October 2013 Newsletter (Awards)
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The Mw 6.3 Christchurch, New Zealand Earthquake of 22 February 2011
THE MW 6.3 CHRISTCHURCH, NEW ZEALAND EARTHQUAKE OF 22 FEBRUARY 2011 A FIELD REPORT BY EEFIT THE CHRISTCHURCH, NEW ZEALAND EARTHQUAKE OF 22 FEBRUARY 2011 A FIELD REPORT BY EEFIT Sean Wilkinson Matthew Free Damian Grant David Boon Sarah Paganoni Anna Mason Elizabeth Williams Stuart Fraser Jenny Haskell Earthquake Field Investigation Team Institution of Structural Engineers 47 - 58 Bastwick Street London EC1V 3PS Tel 0207235 4535 Fax 0207235 4294 Email: [email protected] June 2011 The Mw 6.2 Christchurch Earthquake of 22 February 2011 1 CONTENTS ACKNOWLEDGEMENTS 3 1. INTRODUCTION 4 2. REGIONAL TECTONIC AND GEOLOGICAL SETTING 6 3. SEISMOLOGICAL ASPECTS 12 4. NEW ZEALAND BUILDING STOCK AND DESIGN PRACTICE 25 5. PERFORMANCE OF BUILDINGS 32 6. PERFORMANCE OF LIFELINES 53 7. GEOTECHNICAL ASPECTS 62 8. DISASTER MANAGEMENT 96 9. ECONOMIC LOSSES AND INSURANCE 108 10. CONCLUSIONS 110 11. REFERENCES 112 APPENDIX A: DETAILED RESIDENTIAL DAMAGE SURVEY 117 The Mw 6.2 Christchurch Earthquake of 22 February 2011 2 ACKNOWLEDGEMENTS The authors would like to express their thanks to the many individuals and organisations that have assisted with the EEFIT mission to Christchurch and in the preparation of this report. We thank Arup for enabling Matthew Free to attend this mission and the British Geological Survey for allowing David Boon to attend. We would also like to thank the Engineering and Physical Sciences Research Council for providing funding for Sean Wilkinson, Damian Grant, Elizabeth Paganoni and Sarah Paganoni to join the team. Their continued support in enabling UK academics to witness the aftermath of earthquakes and the effects on structures and the communities they serve is gratefully acknowledged. -
File (Cera-Community-Workshops-Report
Community Workshops Report Report prepared by Academic Consulting Ltd on behalf of the Canterbury Earthquake Recovery Authority (CERA) July 2011 Contents Introduction ..........................................................................................................................................1 Community Workshop Details..............................................................................................................1 1 Community Wellbeing .....................................................................................................................2 1.1 Local community................................................................................................................................... 2 1.2 Housing................................................................................................................................................. 2 1.3 Schools/education ................................................................................................................................ 2 1.4 Inclusive communities........................................................................................................................... 2 1.5 Health.................................................................................................................................................... 2 1.6 Community facilities and processes ..................................................................................................... 3 1.7 Other aspects....................................................................................................................................... -
Cathedral Working Group Recommendation Report
CATHEDRAL WORKING GROUP RECOMMENDATION REPORT NOVEMBER 2016 Released by the Minister supporting Greater Christchurch Regeneration This document and its contents are confidential and shall not be distributed, published, copied or reproduced without the express written permission of the Minister Supporting Greater Christchurch Regeneration and the Church Property Trustees. VERSION ISSUE DATE REASON FOR ISSUE AUTHOR APPROVED FOR ISSUE 1 28.10.16 Draft for Review Bianca Hurrell, RCP Marcus Read, RCP 2 31.10.16 Draft to include Bianca Hurrell, RCP Marcus Read, RCP comments from Working Group Chair Regeneration 3 01.11.16 Edited and Proofed Anna Komink, Axiom Marcus Read, RCP Final Draft to CWG / Bianca Hurrell, RCP 4 07.11.16 Updates following Bianca Hurrell, RCP / Marcus Read, RCP / CWG meeting Anna Komink, Axiom Geoff Dangerfield, CWG Christchurch 5 21.11.16 Updates as Geoff Dangerfield, Geoff Dangerfield, provided to CWG CWG / Marcus Read, CWG / Marcus Read, for review RCP RCP 6 24.11.16 Final Draft providedGreater Geoff Dangerfield, Marcus Read, RCP / to CWG for review CWG / Marcus Read, Geoff Dangerfield, RCP CWG 7 25.11.16 Final Copy Geoff Dangerfield, Geoff Dangerfield, CWG / Marcus Read, CWG / Marcus Read, RCP RCP supporting Minister the by Released ii CONTENTS 1.0 Executive Summary 1 2.0 Recommendations 7 3.0 Introduction 9 4.0 Background and Context 12 5.0 Values and Requirements of the ChristChurch Cathedral 13 6.0 Heritage and Archaeological Review Regeneration16 7.0 Structural Review 21 8.0 Regeneration of the Square 27 9.0 Delivery -
Christchurch Writers' Trail
The Christch~rch Writers' Trail I The Christchurch c 3 mitersy&ai1 Page 1 Introduction 2 Writers Biographies Lady Barker e Canterbury Settlement, right from 1850, was notable for its exalted ideals. The @settlement's early colonists lugged ashore libraries, musical instruments, paints, Samuel Butler William Pember Reeves easels and plans for a grammar school and university. Within the first decade they Edith Grossmann started a newspaper, founded choral and orchestral societies, staged plays and Jessie Mackay started a public library. A surprising number of these pioneers were competent Arnold Wall writers. The published memoirs, letters, journals and poetry left by Charlotte Godley, Blanche Bau han Edward and Crosbie Ward, James FitzGerald, Henry Sewell, Sarah Courage, Laurence Johannes An 8ersen Kennaway, Lady Barker, Samuel Butler and other "pilgrims" established a robust Mary Ursula Bethell literary tradition in Canterbury, particularly in non-fiction and poetry. From the Alan Mulgan 1930s to the early 1950s, during Denis Glover's association with The Caxton Press, Esther Glen Oliver Duff Christchurch was indisputably the focal point of New Zealand's artistic life. The N~aioMarsh town's cultural and literary importance - about 280 writers are listed in this booklet D Arcy Cresswell in a record which is by no means definitive - continues to this day. Monte Holcroft James Courage The Canterbury Branch of the New Zealand Society of Authors has, with generous Allen Curnow assistance from The Community Trust, now laid 32 writers' plaques in various parts Essie Summers of Christchurch. It is hoped that the process begun in 1997 of thus honouring the Denis Glover literary talent of our town and province, will long continue. -
Performance of Posttensioned Seismic Retrofit of Two Stone Masonry Buildings During the Canterbury Earthquakes
Australian Earthquake Engineering Society 2013 Conference, Nov 15-17 2013, Hobart, Tasmania Performance of posttensioned seismic retrofit of two stone masonry buildings during the Canterbury earthquakes Dmytro Dizhur1, Sara Bailey2, John Trowsdale3, Michael Griffith4 and Jason M. Ingham5 1. Research Fellow, Department of Civil and Environmental Engineering, University of Auckland, Private Bag 92019, Auckland, New Zealand, [email protected] 2. Student Researcher, Department of Civil and Environmental Engineering, University of Auckland, Private Bag 92019, Auckland, New Zealand, [email protected] 3. Arts Centre Project Director, Holmes Consulting Group, P O Box 6718, Christchurch 8442, New Zealand, [email protected] 4. Professor, School of Civil, Environmental and Mining Engineering, University of Adelaide, Adelaide, Australia, [email protected] 5. Professor, Department of Civil and Environmental Engineering, University of Auckland, Private Bag 92019, Auckland, New Zealand, [email protected] Abstract Seismic retrofitting of unreinforced masonry buildings using posttensioning has been the topic of many recent experimental research projects. However, the performance of such retrofit designs in actual design level earthquakes has previously been poorly documented. In 1984 two stone masonry buildings within The Arts Centre of Christchurch received posttensioned seismic retrofits, which were subsequently subjected to design level seismic loads during the 2010/2011 Canterbury earthquake sequence. These 26 year old retrofits were part of a global scheme to strengthen and secure the historic building complex and were subject to considerable budgetary constraints. Given the limited resources available at the time of construction and the current degraded state of the steel posttension tendons, the posttensioned retrofits performed well in preventing major damage to the overall structure of the two buildings in the Canterbury earthquakes. -
Canterbury Wellbeing Index, September 2016, Section 11
Canterbury Wellbeing Index People participate in and attend the arts 2016 The Canterbury Wellbeing Index tracks the progress of social recovery in greater Christchurch following the earthquakes using indicators to identify emerging social trends and issues. Why is it important for people to be involved in the arts? People attend and participate in the arts for pleasure, creative expression, personal growth, and learning. Through participation in the arts, people are able to establish social ties and connect with their own and other cultures. When individuals gain such advantages, the wider public also benefits. For example, cultures have greater empathy and understanding towards each other and communities are more able to express and create common values and identity.1 In addition, the arts promote broad social, cultural and economic goals, such as economic growth and better academic performance. New Zealanders support the arts strongly. In a 2014 survey, carried out by Creative New Zealand, 78 per cent of respondents agreed that arts help define who we are as New Zealanders and 74 per cent agreed that the arts contribute positively to our economy. Respondents agreed that their community would be poorer without the arts (69 per cent) and supported public funding of the arts (74 per cent).2 Research in 2014 also found that 99 per cent of adults in Christchurch had been to at least one cultural event or place within the previous three years.3 This proportion is slightly higher than the national average of 98 per cent. A literature review of research evaluating arts and cultural initiatives post-earthquakes in Christchurch found a number of positive impacts on community wellbeing, including on people’s physical and mental health, community resilience, and urban identity. -
Cheryl Lucas New Pots for Old
Cheryl Lucas New Pots for Old am constantly fascinated by the ways in which artists respond to external challenges. But no-one expects encounters such as those faced by residents of the city of Christchurch in the South Island of New Zealand when it was shaken by a series of massive and destructive Iearthquakes. These centred on the outskirts of the city in September 2010, in Christchurch itself in February 2011 and the neighbouring port of Lyttelton on Banks Peninsula in June 2011. All had repercussions in the wider region, and were followed by well over 14,000 aftershocks. Since that time, Cheryl Lucas, a well-known ceramics artist working in Lyttelton, has adapted her making skills to enable the hand production of roof finials, decorative tiles, bricks and chimney pots to replace originals lost from some of the city’s heritage buildings. While Māori have inhabited Aotearoa New Zealand for at least 1000 years, European colonisation was comparatively recent, starting early in the 19th century. Nonetheless, many buildings from that time and in subsequent decades are valued for their history; this is Grace Cochrane describes the particularly relevant for Christchurch as in 1856 it was the first New Zealand settlement reconstruction of chimneys in the to be designated a city. aftermath of the New Zealand Dozens of buildings were destroyed or severely damaged during the earthquakes earthquakes and by the consequent effects of liquefaction, where water-soaked layers of sand and silt beneath the surface squirted through cracks of the ground, further destabilising it and wrecking buildings above. In 2012 it was reported that “To date, 174 of the 585 listed heritage buildings in Christchurch . -
B.167 Bulletin Christchurch Art Gallery Te Puna O Waiwhetu Autumn March
bulletin Autumn Christchurch Art Gallery March—May b.167 Te Puna o Waiwhetu 2012 EDITOR THE GALLERY IS CURRENTLY CLOSED TO THE PUBLIC. Bulletin Autumn DAVID SIMPSON HOWEVER, THE GALLERY SHOP IS OPEN AS USUAL. Christchurch Art Gallery March—May Te Puna o Waiwhetu 2012 GALLERY CONTRIBUTORS CHRISTCHURCH ART GALLERY DIRECTOR: JENNY HARPER TE PUNA O WAIWHETU CURATORIAL TEAM: KEN HALL, FELICITY MILBURN, CNR WORCESTER BOULEVARD AND MONTREAL STREET, JUSTIN PATON, PETER VANGIONI PO BOX 2626, CHRISTCHURCH 8140, NEW ZEALAND PUBLIC PROGRAMMES: LANA COLES TEL: (+64 3) 941 7300 PHOTOGRAPHER: JOHN COLLIE FAX: (+64 3) 941 7301 WWW.CHRISTCHURCHARTGALLERY.ORG.NZ OTHER CONTRIBUTORS SALLY BLUNDELL, Katie Thomas, Coralie Winn GALLERY SHOP TEL: (+64 3) 941 7370 EMAIL: [email protected], [email protected] FORM GALLERY TEL: (+64 3) 377 1211; (+64) 21 776708 WE WELCOME YOUR FEEDBACK AND SUGGESTIONS FOR FUTURE ARTICLES. EDUCATION BOOKINGS EMAIL: [email protected] FRIENDS OF CHRISTCHURCH ART GALLERY EMAIL: [email protected] CHRISTCHURCH ART GALLERY TRUST TEL: (+64 3) 353 4352 CURRENT DIRECT SPONSORS OF THE GALLERY CHARTWELL TRUST CHRISTCHURCH ART GALLERY TRUST CREATIVE NEW ZEALAND DUX DE LUX FRIENDS OF CHRISTCHURCH ART GALLERY GABRIELLE TASMAN GIESEN WINES Mitsubishi ELECTRIC NEWSTALK ZB PHILIP CARTER SKY ARTS CHANNEL SPECTRUM PRINT STRATEGY DESIGN & ADVERTISING THE PRESS THE ROYAL NETHERLANDS EMBASSY THE NZ NETHERLANDS FOUNDATION DESIGN & ADVERTISING DESIGN AND PRODUCTION ART DIRECTOR: GUY PASK EDITORIAL DESIGN: Matt Kitto, LEON -
Learning by Design: Full Text
Macmillan Brown Library Learning by Design: Full Text Introduction Learning by Design: Building Canterbury College in the city 1873-1973 An illustrated history inspired by the Armson Collins Architectural Drawings Collection The buildings that form the original town site of the University of Canterbury, once known as Canterbury College, are far more than just bricks and mortar. They are no less than the building blocks of our institution, in which we may find stories of staff and students, of education and recreation, and of service to community. Although the first site of Canterbury College is no longer formally attached to the University, the buildings continue to serve the wider community as the Arts Centre, and in the hearts of many former students and staff they still represent a place where minds and lives were forever changed. ‘Learning by Design’ is a visual history of the building of Canterbury College from its humble foundation in 1873, through the College’s evolution into a University with ivy-clad cloisters, and finally to the gifting of the town site to the people of Christchurch in 1973. The inspiration for this exhibition came from the visionary designs for many of the College buildings which may be found in the Armson Collins Architectural Drawings Collection. A project to digitize the Armson Collins Collection in 2012 has slowly illuminated a rich source of historical documents which show how much of Canterbury College was conceived and constructed. By connecting the architectural drawings to the wealth of archives, photos, and books in the University Library’s collections, this exhibition highlights how architecture, education, and community combined to create Canterbury College. -
CPIT Appendices 2009
External Programme Advisory Committees and Consultation Networks CPIT is committed to working with the Lee Retimana Clare Cosson industries, professions and communities Marketing Consultant, Muritai Marketing Hydraulics we serve. One way of achieving this is Ian Smith Dave Ritchie through Programme Advisory Committees Christchurch Manager, Arrow International Hydraulics or Consultation Networks, listed below. Each programme is supported by a group, of varying Baden Ewart Grant Davidson sizes and composition depending on the needs Director, Mitchell Notley & Associates Sir Edmund Hillary Outdoor Pursuit Centre of New Zealand of that programme. The Chair appointed by Computing Paul Chaplow the group, is usually external to the Institution. Craig Kerr Outdoors New Zealand Most groups include student or former student Business Information Solution Manager representation, as well as staff representatives Orion NZ Ltd Bill Gibson (whose names are not included). Fiordland Wilderness Experiences Greg Rossiter The members listed have given their permission Chief Information Offi cer, CIO Dynamic Control Rosco Gaudin to publish their names in the CPIT Annual Milford Sound Sea Kayaks Report. We are grateful for their support and Kerry Glynn Dave Watson appreciate their input throughout the year. Systems Software & Instrumentation Ltd Marlborough Sounds Adventure Richard Green Anthony Norris Faculty of Commerce Human Interface Technology Laboratory University of Canterbury Tamarillo Tropical Expedition Business Administration Chris Dever Rich Campbell -
Canterbury Architecture Awards Announced
Buildings with character, colour and strong sense of public purpose win Canterbury Architecture Awards Thirty-two buildings have received Canterbury Architecture Awards at an event held in Christchurch. Among the winners are new libraries and community places, forward-looking learning environments, restored pieces of important cultural heritage and several houses that reinforce Canterbury’s strong tradition for high quality residential architecture. • Information under strict embargo until: 9pm, Thursday 6 June • Download awards galleries: High res gallery or Low res gallery • Please credit photographers according to the list at the end of this release “It’s been an impressive year for buildings with important social roles to play,” said awards jury convenor Andrew Watson. “From Christchurch’s new library and the heritage Arts Centre, through smaller libraries and community buildings in Dunsandel, Leeston and Woolston, it has been inspiring to visit buildings so successfully designed around the needs of people and well-integrated into their communities.” Tūranga, Christchurch’s new central library designed by Architectus and Denmark’s Schmidt Hammer Lassen, received awards for public and interior architecture. “The building shows the potential of a library to be more than just a repository for books,” the jury said. “Its connectivity – with people, place and cuture – is exemplified by the staggered atrium and incredible staircase, which is a social space for gathering, reading and resting.” The high quality restoration of Christchurch Arts Centre’s DA and CE Buildings has won Warren and Mahoney Architects awards in the heritage and public architecture categories. “Few buildings say ‘Christchurch’ like the Gothic Revival Arts Centre,” the jury said. -
Christchurch City in New Zealand
Christchurch City in New Zealand With strong Gothic Revival architecture and prevailing M?ori culture, Christchurch is unrivaled With strong Gothic Revival architecture and prevailing M?ori culture, Christchurch is unrivaled. Snuggled between the Canterbury Plains and the Pacific, 'The Garden City' is interwoven by rivers, parks, and hills. Once rocked to its very foundations by earthquakes, Christchurch has healed its structural wounds with resilience. Whether it is punting on the Avon River or riding a gondola to the Castle Rock Reserve, there aren’t many places in the world offering such thrilling escapades. Christchurch Attractions International Antarctic Centre – Get a unique experience of Antarctica in the Snow Storm room, learn the stories of the Antarctic Explorers, get close to Little Blue Penguins, or watch an audiovisual display in the 4D theater. The visitor center, popularly called 'The Antarctic Attraction,' comprises exclusive Antarctic exhibits, a cafeteria, and a bar. A Hagglund Ride, operating from the center, takes visitors across the major attractions. Hagley Park – Largest urban open space in the city, this public park was established in 1856. Riccarton Avenue cuts park in two parts; while Hagley Golf Club is located in North Hagley Park, Hagley Oval (cricket ground) is in South Hagley Park. On a sunny day, locals engage in model yachting in the serene waters of Victoria Lake. Christchurch Botanic Gardens – Located adjacent to the loop of the Avon River near Hagley Park and sprawling over an area of 50 acres, these gardens have a large collection of exotic and endemic plants. The Herb Garden, Central Rose Garden, Heritage Rose Garden, Water Garden, and Rock Garden are the highlights here.