 1972 __________________ Adams, Ian H. Directory of former Scottish commonties / edited by Ian H. Adams. Edinburgh : Scottish Record Society, 1971. University of Baltimore : Special Collections American Clan Gregor - HD1289.S35 - A63 __________________ Mac Gregor's second gathering / American Clan Gregor Society. Olathe, KS : Cookbook Publishers, Inc., 1990. University of Baltimore : Special Collections American Clan Gregor - TX714 - .M33 1990 __________________ Mac Gregors gathering recipes / American Clan Gregor Society. Silver Spring, MD : The Society, 1980. University of Baltimore : Special Collections American Clan Gregor - TX714 - .M33 1980 __________________ American Clan Gregor Society. American Clan Gregor : rules and regulations 1910. Washington, D.C. : Law Reporter Printing Co., 1911. University of Baltimore : Special Collections American Clan Gregor - CS71.G7454 - 1910 __________________ Year-book of American Clan Gregor Society : containing the proceedings at the gatherings of 19... 1 [Washington, D.C. : American Clan Gregor Society, 1910- University of Baltimore : Special Collections American Clan Gregor - CS71 - .M148 __________________ American Clan Gregor Society. -
Single PDF File
international journal of scottish literature www.ijsl.stir.ac.uk ISSN 1751-2808 ISSUE SIX, SPRING/SUMMER 2010 Editorial: Burns and the World[1] Liam McIlvanney In the spring of 1786, Robert Burns was preparing to venture into in ‘guid, black prent’ as he readied his first book of poems for the press.[2] As a local farmer in his twenties, Burns was an unknown quantity, and so the work was to be published by subscription: prospective buyers would sign up in advance to pay their three shillings. A subscription bill for the volume carried the following declaration: As the author has not the most distant Mercenary view in Publishing, as soon as so many Subscribers appear as will defray the necessary Expence, the Work will be sent to the Press. As was often the case when discussing his own work, Burns was being a little disingenuous here. Certainly when the profits rolled in, the poet had a definite ‘Mercenary view’ in mind: he needed the money to emigrate. Nine guineas of his profits from Poems, Chiefly in the Scottish Dialect would go to pay his passage to Jamaica. When Burns booked his passage to the Indies in the summer of 1786, ‘his life was falling apart’.[3] The farm he leased with his brother Gilbert was failing. His girlfriend, Jean Armour, was pregnant. Though Burns mooted marriage, Jean’s horrified parents spurned him as a ‘worthless rake’ and packed Jean off to stay with relatives in Paisley. The kirk, whose ire he had roused through a string of biting anticlerical satires, saw its chance for revenge; the fornicator Burns would have to mount the cutty stool. -
Scott, Byron and the Poetics of Cultural Encounter This Page Intentionally Left Blank Scott, Byron and the Poetics of Cultural Encounter
Scott, Byron and the Poetics of Cultural Encounter This page intentionally left blank Scott, Byron and the Poetics of Cultural Encounter Susan Oliver © Susan Oliver 2005 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W1T 4LP. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted her right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2005 by PALGRAVE MACMILLAN Houndmills, Basingstoke, Hampshire RG21 6XS and 175 Fifth Avenue, New York, N.Y. 10010 Companies and representatives throughout the world PALGRAVE MACMILLAN is the global academic imprint of the Palgrave Macmillan division of St. Martin’s Press, LLC and of Palgrave Macmillan Ltd. Macmillan® is a registered trademark in the United States, United Kingdom and other countries. Palgrave is a registered trademark in the European Union and other countries. ISBN-13: 978–1–4039–9474–5 hardback ISBN-10: 1–4039–9474–9 hardback This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. A catalogue record for this book is available from the British Library. -
RBWF Burns Chronicle 1998
Robert BurnsLimited World Federation Limited www.rbwf.org.uk 1998 The digital conversion of this Burns Chronicle was sponsored by Gatehouse of Fleet Burns Club and Kilbryde Burns Club The digital conversion service was provided by DDSR Document Scanning by permission of the Robert Burns World Federation Limited to whom all Copyright title belongs. www.DDSR.com URNS CHRONICLE 1998 Motto - "A man's a man for a' that" THE ROBERT BURNS WORLD FEDERATION LIMITED (Formerly THE BURNS FEDERATION) Instituted 1885 HEADQ UARTERS: DI CK INSTITUTE. ELM BANK AVENUE, KILMARNOCK. KAI 3BU. AYRS HIRE. TEL/FAX: 01563 572469. OFFICE HO URS: MONDAY TO FRIDAY9a.m.-5p.m. CLOSED FOR LU CH I p.m.-2 p.m. HONORARY PRESIDENTS Mrs. S. G. Baill ie, The Hon. Dr. Grant MacEwan, Mrs. Stella Brown. Cha rles Murray, Lew W. Reid, James Mason. George Irvine, Gordon M. Mackley. Professor G. Ross Roy, George Mudi e, Archie McArthur, Dr. Donald A. Low, May Dickie, William Wi lliamson, Murclo Morrison, James Parn ham, Lawrence Burness, Tom G. Paterson. Peter ]. Westwood. James Hempstead. Provost of East Ayrshire. Joseph Campbe ll, Professor Henryk Mine, Kenneth McKellar, Jimmy Shanel. M.B.E. OFFICIALS Chief Executive: SHIRLEY BELL, "lnveresk," Kelton , Dumfries. DG I 4UA. Tel/Fax: 01387 770283. President: BOB DALZIEL, 4 Parkside Road , Moth erwell. MLl 3DY. Tel: 01698 252225. Sen ior Vice-Pres id ent: JOE CAMPBELL, 30 Racecourse Road , Ayr. KA7 2UX. Tel: 01292 266033. Junior Vice-President: JOH SKJLLI NG , 16 Craigstewart Crescent, Doonbank , Ayr. KA7 4DB. Tel: 01292 445230. Clerical Secretary: Mrs. MARGARET CRAIG, Dick Institute, Elmbank Avenue, Kilmarnock. -
2004 the Digital Conversion of This Burns Chronicle Was Sponsored by Mr Roger S LI
Robert Burns World Federation Limited www.rbwf.org.uk Spring 2004 The digital conversion of this Burns Chronicle was sponsored by Mr Roger S LI. Griffith FSA Scot, Past President of the Irvine Burns Club and Honorary Member of the Barrmill Jolly Beggars The digital conversion was provided by Solway Offset Services Ltd by permission of the Robert Burns World Federation Limited to whom all Copyright title belongs. www.solwayprint.co.uk “TAM O’ SHANTER BALLET” POSTCARDS A SET OF 8 POSTCARDS SHOWING SCENES FROM THE BALLET BY ARTIST WILLIAM DONACHIE, FIRST PRODUCED IN LODZ, POLAND IN 1976. AVAILABLE FROM THE FEDERATION OFFICE IN KILMARNOCK. DISCOUNT AVAILABLE TO CLUBS Printers, Heathhall, Dumfries. Tel. 01387 262960 Printers, Heathhall, Dumfries. Tel. PER SET FOR SALE TO MEMBERS PER SET the £3 INC. POSTAGE PHONE: 01563 572469 £3 INC. POSTAGE Solway Offset Robert Burns Association of North America 24th Annual Conference SPONSOR FEDERATION’S NATIONAL in Canada’s Most Beautiful Village, Merrickville, Ontario SCHOOL CHILDRENS COMPETITION Hosted by the Robert Burns Society of Kilmarnock, Canada on 16th, 17th, 18th July, 2004 at Sam Jakes Inn, 118 Main Street East, Merrickville, Ontario, Canada. K0G 1NO. Programme Friday, July 16 9.00 a.m. Golf Outing 2-5.00 p.m. Registration 3.30 p.m. Executive Meeting 4.00 p.m. Check in at the Inn 6.00 p.m. Cocktails 7.00 p.m. Dinner Saturday, July 17 8-9.00 a.m. Breakfast 9.30-12.00 RBANA Annual General Meeting Afternoon Additional Events: 11.30 a.m. 1000 Island Boat Cruise, Brockville 1.30 p.m. -
At Aberlady Bay, East Lothian
Top The wooden footbridge at Aberlady Bay, East Lothian. Middle left Exhibits on display at the Burns Museum, Alloway, South Ayrshire. Middle right Dunkeld and the River Tay, Perthshire. Bottom left Gavin Maxwell memorial, Dumfries & Galloway. Bottom right Cherry Blossom along the Burn of Sorrow, Dollar, near Gleneagles. For information on literary festivals and events log on to A Tra ’s Gui to www.bookfestivalscotland.com To fi nd out more about literature in Scotland log on to www.literatureforumscotland.org.uk This guide has been produced and supported by: Alan Riach author Professor of Scottish Literature at Glasgow University and President of the Association for Scottish Literary Studies, 2006-10. He is the general editor of the Collected Works of Hugh MacDiarmid, the author of Representing Scotland in Literature, Popular Culture and Iconography (2005) and co-author with Alexander Moffat of Arts of Resistance: Poets, Portraits ASLS and Landscapes of Modern Scotland (2008), ASLS promotes the languages and literature of 60 places to described by the Times Literary Supplement Scotland, publishing classic and contemporary as ‘a landmark book’. His fi fth book of poems, Scottish writing, journals, teaching notes, visit in Scotland Homecoming (2009), follows Clearances (2001), and study guides to major Scottish authors. associated with writers from First & Last Songs (1995), An Open Return www.asls.org.uk (1991) and This Folding Map (1990). Shetland to Ecclefechan VisitScotland VisitScotland is Scotland’s national tourist board. For more information on what to see and do and where to stay in Scotland visit www.visitscotland.com Creative Scotland The arts, culture and creative industries make Scotland the place it is today, and Creative Alan Riach Scotland is the national leader – here to nurture in association with the talent in Scotland, and to champion Scotland’s VisitScotland and ASLS creativity at home and abroad. -
Robert Burns and the Merry Muses of Caledonia
University of South Carolina Scholar Commons Selected Essays on Robert Burns by G. Ross Roy Robert Burns Collections 3-1-2018 Robert Burns and The eM rry Muses of Caledonia G. Ross Roy University of South Carolina - Columbia Publication Info 2018, pages 99-111. (c) G. Ross Roy and the University of South Carolina Press, 1999. First published as a separate pamphlet, boxed with the facsimile of The Merry Muses of Caledonia (Columbia: University of South Carolina Press, 1999), and also in Burns Chronicle (1999): 128-135. Reprinted by permission of the University of South Carolina Press. This Chapter is brought to you by the Robert Burns Collections at Scholar Commons. It has been accepted for inclusion in Selected Essays on Robert Burns by G. Ross Roy by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. ROBERT BURNS AND THE MERRY MUSES OF CALEDONIA (1999) Robert Burns has a claim to fame in more than one area: author of what is considered to be the greatest short satire in the English language, “Holy Willie’s Prayer”; of what has been called the “Marseillaise” of Scotland, “Scots wha hae”; of lines which have become commonplace (“The best laid schemes o’ Mice an’ Men, gang aft agley” and “O wad some Pow’r the giftie gie us / To see oursels as others see us”); of some of the greatest songs in the language, including what is the best-known nonpolitical secular song in the world, “Auld lang syne.” Burns is known as the National Bard of Scotland; his birthday is celebrated in hundreds of annual gatherings around the globe. -
The G. Ross Roy Collection of Robert Burns: an Illustrated Catalog Elizabeth Sudduth [email protected]
University of South Carolina Scholar Commons Irvin Department of Rare Books & Special Rare Books & Special Collections Publications Collections 2009 The G. Ross Roy Collection of Robert Burns: An Illustrated Catalog Elizabeth Sudduth [email protected] Follow this and additional works at: https://scholarcommons.sc.edu/rbsc_pubs Part of the Library and Information Science Commons Recommended Citation Sudduth, Elizabeth A., ed. The G. Ross Roy Collection of Robert Burns: An Illustrated Catalog. Columbia, SC: University of South Carolina, 2009. http://www.sc.edu/uscpress/books/2009/3829.html © 2009 by University of South Carolina Used with permission of the University of South Carolina Press. This Book is brought to you by the Irvin Department of Rare Books & Special Collections at Scholar Commons. It has been accepted for inclusion in Rare Books & Special Collections Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The G. Ross Roy Colecion of Robert Burns Cameo portrait of Robert Burns, artist unknown, ca. 1840 z The G. Ross Roy Colecion of Robert Burns An Illuyrated Catalogue Compiled by Elizabeth A. Sudduth With the Assistance of Clayton Tarr [ Introduction by G. Ross Roy [ Foreword by Thomas F. McNally The University of South Carolina Press Published in Cooperation with the Thomas Cooper Library, University of South Carolina © 2009 University of South Carolina Published by the University of South Carolina Press Columbia, South Carolina 29208 www.sc.edu/uscpress Manufactured in the United States of America 18 17 16 15 14 13 12 11 10 09 10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Sudduth, Elizabeth A. -
Scottish Studies Society Newsletter
THE SCOTS CANADIAN Issue XLIV Newsletter of the Scottish Studies Society: ISSN No. 1491-2759 Fall 2016 "Forget not your past, for in the future it may help you grow" James M Barrie Dear Fellow Members, single most important factor that The above quote by Scots author James seemed to have Barrie reminds me of a history teacher I had motivated these at school who always started the class by students to take up telling us, “Those who cannot remember the history, it was their past are condemned to repeat it!” And he hope that in some said this so often that I was convinced he way it might just be must be originator of this particular pearl of possible for us to be wisdom. If truth be known, he said it so able to figure out Scottish Diaspora Tapestry World Tour guide Jenny Bruce (left) in often I’m sure he was convinced that he how our collective Toronto with Patricia Liddell Russell in front of the tapestry panel actually originated the phrase. It was only past mistakes might depicting her father Eric Liddell, the 1924 Paris Olympics gold much later that I learned the quote was be avoided by future medal winner of "Chariots of Fire" fame. Patricia lives in Oakville, attributed to Spanish philosopher, essayist, generations. Ontario. Following exhibitions in Victoria, Winnipeg, Wisconsin poet and novelist George Santayana (1863 – And so I think my and Toronto, the tapestry continues on its North American journey 1952). old history teacher and between now and December will be on display in Anyway, I remember when I first visited got it right. -
'The Merry Muses'. In: Scott, P
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Enlighten Bold, V. (2012) On editing 'The Merry Muses'. In: Scott, P. and Simpson, K. (eds.) Robert Burns and Friends, Essays by W. Ormiston Roy Fellows Presented to G. Ross Roy. University of South Carolina Press, Columbia, South Carolina. ISBN 9781439270974 Copyright © 2013 The Author. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge The content must not be changed in any way or reproduced in any format or medium without the formal permission of the copyright holder(s) When referring to this work, full bibliographic details must be given http://eprints.gla.ac.uk/66158/ Deposited on: 28 Jan 2014 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk On editing The Merry Muses I was delighted to be asked to contribute to this volume, as I am extremely grateful to Ross, and to Patrick, for their generosity when I was a W. Ormiston Roy Fellow in the summer of 1998. It was a great privilege to spend a block of uninterrupted time in the peerless collection, and in Columbia. I have fond memories of days spent with multiple, and rare, editions by my side, familiarising myself with the reception of James Macpherson in North America,1 and of hospitable evenings and weekends conducting research within the welcoming Scottish community. Ross and Lucie made particularly sure, as they have with all the Fellows, that I was never bored, hungry or thirsty: their legendary hospitality involved fine meals, whisky and good fellowship, enhanced by the delightful company of Wallace the dog.