DOCSLIB.ORG

1 Chamber 1 Chamber A1 (1761–1765) 1–10 Nannerl Notenbuch (Excerpts) K1–5 & 9A Erik Smith Harpsichord

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1 Chamber 1 Chamber A1 (1761–1765) 1–10 Nannerl Notenbuch (Excerpts) K1–5 & 9A Erik Smith Harpsichord 1 Chamber 1 Chamber a1 (1761–1765) 1–10 Nannerl Notenbuch (excerpts) K1–5 & 9a Erik Smith harpsichord 11–51 London Sketchbook K15a–15ss Erik Smith harpsichord Florian Birsak spinet, harpsichord Thomas Trotter organ a1 Nannerl Notenbuch Excerpts London Sketchbook (1761–1765) 478 9788 01_028947897880_wallets.indd 1 26/04/2016 14:25 2 Chamber 2 Chamber a1 (1766–1774) 1 8 Variations on the Dutch Song “Laat ons juichen” by C.E. Graaf K24 2 7 Variations on the Dutch National Song “Willem van Nassau” K25 Ingrid Haebler piano 3 Adagio in F KAnh206a 4–5 2 Fugues K154a 6–13 8 Minuets K315a Francesco Piemontesi piano a1 14 6 Variations on “Mio caro Adone” Variations K24, K25, K179, K180 by A. Salieri K180 15 12 Variations on a 8 Minuets K315a Minuet by J.C. Fischer K179 Ingrid Haebler piano Piano Sonata K279 (1766–1774) 16–18 Piano Sonata in C K279 Mitsuko Uchida piano 478 9789 02_028947897897_wallets.indd 1 26/04/2016 14:25 3 Chamber 3 Chamber a1 (1774–1775) 1–3 Piano Sonata in F K280 4–6 Piano Sonata in B K281 7–9 Piano Sonata in Eb K282 10–12 Piano Sonata in Gb K283 13–15 Piano Sonata in D K284 “Dürnitz” Mitsuko Uchida piano a1 Piano Sonatas K280–K284 (1774–1775) 478 9790 03_028947897903_wallets.indd 1 26/04/2016 14:25 4 Chamber 4 Chamber a1 (1777–1778) 1–3 Piano Sonata in D K311 Alfred Brendel piano 4–6 Piano Sonata in C K309 Mitsuko Uchida piano 7 12 Variations in E on “Je suis Lindor” by A.L. Baudron K354b Ingrid Haebler piano 8–10 Piano Sonata in a K310 a1 Mitsuko Uchida piano Piano Sonatas K309–K311 Variations K354 (1777–1778) 478 9791 04_028947897910_wallets.indd 1 26/04/2016 14:25 5 Chamber 5 Chamber a1 (1778–1783) 1 9 Variations in C on “Lison dormait” by N. Dezède K264 Ingrid Haebler piano 2 12 Variations in C on “Ah, vous dirai-je Maman” K265 András Schiff piano 3 12 Variations in E on “La belle Françoise” K353 4 8 Variations in F onb “Dieu d’amour” by A.E Grétry K352 Ingrid Haebler piano 5–7 Piano Sonata in F K332 a1 Alfred Brendel piano Variations 8 6 Variations in F on “Salve tu, Domine” K264, K265, K352, K353, K398 by D. Paisiello K398 Piano Sonata in F K332 Ingrid Haebler piano (1778–1783) 478 9792 05_028947897927_wallets.indd 1 26/04/2016 14:25 6 Chamber 6 Chamber a1 (1783) 1–3 Piano Sonata in C K330 Alfred Brendel piano 4–6 Piano Sonata in A K331 “Alla turca” Recording from newly discovered manuscript (2014) Francesco Piemontesi piano 7–9 Piano Sonata in B K333 Alfred Brendel pianob a1 Piano Sonata in C K330 Piano Sonata in A K331 Piano Sonata in B K333 b (1783) 478 9793 7 Chamber 7 Chamber a1 (1784–1787) 1 Funeral March in c K453a Francesco Piemontesi piano 2 10 Variations on “Les hommes pieusement” (Unser dummer Pöbel meint) from C.W. Gluck’s La rencontre imprévue K455 András Schiff piano 3 2 Variations on “Come un agnello” from Sarti’s Fra i due litiganti K460 Francesco Piemontesi piano 4 Fantasia in c K475 5–7 Piano Sonata in c K457 a1 Alfred Brendel piano Fantasia in c K475 8 Rondo in D K485 Mitsuko Uchida piano Piano Sonata in c K457 9 Rondo in F K494 Variations K455, K460, K500 Tamar Halperin piano 10 12 Variations on an Allegretto in B K500 Rondos K485, K494, K511 Ingrid Haebler piano b (1784–1787) 11 Rondo in a K511 478 9794 Vladimir Ashkenazy piano 07_028947897941_wallets.indd 1 26/04/2016 14:26 8 Chamber 8 Chamber a1 (1788–1789) 1–3 Piano Sonata in F K533/494 Mitsuko Uchida piano 4 Adagio in b K540 Alfred Brendel piano 5–7 Piano Sonata in C K545 “Sonata facile” 8–10 Piano Sonata in B K570 Maria João Pires pianob 11 9 Variations in D on a Minuet by Duport K573 a1 Ingrid Haebler piano Piano Sonatas 12 Gigue in G K574 “Eine kleine Gigue” K533/494, K545, K570 13 Minuet in D K355 Adagio in b K540 András Schiff piano Variations K573 (1788–1789) 478 9795 08_028947897958_wallets.indd 1 26/04/2016 14:26 9 Chamber 9 Chamber a1 (1789–1791) 1 Fantasia in d K397 Last 10 bars by another (A.E.Müller?) Alfred Brendel piano 2 Fantasia in d K397 As Phantasie d’introduction leading into K576 3–5 Piano Sonata in D K576 Alicia de Larrocha piano 6 Adagio and Allegro in f for mechanical organ K594 7 Allegro and Andante in f for mechanical organ K608 Thomas Trotter organ a1 8 8 Variations in F on “Ein Weib ist das herrlichste Ding” by B. Schack or F.X. Gerl K613 Fantasia K397 Ingrid Haebler piano Piano Sonata in D K576 9 Andante in F for mechanical organ K616 Thomas Trotter organ Adagio in C K356 Adagio in C for glass harmonica K356 Variations K613 10 Bruno Hoffmann glass harmonica 11 András Schiff piano transcription Organ works 478 9796 (1789–1791) 09_028947897965_wallets.indd 1 28/04/2016 15:19 10 Chamber 10 Chamber a1 Alternative Versions for keyboard 1–4 Pieces from K6 (Nannerl Notenbuch Nos.25, 26, 46, 48) 5–6 Pieces from K7 (Salzburger Notenbuch) 7 Allegro in B K8 (Nannerl Notenbuch No.24) 8 Minuet in F K32/14b (Nannerl Notenbuch No.19) Florian Birsak clavichord 9 12 Minuets from K176 Siegbert Rampe clavichord 10 March in C K408 No.1 Works “for study” 11 Minuet in D K94 a1 Erik Smith harpsichord Alternative versions: 12 Modulating Prelude F-e and e-C K624a I 13 Praeludium in C K284a No.1 Pieces K6–K8 14–15 Modulating Preludes K284a Nos.2 & 3 Minuets K32, K176 16 Capriccio in C K284a No.4 Florian Birsak fortepiano Works “For study”: 17 Prelude and Fugue in C K394 Modulating Preludes 18–21 Suite in C K399 Prelude & Fugue K394 Sarabande completed by Robert Levin Francesco Piemontesi piano Suite K399 478 9797 10_028947897972_wallets.indd 1 28/04/2016 15:19 11 Chamber 11 Chamber a2 (1762–1764) 1–4 Sonata in C for clavier and violin K6 5–7 Sonata in D for clavier and violin K7 8–10 Sonata in B for clavier and violin K8 11–13 Sonata in G bfor clavier and violin K9 14–16 Sonata in B for clavier and violin K10 17–18 Sonata in G bfor clavier and violin K11 19–20 Sonata in A for clavier and violin K12 Blandine Verlet harpsichord Gérard Poulet violin a2 Violin Sonatas K6–K12 (1762–1764) 478 9798 11_028947897989_wallets.indd 1 26/04/2016 14:26 12 Chamber 12 Chamber a2 (1764–1766) 1–3 Sonata in F for clavier and violin K13 4–6 Sonata in C for clavier and violin K14 7–8 Sonata in B for clavier and violin K15 9–11 Sonata in Eb for clavier and violin K26 12–13 Sonata in Gb for clavier and violin K27 14–15 Sonata in C for clavier and violin K28 16–17 Sonata in D for clavier and violin K29 18–19 Sonata in F for clavier and violin K30 20–21 Sonata in B for clavier and violin K31 Blandine Verletb harpsichord Gérard Poulet violin a2 Violin Sonatas K13–K15, K26–K31 (1764–1766) 478 9799 12_028947897996_wallets.indd 1 26/04/2016 14:26 13 Chamber 13 Chamber a2 (1765–1775) 1–3 Sonata in C for clavier 4 hands K19d Humphrey Burton · Erik Smith harpsichord 4–5 Sonata in C for violin and continuo K46d 6–7 Sonata in F for violin and continuo K46e Isabelle van Keulen violin Ronald Brautigam harpsichord 8–10 Sonata in D for piano duet K381 Lucas Jussen · Arthur Jussen piano a2 11–13 Sonata in B for piano duet K358 Violin Sonatas K46d, K46e Peter Frankl ·b Tamás Vásáry piano Piano Duets K19d, K381, K358 14–16 Sonata (Duo) in B for bassoon and cello K292 Klaus Thunemann bassoonb Duo for bassoon and cello K292 Stephen Orton cello (1765–1775) 478 9800 13_028947898009_wallets.indd 1 28/04/2016 15:19 14 Chamber 14 Chamber a2 (1778) 1–2 Sonata in G for piano and violin K301 Maria João Pires piano Augustin Dumay violin 3–4 Sonata in E for piano and violin K302 Daniel Barenboimb piano Itzhak Perlman violin 5–6 Sonata in C for piano and violin K303 Mitsuko Uchida piano Mark Steinberg violin a2 Violin Sonatas 7–8 Sonata in A for piano and violin K305 9–11 Sonata in C for piano and violin K296 K296, K301–K305 Daniel Barenboim piano (1778) Itzhak Perlman violin 12–13 Sonata in e for piano and violin K304 Natalie Zhu piano Hilary Hahn violin 478 9801 14_028947898016_wallets.indd 1 26/04/2016 14:26 15 Chamber 15 Chamber a2 (1778–1781) 1–2 Sonata in e for piano and violin K304 Lambert Orkis piano Anne-Sophie Mutter violin 3–5 Sonata in D for piano and violin K306 Walter Klien piano Arthur Grumiaux violin 6–8 Sonata in B for piano and violin K378 9–10 Sonata in G bfor piano and violin K379 Maria João Pires piano a2 Augustin Dumay violin Violin Sonatas K304, K306, K378, K379 (1778–1781) 478 9802 15_028947898023_wallets.indd 1 26/04/2016 14:26 16 Chamber 16 Chamber a2 (1781–1782) 1 12 Variations in G on “La Bergère Célimène” K359 Ingrid Haebler piano · Henryk Szeryng violin 2–8 6 Variations in g on “Hélas, j’ai perdu mon amant” K360 Walter Klien piano · Arthur Grumiaux violin 9–11 Sonata in F for piano and violin K376 Lambert Orkis piano · Anne-Sophie Mutter violin 12–14 Sonata in F for piano and violin K377 Mitsuko Uchida piano · Mark Steinberg violin a2 Variations 15–17 Sonata in E for piano and violin K380 Daniel Barenboimb piano · Itzhak Perlman violin K359, K360 Violin Sonatas 18–19 Andante and Allegretto in C K404 K376, K377, K380 Ronald Brautigam piano · Isabelle van Keulen violin (1781–1782) 478 9803 16_028947898030_wallets.indd 1 26/04/2016 14:26 17 Chamber 17 Chamber a2 (1781–1784) 1–3 Sonata in D for 2 pianos K448 Malcolm Frager · Vladimir Ashkenazy pianos 4–6 Duo in G for violin and viola K423 7–9 Duo in B for violin and viola K424 Arthur Grumiauxb violin Arrigo Pelliccia viola 10 Fugue in c for 2 pianos K426 Ingrid Haebler · Ludwig Hoffmann pianos a2 11–13 Sonata in B for piano and violin K454 Sonata for 2 pianos K448 Lambert Orkisb piano Anne-Sophie Mutter violin Violin & Viola Duos K423, K424 Violin Sonata K454 (1781–1784) 478 9804 17_028947898047_wallets.indd 1 26/04/2016 14:26 18 Chamber 18 Chamber a2 (1785–1786) 1–3 Sonata in E for piano and violin
Load more

Recommended publications
  • Mozart Magic Philharmoniker
    THE T A R S Mass, in C minor, K 427 (Grosse Messe) Barbara Hendricks, Janet Perry, sopranos; Peter Schreier, tenor; Benjamin Luxon, bass; David Bell, organ; Wiener Singverein; Herbert von Karajan, conductor; Berliner Mozart magic Philharmoniker. Mass, in C major, K 317 (Kronungsmesse) (Coronation) Edith Mathis, soprano; Norma Procter, contralto...[et al.]; Rafael Kubelik, Bernhard Klee, conductors; Symphonie-Orchester des on CD Bayerischen Rundfunks. Vocal: Opera Così fan tutte. Complete Montserrat Caballé, Ileana Cotrubas, so- DALENA LE ROUX pranos; Janet Baker, mezzo-soprano; Nicolai Librarian, Central Reference Vocal: Vespers Vesparae solennes de confessore, K 339 Gedda, tenor; Wladimiro Ganzarolli, baritone; Kiri te Kanawa, soprano; Elizabeth Bainbridge, Richard van Allan, bass; Sir Colin Davis, con- or a composer whose life was as contralto; Ryland Davies, tenor; Gwynne ductor; Chorus and Orchestra of the Royal pathetically brief as Mozart’s, it is Howell, bass; Sir Colin Davis, conductor; Opera House, Covent Garden. astonishing what a colossal legacy F London Symphony Orchestra and Chorus. Idomeneo, K 366. Complete of musical art he has produced in a fever Anthony Rolfe Johnson, tenor; Anne of unremitting work. So much music was Sofie von Otter, contralto; Sylvia McNair, crowded into his young life that, dead at just Vocal: Masses/requiem Requiem mass, K 626 soprano...[et al.]; Monteverdi Choir; John less than thirty-six, he has bequeathed an Barbara Bonney, soprano; Anne Sofie von Eliot Gardiner, conductor; English Baroque eternal legacy, the full wealth of which the Otter, contralto; Hans Peter Blochwitz, tenor; soloists. world has yet to assess. Willard White, bass; Monteverdi Choir; John Le nozze di Figaro (The marriage of Figaro).
    [Show full text]
  • Edith Mathis Mozart | Bartók | Brahms | Schumann | Strauss Selected Lieder Karl Engel Wolfgang Amadé Mozart (1756–1791) Robert Schumann (1810–1897) Das Veilchen K
    HISTORIC PERFORMANCES Edith Mathis Mozart | Bartók | Brahms | Schumann | Strauss Selected Lieder Karl Engel Wolfgang Amadé Mozart (1756–1791) Robert Schumann (1810–1897) Das Veilchen K. 476 2:47 Nine Lieder from Myrthen, Op. 25 Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte K. 520 1:41 Widmung 2:11 Abendempfindung an Laura K. 523 4:45 Der Nussbaum 3:27 Dans un bois solitaire K. 308 (295b) 2:54 Jemand 1:36 Der Zauberer K. 472 2:48 Lied der Braut I («Mutter, Mutter, glaube nicht») 2:01 Lied der Braut II («Lass mich ihm am Busen hängen») 1:34 Béla Bartók (1881–1945) Lied der Suleika («Wie mit innigstem Behagen») 2:48 Village Scenes. Slovak Folksongs, Sz. 78 Im Westen 1:16 Was will die einsame Thräne 2:59 Heuernte 1:33 Hauptmanns Weib 1:55 Bei der Braut 1:57 Hochzeit 3:30 Wiegenlied 5:03 Richard Strauss (1864–1949) Burschentanz 2:47 Schlechtes Wetter, Op. 69 No. 5 2:29 Die Nacht, Op. 10 No. 3 2:55 Johannes Brahms (1833–1897) Ach, Lieb, ich muss nun scheiden, Op. 21 No. 3 2:08 Five Songs from 42 Deutsche Volkslieder, WoO 33 Meinem Kinde, Op. 37 No. 3 2:19 Hat gesagt – bleibt’s nicht dabei, Op. 36 No. 3 2:31 Erlaube mir, feins Mädchen 1:15 In stiller Nacht 3:12 encore announcement: Edith Mathis 0:10 Wie komm’ ich denn zur Tür herein? 2:19 Da unten im Tale 2:29 Hugo Wolf (1860–1903) Feinsliebchen, du sollst 4:14 Auch kleine Dinge können uns entzücken from the Italienisches Liederbuch 2:42 recorded live at LUCERNE FESTIVAL (Internationale Musikfestwochen Luzern) Edith Mathis soprano Previously unreleased Karl Engel piano The voice of music The soprano Edith Mathis According to an artist feature of the soprano Edith Mathis, published by the music maga- zine Fono Forum in 1968, an engagement at the New York Met was a “Pour le Mérite” for a singer.
    [Show full text]
  • CHAN 10110 BOOK.Qxd 20/4/07 4:19 Pm Page 2
    CHAN 10110 Front.qxd 20/4/07 4:19 pm Page 1 CHAN X10110 CHANDOS CLASSICS CHAN 10110 BOOK.qxd 20/4/07 4:19 pm Page 2 John Ireland (1879–1962) 1 Vexilla Regis (Hymn for Passion Sunday)* 11:54 2 Greater Love Hath No Man† 6:51 3 These Things Shall Be‡ 22:12 Lebrecht Collection Lebrecht 4 A London Overture 13:36 5 The Holy Boy (A Carol of the Nativity) 2:43 6 Epic March 9:13 TT 67:11 Paula Bott soprano*† Teresa Shaw contralto* James Oxley tenor* Bryn Terfel bass-baritone*†‡ Roderick Elms organ* London Symphony Chorus*†‡ John Ireland London Symphony Orchestra Richard Hickox 3 CHAN 10110 BOOK.qxd 20/4/07 4:19 pm Page 4 and Friday before Easter – and what we cannot sketch was ready during April. Ireland Ireland: Orchestral and Choral Works have – the ceremonies on the Saturday before remarked that he felt the words were ‘an Easter as practised by the Roman Church – expression of British national feeling at the something absolutely agelong & from present time’. In fact he had earlier made a John Nicholson Ireland was born near nineteen-year-old Ireland was then still a everlasting – the rekindling of Fire – Lumen quite different setting of these words for Manchester and spent most of his life in student of Stanford’s, and was assistant Christi. The Motherland Song Book published in London, though with interludes in the Channel organist at Holy Trinity Church, Sloane Square, 1919. The composer made a few adjustments Islands and Sussex. His was a life of restricted London.
    [Show full text]
  • Program Notes | Yannick and Manny
    23 Season 2018-2019 Thursday, November 29, at 7:30 The Philadelphia Orchestra Friday, November 30, at 8:00 Saturday, December 1, Yannick Nézet-Séguin Conductor at 8:00 Emanuel Ax Piano Brahms Piano Concerto No. 2 in B-flat major, Op. 83 I. Allegro non troppo II. Allegro appassionato III. Andante—Più adagio—Tempo I IV. Allegretto grazioso—Un poco più presto Intermission Brown Perspectives United States premiere Dvořák Symphony No. 7 in D minor, Op. 70 I. Allegro maestoso II. Poco adagio III. Scherzo: Vivace IV. Finale: Allegro This program runs approximately 2 hours, 5 minutes. The November 29 concert is sponsored by Elia D. Buck and Caroline B. Rogers. The November 29 concert is also sponsored by the Louis N. Cassett Foundation. The November 30 concert is sponsored by Alexandra Edsall and Robert Victor. The December 1 concert is sponsored by Medcomp. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM, and are repeated on Monday evenings at 7 PM on WRTI HD 2. Visit www.wrti.org to listen live or for more details. 24 Please join us following the November 30 and December 1 concerts for a free Organ Postlude featuring Peter Richard Conte. Brahms Prelude, from Prelude and Fugue in G minor Brahms Fugue in A-flat minor Dvořák/transcr. Conte Humoresque, Op. 101, No. 7 Widor Toccata, from Organ Symphony No. 5 in F minor, Op. 42, No. 1 The Organ Postludes are part of the Fred J. Cooper Memorial Organ Experience, supported through a generous grant from the Wyncote Foundation.
    [Show full text]
  • Cds by Composer/Performer
    CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H.
    [Show full text]
  • CANTA EL PIANO Char Ese Registro Neoyorkino De 1946 Dirigido Por El Propio Milhaud
    AÑO XXI - Nº 203 - Diciembre 2005 - 6,30 € 2 OPINIÓN DOSIER CON NOMBRE Veinte años de música en PROPIO España 113 6 Introducción Elisabeth Schwarzkopf Javier Alfaya 114 Arturo Reverter Gestión Santiago Martín Bermúdez 116 8 AGENDA Auditorios José Luis Carles y Cristina Palmese 122 16 ACTUALIDAD Musicología Paulino Capdepón Verdú 126 NACIONAL Educación Pedro Sarmiento 130 42 ACTUALIDAD Composición INTERNACIONAL José Luis García del Busto 134 Ópera 58 ENTREVISTA Arturo Reverter 136 Interpretación Rinaldo Alessandrini Enrique Martínez Miura 140 “La música de Bach es absolutamente Discos perfecta” Juan Manuel Viana 144 María Sánchez-Archidona Jazz Pablo Sanz 148 64 Discos del mes ENCUENTROS SCHERZO DISCOS Ian Bostridge 65 Sumario Juan Antonio Llorente 152 LA GUÍA 156 CONTRAPUNTO Norman Lebrecht 160 Colaboran en este número Javier Alfaya, Daniel Álvarez Vázquez, Julio Andrade Malde, Roberto Andrade Malde, Íñigo Arbiza, Rafael Banús Irusta, Alfredo Brotons Muñoz, José Antonio Cantón, Paulino Capdepón Verdú, José Luis Carles, Jacobo Cortines, Rafael Díaz Gómez, Patrick Dillon, Pedro Elías Mamou, Matthias Exner, José Luis Fernández García, Jorge Fernández Guerra, Fernando Fraga, Joaquín García, José Antonio García García. José Luis García del Busto, Mario Gerteis, José Guerrero Martín, Federico Hernández, Fernando Herrero, Bernd Hoppe, Paul Korenhof, Norman Lebrecht, Juan Antonio Llorente, Fiona Maddocks, Nadir Madriles, Bernardo Mariano, Santiago Martín Bermúdez, Joaquín Martín de Sagarmínaga, Enrique Martínez Miura, Aurelio Martínez Seco, Blas Matamoro, Antonio Muñoz Molina, Miguel Ángel Nepomuceno, Rafael Ortega Basagoiti, Cristina Palmese, Josep Pascual, Enrique Pérez Adrián, Javier Pérez Senz, Paolo Petazzi, Francisco Ramos, Arturo Reverter, Barbara Röder, Justo Romero, Stefano Russomanno, María Sánchez-Archidona, Ignacio Sánchez Quirós, Pablo Sanz, Pedro Sarmiento, Bruno Serrou, Franco Soda, José Luis Téllez, Asier Vallejo Ugarte, Claire Vaquero Williams, Pablo J.
    [Show full text]
  • Verdi Week on Operavore Program Details
    Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr.
    [Show full text]
  • The Artistic Merits of Incorporating Natural Horn Techniques Into Valve Horn Performance
    The Artistic Merits of Incorporating Natural Horn Techniques into Valve Horn Performance A Portfolio of Recorded Performances and Exegesis Adam Greaves Submitted in fulfilment of the requirements for the degree of Master of Music Elder Conservatorium of Music Faculty of Humanities and Social Sciences University of Adelaide March 2012 i Table of Contents Abstract i Declaration ii Acknowledgements iii List of Figures iv Recital Programmes 1 Exegesis Introduction 2 Recital One 4 Recital two 11 Conclusion 25 Appendix: Concert Programmes Recital One 26 Recital Two 30 Bibliography 34 Recordings Recital One Recital Two ii Abstract The dissertation addresses the significance of how a command of the natural horn can aid performance on its modern, valve counterpart. Building on research already conducted on the topic, the practice-led project assesses the artistic merits of utilising natural horn techniques in performances on the valve horn. The exegesis analyses aesthetic decisions made in the recitals – here disposed as two CD recordings – and assesses the necessity or otherwise of valve horn players developing a command of the natural horn. The first recital comprises a comparison of performances by the candidate of Brahms’ Horn Trio, Op.40 (1865) on the natural and valve horns. The exegesis evaluates the two performances from an aesthetic and technical standpoint. The second recital, while predominantly performed on the valve horn, contains compositions that have been written with elements of natural horn technique taken into consideration. It also contains two pieces commissioned for this project, one by a student composer and the other by a professional horn player. These two commissions are offered as case studies in the incorporation of natural horn techniques into compositional praxis.
    [Show full text]
  • V.I.E.W. Video & Arkadia Entertainment
    EffectiveEFFECTIVE September AUGUST, 1, 20102011 PRICE SCHEDULE V.I.E.W. Video & Arkadia Entertainment Distributed by V.I.E.W., Inc. (Distribution) 11 Reservoir Road, Saugerties, NY 12477 • phone 845-246-9955 • fax 845-246-9966 E-mail: [email protected] • www.view.com TOLL-FREE ORDER DESK 800-843-9843 BILL TO SHIP TO (if different) (no P.O. boxes) NAME NAME ADDRESS ADDRESS CITY STATE ZIP CITY STATE ZIP PHONE COUNTRY PHONE COUNTRY EMAIL OVERSEAS: TOTAL NUMBER ITEMS AMOUNT $ WE CHARGE ACTUAL SHIPPING; How did you hear of us? LESS APPLICABLE DISCOUNT PLEASE INDICATE ❑ AIR SUB-TOTAL METHOD OF PAYMENT ❍ CHECK ❍ MONEY ORDER AMOUNT $ ❑ GROUND ❑ OTHER ❍ VISA ❍ MASTER CARD ❍ AMEX NYS RESIDENTS ADD 8.625% SHIPPING & HANDLING ACCOUNT NUMBER EXP. DATE SECURITY CODE $3.95 FIRST ITEM, $1 EACH ADDITIONAL CARDHOLDER’S NAME (PLEASE PRINT) OVERNIGHT & 2ND DAY AT COST TOTAL CARDHOLDER’S SIGNATURE FOR LIFETIME PUBLIC PERFORMANCE RIGHTS ADD $30 PER TITLE TO THE LIST PRICE. NOTE: Items in bold indicate our most recent releases. ARKADIAARKADIA PROMOTIONAL PROMOTIONAL MATERIAL MATERIAL Visit our Business-To-Business Resource Center at ___ 79001 602267900125602267900125 ArkadiaArkadia Cap BLACKBLACK $10$10 Visit our Business-To-Businesswww.viewb2bonline.com Resource Center at ___ 79002 602267900224 Arkadia Cap WHITE $10 www.viewb2b.com ___ 79002 602267900224 Arkadia Cap WHITE $10 • High & Low Resolution Photos of all front and back covers ___ 79003 602267900323 Arkadia T-shirt BLACK LG $12 • Over 25 Genre Specific Sell-Sheets with a box to insert your name ___
    [Show full text]
  • A Culture of Recording: Christopher Raeburn and the Decca Record Company
    A Culture of Recording: Christopher Raeburn and the Decca Record Company Sally Elizabeth Drew A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities Department of Music This work was supported by the Arts & Humanities Research Council September 2018 1 2 Abstract This thesis examines the working culture of the Decca Record Company, and how group interaction and individual agency have made an impact on the production of music recordings. Founded in London in 1929, Decca built a global reputation as a pioneer of sound recording with access to the world’s leading musicians. With its roots in manufacturing and experimental wartime engineering, the company developed a peerless classical music catalogue that showcased technological innovation alongside artistic accomplishment. This investigation focuses specifically on the contribution of the recording producer at Decca in creating this legacy, as can be illustrated by the career of Christopher Raeburn, the company’s most prolific producer and specialist in opera and vocal repertoire. It is the first study to examine Raeburn’s archive, and is supported with unpublished memoirs, private papers and recorded interviews with colleagues, collaborators and artists. Using these sources, the thesis considers the history and functions of the staff producer within Decca’s wider operational structure in parallel with the personal aspirations of the individual in exerting control, choice and authority on the process and product of recording. Having been recruited to Decca by John Culshaw in 1957, Raeburn’s fifty-year career spanned seminal moments of the company’s artistic and commercial lifecycle: from assisting in exploiting the dramatic potential of stereo technology in Culshaw’s Ring during the 1960s to his serving as audio producer for the 1990 The Three Tenors Concert international phenomenon.
    [Show full text]
  • Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
    (De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification.
    [Show full text]
  • NEWSLETTER of the American Handel Society
    NEWSLETTER of The American Handel Society Volume XVIII, Number 3 December 2003 HOUSTON GRAND OPERA’S GIULIO CESARE Giulio Cesare is one of Handel’s most justly celebrated operas. First performed in 1724, it was revived several times during the composer’s lifetime. Donald Burrows, in his Master Musicians biography of Handel selects the opera for detailed analysis, citing among its strengths, "a fast-moving plot, full of incident, and some of Handel’s best arias, as well as scenes that are spectacular from both musical and dramatic standpoints."1 During the twentieth century the opera was revived fairly regularly, though it often fell victim to the well-intentioned surgery of producers, directors and conductors. Music History teachers of a certain vintage can remember the Norton Anthology of Western Music recorded excerpt which featured the title role sung by Wagnerian bass Hans Hotter. It was also not so long ago when the choice of recorded versions was limited to a severely cut, Belliniesque ornamented American recording and an uncut every-da-capo-taken-but-unornamented German performance. Just two years ago, while preparing a performance of excerpts for an Opera Scenes class, I was frustrated in my attempts to find a score with the part of Caesar in treble clef, the choices being bass or alto clef. The recordings of Giulio Cesare have improved recently, but the work still awaits a critical edition and Handel’s beautiful yet lengthy score remains a challenging one for opera houses Keiichiro Watanabe March 2, 1932 - December 12, 2001 to realize on the stage.
    [Show full text]