The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson
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Abjection in Late Nineteenth Century British Literature
ABJECTION IN LATE NINETEENTH CENTURY BRITISH LITERATURE By Robin Imholte A Project Presented to The Faculty of Humboldt State University In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: Literary and Cultural Studies Committee Membership Dr. Mary Ann Creadon, Committee Chair Dr. Michael Eldridge, Second Reader Dr. Janet Winston, Graduate Coordinator July 2017 ABSTRACT ABJECTION IN LATE NINETEENTH CENTURY BRITISH LITERATURE Robin Imholte In this project, I examine three major British works of literature produced in the last two decades of the nineteenth century: Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde, Oscar Wilde’s The Picture of Dorian Gray, and Thomas Hardy’s Jude the Obscure. I show that these works reflect popular trends and fears that arose during this time, including notions of decadence and fears of degeneration. Using Julia Kristeva’s conception of abjection, as described in her work Powers of Horror, I argue that developments throughout the Victorian era: namely the advent of the theory of evolution, the rise and expansion of large-scale industrialization, and the moral and economic benefits and ramifications of global colonization, ultimately led to social and individual insecurities that reverberated throughout popular literature of the time. I conclude that these cultural attitudes and insecurities can be seen reflected in works of literature and in their depiction of characters and behaviors whose self-abjection are a reflection of a society with an unstable self-image. ii ACKNOWLEDGMENTS By its very nature, a journey through graduate school is not supposed to be easy. -
From Prodigy to Pathology: "Monstrosity" in the British Novel from 1850 to 1930
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 8-2013 From Prodigy to Pathology: "Monstrosity" in the British Novel from 1850 to 1930 Terri Beth Miller University of Tennessee - Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Arts and Humanities Commons Recommended Citation Miller, Terri Beth, "From Prodigy to Pathology: "Monstrosity" in the British Novel from 1850 to 1930. " PhD diss., University of Tennessee, 2013. https://trace.tennessee.edu/utk_graddiss/2462 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Terri Beth Miller entitled "From Prodigy to Pathology: "Monstrosity" in the British Novel from 1850 to 1930." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in English. Urmila Seshagiri, Major Professor We have read this dissertation and recommend its acceptance: Stanton B. Garner Jr., Amy Elias, Bryant Creel Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) From Prodigy to Pathology: “Monstrosity” in the British Novel from 1850 to 1930 A Dissertation Presented for the Doctor of Philosophy Degree The University of Tennessee, Knoxville Terri Beth Miller August 2013 Copyright 2013 by Terri Beth Miller. -
The Morning of My Life in China
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. http://books.google.com r the MORNING OP MY LIFE IN CHINA. Comprising an Oiti.ixi oi tuk history , /OF FOREIGN INTERCOURSE From the Last Year of the Regime of HONORABLE EAST INDIA COMPANY, 1883 : ' To the Imprisonment of the FOREIGN CO iiiiuNiin IN 1889 BY Gideon Kte, Jr. Corresponding Member of the American Geographical and Statistical Society : Author of Rationale of the China Question, tec, &c. CANTON. 1873. THE MORNING OF MY LIFE IN CHINA. A LECTURE DELIVERED BEFORE THE CANTON COMMUNITY ON THE EVENING OF JANUARY 81st, 1873. by Mr. NYE :— COUNT DE CHAPPEDELAINE, CONSUL OF FRANCE, IN THE CHAIR- COUNT CHAPPEDELAINE :— LADIES AND GENTLEMEN :— I rise to address you with a diffidence that it were vain to dis semble, and which I am sure you will feel is becoming in me, after the learned and at tractive Orations and other classical enter tainments of this brilliant Season. I have not the vigorous grasp of a Sampson,* to " bring down the home:" nor the agile precision of a stripling David, to hit the mark with my pebble : — * Allusion to a Gentleman who had lectured previously with much applause. 540270 2 : •:ifi&3:ie39. How, then, can T find courage to raise my eyes to those of the critical Scholar,* whose opening historical discourse was embellished with the flowers of Poetry ; or expect to rival the interest of the other learned and scientific Lectures, with my feeble periods ? And how much less, can I hope to awaken a responsive chord of sympathy in the hearts of those whose ears were filled with the strains of "God's Alphabet" — (of Music) — so capably rendered to us early in the Season ? It is, therefore, in im plicit reliance upon your indulgence, that in this the fortieth year since I reached Can ton, I obey the command of the Gentleman — to whose initiative we are indebted for these social Assemblages — to contribute my simple mite to the ample offerings of others. -
Exile for Dreamers - Tess’S Story Kathleen Baldwin Baldwin, Page 1
Exile for Dreamers - Tess’s Story Kathleen Baldwin Baldwin, page 1 Exile for Dreamers —A Stranje House Novel— By Kathleen Baldwin Exile for Dreamers - Tess’s Story Kathleen Baldwin Baldwin, page 2 Dedication To the men who taught me to run, swim, hunt, gallop horses, ride the rapids, ski powder, hang-glide, and rock climb - back when girls did not do that sort of thing. To Daddy, for teaching me to box at a time when it was sacrilegious to strap a pair of boxing gloves on a little girl, and to the boys whose noses I broke – I am truly sorry. And to Susan Thank you for your extraordinary skills as an editor. I’m grateful you can see when I am blind. Exile for Dreamers - Tess’s Story Kathleen Baldwin Baldwin, page 3 Chapter 1 Tess I run to escape my dreams. Dreams are my curse. Every night they haunt me, every morning I outrun them, and every evening they catch me again. One day they will devour my soul. But not today. Not this hour. I ran with Phobos and Trobos, the half wolves half dogs who guard Stranje House. We raced into the cleansing wind. What is the pace of forgetfulness? How fast must one go? “Tess! Wait!” Georgiana’s gasps cut through the peace of the predawn air and broke my rhythm. I slowed to a stop and turned. A moment later, Phobos broke stride too, and trotted back beside me. He issued a low almost imperceptible growl, impatient to return to our race. Georgie leaned forward breathing hard. -
ABSTRACT Title of Thesis: NINA SIMONE, DANCE TGHEATER AND
ABSTRACT Title of Thesis: NINA SIMONE, DANCE TGHEATER AND THE SHAPES OF WOMEN Heather Lynn Looney, MFA in Dance, 2009 Thesis directed by: Karen Bradley University of Maryland Dance Department Nina Simone, Dance Theater and the Shapes of Women contains the background, process, involvement and discoveries made during the creation and production of the dance work Morning of My Life. The issues of self value and the process of personal change dealt with in Morning of My Life are brought to light and openly detailed through movement description. This dance work developed from the unique experiences of the choreographer discovering an understanding of femininity through the music of Nina Simone. From an artistic stand point, the creation of this work examined how thoroughly dance communicates to general audiences connecting to art forms in a world of multimedia and sensory overload. NINA SIMONE, DANCE TGHEATER AND THE SHAPES OF WOMEN by Heather Lynn Looney Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park in partial fulfillment of the requirements for the degree of Master of Fine Arts 2009 Advisory Committee: Karen Bradley, Chair Paul Jackson Dr. Barry Pearson Charles Rutherford Foreward I began working on the piece Morning of My Life when I first encountered Nina Simone. The summer of 2000 in North Carolina was melt-your-eyeballs-in-their-sockets- hot. For the six week duration of the American Dance Festival held in Durham, I lived in a fraternity house with seven other dancers and a ferret. The ferret and I became good friends and still write to each other occasionally. -
The Lyric Poetry
HIDDEN TALENT contributions of aboriginal musicians of the new england tablelands to contemporary aboriginal culture and cultural re-vitalisation the lyric poetry peter yanada mckenzie i’ll dance with you ’til the morning my dreams of you are of course gossamer webs I am spinning when we dance the armidale waltz peter mckenzie 2010 1 the lyric poetry of peter mckenzie 2 HIDDEN TALENT Contributions of Aboriginal musicians of the New England Tablelands to Contemporary Aboriginal Culture and Cultural Re-vitalisation Lyrics / Poetry submitted in partial fulfilment of the requirements for the degree of Doctor of Creative Arts University of Western Sydney College of Arts Sydney, Australia December 2010 3 Dedicated to Mavis Mary Elizabeth McKenzie 4 the words: macky 6 the armidale waltz 7 albert koiki and charles 8 bayside mission dreaming 9 tin mansion 10 the killin’ has began 11 brown bag blues 13 coorinna coorinna forever 15 the cotton chipping song 17 davy was a thinker 19 where heaven has gone 21 hey come on 22 koori gals and captains 24 lament for eora 25 mckenzie lament 26 narragundah dreaming 28 north country 29 shine on jesus 30 silent tears 31 tell me robert gregory 33 browlee moon 35 our mingy little mob 36 ballad of a hero 37 nothing man 39 5 macky well mavis mary elizabeth can you hear me pray? when i tell you of your famil-ly and where they are today your eldest travelled ’round the world found art and image-ry your youngest davy died too soon mission by the sea you have a grandson mavis his mother you well know when she came from -
Why Popular Culture Matters
THE POPULAR CULTURE STUDIES JOURNAL MIDWEST PCA/ACA VOLUME 7 | NUMBER 1 | 2019 WHY POPULAR CULTURE MATTERS EDITED BY: CARRIELYnn D. REINHARD POPULAR CULTURE STUDIES JOURNAL VOLUME 7 NUMBER 1 2019 Editor CARRIELYNN D. REINHARD Dominican University Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor KEVIN CALCAMP Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor CHRISTOPHER J. OLSON University of Wisconsin-Milwaukee Graphics Editor ETHAN CHITTY Purdue University Please visit the PCSJ at: http://mpcaaca.org/the-popular- culture-studies-journal. Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2019 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 EDITORIAL BOARD CORTNEY BARKO PAUL BOOTH West Virginia University DePaul University KATIE WILSON ANTHONY ADAH University of Louisville Minnesota State University, Moorhead GARY BURNS BRIAN COGAN Northern Illinois University Molloy College ART HERBIG ANDREW F. HERRMANN Indiana University - Purdue University, Fort Wayne East Tennessee State University CARLOS D. MORRISON KIT MEDJESKY Alabama State University University of Findlay SALVADOR MURGUIA ANGELA NELSON Akita International University Bowling Green State University CARYN NEUMANN ALLISON R. LEVIN Miami University Webster University JENNIFER FARRELL Milwaukee School of Engineering ii TABLE OF CONTENTS Introduction: Why Popular Culture Matters ........................ 1 CARRIELYNN D. REINHARD Special Entry: Multimedia Presentation of “Why Popular Culture Matters” ............................................ 4 CARRIELYNN D. REINHARD Editorial: I’m So Bored with the Canon: Removing the Qualifier “Popular” from Our Cultures .......................... 6 SCOTT M. -
Sheet Music (Unclassified)
SHEET MUSIC (UNCLASSIFIED) A Beautiful Friendship A Touch of the Blues A Certain Smile 'A' Train A Christmas Song A Walkin Miracle A Day in the Life of a Fool A Whistlin' Kettle & a Dancing Cat A Dream is a Wish your Heart Makes A White Sports Coat & a Pink Carnation A Fine Romance A Windmill in Old Amsterdam A Foggy Day A Woman in Love A Garden in the Rain A Wonderful Day like Today A Good Idea Son A Wonderful Guy A Gordon for Me A World of ou Own A Hard Day's Night A You're Adorable A Horse with no Name Abide with Me A Hunting We Will Go Abie my Boy A Kiss in the Dark About a Quarter to Nine A Little bit More AC/DC A Little Bitty Tear Accentuate the Positive A Little Co-operation from you Accordionist A Little Girl from Little Rock Ace of Hearts A Little in Love Across the Alley from the Alamo A Little Kiss Each Morning Across the Alley from the Alamo A Little Love A Little Kiss Across the Great Divide A Little on the Lonely Side Across the Universe A Long & Lasting Love Act Naturally A Loser with nothing to loose Adagio from Sonata Pathetique A Lot of Livin' to Do Addicted to Love A Lovely Way to Spend an Evening Adios A Man & A Woman Adios Amor A Man Chases a Girl Adios Muchachos A Man without Love African Waltz A Marshmallow World After the Ball A Million Miles from Nowhere After the Love has Gone A Night in Tunisia After the Rain A Nightingale Sang in Berkely Square After You've Gone A Paradise for Two Agadoo A Pretty Girl is Like a Melody Again A Rockin' Good Way Agatha Christies Poirot A Root'n Toot'n Santa Claus Ah So Pure A -
Robert Donat, Film Acting and the 39 Steps (1935) Victoria Lowe, University of Manchester, UK
'Performing Hitchcock': Robert Donat, Film Acting and The 39 Steps (1935) Victoria Lowe, University of Manchester, UK This article offers a speculative exploration of performance in a Hitchcock film by looking in detail at Robert Donat's characterisation of Richard Hannay in The 39 Steps (1935). It has been argued that Hitchcock's preference for the actor who can do nothing well leads to a de- emphasising of the acting skill of his cast whilst foregrounding the technical elements such as editing and mise-en-scène in the construction of emotional effects (Ryall, 1996:159). Hitchcock's own attitude to actors is thought to be indicated by his oft-quoted claim that "actors should be treated like cattle." [1] However, this image of Hitchcock as a director unconcerned with the work of his actors seems to be contradicted both by the range of thoughtful and complex performances to be found in his films and by the testimonies of the actors themselves with regard to working with him. [2] In this article therefore, I will attempt to unpick some of the issues regarding performance in Hitchcock films through a detailed case study of Robert Donat and his performance in The 39 Steps. Initially, I will look at the development of Donat's star persona in the early 1930s and how during the making of The 39 Steps, writing about Donat in the press began to articulate performance as opposed to star discourses. I will then look at some of Donat's published and unpublished writing to determine the screen acting methodologies he was beginning to develop at the time. -
Abi Ofarim Musiker Und Produzent Im Gespräch Mit Gabi Toepsch
BR-ONLINE | Das Online-Angebot des Bayerischen Rundfunks Sendung vom 23.4.2010, 20.15 Uhr Abi Ofarim Musiker und Produzent im Gespräch mit Gabi Toepsch Toepsch: Herzlich willkommen zu alpha-Forum. Unser Gast ist heute Abi Ofarim, Musiker und Autor, der Licht und Schatten kennt. Herr Ofarim, schön, dass Sie da sind. Ofarim: Es ist schön, hier zu sein. Toepsch: Die Roaring Sixties waren die Zeit von Esther und Abi Ofarim. "Cinderella Rockefella", "Morning of My Life" u. a.: Das waren die Hits von den beiden. Sie haben die Säle und die Stadien der Welt gefüllt, sind von der Queen empfangen und geehrt worden und haben 59 Goldene Schallplatten überreicht bekommen. Ich glaube, es waren auch noch 14 Platinschallplatten, oder? Ofarim: Ich habe sie nicht gezählt. Toepsch: Sie haben sich dann getrennt und es ist jahrzehntelang still gewesen um Sie beide. Nun sind Sie beide wieder auf der Bühne, allerdings jeder von Ihnen solo. Im Rampenlicht heute bei uns im Studio sitzt Abi Ofarim: Wie ist es denn nach so langer Zeit, wieder im Rampenlicht, auf der Bühne zu stehen? Ofarim: Als mein erster Sohn Gil geboren wurde, habe ich gesagt: "Jetzt keine Konzerte, keine Bühne mehr! Jetzt bin ich Papa und jetzt geht es um Windeln usw.!" Das war 1982 und ich war gerade mit meiner LP "Much too much" herausgekommen. Diese LP wurde die Nummer 1 auf der Bestenliste damals. Als ich dann gesagt habe, dass ich keine Konzerte mehr geben werde, haben alle zu mir gesagt: "Du spinnst doch! Jetzt hast du so lange warten müssen, bis du wieder eine Soloplatte gemacht hast!" Aber, wie gesagt, ich wurde Vater und habe dann jahrelang mit meinen Jungs Musik gemacht. -
The Strange Case of Dr. Jekyll and Mr. Hyde
THE STRANGE CASE OF DR. JEKYLL AND MR. HYDE Robert Louis Stevenson Gothic Digital Series @ UFSC FREE FOR EDUCATION Story of the Door Search for Mr. Hyde Dr. Jekyll was quite at Ease The Carew Murder Case Incident of the Letter Incident of Dr. Lanyon Incident at the Window The Last Night Dr. Lanyon’s Narrative Henry Jekyll’s Full Statement of the Case The Strange Case of Dr. Jekyll and Mr. Hyde Robert Louis Stevenson (January, 1886) Story of the Door MR. Utterson the lawyer was a man of a rugged countenance that was never lighted by a smile; cold, scanty and embarrassed in discourse; backward in sentiment; lean, long, dusty, dreary and yet somehow lovable. At friendly meetings, and when the wine was to his taste, something eminently human beaconed from his eye; something indeed which never found its way into his talk, but which spoke not only in these silent symbols of the after-dinner face, but more often and loudly in the acts of his life. He was austere with himself; drank gin when he was alone, to mortify a taste for vintages; and though he enjoyed the theatre, had not crossed the doors of one for twenty years. But he had an approved tolerance for others; sometimes wondering, almost with envy, at the high pressure of spirits involved in their misdeeds; and in any extremity inclined to help rather than to reprove. “I incline to Cain’s heresy,” he used to say quaintly: “I let my brother go to the devil in his own way.” In this character, it was frequently his fortune to be the last reputable acquaintance and the last good influence in the lives of downgoing men. -
Archiving a Life: Post-Shoah Paradoxes of Memory Legacies Leora Auslander
Archiving a Life: Post-Shoah Paradoxes of Memory Legacies Leora Auslander After years of struggle for appropriate acknowledgement and commemora- tion of the Holocaust, as well as for support for teaching, archival collection and research on the topic, the quest for a public presence for the Shoah in Western Europe and the United States has largely been accomplished. That crucial labor has, however, left open, and perhaps to some extent created, another set of questions concerning the relation of the Shoah to European Jewish history as well as that of survivors and their descendants to that experience. Some of these questions are collective and institutional: there is close to consensus in Western Europe that Germany and other European nation- states should preserve the record of the expropriation, exploitation, and murder of the Jews who lived within their borders during the Second World War. Specifically which traces should be kept, by whom, where, and in what form, however, is far more difficult to determine. What documentation, for example, of prewar Jewish life and the annihilation process should archivists in the state’s employ collect and catalogue? Which should be held in Jewish institutions located in Europe, Israel, or the United States? What control can and should survivors and their heirs have over their legacies, over the traces of their lives? What influence should historians have in shaping archival and museum collections? Which narratives should be emphasized in the texts produced from these sources? A striking example of the challenges these questions pose is the struggle over the fate of Pierre Lévi’s suitcase.