Manson 50Th Anniversary Article July 28 19

Total Page:16

File Type:pdf, Size:1020Kb

Manson 50Th Anniversary Article July 28 19 $3.66 DESIGNATED AREAS HIGHER © 2019 WST D SUNDAY, JULY 28, 2019 latimes.com COLUMN ONE THE MANSON MURDERS: 50 YEARS LATER Officer slain in Lincoln Heights Off-duty LAPD cop was shot near a taco stand. Police are on the hunt for his killer. By Richard Winton, Alene Tchekmedyian and Angel Jennings The young off-duty offi- cer was eating with friends near a Lincoln Heights taco stand after midnight Sat- urday when he saw someone tagging a wall. He called out for the per- son to stop, setting off a chain of events that left Los Angeles Police Department officers mourning the death of one of their own while si- Associated Press multaneously trying to find THE BODY OF actress Sharon Tate is taken from her Benedict Canyon home Aug. 9, 1969. She had been stabbed 16 times. his killer. According to law enforce- ment sources, a group of young men approached Offi- cer Juan Jose Diaz some- time after the tagging ex- change and began threat- ening the 24-year-old, his A ‘curse’ that does not fade girlfriend and her two broth- ers. One of the men lifted his shirt to reveal a handgun. Other killers have since made headlines, but it’s the murderous Diaz and his group tried to hurry to their car and drive away to avoid a violent Manson ‘family’ that remains seared into L.A.’s collective memory confrontation, a source said. As they got into the vehicle, By Maria L. La Ganga and Erik Himmelsbach-Weinstein the gunman opened fire, fa- tally wounding Diaz and in- juring one of his girlfriend’s earing the retired pros- says. He leans forward, hands splayed brothers. ecutor recount the on knees, his voice rising like a terrified A witness flagged down bloody crimes that woman’s. “ ‘Leno! Leno!’ ” an LAPD motorcycle officer, scarred Los Angeles, it Kay is slender, avid and 76. His who found the two men with H is easy to forget that white hair fluffs out above his tanned gunshot wounds about 1 the savage murders face. He helped put Manson family a.m. at Avenue 26 and Hum- happened half a century ago. members behind bars for the 1969 boldt Street, police said. Di- Stephen Kay runs one hand slowly slayings of nine people and has since [See Shooting, A13] down his cheek, describing the mark a attended 60 parole hearings to make thick rope scraped along actress sure they stayed there. He still recalls Sharon Tate’s face. The rope was every awful detail of the murders, tied around her neck and looped over at times closing his eyes as if to block ELECTION 2020 a living room beam in her rented the images. ■■■■■■ Benedict Canyon home. She was 8½ The slaughter and its aftermath months pregnant. Clad in just a white “left the biggest imprint on Los Ange- bra and panties. Still alive, though not les, [on] all of Southern California,” for long. Kay says. And also, it seems, on the Sanders is He recounts, as if it were yesterday, prosecutor himself. “It’s the case that how Leno and Rosemary LaBianca just never goes away.” were tied up and dragged into sepa- The Tate-LaBianca murders same, but rate rooms in their Los Feliz home, rocked California, drew international where they too died at the hands of attention and came to symbolize the Charles Manson’s brutal “family.” Associated Press city of Los Angeles. And they continue this race is “When Rosemary heard Leno CHARLES MANSON and follower Susan Atkins, to fascinate to this day, as their 50th getting stabbed, she cried out,” Kay seated, appear in court in Santa Monica in 1970. anniversary nears. [See Manson, A8] different Can the 2016 phenom keep standing out in a Backlash crowded field with his targets Puerto Rico’s misery revisited consistent message? By Mark Z. Barabak Syrians Scandal stirs anger and memories from Hurricane Maria COUNCIL BLUFFS, Iowa — After breakfast on a recent Saturday, Robert in Turkey By Marisa Gerber Fraass crossed the river from Omaha to this south- CAROLINA, Puerto Rico west corner of Iowa to catch Government cracks — Every night for a week af- Bernie Sanders at the open- ter Hurricane Maria, David ing of his newest campaign down on refugees, Adames sat in the dark in- office. whom many blame for side his funeral home here He sat in the fourth row, on the outskirts of San Juan cheering and clapping with the battered economy. in case another family about 200 others as the sen- needed him. ator from Vermont delivered By Umar Farooq The 46-year-old embalm- his familiar tirade against and Nabih Bulos er posts his cellphone num- the oligarchs and plutocrats ber on a placard near the and greedy corporations ISTANBUL, Turkey — front door with instructions that he said are choking the When Amjad Tablieh went to call at any hour. But the life from America’s middle out to buy some groceries Category 4 hurricane had and working classes. one night last week, he knocked out power and cel- Fraass voted for Sanders thought it would be a quick lular service on much of the in the 2016 Democratic pri- trip. But when police island, so people would just mary when the candidate stopped him to ask for his walk into Funeraria Adames ran as the left-leaning, fist- identification card, known Memorial and tell him where shaking alternative to estab- as a kimlik, all he had in his to pick up the dead. lishment favorite Hillary pocket was about $5 in cash. He embalmed 20 bodies Clinton. He’s still a fan. But The 18-year-old student that month — more than this time, with more than from Damascus is one of a twice the usual number — two dozen presidential can- half-million Syrian refugees and worked at a frantic pace didates to choose from, officially registered to live in to avoid burning out his gas- Fraass is shopping around. Istanbul. But increasingly, oline-powered generator or Carolyn Cole Los Angeles Times He worries that Sanders, he and others are finding wasting precious fuel. When MANY ARE outraged at leaders’ remarks that made light of post-storm suffer- 77, is too old and too far left to that their welcome is fray- a nearby hospital fried its ing. A week after Maria in 2017, Heydee Perez and her son endured without a roof. win a general election. “Real- ing, and Turks want them to generator, it couldn’t keep politik,” said Fraass, 53, a go back to the war-ravaged its mortuary cold and project manager who works country they fled. corpses started to rot. in the credit card industry. “I “I told the police officer He said families pleaded [See Sanders, A11] Weather: my kimlik is at home, it’s a with him: “Is there anything Trump stirs new Baseball brings 15-minute walk away and I you can do so we can see her racism charge back memories Mostly sunny. L.A. Basin: 88/66. B10 can go get it, but he didn’t one more time?” President’s tweets assail The magic of America’s GM plant to close want to listen,” Tablieh said Like Adames — who can Rep. Elijah Cummings pastime makes for fine in key voting state in an interview. close his eyes and flash back and his “disgusting” and therapy for the ravages Shoved onto a waiting to those memories — most “rodent infested” dis- of dementia, writes Bill As Democrats arrive for bus, Tablieh said, he Puerto Ricans clearly recall debate, lives are upended trict. NATION, A6 Plaschke. SPORTS, D1 [See Syrians, A4] [See Puerto Rico, A14] in Michigan. NATION, A12 A8 SUNDAY, JULY 28, 2019 S LATIMES.COM Associated Press MANSON “FAMILY” MEMBERS Susan Atkins, left, Patricia Krenwinkel and Leslie Van Houten laugh as they are escorted into court Aug. 11, 1970, in Los Angeles. A dark cap on the free-loving ’60s [Manson, from A1] recent summer morning, Scott “Helter Skelter” tours that Michaels, founder of Hollywood- follow the family’s bloody foot- based Dearly Departed Tours, steps regularly sell out. Quentin prepares his passengers as he Tarantino’s “Once Upon a Time … heads toward Cielo Drive in Bene- in Hollywood” — fiction wound dict Canyon. around Manson family fact — “This is the story of the Tate opened Thursday night. Chief murders told by the killers.” prosecutor Vincent T. Bugliosi’s But it is still unsettling to hear 1974 book, “Helter Skelter,” has the disembodied voices of Charles never gone out of print; it is joined “Tex” Watson, Linda Kasabian, on a regular basis by new entries Patricia Krenwinkel and Susan into the Manson canon, at least Atkins describe that awful night 50 two this summer alone. years ago — Aug. 9, 1969. They were Other killers have come and Manson family stalwarts, 20 to 23 gone. Other crimes since have years old at the time. The record- accounted for more deaths. People ings were taken from parole hear- more famous than Tate, hair- ings and old media interviews. dresser-to-the-stars Jay Sebring Watson, with a slight twang, and coffee heiress Abigail Folger describing Manson’s instructions: have been slain. Still, the memory “ ‘I want you all to go together and of Manson and the men and wom- go up to Terry Melcher’s old house. en he persuaded his followers to And I want you to kill everyone in murder has not faded. there.’ Terry Melcher was Doris The question, which persists to Day’s son. And we had previously this day, is why? met him and had been in that “It’s a story that still baffles,” house before.” says Linda Deutsch, who covered Kasabian: “I was told to get a the Manson case for the Associ- change of clothing and a knife and ated Press.
Recommended publications
  • Tropical Storm Forms in Gulf Morrow,” Eckstein Said Wednes- Andrea to Bring Torrential Rains ■ for Updates on Tropical Day Night
    Fuji Asian Bistro brings taste of Far East to Southeast /C1 THURSDAY TODAY CITRUS COUNTY & next morning HIGH 83 Mostly cloudy. 80 LOW percent chance of thunderstorms 76 PAGE A4 www.chronicleonline.com JUNE 6, 2013 Florida’s Best Community Newspaper Serving Florida’s Best Community 50¢ VOL. 118 ISSUE 303 Tropical storm forms in Gulf morrow,” Eckstein said Wednes- Andrea to bring torrential rains ■ For updates on Tropical day night. “Hope nobody had any Tropical Storm Storm Andrea, check the outdoor plans.” Andrea is the first named Chronicle’s storm of the 2013 Atlantic MIKE WRIGHT casters did not expect it to Facebook page or Eckstein said some flooding the sheriff’s office blog, hurricane season. Staff writer strengthen to a hurricane. could be expected in areas prone 5:30 pm EDT, June 5. Forecasters issued a tropical citruseoc.blogspot.com. for high water, such as Ozello, La. Ga.Ala.Mis. 300 mi The young hurricane season’s storm warning for a swath of parts of Homosassa and Crystal 300 km first named storm formed Florida’s west coast starting at rain, said Capt. Joe Eckstein, who River. Eckstein also said residents Tropical Storm 30° Andrea Fla. Wednesday evening in the Gulf of Boca Grande, an island to the heads the county’s Emergency should keep an eye on the Mexico, promising a wet and northwest of Fort Myers, and end- Operations Center. 3:21 p.m. high tide in King’s Bay. Gulf of BAHAMAS windy Thursday in Citrus County ing in the Big Bend area of the Eckstein said forecasters ex- The county is not opening sand- Mexico CUBA and across the Florida west coast.
    [Show full text]
  • America's Fascination with Multiple Murder
    CHAPTER ONE AMERICA’S FASCINATION WITH MULTIPLE MURDER he break of dawn on November 16, 1957, heralded the start of deer hunting T season in rural Waushara County, Wisconsin. The men of Plainfield went off with their hunting rifles and knives but without any clue of what Edward Gein would do that day. Gein was known to the 647 residents of Plainfield as a quiet man who kept to himself in his aging, dilapidated farmhouse. But when the men of the vil- lage returned from hunting that evening, they learned the awful truth about their 51-year-old neighbor and the atrocities that he had ritualized within the walls of his farmhouse. The first in a series of discoveries that would disrupt the usually tranquil town occurred when Frank Worden arrived at his hardware store after hunting all day. Frank’s mother, Bernice Worden, who had been minding the store, was missing and so was Frank’s truck. But there was a pool of blood on the floor and a trail of blood leading toward the place where the truck had been garaged. The investigation of Bernice’s disappearance and possible homicide led police to the farm of Ed Gein. Because the farm had no electricity, the investigators con- ducted a slow and ominous search with flashlights, methodically scanning the barn for clues. The sheriff’s light suddenly exposed a hanging figure, apparently Mrs. Worden. As Captain Schoephoerster later described in court: Mrs. Worden had been completely dressed out like a deer with her head cut off at the shoulders.
    [Show full text]
  • USSS) Director's Monthly Briefings 2006 - 2007
    Description of document: United States Secret Service (USSS) Director's Monthly Briefings 2006 - 2007 Requested date: 15-October-2007 Appealed date: 29-January-2010 Released date: 23-January-2010 Appeal response: 12-April-2010 Posted date: 19-March-2010 Update posted: 19-April-2010 Date/date range of document: January 2006 – December 2007 Source of document: United States Secret Service Communications Center (FOI/PA) 245 Murray Lane Building T-5 Washington, D.C. 20223 Note: Appeal response letter and additional material released under appeal appended to end of this file. The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website.
    [Show full text]
  • The Orkustra
    THE ORKUSTRA This day-by-day diary of The Orkustra's live, studio, broadcasting and private activities is the result of two decades of research and interview work by Bruno Ceriotti, but without the significant contributions by other kindred spirits this diary would not have been possible. So, I would like to thank all the people who, in one form or another, contributed to this timeline: Jaime Leopold (RIP), Bobby Beausoleil, David LaFlamme, Henry Rasof, Nathan Zakheim, Stephen Hannah, Jesse Barish, Steve LaRosa, Rod Harper (RIP), Colin Hill, Ross Hannan, Corry Arnold, William Hjortsberg, Aldo Pedron, Klemen Breznikar, Reg E. Williams, Charles Perry, Penny DeVries, Claire Hamilton, Lessley Anderson, Ralph J. Gleason (RIP), Craig Fenton, Alec Palao, Johnny Echols, 'Cousin Robert' Resner, Roman Garcia Albertos, James Marshall, Chester Kessler, Gene Anthony, Christopher Newton, Loren Means, The San Francisco Examiner, San Francisco Chronicle, San Francisco Oracle, and Berkeley Barb. September 1966 Undoubtedly the most experimental and ecletically diverse band of the so-called 'San Francisco Sound', The Orkustra were put together by the infamous Bobby Beausoleil. A larger than life character with a mixed reputation ("He was like Bugs Bunny," says Orkustra's bandmate Nathan Zakheim. "Very in your face, enthuastic."), Robert Kenneth Beausoleil, aka 'Cupid', aka 'Bummer Bob', aka 'Bobby Snofox', was born on Thursday, November 6, 1947, in Santa Barbara, California. After dropping out of high school and let his hair grow out, Bobby moved to Los Angeles in search of fame and fortune in 1965. There, over the summer, he played a six-string rhythm guitar with The Grass Roots, a folk- rock band later known as LOVE, for only three weeks, and also made a cameo appearance (as 'Cupid') in the famous underground documentary movie Mondo Hollywood.
    [Show full text]
  • “'The Paranoia Was Fulfilled' – an Analysis of Joan Didion's
    “‘THE PARANOIA WAS FULFILLED’ – AN ANALYSIS OF JOAN DIDION’S ESSAY ‘THE WHITE ALBUM’” Rachele Colombo Independent Scholar ABSTRACT This article looks at Joan Didion’s essay “The White Album” from the collection of essays The White Album (1979), as a relevant text to reflect upon America’s turmoil in the sixties, and investigate in particular the subject of paranoia. “The White Album” represents numerous historical events from the 1960s, but the central role is played by the Manson Murders case, which the author considers it to be the sixties’ watershed. This event–along with many others–shaped Didion’s perception of that period, fueling a paranoid tendency that reflected in her writing. Didion appears to be in search of a connection between her growing anxiety and these violent events throughout the whole essay, in an attempt to understand the origin of her paranoia. Indeed, “The White Album” deals with a period in Didion’s life characterized by deep nervousness, caused mainly by her increasing inability to make sense of the events surrounding her, the Manson Murders being the most inexplicable one. Conse- quently, Didion seems to ask whether her anxiety and paranoia are justified by the numerous violent events taking place in the US during the sixties, or if she is giving a paranoid interpretation of com- pletely neutral and common events. Because of her inability to find actual connections between the events surrounding her, in particular political assassinations, Didion realizes she feels she is no longer able to fulfill her main duty as a writer: to tell a story.
    [Show full text]
  • Helter Skelter” and Sixties Revisionism “Helter Skelter” Et L'héritage Polémique Des Années 1960
    Volume ! La revue des musiques populaires 9 : 2 | 2012 Contre-cultures n°2 “Helter Skelter” and Sixties Revisionism “Helter Skelter” et l'héritage polémique des années 1960 Gerald Carlin and Mark Jones Electronic version URL: http://journals.openedition.org/volume/3407 DOI: 10.4000/volume.3407 ISSN: 1950-568X Printed version Date of publication: 15 December 2012 Number of pages: 34-49 ISBN: 978-2-913169-33-3 ISSN: 1634-5495 Electronic reference Gerald Carlin and Mark Jones, « “Helter Skelter” and Sixties Revisionism », Volume ! [Online], 9 : 2 | 2012, Online since 15 June 2014, connection on 10 December 2020. URL : http:// journals.openedition.org/volume/3407 ; DOI : https://doi.org/10.4000/volume.3407 This text was automatically generated on 10 December 2020. L'auteur & les Éd. Mélanie Seteun “Helter Skelter” and Sixties Revisionism 1 “Helter Skelter” and Sixties Revisionism “Helter Skelter” et l'héritage polémique des années 1960 Gerald Carlin and Mark Jones EDITOR'S NOTE This text was published in Countercultures & Popular Music (Farnham, Ashgate, 2014), while its French translation appeared in this issue of Volume! in 2012. “Helter Skelter” and the End of the Sixties Volume !, 9 : 2 | 2012 “Helter Skelter” and Sixties Revisionism 2 1 In late August 1968, within a few days of each other, new singles were released by the Beatles and the Rolling Stones. The unusual proximity of release dates by the world’s two most significant rock bands was echoed by the congruity of the songs’ themes: the Stones’ “Street Fighting Man” and the Beatles’ “Revolution” were both responses to the political unrest and protest which characterised the spring and summer of 1968.
    [Show full text]
  • Soddoma: Cantos of Ulysses
    Soddoma: Cantos of Ulysses Chris Mansel Argotist Ebooks 2 Cover image by Rich Curtis Copyright © Chris Mansel 2010 ll rights reserved rgotist Ebooks 3 Dedicated to $ake Berry 4 Soddoma: Cantos of Ulysses 5 Through the slave quarters and to the river below, cross sections of freshening earth* 1. Shaft scene Syphilitic skeletons borne in blood menstrual pillars of Sodom coitus breath scars thorns milk interprets the scrotal consummating corpse labia drunk and made holy clitoridectomies penis sheaths paleolithic barriers scavenging decomposition narrow receiving bowl. Bushmen read the koka shastra, wandering wombs dilate the reproductive cycle* 6 2. ,enus in furs -edged yogic castration, umbilical suckling male hymen e.aculatory ducts the membranous urethra pastoralists, con.ugated estriols femini/ed 0double castration1 dislect of deep incised consumption an infant2s se3ual attributes cranial4uteral childbirth masturbation swallows. 5haling asps three miles by four, heavens corpse spinal venerated. It2s flaccid genital beard, 0it2s1 0madness to be confined7Rimbaud1 7 8. Coffin birth Menstruation 0ovum1 migration e3plicit breath sutras tenderness, thick wash rape 0decay1 copulation abortifacients peyote insufficient mitochdrial DN homologue of the penis 0masculine machinery1 the debauchery of an open wound herded to the dead. 8 4. Flesh allows sins without the body Departing drew squalor copula weightless heat sweating petals de7centered borne wallow plurality of unrecorded raindrops rhythms tastes screams branches nausea erections vomiting animal bearers agony clutter the pineal eye smell is monogamous; intimate doctrine of a menstrual matter. 9 5. The absurdity of rigor mortis Blood bathed lips of a reptilian beings drag Basilidan stones spreading the dust from her ribcages to make another opening in her entrails 0the presence of unnecessary practice > peremptory e3pulsion1 the .aws of the clitoris are pried open by hideous animals 0ecstasy e3cludes the worker1 inundated with hair.
    [Show full text]
  • The Long Prison Journey of Leslie Van Houten: Life Beyond the Cult by Kariene Faith Boston: Northeastern University Press (2001), 216 Pp
    The long Prison Journey of leslie Van Houten: life Beyond the Cult By Kariene Faith Boston: Northeastern University Press (2001), 216 pp. Reviewed by Liz Elliott n the last year of the 1960s, a decade of anomie, the U.S. experienced two I events that would symbolize different aspects of its culture into the next millennium. These events took place at opposite sides of the country, although they occun-ed less than a week apart. One event, a cultural festival of music and arts, has remained in time as an example of the possibilities of peaceful co­ existence in adverse circumstances oflarge numbers ofpeopJe. From August 15th to the 17th the Woodstock Music and Arts Festival's patrons endured rain and mud - and all of the other inconveniences that would reasonably accrue in a situation where unexpected large numbers ofpeople converged in one location -to see some of the decade's masters of rock and roll and folk music perfonn in the state of New York. Almost half a million people, many of whom were experiencing the event under the influence of various illicit drugs, attended Woodstock and lived together peacefhlly for one weekend. 1 Across the continent a few days earlier, the world heard the news of two ten-ible sets of murders in California that shook the sense of security that until then was enjoyed by Americans. We were soon to learn that these bizarre, seemingly ritualistic killings were the bidding of a charismatic but crazy man who was state-raised2 and resourceful. In this case the drugs were used to weaken the already fragile resolve ofyoung idealistic people who were searching for themselves and open to new ways of seeing the world.
    [Show full text]
  • Retrospektive Roman Polanski the PIANIST Roman Polanski
    Retrospektive Roman Polanski THE PIANIST Roman Polanski 31 Roman Polanski bei den Dreharbeiten zu Kino der Heimsuchung kennen. Und doch wird der Zuschauer augenblicklich Als die Cinémathèque française im Oktober letzten in den Bann des Films gezogen, in dessen Verlauf die Jahres eine große Ausstellung über die Geschichte der mulmige Enge nachbarschaftlichen Zusammenwoh- Filmtechnik eröffnete, fungierte er als Pate. Eine klü- nens nach und nach in einen Albtraum umschlägt. gere Wahl hätte die Pariser Kinemathek nicht treffen können, denn Roman Polanski hat immer wieder be- Ein Treibhauseffekt tont, wie unverzichtbar für ihn das Handwerk ist, das er Als LE LOCATAIRE 1976 herauskam, fügte er sich in an der Filmhochschule erlernt hat. Darin unterscheide einen Zyklus der klaustrophobisch-pathologischen Er- er sich, bemerkte der Regisseur mit maliziösem Stolz, zählungen, den der Regisseur ein Jahrzehnt zuvor mit doch ganz erheblich von seinen Freunden von der Nou- REPULSION (EKEL) und ROSEMARY'S BABY begonnen velle Vague, die als Filmkritiker angefangen hatten. hatte. Ihr erzählerischer Radius beschränkt sich weitge- Zur Eröffnung der Ausstellung präsentierte er LE hend auf einen Schauplatz. Der filmische Raum ist für LOCATAIRE (DER MIETER), der seinen virtuosen Um- diesen Regisseur eine Sphäre der Heimsuchung, an- gang mit der Technik spektakulär unter Beweis stellt. fangs auch der Halluzinationen und surrealen Verwand- 1976 war er der erste Filmemacher, der den Kamera- lungen. Sich auf einen Handlungsort zu konzentrieren, kran Louma einsetzte. Die Exposition des Films ist eine ist für ihn keine Begrenzung, sondern eine Herausfor- überaus akrobatische Kameraoperation, eine Kombi- derung an seine visuelle und dramaturgische Vorstel- nation aus Fahrten und Schwenks, der die Fassaden lungskraft.
    [Show full text]
  • The Big Goodbye
    Robert Towne, Edward Taylor, Jack Nicholson. Los Angeles, mid- 1950s. Begin Reading Table of Contents About the Author Copyright Page Thank you for buying this Flatiron Books ebook. To receive special offers, bonus content, and info on new releases and other great reads, sign up for our newsletters. Or visit us online at us.macmillan.com/newslettersignup For email updates on the author, click here. The author and publisher have provided this e-book to you for your personal use only. You may not make this e-book publicly available in any way. Copyright infringement is against the law. If you believe the copy of this e-book you are reading infringes on the author’s copyright, please notify the publisher at: us.macmillanusa.com/piracy. For Lynne Littman and Brandon Millan We still have dreams, but we know now that most of them will come to nothing. And we also most fortunately know that it really doesn’t matter. —Raymond Chandler, letter to Charles Morton, October 9, 1950 Introduction: First Goodbyes Jack Nicholson, a boy, could never forget sitting at the bar with John J. Nicholson, Jack’s namesake and maybe even his father, a soft little dapper Irishman in glasses. He kept neatly combed what was left of his red hair and had long ago separated from Jack’s mother, their high school romance gone the way of any available drink. They told Jack that John had once been a great ballplayer and that he decorated store windows, all five Steinbachs in Asbury Park, though the only place Jack ever saw this man was in the bar, day-drinking apricot brandy and Hennessy, shot after shot, quietly waiting for the mercy to kick in.
    [Show full text]
  • Tender Exotics
    TENDER EXOTICS BOBBY BEAUSOLEIL NIK KAMVISSIS MARGARET STONES ALAN TOWNSEND CURATED BY LISA CAMPBELL-SMITH UNDER THE CURATORIAL MENTORSHIP PROGRAM, CONTEMPORARY ART TASMANIA EXHIBITION: 2 - 31 MAY 2015 TENDER EXOTICS A recent exhibition titled Open Field held at Hauser and Wirth Somerset in the UK, celebrated the founder of the New Perennial movement, Piet Oudolf. The works on display were Ouldof’s sketches and designs for a series of public gardens. The drawings were layered with symbols, codes, and colour; steeped in the knowledge of plant life. What is fascinating about their presence in a ‘high art’ context, removed as they are from the finished gardens, is that they become loaded with possible narratives; instantly imbued with meaning beyond their schematic and instructional purpose. Tender Exotics, has at its centre a similar set of intentions, that is, to place works into a context in which they have not been previously considered. Tender Exotics brings together a collection of works from Bobby Beausoleil, Nik Kamvissis, Margaret Stones and Alan Townsend. From the margins of contemporary art practice to the pedagogical rigours of scientific illustration, Tender Exotics considers the criteria by which artists and objects are assigned to correspond with contemporary themes and curatorial agendas. The assemblage of this trans-historical grouping is presented here, not to seek order through it, but rather to explore a juxtaposition of descriptive elements and latent possibilities. Borrowing its title from the 18th Century publication, A collection of various forms of stoves, used for forcing pine plants, fruit trees, and preserving tender exotics…, 1 the exhibition also art galleries in juxtaposition with contemporary art, may not incorporates visual material from these architectural drafts.
    [Show full text]
  • Will You Die for Me? by Charles Watson As Told to Chaplain Ray Hoekstra Copyright
    Will You Die For Me? by Charles Watson as told to Chaplain Ray Hoekstra Copyright...................................................................................... 1 Acknowledgments ........................................................................2 Dedication ....................................................................................2 About the Author .........................................................................3 Sure, Charlie, You Can Kill Me ...................................................4 Behold, He Is In The Desert ........................................................8 The Campus Kid........................................................................ 14 The Times, They Are A-Changin' .............................................18 California Dreamin' ...................................................................23 Gentle Children, With Flowers In Their Hair ...........................27 Family .........................................................................................33 Magical Mystery Tour ................................................................37 Watershed: The White Album ...................................................42 Happy in Hollywood ..................................................................48 Revolution / Revelation .............................................................51 Piggies .........................................................................................57 You Were Only Waiting for This Moment .................................62
    [Show full text]