CHICK COREA's 70Th BIRTHDAY BLOWOUT
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Dani Felber Big Band Explosion – Glenn Gould Plays Bach (3-DVD-Box), Sony Thank You Fos Stabe Z Fehlt
Das Schweizer Jazz & Blues Magazin Nov./Dez. 6/2012 S Schweiz CHF 11.– / Deutschland € 5.90 / Österreich € 6.10 , ROOT ‚ N BLUES ‘‘ NN ''MMOORREE MICHEL Legrand HowlIN’ WolF Andreas VARADY MATTHIAS SPILLMANN OMRI ZIegele FABIAN Anderhub DAVE FEUSI & FRIends STRAYMONK LESTER MENEZES Don LI'S OrbITAL Garden MALI MUSIC IIRO RANTALA Sarah BÜCHI ANSON Funderburgh Andrew HILL URS LEImgruber ChrIS MARK SATTLER MAX FRANKL ED PARTYKA WIesendanger ORIOXY AUS DEM Innern MEHR ALS 80 CD-BESPRECHUNGEN JNM_06_2012_01_def.indd 1 26.10.12 09:41 Andreas Homoki wird nicht ruhen, das Opernhaus Zürich neuen Künstlern und neuen Besuchern zu öffnen. Qualität. Das verbindet uns mit dem Intendanten des Opernhauses Zürich. Als eine der weltweit erfolgreichsten Bühnen zeigt das Opernhaus Zürich seit Jahren Opern und Ballette auf höchstem Niveau. Andreas Homoki sichert mit Zuhören, präzisen Analysen und harmonischem Zusammenspiel des ganzen Ensembles künstlerische Spitzenleistungen, die ein breites Publikum begeistern. Unermüdliches Streben nach dem Besten und leidenschaftliches Teamwork kennzeichnen auch unsere Arbeit für alle Kunden in der Schweiz. Deshalb unterstützt UBS das Opernhaus Zürich seit 1987 als Partner. Bis Sie von der Nachhaltigkeit unseres Engagements überzeugt sind, dürfen Sie sich auf eines verlassen: Wir werden nicht ruhen www.ubs.com/sponsoring Die Verwendung von Namen oder sonstiger Bezeichnungen Dritter in dieser Werbung erfolgt mit der entsprechenden Genehmigung. © UBS 2012. Alle Rechte vorbehalten. 10157_Ad Andreas Homoki Opernhaus Bühne - Publication Jazz'n'More_2012_10_12.indd 1 10/15/2012 4:03:21 PM JNM_06_2012_02-03.indd 2 26.10.12 09:43 EDITORIAL INHALT Andreas Homoki wird nicht ruhen, das Opernhaus Zürich neuen Künstlern und neuen Besuchern zu öffnen. -
Part 2 of Selected Discography
Part 2 of Selected Discography Milt Hinton Solos Compiled by Ed Berger (1949-2017) - Librarian, journalist, music producer, photographer, historian, and former Associate Director, Institute of Jazz Studies, Rutgers University. This is a chronological list of representative solos by Hinton as a sideman in a variety of settings throughout his career. Although not definitive, Milt was such a consistent soloist that one could cite many other equally accomplished performances. In some cases, particularly from the 1930s when bass solos were relatively rare, the recordings listed contain prominent bass accompaniment. November 4, 1930, Chicago Tiny Parham “Squeeze Me” (first Hinton recording, on tuba) 78: Recorded for Victor, unissued CD: Timeless CBC1022 (Tiny Parham, 1928–1930) January–March 1933, Hollywood Eddie South “Throw a Little Salt on the Bluebird’s Tail” (vocal) “Goofus” CD: Jazz Oracle BDW8054 (Eddie South and His International Orchestra: The Cheloni Broadcast Transcriptions) May 3, 1933, Chicago Eddie South “Old Man Harlem” (vocal) 78: Victor 24324 CD: Classics 707 (Eddie South, 1923–1937) June 12, 1933, Chicago Eddie South “My, Oh My” (slap bass) 78: Victor 24343 CD: Classics 707 (Eddie South, 1923-1937) March 3, 1937 Cab Calloway “Congo” 78: Variety 593 CD: Classics 554 (Cab Calloway, 1934–1937) January 26, 1938 Cab Calloway “I Like Music” (brief solo, slap bass) 78: Vocalion 3995 CD: Classics 568 (Cab Calloway, 1937–1938) August 30, 1939 Cab Calloway “Pluckin’ the Bass” (solo feature —slap bass) 78: Vocalion 5406 CD: Classics -
Jazzpress 0612
CZERWIEC 2012 Gazeta internetowa poświęcona muzyce improwizowanej ISSN 2084-3143 KONCERTY Medeski, Martin & Wood 48. Jazz nad Odrą i 17. Muzeum Jazz Pandit Hariprasad Chaurasia Mojito w Duc de Lombards z Giladem Hekselmanem Śląski Festiwal Jazzowy Marcus Miller Jarosław Śmietana Trio na Mokotów Jazz Fest Bruce Springsteen And The E Street Band Joscho Stephan W maju Szczecin zakwitł jazzem Mazurki Artura Dutkiewicza na żywo KONKURSY Artur Dutkiewicz, fot. Krzysztof Wierzbowski i Bogdan Augustyniak SPIS TREŚCI 3 – Od Redakcji 68 – Publicystyka 4 – KONKURSY 68 Monolog ludzkich rzeczy 6 – Wydarzenia 72 – Wywiady 72 Jarosław Bothur i Arek Skolik: 8 – Płyty Wszystko ma swoje korzenie 8 RadioJAZZ.FM poleca 77 Aga Zaryan: 10 Nowości płytowe Tekst musi być o czymś 14 Recenzje 84 Nasi ludzie z Kopenhagi i Odense: Imagination Quartet Tomek Dąbrowski, Marek Kądziela, – Imagination Quartet Tomasz Licak Poetry – Johannes Mossinger Black Radio – Robert Glasper Experiment 88 – BLUESOWY ZAUŁEK Jazz w Polsce – wolność 88 – Magia juke jointów rozimprowizowana? 90 – Sean Carney w Warszawie 21 – Przewodnik koncertowy 92 – Kanon Jazzu 21 RadioJAZZ.FM i JazzPRESS polecają y Dexter Calling – Dexter Gordon 22 Letnia Jazzowa Europa Our Thing – Joe Henderson 23 Mazurki Artura Dutkiewicza na żywo The Most Important Jazz Album 26 MM&W – niegasnąca muzyczna marka Of 1964/1965 – Chet Baker 28 48. Jazz nad Odrą i 17. Muzeum Jazz Zawsze jest czas pożegnań 40 Pandit Hariprasad Chaurasia i rzecz o bansuri 100 – Sesje jazzowe 43 Mojito w Duc de Lombards 108 – Co w RadioJAZZ.FM -
Joe Alterman
Joe Alterman "When listening to Joe Alterman perform, it is obvious that he has studied the history of jazz piano. However, his own style of playing is appealing, challenging and quite satisfying." — Ramsey Lewis "Joe is a true inspiration to me. He is a part of the next generation of great jazz musicians who care and he is going to go somewhere with his music."— Les McCann "Joe has a great sense of what is most meaningful in the history and tradition of our music, and a real solid musical vision of where he wants to take it.” — Houston Person "Talk about the joy of jazz!...It's a pleasure to hear this music...You've got it!" — Nat Hentoff, from "Joe Alterman Strikes A Chord," published in the Wall Street Journal on May 1, 2013 "The new Harry Connick.” — Linda Lorence Critelli, vice president, SESAC For more information, please visit www.joealtermanmusic.com For booking inquiries or to contact Joe directly, please email [email protected] In a recent feature on Joe Alterman in the Wall Street Journal, legendary writer Nat Hentoff wrote, “'Talk about the joy of jazz!...It's a pleasure to hear this music'…You've got it!” Born and raised in Atlanta, Georgia, Alterman moved to New York in the fall of 2007 to study music at New York University, where he also earned his Master’s Degree in Music. While there, he had the opportunity to study with greats including Don Friedman, Joe Lovano and John Scofield. He has performed at venues around the world including the Blue Note Jazz Club in Milan, Blues Alley in Washington, DC, and Preservation Hall in New Orleans; he has led groups at venues in New York City including the Blue Note Jazz Club, the Iridium, the Kitano, and Dizzy’s Club Coca-Cola, among others. -
BROWNIE the Complete Emarcy Recordings of Clifford Brown Including Newly Discovered Essential Material from the Legendary Clifford Brown – Max Roach Quintet
BROWNIE The Complete Emarcy Recordings of Clifford Brown Including Newly Discovered Essential Material from the Legendary Clifford Brown – Max Roach Quintet Dan Morgenstern Grammy Award for Best Album Notes 1990 Disc 1 1. DELILAH 8:04 Clifford Brown-Max RoaCh Quintet: (V. Young) Clifford Brown (tp), Harold Land (ts), Richie 2. DARN THAT DREAM 4:02 Powell (p), George Morrow (b), Max RoaCh (De Lange - V. Heusen) (ds) 3. PARISIAN THOROUGHFARE 7:16 (B. Powell) 4. JORDU 7:43 (D. Jordan) 5. SWEET CLIFFORD 6:40 (C. Brown) 6. SWEET CLIFFORD (CLIFFORD’S FANTASY)* 1:45 1~3: Los Angeles, August 2, 1954 (C. Brown) 7. I DON’T STAND A GHOST OF A CHANCE* 3:03 4~8: Los Angeles, August 3, 1954 (Crosby - Washington - Young) 8. I DON’ T STAND A GHOST OF A CHANC E 7:19 9~12: Los Angeles, August 5, 1954 (Crosby - Washington - Young) 9. STOMPIN’ AT TH E SAVOY 6:24 (Goodman - Sampson - Razaf - Webb) 10. I GET A KICK OUT OF YOU 7:36 (C. Porter) 11. I GET A KICK OUT OF YOU* 8:29 * Previously released alternate take (C. Porter) 12. I’ LL STRING ALONG WITH YOU 4:10 (Warren - Dubin) Disc 2 1. JOY SPRING* 6:44 (C. Brown) Clifford Brown-Max RoaCh Quintet: 2. JOY SPRING 6:49 (C. Brown) Clifford Brown (tp), Harold Land (ts), Richie 3. MILDAMA* 3:33 (M. Roach) Powell (p), George Morrow (b), Max RoaCh (ds) 4. MILDAMA* 3:22 (M. Roach) Los Angeles, August 6, 1954 5. MILDAMA* 3:55 (M. Roach) 6. -
5197-Edge13 MARCH 2006
The Strokes boxing clever In this Issue: e Ministry of Sound, Singapore e Virtually Frank Sinatra e Kanye West & Chris Rea e Icebar & Living Room W1 Issue 13 March 2006 The Martin Experience www.martin-audio.com right at the cutting EDGE THE EDGE An earlier than usual edition of The Edge this spring sees us publishing our biggest-ever issue in time for the NSCA Exhibition in Las Vegas. It’s a win-win situation as this then enables us to reach visitors at the hugely influential Pro Light+Sound Frankfurt at the end of the month, with arguably the most important edition of The Edge we have yet published. Rich in coverage from North America, we are also proud to bring you some groundbreaking stories from around the world. In the hierarchy of pro audio installs little causes as much excitement as projects undertaken by Steve Dash (Integral Sound) and Austen Derek (Aurateq) — particularly to any of us old enough and fortunate enough to have experienced the original Richard Long sound system at Paradise Garage nearly 30 years ago. Therefore your first port of call should be to page 6 where the new 3,360-capacity Ministry of Sound in Singapore is awash with Martin Audio components specified by these master technicians. On the domestic front we have been kept busy covering The Strokes (with Capital Sound), Chris Rea (with RG Jones) and the new ‘Virtual’ Frank Sinatra season (with Autograph Sound) who have used our equipment as their main PA arrays at the London Palladium. Working from reclaimed archives, the show has presented a major restoration and time-coding challenge as the Sinatra voice is ‘synced’ to a live 24-piece orchestra and 35mm footage appears on nine different moving projection displays. -
Jazzpress 0213
LUTY 2013 Gazeta internetowa poświęcona muzyce improwizowanej 2084-3143 ISSN Rozmawiają z nami Artur Dutkiewicz Cezary Konrad Oles Brothers & Theo Jörgensmann Adam Bałdych Skrzypce były mi pisane Podążam za muzyczną intuicją KONKURSY Adam Bałdych, fot. Bogdan Augustyniak i Krzysztof Wierzbowski SPIS TREŚCI 3 – Od Redakcji 40 – Publicystyka 40 Felieton muzyczny Macieja Nowotnego 4 – KONKURSY O tym, dlaczego ona tańczy NIE dla mnie... 6 – Co w RadioJAZZ.FM 42 Najciekawsze z najmniejszych w 2012 6 Jazz DO IT! 44 Claude Nobs 12 – Wydarzenia legendarny twórca Montreux Jazz Festival 46 Ravi Shankar 14 – Płyty Geniusz muzyki hinduskiej 14 RadioJAZZ.FM poleca 48 Trzeci nurt – definicja i opis (część 3) 16 Nowości płytowe 50 Lektury (nie tylko) jazzowe 22 Pod naszym patronatem Reflektorem na niebie wyświetlimy napis 52 – Wywiady Tranquillo 52 Adam Baldych 24 Recenzje Skrzypce były mi pisane Walter Norris & Leszek Możdżer Podążam za muzyczną intuicją – The Last Set Live at the a – Trane 68 Cezary Konrad W muzyce chodzi o emocje, a nie technikę 26 – Przewik koncertowy 77 Co słychać u Artura Dutkiewicza? 26 RadioJAZZ.FM i JazzPRESS zapraszają 79 Oles Brothers & Theo Jörgensmann 27 Koncerty w Polsce Transgression to znak, że wspięliśmy się na 28 Nasi zagranicą nowy poziom 31 Ulf Wakenius & AMC Trio 33 Oleś Brothers & Theo Jörgensmann tour 83 – BLUESOWY ZAUŁEK Obłędny klarnet w magicznym oświetleniu 83 29 International Blues Challenge 35 Extra Ball 2, czyli Śmietana – Olejniczak 84 Magda Piskorczyk Quartet 86 T-Bone Walker 37 Yasmin Levy w Palladium 90 – Kanon Jazzu 90 Kanon w eterze Music for K – Tomasz Stańko Quintet The Trio – Oscar Peterson, Joe Pass, Niels-Henning Orsted Pedersen 95 – Sesje jazzowe 101 – Redakcja Możesz nas wesprzeć nr konta: 05 1020 1169 0000 8002 0138 6994 wpłata tytułem: Darowizna na działalność statutową Fundacji JazzPRESS, luty 2013 Od Redakcji Czas pędzi nieubłaganie i zaskakująco szybko. -
Eddie Who? - Eddie Harris Amerikansk Tenorsaxofonist, Født 20.10.1934 I Chicago, IL, D
Eddie Who? - Eddie Harris Amerikansk tenorsaxofonist, født 20.10.1934 i Chicago, IL, d. 5.11.1996 Sanger og pianist som barn i baptistkirker og spillede senere vibrafon og tenorsax. Debuterede som pianist med Gene Ammons før universitetsstudier i musik. Spillede med bl.a. Cedar Walton i 7. Army Symphony Orchestra. Fik i 1961 et stort hit og jazzens første guldplade med filmmelodien "Exodus", hvad der i de følgende år gav ham visse problemer med accept i jazzmiljøet. Udsendte 1965 The in Sound med bl.a. hans egen komposition Freedom Jazz Dance, som siden er indgået i jazzens standardrepertoire. Spillede fra 1966 elektrificeret saxofon og hybrider af sax og basun. Flirtede med rock på Eddie Harris In the UK (Atlantic 1969). Spillede 1969 på Montreux festivalen med Les McCann (Swiss Movement, Atlantic) og skrev 1969-71 musik til Bill Cosbys tv-shows. Spillede i 80'erne med bl.a. Tete Montoliu og Bo Stief (Steps Up, SteepleChase, 1981) og igen med Les McCann. Som sideman med bl.a. Jimmy Smith, Horace Silver, Horace Parlan og John Scofield (Hand Jive, Blue Note, 1993). Optrådte trods sygdom, så sent som maj 1996. Indspillede et stort antal plader for mange selskaber, fra 80'erne mest europæiske. Med udgangspunkt i bopmusikken udviklede Harris sine eksperimenter til en meget personlig stil med umiddelbart genkendelig, egenartet vokaliserende tone, fra 70'erne krydret med (ofte lange), humoristisk filosofisk/satiriske enetaler. Følte sig ofte underkendt som musiker og satiriserede over det i sin "Eddie Who". Kilde: Politikens Jazz Leksikon, 2003, red. Peter H. Larsen og Thorbjørn Sjøgren There's a guys (Chorus) You ought to know Eddie Harris .. -
PROGRAM NOTES Guided Tour
13/14 Season SEP-DEC Ted Kurland Associates Kurland Ted The New Gary Burton Quartet 70th Birthday Concert with Gary Burton Vibraphone Julian Lage Guitar Scott Colley Bass Antonio Sanchez Percussion PROGRAM There will be no intermission. Set list will be announced from stage. Sunday, October 6 at 7 PM Zellerbach Theatre The Annenberg Center's Jazz Series is funded in part by the Brownstein Jazz Fund and the Philadelphia Fund For Jazz Legacy & Innovation of The Philadelphia Foundation and Philadelphia Jazz Project: a project of the Painted Bride Art Center. Media support for the 13/14 Jazz Series provided by WRTI and City Paper. 10 | ABOUT THE ARTISTS Gary Burton (Vibraphone) Born in 1943 and raised in Indiana, Gary Burton taught himself to play the vibraphone. At the age of 17, Burton made his recording debut in Nashville with guitarists Hank Garland and Chet Atkins. Two years later, Burton left his studies at Berklee College of Music to join George Shearing and Stan Getz, with whom he worked from 1964 to 1966. As a member of Getz's quartet, Burton won Down Beat Magazine's “Talent Deserving of Wider Recognition” award in 1965. By the time he left Getz to form his own quartet in 1967, Burton had recorded three solo albums. Borrowing rhythms and sonorities from rock music, while maintaining jazz's emphasis on improvisation and harmonic complexity, Burton's first quartet attracted large audiences from both sides of the jazz-rock spectrum. Such albums as Duster and Lofty Fake Anagram established Burton and his band as progenitors of the jazz fusion phenomenon. -
2021—07 July Program Guide
The John Sinclair Foundation Presents RADIO FREE AMSTERDAM 2021 BLUES, JAZZ & REEFER—KEEPING THE MUSIC ALIVE Mondays The John Sinclair Radio Show plus Fly By Night with Steve The Fly Tuesdays The Blues Show with Bruce Pingree plus Blues From the Red Rooster Lounge with Cary Wolfson Wednesdays BluesTime International with Roger White plus Blues Edition with Leslie Keros Thursdays Face The Music with arwulf arwulf plus The Groove Yard with George Klein Fridays Ancestor Worship with John Sinclair plus Sounds of Blue with Bob Putignano Saturdays Big City Blues Cruise with Martino D’Lorenzo plus The Soul Lucille Show with Lucille DJ Sundays Jazz at Daybreak with Leslie Keros plus Jazz Lunatique with David Kunian * You can listen to a continuous flow of music on the 24/7 stream on our website just like a real radio station. My method is to use the Safari ISP, tune to RadioFreeAmsterdam.org and punch the 24/7 stream button. That’s all you have to do—the music will keep playing until the computer shuts down. Program milestones this month include Bob Putignano’s 300th episode of Sounds of Blue; Roger White’s 100th BluesTime International episode; and Bruce Pingree’s The Blues Show is headed for program No. 500 next month as well. The John Sinclair Radio Show logs Episode No. 920 this month. All of our programmers and production staff contribute their work to this important project of the John Sinclair Foundation, offered free to the public throughout the universe for the past sixteen years since the formation of Radio Free Amsterdam on January 1, 2005. -
Diciembre 2014 CULTURA BLUES. LA REVISTA ELECTRÓNICA Página | 1
Número 43 – Diciembre 2014 CULTURA BLUES. LA REVISTA ELECTRÓNICA Página | 1 Índice Directorio PORTADA Mississippi Heat: Warning Shot (1) ……………….….…….… 1 Cultura Blues. La revista electrónica Fotos: Cortesía Pierre Lacocque: Press Kit Mississippi Heat “Un concepto distinto del blues y algo más…” ÍNDICE-DIRECTORIO ……..……………………………………………..…..… 2 www.culturablues.com EDITORIAL Fin de año ¿Felices fiestas? (2) …………………………..…. 3 Año 3 Núm. 43 – diciembre de 2014 Derechos Reservados 04 – 2013 – 042911362800 – 203 BLUES A LA CARTA Registro ante INDAUTOR Pierre Lacocque - Mississippi Heat - Warning Shot (2) ………………….... 5 POR SEGURIDAD DE LOS USUARIOS Director general y editor: Al vacío (3) ……………………….……………………….…………………………………. 10 José Luis García Fernández CORTANDO RÁBANOS De tradición y nuevas rolas (4) ……… 15 Subdirector general: José Alfredo Reyes Palacios HUELLA AZUL Entrevista a los Hot Tamales (5, 6 y 7) …………… 17 SESIONES DESDE LA CABINA Programación y diseño: Blue rondo a la Brubeck (8) ………………………………………..………….……. 21 José Luis García Vázquez Aida Castillo Arroyo CULTURA BLUES de visita en… Biblioteca Benjamín Franklin Consejo Editorial: Casa de Cultura Iztaccíhuatl Mario Martínez Valdez Blues Club Ruta 61 María Luisa Méndez Flores Casa de Cultura de Azcapotzalco (2) ……………………………...………….. 23 Colaboradores en este número: DE COLECCIÓN El retorno de Cat Stevens/Yusuf Islam. Segunda parte 1. José Luis García Vázquez 120 discos de blues publicados en 2014 (2) ………………………..…..…... 28 2. José Luis García Fernández 3. José Alfredo Reyes Palacios COLABORACIÓN ESPECIAL 1 ¿Blues en español? (10) ..... 38 4. Frino 5. María Luisa Méndez Flores COLABORACIÓN ESPECIAL 2 In Memoriam (2 y 7) …........ 40 6. Fernando Monroy Estrada 7. Félix Fernando Franco Frías -Q.E.P.D.- UNA EXPERIENCIA 8. Yonathan Amador Gómez Jambalaya. -
Best of Bluescafe II
ßssentie\\e ß\ues• l(lassi~er aufCDTjJs NoterrtL Keine Jugend =~ Robert Johnson - Ein echter Draufgänger beeinträchtigung• frei verkäuflich Memphis Minnie - Die Königin des Country-Blues 18072 Die Geschichte der Resonatorgitarre u. v. m. 0 inhalt ● storys 8 Robert Johnson: Ein echter Draufgänger Seite 16 16 Memphis Minnie: Memphis Minnie: Die Königin des Country-Blues Die Königin des 24 Interview: Eric Sardinas Country-Blues 26 History: Die Resonatorgitarre ● workshops 32 Workshops zum Mitspielen: 30 Perlen aus Rainers Blueskiste ● gear 124 Crafter DG Maho Plus (Westerngitarre) 126 Martin 000-18E Retro (Westerngitarre) 128 Cuntz CWG23s Oveng Custom (Westerngitarre) 130 Alvarez AP70 & AP66SB (Westerngitarre) 132 Joe Striebel 00 12-Fret (Westerngitarre) 134 Peters Resonators Slingerland Maybell (Resonatorgitarre) 136 Andreas Seefeldt S-1008 King Bee (Westerngitarre) 138 Roland AC-40 (Verstärker) 140 Benk Cube Natural One (Verstärker) ● rubriken 3 Editorial 22 Aboanzeige 144 CD-Booklet 145 So geht’s leichter 146 Letzte Saite/Anzeigenindex/Impressum 126 130 Test: Alvarez AP70 138 Test: Roland AC-40 Seite 8 Story: Robert Johnson: Ein echter Draufgänger 4 Best of Bluescafé II inhalt ● S. 32 – 122: Workshops zum Mitspielen Big Joe Williams J. B. Lenoir Rory Gallagher She Left Me a Mule to Ride Down in Mississippi Unmilitary Two-Step Track 01 – 02 Track 23 – 25 Track 42 Seite 32 Seite 64 Seite 96 Black Ace Jim Jackson Ry Cooder I Am the Black Ace I’m Going to Kansas City Vigilante Man Track 03 – 04 Track 26 – 27 Track 43 – 46 Seite 36 Seite