Blues Society's Monthly Jams Return
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Ratner Kills Mr
Brooklyn’s Real Newspaper BrooklynPaper.com • (718) 834–9350 • Brooklyn, NY • ©2008 BROOKLYN HEIGHTS–DOWNTOWN–NORTH BROOKLYN AWP/18 pages • Vol. 31, No. 8/9 • Feb. 23/March 1, 2008 • FREE INCLUDING CARROLL GARDENS, COBBLE HILL, BOERUM HILL, DUMBO, WILLIAMSBURG AND GREENPOINT RATNER KILLS MR. BROOKLYN By Gersh Kuntzman EXCLUSIVE right now,” said Yassky (D– The Brooklyn Paper Brooklyn Heights). “Look, a lot of developers are re-evalut- Developer Bruce Ratner costs had escalated and the num- ing their numbers and feel that has pulled out of a deal with bers showed that we should residential buildings don’t City Tech that could have net not go down that road,” added work right now,” he said. him hundreds of millions of the executive, who did not wish Yassky called Ratner’s dollars and allowed him to to be identified. withdrawal “good news” for build the city’s tallest resi- Costs had indeed escalated. Brooklyn. dential tower, the so-called In 2005, CUNY agreed to pay “A residential building at Mr. Brooklyn, The Brooklyn Ratner $86 million to build the that corner was an awkward Paper has learned. 11- to 14-story classroom-dor- fit,” said Yassky. “A lot of plan- “It was a mutual decision,” mitory and also to hand over ners see that site as ideal for a said a key executive at the City the lucrative development site significant office building.” University of New York, which where City Tech’s Klitgord Forest City Ratner did not would have paid Ratner $300 Auditorium now sits. return two messages from The million to build a new dorm Then in December, CUNY Brooklyn Paper. -
Wavebid > Buyers Guide
Auction Catalog March 2021 Auction Auction Date: Sunday, Feb 28 2021 Bidding Starts: 12:00 PM EST Granny's Auction House Phone: (727) 572-1567 5175 Ulmerton Rd Email: grannysauction@gmail. Ste B com Clearwater, FL 33760 © 2021 Granny's Auction House 02/28/2021 07:36 AM Lot Title & Description Number 12" x 16" Wyland Lucite Limited Edition Orca Family Statue - Free form clear lucite form reminiscent of ice with sun softened edges 1 holding family pod of 3 Orcas/ killer whales, etched Wyland signature lower left, numbered 105/950 lower right - in house shipping available 2 6" x 4" Russian Lacquerware Box Signed and Numbered with Mythic Cavalry Scene - Black Ground, Bright Red Interior - In House Shipping Available Tiffany & Co. Makers Sterling Silver 6 1/2" plate - 16052 A, 7142, 925-1000, beautiful rimmed plate. 5.095 ozt {in house shipping 3 available} 2 Disney Figurines With Original Boxes & COA - My Little Bambi and Mothe # 14976 & Mushroom Dancer Fantasia. {in house shipping 4 available} 2 Art Glass Paperweights incl. Buccaneers Super Bowl Football - Waterford crystal Super Bowl 37 Buccaneers football #1691/2003 & 5 Murano with copper fleck (both in great condition) {in house shipping available} 6 Hard to Find Victor "His Master's Voice" Neon Sign - AAA Sign Company, Coltsville Ohio (completely working) {local pick up or buyer arranges third party shipping} 7 14K Rose Gold Ring With 11ct Smokey Topaz Cut Stone - size 6 {in house shipping available} 8 5 200-D NGC Millennium Set MS 67 PL Sacagawea Dollar Coins - Slabbed and Graded by NGC, in house shipping available Elsa de Bruycker Oil on Canvas Panting of Pink Cadillac Flying in to the distance - Surrealilst image of cadillac floating above the road 9 in bright retro style, included is folio for Elsa's Freedom For All Statue of Liberty Series - 25" x 23" canvas, framed 29" x 28" local pick up and in house shipping available 10 1887 French Gilt Bronze & Enamel Pendent Hanging Lamp - Signed Emile Jaud Et Jeanne Aubert 17 Mai 1887, electrified. -
Various Alligator Blues Mp3, Flac, Wma
Various Alligator Blues mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Blues Album: Alligator Blues Country: Greece Released: 2000 MP3 version RAR size: 1549 mb FLAC version RAR size: 1227 mb WMA version RAR size: 1344 mb Rating: 4.7 Votes: 207 Other Formats: AA MPC MP3 ADX MIDI FLAC RA Tracklist 1 –Koko Taylor, Buddy Guy Born Under A Bad Sign 6:25 2 –Fenton Robinson Killin Floor 3:38 3 –Long John Hunter I Don't Care 3:23 4 –Saffire -The Uppity Blues Women (I'll Be Your) Sweet Black Angel 4:41 5 –Michael Hill's Blues Mob She's Gone 4:30 6 –Albert Collins ...But I Was Cool! 3:10 7 –Son Seals How Could She Leave Me? 3:39 8 –Corey Harris Preaching Blues 4:37 9 –Lonnie Brooks Backbone Man 4:04 10 –Shemekia Copeland Married To The Blues 7:12 11 –Lil' Ed And The Blues Imperials Travellin' Life 3:41 12 –Little Charlie And The Nightcats Crying Won't Help You 5:21 13 –Hound Dog Taylor Sadie 6:11 14 –Carey Bell Teardrops 7:06 Companies, etc. Distributed By – A&N Records Phonographic Copyright (p) – Jazz & Τζαζ Copyright (c) – Jazz & Τζαζ Phonographic Copyright (p) – Alligator Records Copyright (c) – Alligator Records Manufactured By – NEA-Media S.A. Printed By – Μιχάλης Ορφανός Credits Compiled By – Γιώργος Χαρωνίτης, Νίκος Βοζίκης Compiled By, Liner Notes – Φώντας Τρούσας Cover – Δημήτρης Αρβανίτης Producer [Supervisor] – Bruce Iglauer Notes Free cd with Jazz & Τζαζ magazine issue No86 Producer: Jazz & Τζαζ magazine Producer [Supervisor]: Alligator Records Barcode and Other Identifiers Matrix / Runout: NEA MEDIA S.A. -
Big City Sugar
BIGBLUES CITY SUGAR MAE All photos by Shirley Mae Owens unless otherwise credited. Gotcha! Marcia Ball spots Sugar in the photo pit at The Blues On The Fox, 2008 Blues” as its theme with the King Anne Harris , fiddler and dancer, with of the Blues –BB King headlining "The Six Of Us", performing in the Circle Of Gospel at Clearwater, 2008 Otis Taylor's Black Banjo Project 2008 and opening for him was Karen Carroll, Charlie Love, Lurrie Bell, Ronnie Baker Brooks, Otis Clay Magic Slim and the Teardrops, and Billy Branch. Saturday’s “Let Little Willie Littlefield. Before BB And I Ain’t Lyin’! The Good Times Roll” kicked off began he thanked Buddy Guy, with Chick Rogers at the Koko Taylor and Lonnie Brooks ou Can’t Mess With another fabulous show with Crossroads Stage and then the for all the doors that they have Mama!” — Marie Pinetop and band—Big Eyes, Banjo Project with Otis Taylor, opened for the blues. It was a “Y Knight, IH Mississippi Steady Rollin’, Bob Stroger and Don Vappie and Guy Davis. beautiful evening and afterwards Valley Blues Festival 2008 Kenny Smith plus what a joy to Sugar, Junior & hundreds of blues BB joined Buddy at his club So many blues fests and too see Little Willie Littlefield back in fans loved dancing to Cedric Legends before taking off down much fun! At the 25th Annual town on the Louisiana stage. For Burnside and Lightnin’ Malcolm that long blues highway. Chicago Blues Festival it was big- the evening Louis Jordan’s tribute at the Jukejoint Stage. -
Jimmy D. Lane
Jimmy D. Lane Biography "Son of the Blues" At the age of 47, Jimmy D. Lane has already led quite a full life. The musicians he knows makes for an impressive resume. He has worked with Eric Clapton, Mick Jagger, Jim Keltner, Keith Richards, B.B. King, Van Morrison, Jonny Lang, Gary Moore, Double Trouble, Taj Mahal, Stephen Stilles, Jeff Healy, Jimmie Lee Robinson, Lowell Fulson, and Snooky Pryor, Kim Wilson, Pinetop Perkins, Johnny ‘Big Moose’ Walker, Johnnie Johnson, Kim Wilson, Robert Plant, Jimmy Page, Harry Hypolite, George ‘Wild Child’ Butler, David ‘HoneyBoy’ Edwards, Weepin’ Willie Robinson, Little Hatch, Nancy Bryan, Willie Kent, Henry Gray, Lazy Lester and Eomot RaSun. He has also worked with venerable blues greats such as Sam Lay, Hubert Sumlin, Carey Bell, Dave Meyers and his father, the legendary Jimmy Rogers. Born July 4th, 1965 in Chicago, he grew up in a household where he became acquainted with a veritable who's who of Chicago bluesmen. Muddy Waters, Howlin' Wolf, Willie Mabon, Little Walter and Albert King, to name a few, would all stop by the house to visit the "old man." Coming from this environment has instilled in Lane the deepest respect for elder statesmen of the blues. "I feel blessed and fortunate, to have known all those cats, and I do not take it for granted." At the age of eight, he began playing his dad's guitar, which he wasn't supposed to do. "I would break a string and put it back in the case like he wasn't going to discover it," Lane recalls. -
Was Ist Der FRH? HHTW001 FRH 001 - Was Ist Der FRH? HHTW001
FRH 001 - Was ist der FRH? HHTW001 FRH 001 - Was ist der FRH? HHTW001 Nr Titel Label MasterNr. Jahr Nr Titel Jahr CW RB USA GB BRD 03 HELLO STRANGER (BARBARA LEWIS) ATLANTIC 2148 1963 03 HELLO STRANGER (BARBARA LEWIS) 1963- 1 3 - - 05 A QUIET PLACE (GARNETT MIMMS & THE ENCHANTERS) UA 715 1964 05 A QUIET PLACE (GARNETT MIMMS & THE ENCHANTERS) 1964- 78 78 - - C 07 ON BROADWAY (DRIFTERS) ATLANTIC 2182 1963 07 ON BROADWAY (DRIFTERS) 1963- 7 9 - - D 08 STAND BY ME (N) (SPYDER TURNER) MGM 13617 1967 08 STAND BY ME (N) (SPYDER TURNER) 1967- 3 12 - - 10 HELLO (MIT JINGLE)* (PAUL WILLIAMS) CAPITOL 3205 1955 10 HELLO (MIT JINGLE)* (PAUL WILLIAMS) 1955- - - - - - 11 CRAZY CRAZY PARTY (CUES) PREP 104 1957 11 CRAZY CRAZY PARTY (CUES) 1957- - - - - L 13 TIPPETY TOP (RAYS) CHESS 1613 1956 13 TIPPETY TOP (RAYS) 1956- - - - - a 15 HEY BOY HEY GIRL (OSCAR MC LOLLIE & JEANETTE BAKER CLASS 228 1958 15 HEY BOY HEY GIRL (OSCAR MC LOLLIE & JEANETTE BAKER) 1958- - - - - y 17 WHEN I FOUND YOU (JERRY REED) CAPITOL 3429 1956 17 WHEN I FOUND YOU (JERRY REED) 1956- - - - - o 18 THREE ALLEY CATS (ROY HALL) DECCA 30060 1956 18 THREE ALLEY CATS (ROY HALL) 1956- - - - - u 20 TEENAGE QUEEN (LONNIE BARRON) SAGE 45-230 1956 20 TEENAGE QUEEN (LONNIE BARRON) 1956- - - - - t 21 SAY YEAH (SAMMY SALVO) RCA 47-7097 1958 21 SAY YEAH (SAMMY SALVO) 1958- - - - - 23 DEEP SEA BALL (CLYDE MC PHATTER) ATLANTIC 2060 1958 23 DEEP SEA BALL (CLYDE MC PHATTER) 1958- - - - - - 24 SHE LOVES TO ROCK (FLAIRS) ABC-PARAM. -
Carey Bell's Blues Harp Mp3, Flac, Wma
Carey Bell Carey Bell's Blues Harp mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Blues Album: Carey Bell's Blues Harp Country: US Style: Chicago Blues MP3 version RAR size: 1984 mb FLAC version RAR size: 1615 mb WMA version RAR size: 1679 mb Rating: 4.1 Votes: 191 Other Formats: MOD MP2 WAV AAC MP1 RA AUD Tracklist A1 I'm Ready 3:08 A2 I Got To Find Somebody 4:20 A3 I Wanna Will My Love To You 3:40 A4 Blue Monday At Kansas City Red's 4:03 A5 I'm Gonna Buy Me A Train Ticket 3:47 A6 Come On Over Here 3:09 B1 I Cry So Much 4:47 B2 Sad Dreams 4:47 B3 Everything's Up Tight 4:05 B4 You Know It Ain't Right 3:45 B5 Last Night 4:34 B6 Rocking With A Chromatic 3:21 Notes Address on label: 4243 N. Lincoln - Chicago, IL 60618 Other versions Category Artist Title (Format) Label Category Country Year Carey Bell's Blues Harp Delmark DS-622 Carey Bell DS-622 US Unknown (LP, Album, RE) Records 6 Spices, Carey Bell's Blues Harp 6S 229007 Carey Bell Delmark 6S 229007 Netherlands 2009 (LP, Album, RE, 180) Records Carey Bell's Blues Harp Delmark DE-622 Carey Bell DE-622 US 1995 (CD, Album) Records Delmark 900.201 Carey Bell Blues Harp (LP, Album) 900.201 France 1976 Records Delmark 900.201 Carey Bell Blues Harp (LP, Album) 900.201 France Unknown Records Related Music albums to Carey Bell's Blues Harp by Carey Bell Carey Bell - Harpmaster Carey Bell - Good Luck Man Carey Bell's Blues Harp Band / Magic Slim And The Teardrops / John "Big Moose" Walker - Living Chicago Blues Volume 2 Mariah Carey - Mariah Carey - The Best Of Mariah Carey Bell + Arc - Bell + Arc Mariah Carey - I Want To Know What Love Is James Cotton, Junior Wells, Carey Bell, Billy Branch - Harp Attack!. -
From King Records Month 2018
King Records Month 2018 = Unedited Tweets from Zero to 180 Aug. 3, 2018 Zero to 180 is honored to be part of this year's celebration of 75 Years of King Records in Cincinnati and will once again be tweeting fun facts and little known stories about King Records throughout King Records Month in September. Zero to 180 would like to kick off things early with a tribute to King session drummer Philip Paul (who you've heard on Freddy King's "Hideaway") that is PACKED with streaming audio links, images of 45s & LPs from around the world, auction prices, Billboard chart listings and tons of cool history culled from all the important music historians who have written about King Records: “Philip Paul: The Pulse of King” https://www.zeroto180.org/?p=32149 Aug. 22, 2018 King Records Month is just around the corner - get ready! Zero to 180 will be posting a new King history piece every 3 days during September as well as October. There will also be tweeting lots of cool King trivia on behalf of Xavier University's 'King Studios' historic preservation collaborative - a music history explosion that continues with this baseball-themed celebration of a novelty hit that dominated the year 1951: LINK to “Chew Tobacco Rag” Done R&B (by Lucky Millinder Orchestra) https://www.zeroto180.org/?p=27158 Aug. 24, 2018 King Records helped pioneer the practice of producing R&B versions of country hits and vice versa - "Chew Tobacco Rag" (1951) and "Why Don't You Haul Off and Love Me" (1949) being two examples of such 'crossover' marketing. -
At a Glance Concert Schedule
At A Glance Concert Schedule SC- Supper Club CH- Concert Hall MB- Music Box Full Venue RT- Rooftop Deck RF- Riverfront Porch PDR- Private Dining Room Sun 4/23 CH Turning Point Church Presented by NEO Church Planting network Weekly Worship Service (View Page) Sun 4/23 SC BB King Brunch With Travis "The Moonchild" Haddix (View Page) Sun 4/23 CH Bob Mould Solo Electric Show with Hüsker Dü Frontman (Tickets) Wed 4/26 SC Topic: Cleveland Starts Here: History of Western Reserve Historical Society Storytellers: Kelly Falcone-Hall & Dennis Barrie Cleveland Stories Dinner Parties (View Page) Thu 4/27 SC Motown Night with Nitebridge Enjoy the jumpin' sounds of your favorite classic hits! (View Page) Thu 4/27 CH Dan Fogelberg Night with The Don Campbell Band (Tickets) Sun 4/30 CH Turning Point Church Presented by NEO Church Planting network Weekly Worship Service (View Page) Sun 4/30 SC Beatles Brunch With The Sunrise Jones (Tickets) Sun 4/30 SC Cleveland Songwriters Showcase Raymond Arthur Flanagan, Rebekah Jean, & Austin Stambaugh (View Page) Wed 5/3 SC Topic: Plans Made, Plans Changed: CLE’s Urban Design Storyteller: Chris Ronayne Cleveland Stories Dinner Parties (View Page) Thu 5/4 SC Rebels Without Applause One of Cleveland's Longtime Favorite Cover Bands Celebrating 35 Years! (View Page) Fri 5/5 CH Martin Barre of Jethro Tull Award-Winning Legendary Guitarist (Tickets) Fri 5/5 SC Tequila! Cinco de Mayo Party with Cats on Holiday Tequila Flights, Taco Features and more! (Tickets) Sat 5/6 SC Hey Mavis Northeast Ohio’s Favorite Americana Folk -
Bob Corritore Bio
Bob Corritore Bio Bob Corritore is one of the most active and highly regarded blues harmonica players on the scene today. His style passionately carries forward the old school of playing that Corritore learned as a young man directly from many of original pioneers of Chicago Blues. His sympathetic, yet fiery harmonica playing is featured on over 25 releases to date, on labels such as HighTone, HMG, Blue Witch, Blind Pig, Earwig, Putumayo, Random Chance, and the VizzTone Label Group. Many of these acclaimed releases have been nominated for various Handy, Grammy, and Blues Music Awards. Bob is also widely recognized for his many roles in the blues, as band leader, club owner, record producer, radio show host, arts foundation founder, and occasional writer. His amazing website www.bobcorritore.com and his weekly e-newsletter reflect a life thoroughly invested in the blues. Born on September 27, 1956 in Chicago, Bob first heard Muddy Waters on the radio at age 12, an event which changed his life forever. Within a year, he was playing harmonica and collecting blues albums. He would see blues shows in his early teens, including attending a Muddy Waters performance at his high school gymnasium. He would cut his teeth sitting in with John Henry Davis on Maxwell Street until he was old enough to sneak into blues clubs. He hung around great harp players such as Big Walter Horton, Little Mack Simmons, Louis Myers, Junior Wells, Big John Wrencher, and Carey Bell, and received harmonica tips and encouragement from many of them. He would regularly see the Aces, Howlin' Wolf, Muddy Waters, Billy Boy Arnold, John Brim, Sunnyland Slim, Smokey Smothers, Eddie Taylor, and in many cases became personal friends with these blues veterans. -
Stylistic Evolution of Jazz Drummer Ed Blackwell: the Cultural Intersection of New Orleans and West Africa
STYLISTIC EVOLUTION OF JAZZ DRUMMER ED BLACKWELL: THE CULTURAL INTERSECTION OF NEW ORLEANS AND WEST AFRICA David J. Schmalenberger Research Project submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Percussion/World Music Philip Faini, Chair Russell Dean, Ph.D. David Taddie, Ph.D. Christopher Wilkinson, Ph.D. Paschal Younge, Ed.D. Division of Music Morgantown, West Virginia 2000 Keywords: Jazz, Drumset, Blackwell, New Orleans Copyright 2000 David J. Schmalenberger ABSTRACT Stylistic Evolution of Jazz Drummer Ed Blackwell: The Cultural Intersection of New Orleans and West Africa David J. Schmalenberger The two primary functions of a jazz drummer are to maintain a consistent pulse and to support the soloists within the musical group. Throughout the twentieth century, jazz drummers have found creative ways to fulfill or challenge these roles. In the case of Bebop, for example, pioneers Kenny Clarke and Max Roach forged a new drumming style in the 1940’s that was markedly more independent technically, as well as more lyrical in both time-keeping and soloing. The stylistic innovations of Clarke and Roach also helped foster a new attitude: the acceptance of drummers as thoughtful, sensitive musical artists. These developments paved the way for the next generation of jazz drummers, one that would further challenge conventional musical roles in the post-Hard Bop era. One of Max Roach’s most faithful disciples was the New Orleans-born drummer Edward Joseph “Boogie” Blackwell (1929-1992). Ed Blackwell’s playing style at the beginning of his career in the late 1940’s was predominantly influenced by Bebop and the drumming vocabulary of Max Roach. -
Samantha Fish Homemade Jamz Jarekus Singleton
Buddy GDamnUYRight... JONNYLANG Q&A SAMANTHA FISH HOMEMADE JAMZ JAREKUS SINGLETON JOHNNY WINTER MICHAEL BLOOMFIELD Reissues Reviewed NUMBER THREE www.bluesmusicmagazine.com US $5.99 Canada $7.99 UK £4.60 Australia A$15.95 COVER PHOTOGRAPHY © JOSH CHEUSE courtesy of RCA RECORDS NUMBER THREE 4 BUDDY GUY Best In Town by Robert Feuer 3 RIFFS & GROOVES From The Editor-In-Chief 8 TOM HAMBRIDGE Producing Buddy Guy 20 DELTA JOURNEYS “Catching Up” by Art Tipaldi 22 AROUND THE WORLD 10 SAMANTHA FISH “Blues Inspiration, Now And Tomorrow” Kansas City Bomber 24 Q&A with Jonny Lang by Vincent Abbate 26 BLUES ALIVE! 13 THE HOMEMADE JAMZ Lonnie Brooks 80th Birthday Bash BLUES BAND Harpin’ For Kid Ramos Benefit It’s A Family Affair 28 REVIEWS by Michael Cala New Releases Box Sets 17 JAREKUS SINGLETON Film Files Trading Hoops For The Blues 62 DOWN THE ROAD by Art Tipaldi 63 SAMPLER 3 64 IN THE NEWS TONY KUTTER © PHOTOGRAPHY PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. PRESIDENT: Jack Sullivan “As the sun goes down and the shadows fall, EDITOR-IN-CHIEF: Art Tipaldi on theWestside of Chicago, the blues has come to call.” CUSTOMER SERVICE: Kyle Morris GRAPHIC DESIGN: Andrew Miller Though the temperatures in Memphis during January’s 30th International Blues Challenge were in the 20s with wind chills cutting to below zero, the music on Beale CONTRIBUTING EDITORS David Barrett / Michael Cote / ?omas J. Cullen III Street was hotter then ever. Over 250 bands, solo/duo, and youth acts participated Bill Dahl / Hal Horowitz / Tom Hyslop in this exciting weeklong showcase of the blues in 20 Beale Street clubs.