FILMICON: Journal of Greek Film Studies ISSUE 4, December 2017

English-Language Bibliography on Greek Cinema (2015-2017)

Christina Kouppi University of Ioannina

1. ACADEMIC PUBLICATIONS BOOKS, ARTICLES & CHAPTERS Agathos, Thanassis & Papadopoulos, Yannis G.S. (2016), ‘Imperial palaces and village huts: Byzantium in Greek cinema and television’, Mediterranean Chronicle, vol. 6, pp. 243-259. Aitaki, Georgia (2015), ‘The Historicized ‘Self’ and the Hungry ‘Other’: Geopolitical Imaginations in Greek Television Comedy Oi Aparadektoi/The Unacceptables’, Filmicon: Journal of Greek Film Studies, (3). http://filmiconjournal.com/journal/article/page/40/2015/3/2 Aleksić, Tatjana (2016), ‘Sex, violence, dogs and the impossibility of escape: Why contemporary Greek film is so focused on family’, Journal of Greek Media and Culture, 2 (2), pp.155-171. Alifragkis, Stavros (2017), ‘Constructing the Urban Cinematic Landscape: Theo Angelopoulos’s Thessaloniki’, in Kazakopoulou, Tonia and Mikela Fotiou (ed.), Contemporary Greek Film Cultures from 1990 to the Present, Bern: Peter Lang. Anagnostou, Yiorgos (2017), ‘Norms, Vulnerabilities, Paradoxes: Greeks and MTV’, Journal of Modern Greek Studies, vol. 35, 1. ______(2015), ‘Within the Nation and Beyond: Mediating Diaspora Belonging in My Life in Ruins’, Filmicon: Journal of Greek Film Studies, (3). http://filmiconjournal.com/journal/article/page/39/2015/3/1 Angelidi, Antoinetta & Rea Walldén (2017), ‘The Ethics of Heterogeneity and Experimentation: Teaching Film Direction in the Film School at the Aristotle University of Thessaloniki’, in Kazakopoulou, Tonia and Mikela Fotiou (ed.), Contemporary Greek Film Cultures from 1990 to the Present, Bern: Peter Lang. Arapoglou, Eleftheria, Kalogeras Yiorgos & Nyman Jopi (eds) (2016), Racial and Ethnic Identities in the Media, London: Palgrave Macmillan.

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Arkomanis, Ektoras (2015), ‘Invented Memories: Notes on Filming Industrial Ruins in Eleonas, Athens’, Journal: Architecture and Culture, 3 (1), pp.57- 64 Basea, Erato (2017), ‘The ‘New Greek Cinema’ before the ‘Greek New Wave’: The Case of The Only Journey of his Life’, in Kazakopoulou, Tonia and Mikela Fotiou (ed.), Contemporary Greek Film Cultures from 1990 to the Present, Bern: Peter Lang. ______(2016), ‘The ‘Greek Crisis’ through the Cinematic and Photographic Lens: From ‘Weirdness’ and Decay to Social Protest and Civic Responsibility’, Visual Anthropology Review, 32 (1), pp. 61-72. http://onlinelibrary.wiley.com/doi/10.1111/var.12093/full ______(2015), ‘Zorba the Greek, Sixties exotica and a new cinema in Hollywood and Greece’, Studies in European Cinema, 12 (1), pp. 60-76. Barotsi, Rosa (2016), ‘Whose crisis? Dogtooth and the invisible middle class’, Journal of Greek Media and Culture, 2 (2), pp.173-186 Belanger, Olivier (2016), ‘The Angelopoulos: On the Road between Story and History’, Offscreen, 20 (2). http://offscreen.com/view/theo- angelopoulos-on-the-road-between-story-and-history Calotychos Vangelis, Lydia Papadimitriou & Yannis Tzioumakis (eds) (2016), Contemporary Greek Film Cultures: Weird Wave and Beyond, (Special Issue) Journal of Greek Media and Culture, 2 (2), pp. 127-132. ______(2016), ‘Revisiting contemporary Greek film cultures: Weird Wave and beyond’, Journal of Greek Media and Culture, 2 (2), pp. 127-132. ______(2016), ‘On solidarity, collaboration and independence: ATHINA RACHEL TSANGARI discusses her films and Greek cinema with Vangelis Calotychos, Lydia Papadimitriou and Yannis Tzioumakis’, Journal of Greek Media and Culture, 2 (2), pp. 127-132. Castiel, Elie (2016), ‘The Aesthetics of the Long Take in Theo Angelopoulos’s The Travelling Players’, Offscreen, 20 (2). http://offscreen.com/view/aesthetics-of-the-long-take-the-travelling- players Chairetis, Spyridon (2017), ‘Negotiating Heteronormativity in the Family Melodrama: A Case Study of Giorgos Katakouzinos’s Angelos/Angel (1982)’, (Special Issue) Filmicon: Journal of Greek Film Studies, 4, December. http://filmiconjournal.com/journal/article/page/51/2017/4/2 Chalkou, Maria (ed.) (2017), ‘Other Articles’, second part, Filmicon: Journal of Greek Film Studies, 4, December. http://filmiconjournal.com/journal/issue/4/2017 ______(2015), ‘Theo Angelopoulos as Film Critic’, in Koutsourakis A. & Steven M. (eds.), The Cinema of Theo Angelopoulos, Edinburgh: Edinburgh University Press.

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______(ed.) (2015), Filmicon: Journal of Greek Film Studies (3), http://filmiconjournal.com/journal/issue/3/2015 Chouinard, Alain (2016), ‘Historical Argument, Involuntary Memory, and the Subversion of Balkanist Discourse within Theo Angelopoulos’ Ulysses’ Gaze’, Offscreen, 20 (2). http://offscreen.com/view/balkanist- discourse-ulysses-gaze Constandinides, Costas (2016), ‘Erotic Adventures on Aphrodite’s Island: The Unofficial Cypriot Black Emanuelle Trilogy and the Film that ‘Increased the Birth Rate in Cyprus’, Cine-Excess, (2), http://www.cine- excess.co.uk/erotic-adventures-on-aphroditersquos-island-the-unofficial- cypriot-black-emanuelle-trilogy-and-the-film-that-lsquoincreased-the- birth-rate-in-cyprusrsquo.html ______(2015), ‘Postscript: Borders of Categories and Categories of Borders in Cypriot Cinemas’, in C. Constandinides & Y. Papadakis (eds.), Cypriot Cinemas: Memory, Conflict, and Identity in the Margins of Europe, New York & London: Bloomsbury, pp. 207-235. ______(2015), ‘Transnational Views from the Margins of Europe: Globalization, Migration, and Post-1974 Cypriot Cinemas’, in C. Constandinides & Y. Papadakis (eds.), Cypriot Cinemas: Memory, Conflict, and Identity in the Margins of Europe, New York & London: Bloomsbury, pp. 207-235. Constandinides, Costas & Papadakis, Yiannis (eds.) (2015), Cypriot Cinemas: Memory, Conflict, and Identity in the Margins of Europe, New York, London, New Delhi and Sydney: Bloomsbury. ______(2015), ‘Introduction: Scenarios of History, Themes, and Politics in Cypriot Cinemas’, in C. Constandinides & Y. Papadakis (eds.), Cypriot Cinemas: Memory, Conflict, and Identity in the Margins of Europe, New York & London: Bloomsbury, pp. 3-30. ______(2015), ‘Tormenting History: The Cinemas of the Cyprus Problem’, in C. Constandinides & Y. Papadakis (eds.), Cypriot Cinemas: Memory, Conflict, and Identity in the Margins of Europe, New York & London: Bloomsbury, pp. 117-150. Davis, Elizabeth Anne (2015), ‘Archive, Evidence, Memory, Dream: Documentary Films on Cyprus’, in C. Constandinides & Y. Papadakis (eds.), Cypriot Cinemas: Memory, Conflict, and Identity in the Margins of Europe, New York & London: Bloomsbury, pp. 31-60. Dermentzopoulos, Christos (2015), ‘Place, memory and tradition in contemporary Greek cinema just before the crisis’, in Dimadis Konstantinos A. (ed.), Continuities, Discontinuities, Ruptures in the Greek World (1204-2014): Economy, Society, History, Literature Vol. 5, Proceedings of 5th European Congress of Modern Greek Studies (Thessaloniki, 2-5 October 2014), Athens: European Society of Modern Greek Studies. 378

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https://www.academia.edu/9962216/Place_memory_and_tradition_in_co ntemporary_Greek_cinema_just_before_the_crisis Donald, Stephanie Hemelryk (2015), ‘Landscape in the Mist: Thinking Beyond the Perimeter Fence’, in Koutsourakis A. & Steven M. (eds.), The Cinema of Theo Angelopoulos, Edinburgh: Edinburgh University Press. Eades, Caroline (2015), ‘The Storytelling Imperative in the Films of Theo Angelopoulos’, in Koutsourakis A. & Steven M. (eds.), The Cinema of Theo Angelopoulos, Edinburgh: Edinburgh University Press. Eleftheriadou Marina, (2015), ‘Z and other cinematic tales from the 30-year Greek civil war’, Small Wars & Insurgencies, 26 (4), pp. 616-639. http://www.tandfonline.com/doi/full/10.1080/09592318.2015.105082 3 Fessas, Nikitas & Yvonne Kosma (2017), ‘The Crisis of Gender Identity in the Greek Film Noir: Sexuality, Paranoia and the Unconscious in Efialtis/Nightmare (1961) and O Ergenis /The Bachelor (1997)’, (Special Issue) Filmicon: Journal of Greek Film Studies, 4, December. http://filmiconjournal.com/journal/article/page/54/2017/4/5 Ford, Hamish (2015), ‘Generative Apogee and Elegiac Expansion: European Film Modernism from Antonioni to Angelopoulos’, in Koutsourakis A. & Steven M. (eds.), The Cinema of Theo Angelopoulos, Edinburgh: Edinburgh University Press. Fotiou, Mikela (2017), ‘Nikolaidis’s Diptych Those Who Loved a Corpse: A ‘Pasticcio of Pastiches’’, in Kazakopoulou, Tonia and Mikela Fotiou (ed.), Contemporary Greek Film Cultures from 1990 to the Present, Bern: Peter Lang. ______(2016), Contemporary Greek horror cinema: Yes! It is a ‘Thing’!, Journal of Greek Media and Culture, 2 (2), pp.217-235. Fotiou, Mikela & Nikitas Fessas (2017), ‘Greek Neo-Noir: Reflecting a Narrative of Crisis’, (Special Issue) Filmicon: Journal of Greek Film Studies, 4, December. http://filmiconjournal.com/journal/article/page/55/2017/4/6 Georgakas, Dan (2016), ‘From “Other” to “One of Us”: The Changing Image of Greek Americans in American film: 1943-1963’, The Journal of Modern Hellenism, vol 32. http://journals.sfu.ca/jmh/index.php/jmh/article/view/293/295 ______(2015), ‘Authoritarianism and National Identity in Angelopoulos’ O Megalexandros’, in Koutsourakis A. & Steven M. (eds.), The Cinema of Theo Angelopoulos, Edinburgh: Edinburgh University Press. Giallelis, Stathis (2016), ‘Before and Beyond America America’, The Journal of Modern Hellenism, vol 32. http://journals.sfu.ca/jmh/index.php/jmh/article/view/295/297 Gourgoulianni, Sofia (2015), ‘Greek European Film Co-Productions in the Three Major European Film Festivals from 2001 to 2013’, Journal of

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Arts and Humanities, 4(5). http://www.theartsjournal.org/index.php/site/article/view/709/378 Galt, Rosalind (2017), “The Animal Logic of Contemporary Greek Cinema”, The Journal of Cinema and Media, vol. 58, no. 1 & 2, Spring & Fall, pp. 7-29. https://muse.jhu.edu/article/682899 Grønstad, Asbjørn (2015), ‘‘Nothing Ever Ends’: Angelopoulos and the Image of Duration’, in Koutsourakis A. & Steven M. (eds.), The Cinema of Theo Angelopoulos, Edinburgh: Edinburgh University Press. Hamilakis, Yannis (2015), ‘Response Politicizing Modern Greek Studies’, Journal of Modern Greek Studies, 33 (1), pp. 67-72. Hobbs, Simon (2015), ‘Reconceptualising extreme art film as transnational cinema’, Transnational Cinemas, 6 (1), pp. 33-48. Horton, Andrew (2015), ‘Afterword: Angelopoulos’ Final Odyssey: The Other Sea’, in Koutsourakis A. & Steven M. (eds.), The Cinema of Theo Angelopoulos, Edinburgh: Edinburgh University Press. Jameson, Fredric (2015), ‘Angelopoulos and Collective Narrative’, in Koutsourakis A. & Steven M. (eds.), The Cinema of Theo Angelopoulos, Edinburgh: Edinburgh University Press. Jacques, Geoffrey (2016), ‘Promises, Trust, Betrayal: The Art of Elia Kazan’, The Journal of Modern Hellenism, vol 32. http://journals.sfu.ca/jmh/index.php/jmh/article/view/301/303 Kaklamanidou, Betty (2017), ‘Introduction to the Greek Sitcom: The Case of I Tris Charites/The Three Graces’, (Special Issue) Filmicon: Journal of Greek Film Studies, 4, December. http://filmiconjournal.com/journal/article/page/56/2017/4/7 ______(2016), ‘Willem Dafoe: A master Class and an Interview’, Offscreen, 20 (2), http://offscreen.com/view/willem-dafoe-a-master- class-and-an-interview Kalogeras, Yiorgos (2016), ‘Working Through and Against Convention: The Hollywood Career of A.I. Bezzerides’, The Journal of Modern Hellenism, vol 32. http://journals.sfu.ca/jmh/index.php/jmh/article/view/297/299 Kamboureli, Smaro (2015), ‘Memory Under Siege: Archive Fever in Ulysses’ Gaze’, in Koutsourakis A. & Steven M. (eds.), The Cinema of Theo Angelopoulos, Edinburgh: Edinburgh University Press. Kamenou, Nayia (2015), ‘Women and Gender in Cypriot Films: (Re)claiming Agency amidst the Discourses of its Negation’, in C. Constandinides & Y. Papadakis (eds.), Cypriot Cinemas: Memory, Conflict, and Identity in the Margins of Europe, New York & London: Bloomsbury, pp. 181-206. Kapsaskis, Dionysios (2017), Translation as a critical tool in film analysis: Watching Yorgos Lanthimos’ Dogtooth through a translational prism, Translation Studies, 10 (3), pp. 247-262 http://www.tandfonline.com/doi/full/10.1080/14781700.2017.127998 3 380

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Karalis, Vrasidas (2017), Realism in Greek Cinema: From the Post-War Period to the Present, London & New York: I. B. Tauris & Co. Ltd. ______(2016), ‘John Cassavetes and the Uneasy Conformism of the American Middle Class’, The Journal of Modern Hellenism, vol 32. http://journals.sfu.ca/jmh/index.php/jmh/article/view/300/302 ______(2015), ‘Demystification in the Early Films of Theo Angelopoulos’, in Koutsourakis A. & Steven M. (eds.), The Cinema of Theo Angelopoulos, Edinburgh: Edinburgh University Press. ______(2015), ‘Traumatised Masculinity and Male Stardom in Greek Cinema’, in Bandhauer A. and Royer M. (eds.), Stars in World Cinema: Screen Icons and Star Systems Across Cultures, London and New York: I. B. Tauris. https://www.academia.edu/16970021/Traumatised_Masculinity_and_M ale_Stardom_in_Greek_CInema_FRom_STars_in_World_Cinema_edited_by A_Bandhauer_and_Micheele_Royer_I.B._Tauris_2015 Karkani, Ina (2016), Aesthetics of recession: Urban space and identity in Attenberg and Beautiful Youth, Journal of Greek Media and Culture, 2 (2), pp. 201-216. Kassaveti, Ursula-Helen (2017), ‘From Glory to Decline and Back Again: Notes on the Greek Popular Film and Direct-to-Video Musicals of the 1980s’, (Special Issue) Filmicon: Journal of Greek Film Studies, 4, December. http://filmiconjournal.com/journal/article/page/53/2017/4/4 ______(2016), ‘Audio-Visual Consumption in the Greek VHS Era: Social Mobility, Privatization and the VCR Audiences in the 1980s’, in Kostis Kornetis, Eirini Kotsovili & Nikolaos Papadogiannis (eds), Consumption and Gender in Southern Europe since the Long 1960s, London & Oxford: Bloomsbury Publishing. Katsan, Gerasimus (2016), ‘The Hollywood Films of Irene Papas’, The Journal of Modern Hellenism, vol 32. http://journals.sfu.ca/jmh/index.php/jmh/article/view/294/296 Kazakopoulou, Tonia (2017), ‘In the Name of the Father: Rituals of Gender and Democracy in Olga Malea’s First Time Godfather’, in Kazakopoulou, Tonia and Mikela Fotiou (ed.), Contemporary Greek Film Cultures from 1990 to the Present, Bern: Peter Lang. ______(2016), The mother accomplice: Questions of representation in Dogtooth and Miss Violence, Journal of Greek Media and Culture, 2 (2), pp.187-200 ______(2015), ‘Marjoram (2013) by Olga Malea: In Need of a Special Ingredient’, Filmicon: Journal of Greek Film Studies, (3). http://filmiconjournal.com/journal/article/page/45/2015/3/7

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______(2015), ‘Women screenwriters in Greece’, in J. Nelmes & J. Selbo (eds.), Women Screenwriters: An International Guide, London & New York: Palgrave Macmillan. Kazakopoulou, Tonia and Mikela Fotiou (eds) (2017), Contemporary Greek Film Cultures from 1990 to the Present, Bern: Peter Lang. Komninos, Maria & Lambrou Yannis (2015), ‘Textuality, Language, and the Family in the Era of Post-modernity: The Case of Greek “Weird Wave” Cinema’, The Pleasures of the Spectacle: The London Film and Media Reader 3, http://repositorio.ul.pt/bitstream/10451/20278/1/ICS_TDmartinho_Ast ute.pdf Kompatsiaris, Panos (2017), Whitewashing the nation: racist jokes and the construction of the African ‘other’ in Greek popular cinema, Social Identities, 23 (3), pp.360-375. Konstantinakou, Panayiota (2017), ‘Early 20th Century Greek Tableaux Vivants: Staging the Nation’, Filmicon: Journal of Greek Film Studies, 4, December. http://filmiconjournal.com/journal/article/page/59/2017/4/10 Kosmidou, Eleftheria Rania (2017), ‘Theo Angelopoulos's O Thiasos/The Travelling Players (1975) and Oi Kynigoi/The Hunters (1977) and How They Affect the Brechtian Project’, Journal of Modern Greek Studies, vol. 35, 2. Kouppi, Christina (2017), ‘English-Language Bibliography on Greek Cinema (2015-2017)’, Filmicon: Journal of Greek Film Studies, 4, December. http://filmiconjournal.com/journal/article/page/73/2017/4/24 Kourelou, Olga (2016), ‘A different kind of blonde: Melina Mercouri in Stella (Michael Cacoyannis, 1955)’, Celebrity Studies, 7 (1), pp.58-68. http://www.tandfonline.com/doi/full/10.1080/19392397.2016.110489 4 Koutsourakis, Angelos (2016), ‘The Dialectics of Cruelty: Rethinking Artaudian Cinema’, Cinema Journal, 55 (3), pp. 65-89. http://muse.jhu.edu/article/619510 ______(2015), ‘The Gestus of Showing: Brecht, Tableau, and Early Cinema in Angelopoulos’ Political Period (1970-80)’, in Koutsourakis A. & Steven M. (eds.), The Cinema of Theo Angelopoulos, Edinburgh: Edinburgh University Press. Koutsourakis, Angelos & Steven, Mark (eds) (2015), The Cinema of Theo Angelopoulos, Edinburgh: Edinburgh University Press. ______(2015), ‘Introduction: Angelopoulos and the Lingua Franca of Modernism’, in Koutsourakis A. & Steven M. (eds.), The Cinema of Theo Angelopoulos, Edinburgh: Edinburgh University Press. Kroustallis, Vassilis (2015), ‘Brother Anna (1963): A Jewish woman is a very queer woman’, Journal of Greek Media & Culture, 1(1), pp. 79-91. 382

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http://www.ingentaconnect.com/content/intellect/jgmc/2015/0000000 1/00000001/art00006 Lagos, Taso G. (2017), ‘White Ethnicity’ and the Challenge of Independent Greek Films to Greek Stereotypes in the Global Imaginary’, in Kazakopoulou, Tonia and Mikela Fotiou (ed.), Contemporary Greek Film Cultures from 1990 to the Present, Bern: Peter Lang. ______(2016), ‘Forgotten Movie Theater Pioneer: Alexander Pantages and Immigrant Hollywood’, The Journal of Modern Hellenism, vol 32. http://journals.sfu.ca/jmh/index.php/jmh/article/view/299/301 Lykidis, Alex (2015), ‘Travel in Greek Cinema of the 1990s’, Journal of Modern Greek Studies, Vol. 33 (2), pp. 345-364. ______(2015), ‘Crisis of sovereignty in recent Greek cinema’, Journal of Greek Media & Culture, 1 (1), pp. 9-27. http://www.ingentaconnect.com/content/intellect/jgmc/2015/0000000 1/00000001/art00002 Mademli, Geli (2016), ‘From the Crisis of Cinema to the Cinema of Crisis: A “Weird” Lapel for Contemporary Greek Cinema’, Frames Cinema Journal, Issue 9, http://framescinemajournal.com/article/from-the-crisis- of-cinema-to-the-cinema-of-crisis-a-weird-label-for-contemporary-greek- cinema/ ______(2015), ‘Norway (2014) by Yannis Veslemes’, Filmicon: Journal of Greek Film Studies, (3). http://filmiconjournal.com/journal/article/page/44/2015/3/6 Meurer, Ulrich & Maria Oikonomou (2017), ‘Short Voyages to the Land of Gregarious Animals: On Political Aesthesia in Sto Lyko and Sweetgrass’, in Kazakopoulou, Tonia and Mikela Fotiou (ed.), Contemporary Greek Film Cultures from 1990 to the Present, Bern: Peter Lang. Mini, Panayiota (2016), The historical panorama in post-1974 Greek cinema: The Travelling Players, Stone Years, Crystal Nights, The Weeping Meadow, Journal of Greek Media and Culture, 2 (2), pp. 133-153. ______(2016), ‘A Red Handkerchief made with Soviet threads: Kazantzakis’s (and Istrati’s) screenplay on the Greek Revolution of 1821’, Journal of Greek Media & Culture, 2 (1) pp. 49-65. http://www.ingentaconnect.com/contentone/intellect/jgmc/2016/0000 0002/00000001/art00003 Murphet, Julian (2015), ‘Cinematography of the Group: Angelopoulos and the Collective Subject of Cinema’, in Koutsourakis A. & Steven M. (eds.), The Cinema of Theo Angelopoulos, Edinburgh: Edinburgh University Press. Nikolaidou, Afroditi (2017), ‘Marketing Communications in the Greek Film Industry: Rethinking Contemporary Greek Cinema’, in Kazakopoulou, Tonia and Mikela Fotiou (ed.), Contemporary Greek Film Cultures from 1990 to the Present, Bern: Peter Lang.

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______(2015), ‘Cinematic Athens 1993-2013: From the city in transition to the city in crisis’, in Brenas Alain & Toufic El-Khoury (eds.), La Ville méditerranéenne au cinéma, Paris: Orizons. Nikolaidou, Afroditi & Poupou, Anna (2017), ‘Post-weird notes on the New Wave of Greek Cinema’, in Non-catalog, Thessaloniki: Thessaloniki International Film Festival, pp. 88-107. Nikolaidou, Afroditi, Anna Poupou & Maria Chalkou (eds) (2017), Old Games, New Rules: Rethinking Genre in Greek Cinema from the 1970s to the present, (Special Issue) Filmicon: Journal of Greek Film Studies, 4, December. http://filmiconjournal.com/journal/issue/4/2017 ______(2017), ‘Editorial Note’, (Special Issue) Filmicon: Journal of Greek Film Studies, 4, December. http://filmiconjournal.com/journal/article/page/74/2017/4/1 Nobus, Dany & Pouli, Nektaria (2015), ‘Syncope and Fractal Liminality: Theo Angelopoulos’ Voyage to Cythera and the Question of Borders’, in Koutsourakis A. & Steven M. (eds.), The Cinema of Theo Angelopoulos, Edinburgh: Edinburgh University Press. Oshima, Nagisa (2015), ‘Two Short Essays on Angelopoulos’ Early Films’, in Koutsourakis A. & Steven M. (eds.), The Cinema of Theo Angelopoulos, Edinburgh: Edinburgh University Press. Papadimitriou, Lydia (2017), ‘Transitions in the Periphery: Funding Film Production in Greece Since the Financial Crisis’, International Journal on Media Management, 19:2. https://www.academia.edu/33092497/Transitions_in_the_Periphery_Fu nding_Film_Production_in_Greece_since_the_Financial_Crisis ______(2017), ‘Cinema at the Edges of the European Union: New Dynamics in the South and the East’, in Rob Stone, Paul Cooke, Stephanie Dennison & Alex Marlow-Mann (eds), The Routledge Companion to World Cinema. Routledge. ______(2016), ‘The hindered drive toward internationalization: Thessaloniki (International) Film Festival’, New Review of Film and Television Studies, 14 (1), pp. 93-111. https://www.academia.edu/20195408/The_Hindered_Drive_toward_Inte rnationalisation_Thessaloniki_International_Film_Festival ______(2016), ‘Politics and Independence: Documentary in Greece during the Crisis’, in Y. Tzioumakis and C. Molloy (eds.), The Routledge Companion to Cinema and Politics, London: Routledge. https://www.academia.edu/27091543/Politics_and_Independence_Docu mentary_in_Greece_during_the_Crisis ______(2016), ‘Having its Cake and Eating it Too: Contemporary American 'Indie' Cinema and 'My Big Fat Greek Wedding' Reframed’, in Linda Badley, Claire Perkins, Michelle Schreiber (eds), Indie Reframed: Women's Filmmaking and Contemporary American Independent Cinema, 384

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Edinburgh: Edinburgh University Press. https://www.academia.edu/29622105/Having_its_Cake_and_Eating_it_T oo_Contemporary_American_Indie_Cinema_and_My_Big_Fat_Greek_Weddi ng_Reframed ______(2015), ‘In the Shadow of the Studios, the State and the Multiplexes: Independent Filmmaking in Greece’, in Mary Erickson and Doris Baltruschat (eds.), The Meaning of Independence: Independent Filmmaking around the Globe, Toronto: University of Toronto Press. https://www.academia.edu/1901354/In_the_Shadow_of_the_Studios_the _State_and_the_Multiplexes_Independent_Filmmaking_in_Greece ______(2015), ‘Greek media and culture at a new juncture’, Journal of Greek Media & Culture, 1(1), pp. 3-7. http://www.ingentaconnect.com/content/intellect/jgmc/2015/0000000 1/00000001/art00001 ______(2015), ‘The power of the local: Greek documentaries in the 2000s’, in L. Giukin, D. Desser, & J. Falkowska (eds.), Small Cinemas in Global Markets: Genres, Identities, Narratives, London: Lexington Books, pp. 31-47. https://www.academia.edu/7212223/The_Power_of_the_Local_Greek_Do cumentaries_in_the_2000s ______(2015), ‘Heroines of the 1821 Revolution in Greek Cinema: Bouboulina (1959) and Manto Mavrogenous (1971)’, in Marian Tutui (ed.), Balkan Heroes and Anti-Heroes (Divan Film Festival, 2014. https://www.academia.edu/14833472/Heroines_of_the_1821_Revolutio n_in_Greek_Cinema_Bouboulina_1959_and_Manto_Mavrogenous_1971_ Papadimitriou, Lydia & Jefrey Ruof (eds) (2016), Special Issue on Film Festivals: Origins and Trajectories, New Review of Film and Television Studies, 14:1. ______(2016), ‘Editorial: Film Festivals: Origins and Trajectories’, New Review of Film and Television Studies, 14:1. https://www.academia.edu/20195315/Editorial_Film_Festivals_Origins_ and_Trajectories Papadimitriou, Lydia & Tzioumakis, Yannis (2015), ‘My Big Fat Life in Ruins: Marketing ‘Greekness’ and the Contemporary US Independent Film’, in N. Mingant, C. Tirtaine and J. Augros (eds.), Film Marketing in a Global Era, London: BFI. Petsa, Vasiliki (2017), ‘Junctions, Dead-ends and Uncertain Trajectories: Mapping Out the Greek Road Movie’, (Special Issue) Filmicon: Journal of Greek Film Studies, 4, December. http://filmiconjournal.com/journal/article/page/52/2017/4/3 Phillis, Philip (2017), ‘The Albanian in the Room: Revisiting Greek Hospitality in From the Snow and Plato’s Academy’, in Kazakopoulou,

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Tonia and Mikela Fotiou (ed.), Contemporary Greek Film Cultures from 1990 to the Present, Bern: Peter Lang. Poulakis, Nick (2017), ‘A Touch of Spice: Postmodern Identities and the Construction of the Other through Film Music’, in Kazakopoulou, Tonia and Mikela Fotiou (ed.), Contemporary Greek Film Cultures from 1990 to the Present, Bern: Peter Lang. Poupou, Anna (2017), ‘Modern Space and Narration in the Greek Films of the Interwar Period’, Filmicon: Journal of Greek Film Studies, 4, December. http://filmiconjournal.com/journal/article/page/60/2017/4/11 Poupou, Anna & Aitaki Georgia (eds) (2017), ‘Book Reviews”, second part, Filmicon: Journal of Greek Film Studies, 4, December. http://filmiconjournal.com/journal/issue/4/2017 Psaras Marios (2017), ‘No Country for Old Faggots: Exploring Queer Utopias in Panos Koutras’s Strella’, in Kazakopoulou, Tonia and Mikela Fotiou (ed.), Contemporary Greek Film Cultures from 1990 to the Present, Bern: Peter Lang. ______(2016), The Queer Greek Weird Wave: Ethics, Politics and the Crisis of Meaning, London: Palgrave Macmillan. ______(2015), ‘Miss Violence by Alexandros Avranas’, Filmicon: Journal of Greek Film Studies, (3). http://filmiconjournal.com/journal/article/page/43/2015/3/5 Raw, Laurence (2015), ‘Cyprus Past, Present, and Future: The Derviş Zaim Trilogy’, in C. Constandinides & Y. Papadakis (eds.), Cypriot Cinemas: Memory, Conflict, and Identity in the Margins of Europe, New York & London: Bloomsbury, pp. 91-116. Rollet, Sylvie (2015), ‘An ‘Untimely’ History’, in Koutsourakis A. & Steven M. (eds.), The Cinema of Theo Angelopoulos, Edinburgh: Edinburgh University Press. Rushton, Richard (2015), ‘Angelopoulos and the Time-Image’, in Koutsourakis A. & Steven M. (eds.), The Cinema of Theo Angelopoulos, Edinburgh: Edinburgh University Press. Saltz, Barbara (2016), ‘The Greek American Image in American Film: Creation of a Filmography’, The Journal of Modern Hellenism, vol 32. http://journals.sfu.ca/jmh/index.php/jmh/article/view/292/294 Stavrou, Christos (2016), ‘Francofemme Duality (Luce Irigaray – Hélène Cixous) the Many Faces of Womanhood in Pantelis Voulgaris’ Brides’, Journal of Arts & Humanities, 5 (2), pp. 12-19, http://www.theartsjournal.org/index.php/site/article/view/898/446 Sinnerbrink, Robert (2015), ‘Angelopoulos’s Gaze: Modernism, History, Cinematic Ethics’, in Koutsourakis A. & Steven M. (eds.), The Cinema of Theo Angelopoulos, Edinburgh: Edinburgh University Press. Skopeteas, Ioannis (2015), ‘Statistics and Cultural Context in Theo Angelopoulos’s Camerawork: The Case of the Film Eternity and a 386

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Day’, Filmicon: Journal of Greek Film Studies, (3). http://filmiconjournal.com/journal/article/page/42/2015/3/4 Socrates, Lisa (2015), Time and Space in Contemporary Greek-Cypriot Cinema, Oxford: Peter Lang. Stamou, Anastasia G. & Christou, Stavros (2017), ‘Sociolinguistic representations of the military in Greek comedy films’, Pragmatics and Society, 8 (1), pp.1-25. Stamou, Anastasia G. & Saltidou, Theodora P. (2015), ‘"Right you are (if you think so)": The sociolinguistic construction of youth identity in a Greek family sitcom’, Journal of Greek Media & Culture, 1(1), pp. 93-112. http://www.ingentaconnect.com/content/intellect/jgmc/2015/0000000 1/00000001/art00007 Stathi, Irini (2015), ‘Inter-semiotic Translation and Transfer Theory in Cinematic/Audiovisual Adaptations of Greek Drama’, in P. Trifonas (ed.), International Handbook of Semiotics, Dordrecht: Springer, pp. 321- 338. Steven, Mark (2015), ‘Tracks in the Eurozone: Late Style meets Late Capitalism’, in Koutsourakis A. & Steven M. (eds.), The Cinema of Theo Angelopoulos, Edinburgh: Edinburgh University Press. Stubbs, Jonathan (2015), ‘Did you ever notice this in the Mediterranean? Colonial Cyprus in the post-war British documentary’, Historical Journal of Film, Radio and Television, 35 (2), pp.240-256 http://www.tandfonline.com/doi/full/10.1080/01439685.2015.102756 1 Stylianou-Lambert, Theopisti & Philippou, Nicos (2015), ‘Aesthetics, Narratives and Politics in Greek Cypriot Films: 1960-1974’, in C. Constandinides & Y. Papadakis (eds.), Cypriot Cinemas: Memory, Conflict, and Identity in the Margins of Europe, New York & London: Bloomsbury, pp. 61-90. Symeou, Pavlos C., Bantimaroudis, Philemon, & Zyglidopoulos, Stelios C. (2015), ‘Cultural Agenda Setting and the Role of Critics: An Empirical Examination in the Market for Art-House Films’, Communication Research, 42(5), pp. 732-754. Thanouli, Eleftheria (2015), ‘A Nazi hero in Greek cinema: History and parapraxis in Kostas Manousakis’s Prodosia’, Journal of Greek Media & Culture, 1(1), pp. 63-77. http://www.ingentaconnect.com/content/intellect/jgmc/2015/0000000 1/00000001/art00005 Thomopoulos, Elaine (2016), ‘And the Winner is Olympia Dukakis’, The Journal of Modern Hellenism, vol 32. http://journals.sfu.ca/jmh/index.php/jmh/article/view/296/298 Totaro, Donato (2016), ‘The Suspended Step of the Stork: Theo Angelopoulos among the Greats’, Offscreen, 20 (2).

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Totaro, Donato & Hanley, David (eds.) (2016), ‘Theo Angelopoulos: The Praxis of History as Style’, Offscreen, 20 (2), http://offscreen.com/issues/view/volume-20-issue-2 Tsaliki, Liza & Chronaki, Despina (2015), ‘Rethinking the pornography debate in Greece: a country-specific reading of an ‘old’ argument’, Continuum, 29 (6), pp.811-820. http://www.tandfonline.com/doi/full/10.1080/10304312.2015.107368 7 Tyrer, Ben (2017), ‘This Tongue Is Not my Own: Dogtooth, Phobia and the Paternal Metaphor’, in Kazakopoulou, Tonia and Mikela Fotiou (ed.), Contemporary Greek Film Cultures from 1990 to the Present, Bern: Peter Lang. Tzioumakis, Yannis (2017), What Makes a Film Greek: Inward Investment, Outward Aspirations, and the Case of Jules Dassin’s Pote tin Kyriaki (Never on Sunday, 1960), Film History: An International Journal, 29 (2), pp. 1-31. Van Steen, Gonda (2015), The Stage of Emergency: Theatre and Public Performance under the Greek Military Dictatorship of 1967-1974, Oxford: Oxford University Press. Vasileiou Petrina (2015), ‘English-Language Bibliography on Greek Cinema (2014-2015)’, Filmicon: Journal of Greek Film Studies, (3). http://filmiconjournal.com/journal/article/page/50/2015/3/12 Vassiliou, Konstantinos (2015), ‘Vitalization and spectacle in Thanassis Rentzis’s Bio-Graphia and Corpus’, Journal of Greek Media & Culture, 1(1), pp. 127-141. http://www.ingentaconnect.com/content/intellect/jgmc/2015/0000000 1/00000001/art00009 Villanueva Baselga Sergio (2016), ‘The Spanish Civil War and the construction of Neorealist Greek cinema: An introductory study of Nikos Koundouros’ To Potami’, Catalan Journal of Communication & Cultural Studies, 8 (1), pp. 167-174. http://www.ingentaconnect.com/contentone/intellect/cjcs/2016/00000 008/00000001/art00012 Voela, Angie (2017), ‘Family, Gender and the Emotional Economy in Tsemberopoulos’s The Enemy Within’, in Kazakopoulou, Tonia and Mikela Fotiou (ed.), Contemporary Greek Film Cultures from 1990 to the Present, Bern: Peter Lang. Walldén, Rea (2017), ‘The Spatio-Temporality of the Avant-Gardes: Feminist Avant-Garde U-Topoi in Greek Cinema from Transition to Crisis’, in Kazakopoulou, Tonia and Mikela Fotiou (ed.), Contemporary Greek Film Cultures from 1990 to the Present, Bern: Peter Lang. ______(2017), ‘Conversing with Dreams: An Encounter with Antoinetta Angelidi’, (Special Issue) Filmicon: Journal of Greek Film Studies, 4, 388

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December. http://filmiconjournal.com/journal/article/page/58/2017/4/9 Wills, David (2016), ‘The Greek Crisis at the movies: Jason Bourne’, Journal of Greek Media and Culture, 3 (1). Yiannias, Vicki James (2016), ‘Creating Images for Hollywood Classics’, The Journal of Modern Hellenism, vol 32. http://journals.sfu.ca/jmh/index.php/jmh/article/view/298/300 Zestanakis, Panagiotis (2015), ‘The 'Curvy Years' and Their Aftermath: Film, Media and Representations of Femininity in 1980s and 1990s Greece', Film, Fashion & Consumption, 4:1, pp. 25-42.

BOOK REVIEWS Chalkou, Maria (2016), I epinoisi tou topou:Nostalgia kai mnimi stin politiki kouzina (The invention of place: nostalgia and memory in the film A Touch of Spice by Christos Dermentzopoulos (2015), Journal of Greek Media and Culture, 2 (2), pp.255-261 ______(2015), ‘Cypriot Cinemas: Memory, Conflict, and Identity in the Margins of Europe edited by Costas Constandinides and Yiannis Papadakis (2015)’, Filmicon: Journal of Greek Film Studies, (3). http://filmiconjournal.com/journal/article/page/48/2015/3/10 Chairetis, Spyridon (2017), ‘The Queer Greek Weird Wave: Ethics, Politics and the Crisis of Meaning by Marios Psaras’, Filmicon: Journal of Greek Film Studies, 4, December. http://filmiconjournal.com/journal/article/page/65/2017/4/16 Fessas, Nikitas (2015), ‘Masculinity and gender in Greek cinema: 1946–1967 by Achilleas Hadjikyriacou’, Historical Journal of Film, Radio and Television, 35 (1), pp. 200-202. Homer, Sean (2017), ‘The Cinema of Theo Angelopoulos, Angelos Koutsourakis and Mark Steven (eds) (2015)’, Journal of Greek Media and Culture, 3 (2). Karalis, Vrasidas (2017), ‘Contemporary Greek Film Cultures from 1990 to the Present edited by Tonia Kazakopoulou & Mikela Fotiou’, Filmicon: Journal of Greek Film Studies, 4, December. http://filmiconjournal.com/journal/article/page/66/2017/4/17 Kerkinos, Dimitris (2015), ‘Coming Soon to a Festival Near You: Programming Film Festivals edited by Jeffrey Ruoff (2012)’, Filmicon: Journal of Greek Film Studies, (3). http://filmiconjournal.com/journal/article/page/46/2015/3/8 Kolovou Ioulia (2017), ‘Koupia Kai Ftera: O Mythos Tis Odysseias Sti Logotehnia Kai Ston Kinimatografo Tou Modernismou (Wings and Oars: The Myth of the Odyssey in Modernist Literature and Film), Maria Oikonomou (2016)’, Journal of Greek Media and Culture, 3 (2).

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Kosmidou, Eleftheria-Rania (2015), ‘The Invention of Place: Nostalgia and Memory in the Film A Touch of Spice by Christos Dermentzopoulos (2015)’, Filmicon: Journal of Greek Film Studies, (3). http://filmiconjournal.com/journal/article/page/47/2015/3/9 Nikolaidou, Afroditi (2017), ‘The Stage of Emergency: Theatre and Public Performance under the Greek Military Dictatorship of 1967-1974 by Gonda Van Steen’, Filmicon: Journal of Greek Film Studies, 4, December. http://filmiconjournal.com/journal/article/page/64/2017/4/15 Nikolić, Sandra (2017), ‘Time and Space in Contemporary Greek-Cypriot Cinema by Lisa Socrates’, Filmicon: Journal of Greek Film Studies, 4, December. http://filmiconjournal.com/journal/article/page/70/2017/4/21 Oikonomou, Maria & Niklas Danninger (2017), ‘Camera Graeca: Photographs, Narratives, Materialities edited by Philip Carabott, Yannis Hamilakis & Eleni Papargyriou’, Filmicon: Journal of Greek Film Studies, 4, December. http://filmiconjournal.com/journal/article/page/68/2017/4/19 Poupou, Anna (2017), ‘The Mediterranean City in Cinema edited by Alain Brenas & Toufic El-Khoury’, Filmicon: Journal of Greek Film Studies, 4, December. http://filmiconjournal.com/journal/article/page/69/2017/4/20 Szegedy-Maszak, Andrew (2017), ‘Camera Graeca: Photographs, Narratives, Materialities ed. by Philip Carabott, Yannis Hamilakis, and Eleni Papargyriou’, Journal of Modern Greek Studies, vol. 35, 1. Vasileiou, Petrina & Georgia Aitaki (2017), ‘Contemporary Greek Film Cultures: Weird Wave and Beyond edited by Vangelis Calotychos, Lydia Papadimitriou & Yannis Tzioumakis’, Filmicon: Journal of Greek Film Studies, 4, December. http://filmiconjournal.com/journal/article/page/63/2017/4/14 Vassiliou, Thanassis (2017), ‘The Cinema of Theo Angelopoulos edited by Angelos Koutsourakis & Mark Stevens’, Filmicon: Journal of Greek Film Studies, 4, December. http://filmiconjournal.com/journal/article/page/62/2017/4/13 Zestanakis, Panagiotis (2017), ‘Greek Video Movies (1985-1990): Generic, Social and Cultural Dimensions by Orsalia Eleni Kassaveti’, Filmicon: Journal of Greek Film Studies, 4, December. http://filmiconjournal.com/journal/article/page/67/2017/4/18

2. POPULAR WRITING & ACADEMIC BLOGGING Aitaki, Georgia (2016), ‘‘Curious and open to see new things’: A report from the 39th Goteborg International Film Festival’, Filmicon: Journal of Greek Film Studies, February 26.

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http://filmiconjournal.com/blog/post/51/curious-and-open-to-see-new- things ______(2015), ‘Crisis in Greek television’ (Part 1 and Part 2), MeCETTES, February, http://mecetes.co.uk/crisis-greek-television-part- 1/, http://mecetes.co.uk/crisis-greek-television-part-2/ ______(2015), ‘The Private Life of a Nation in Crisis’, E-INTERNATIONAL RELATIONS, February, http://www.e-ir.info/2015/02/10/the-private- life-of-a-nation-in-crisis/ Anagnostou, Yiorgos (2015), ‘My Life in Ruins – A Critical Note,’ March 18 http://immigrations-ethnicities-racial.blogspot.com/2015/03/my-life-in- ruins-critical-note.html Balsom, Erika (2016), Film of the week: Chevalier, Sight and Sound, July 22. http://www.bfi.org.uk/news-opinion/sight-sound-magazine/reviews- recommendations/film-week-chevalier Bleasdale, John (2015), ‘Cannes 2015: 'The Lobster' review’, CineVue, May. http://www.cine-vue.com/2015/05/cannes-2015-lobster-review.html Bradshaw, Peter (2015), ‘The Lobster review – dark satire on relationships gets fishy near the tail-end’, The Guardian, May 15. http://www.theguardian.com/film/2015/may/15/the-lobster-review- cannes-film-festival-2015 Brody, Richard (2016), ‘The petty laments of Yorgos Lanthimos’s ‘The lobster’, May 23 http://www.newyorker.com/culture/richard- brody/the-petty-laments-of-yorgos-lanthimoss-the-lobster Debruge, Peter (2017), Cannes Film Review: ‘The Killing of a Sacred Deer’, Variety, May 22, http://variety.com/2017/film/reviews/the-killing-of-a- sacred-deer-review-1202439468/ Del Don, Muriel (2015), ‘Chevalier, a tragicomic portrait of the contemporary male’, Cineuropa, August 13, http://www.cineuropa.org/nw.aspx?t=newsdetail&l=en&did=297146 Dobroiu, Stefan (2015), ‘Interruption: Playing with conventions and expectations’, cineuropa, September 17. http://cineuropa.org/nw.aspx?t=newsdetail&l=en&did=298786 Ehrlich, David (2017), ‘Cannes Review: With ‘The Killing of a Sac Ed Deer’, Yorgos Lanthimos Comes to America and Makes the Scariest Movie of His Life’, IndieWire, May 22, http://www.indiewire.com/2017/05/the- killing-of-a-sacred-deer-review-yorgos-lanthimos-colin-farrell-nicole- kidman-cannes-2017-1201829951/2/ Fainaru, Dan (2015), ‘‘Chevalier’: Review’, ScreenDaily, August 21. http://www.screendaily.com/reviews/chevalierreview/5091933.article? blocktitle=REVIEWS&contentID=40296 Fotiou, Mikela (2015), ‘'Death' of Cinema in Morning Patrol’, In Media Res, April 22.

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http://mediacommons.futureofthebook.org/imr/2015/04/22/death- cinemamorning-patrol Ide, Wendy (2016), ‘Chevalier review- onboard bragging rights’, The Guardian, July 24, https://www.theguardian.com/film/2016/jul/24/chevalier- review-film-comedy-athina-rachel-tsangari Iordanova, Dina (2017), ‘Food for Love: Tasting a Genealogy of Gifts’, Journal of Greek Film Studies, July 3, http://filmiconjournal.com/blog/post/63/food- for-love-tasting-a-genealogy-of-gifts Grierson, Tim (2015), ‘The Lobster (2015 Cannes review)’, Paste Magazine, May 17. http://www.pastemagazine.com/articles/2015/05/the-lobster- cannes-2015-review.html Karalis, Vrasidas (2015), ‘Yorgos Lanthimos’ The Lobster and the Cinema of Abeyance’, Filmicon: Journal of Greek Film Studies, December 18. http://filmiconjournal.com/blog/post/48/the-lobster-and-the-cinema- of-abeyance ______(2015), ‘The Un-Queering of Queer Cinema: Panos H. Koutras, Xenia (2014)’, Filmicon: Journal of Greek Film Studies, May 16. http://filmiconjournal.com/blog/post/42/the-un-queering-of-queer- cinema Kartalou, Athena (2016), ‘Nikos Panayotopoulos (1941-2016): La Mort de l’auteur’, Filmicon: Journal of Greek Film Studies, January 30. http://filmiconjournal.com/blog/post/50/nikos-panayotopoulos-1941- 2016 Katsounaki, Maria (2015), ‘Tassos Boulmetis travels back to the 60s for his new film ‘Notias’, ekathimerini, May 12. http://www.ekathimerini.com/196880/article/ekathimerini/life/tassos- boulmetis-travels-back-to-the-60s-for-his-new-film-notias Kazakopoulou, Tonia & Fotiou, Mikela (2015), ‘Contemporary Greek Film Cultures Goes to America: Breaking New Ground in Greek Film Studies’, Filmicon: Journal of Greek Film Studies, October 5. http://filmiconjournal.com/blog/post/45/contemporary-greek-film- cultures-goes-to-america Kenan, Behzat Sharpe (2016), The Lobster: Debt, Referenda, and False Choices, BLINDFIELD, July 1, https://blindfieldjournal.com/2016/07/01/the-lobster-debt-referenda- and-false-choices/ Kerkinos, Dimitris (2016), ‘Greek cinema against all odds’, May 23. https://www.facebook.com/notes/hellas-filmbox-berlin/greek-cinema- against-all-odds1-by-dimitris-kerkinos/510783695796604 Kohn, Eric (2015), ‘Locarno Review: ‘Chevalier’ is a buddy comedy with a bigger purpose from Athina Rachel Tsangari’, Indiewire, August 12. http://www.indiewire.com/article/locarno-review-chevalier-is-a-buddy- comedy-with-a-bigger-purpose-from-athina-rachel-tsangari-20150812 392

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La France, Samuel (2016), Chevalier, cinemascope, Issue 65, http://cinema- scope.com/spotlight/chevalier-athina-rachel-tsangari-greece/ Lavecchia, Yuri (2016), ‘Interruption’ by Yorgos Zois, Nisimazine, http://www.nisimazine.org/v15-review-of--interruption--by-yorgos- zois.html Leadbeater, Alex (2015), ‘Cannes 2015: The Lobster Review – Half Of A Masterpiece’, What Culture, May 16. http://whatculture.com/film/cannes-2015-the-lobster-review-half-of-a- masterpiece.php Lemercier, Fabien (2017), ‘The Killing of a Sacred Deer by Yorgos Lanthimos. Interview Yorgos Lantimos: Director’, Cineuropa, May 23 http://www.cineuropa.org/ff.aspx?t=ffocusinterview&l=en&did=328991 &tid=3124 Link, Brady (2015), ‘Greek cinema: The inconspicuous hope for recovery’, Euroviews, April 22. http://euroviews.eu/?p=1361 Lodderhose, Diana (2016), ‘Yorgos Lanthimos: ‘I just think it’s interesting to start a dialogue’, Sight and Sound, http://www.bfi.org.uk/news- opinion/news-bfi/interviews/yorgos-lanthimos-i-just-think-interesting- to-start-dialogue Lodge, Guy (2015), ‘Cannes Film Review: ‘The Lobster’’, Variety, May 15. http://variety.com/2015/film/festivals/the-lobster-review-colin-farrell- rachel-weisz-1201496633/ ______(2015), ‘Locarno Film Review: ‘Chevalier’’, Variety, August 12. http://variety.com/2015/film/festivals/locarno-film-review-chevalier- 1201567472/ Lucca, Violet (2016), ‘Review: Chevalier’, filmcomment, Issue May/June 2016. http://www.filmcomment.com/article/review-chevalier-athina-rachel- tsangari/ Mademli, Geli (2015), ‘THE IMPORTANCE OF BEING WEIRD: on language games in contemporary Greek films’, FIlmicon: Journal of Greek Film Studies, April 23. http://filmiconjournal.com/blog/post/41/the- importance-of-being-weird Marzec, Andrzej (2015), ‘In Limbo, Radically: an interview with Syllas Tzoumerkas’, Filmicon: Journal of Greek Film Studies, September 9. http://filmiconjournal.com/blog/post/44/in-limbo-radically Merry, Stephanie (2016), ‘The world in ‘The Lobster’ is dark and twisted, yet not so different from our own’, The Washington Post, May 19, https://www.washingtonpost.com/goingoutguide/movies/the-world-in- the-lobster-is-dark-and-twisted-yet-not-so-different-from-our- own/2016/05/19/abbc38e8-17b8-11e6-9e16- 2e5a123aac62_story.html?tid=kp_google Moritz, Pfeifer (2016), ‘Cinema in the Age of Austerity: On the Representation of Debt in Greek Cinema’, Filmicon: Journal of Greek

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Film Studies, May 5. http://filmiconjournal.com/blog/post/53/cinema-in-the-age-of-austerity Nayman, Adam (2016), ‘Funny Games’, Sight and Sound, Vol.26 (8), (August 2016). Orr, Christopher (2016), ‘The Lobster: A Dystopian Tour de Force’, The Atlantic, May 13, http://www.theatlantic.com/entertainment/archive/2016/05/the- lobster-a-dystopian-tour-de-force/482619/ Papadimitriou, Lydia (2015), ‘Past and Present at the 17th Thessaloniki Documentary Festival’, Pure Movies, April 12. http://www.puremovies.co.uk/columns/past-and-present-at-the-17th- thessaloniki-documentary-festival/ Psaras, Marios (2017), For the Sake of Short: Cyprus Short Film Days 2016, Filmicon: Journal of Greek Film Studies, January 30, http://filmiconjournal.com/blog/post/59/for-the-sake-of-short Ramon, Alex (2015), ‘Cannes 2015: 'The Lobster' and 'Louder Than Bombs' Are Distinctive English-Language Debuts’, Pop Matters, May 26. http://www.popmatters.com/review/193770-cannes-2015-the-lobster- and-louder-than-bombs/ Robbie, Collin (2017), Cannes 2017, The Killing of a Sacred Deer review: a wildly uncomfortable, venomously funny Greek tragedy, The Telegraph, May 22 http://www.telegraph.co.uk/films/0/killing-sacred- deer-review-wildly-uncomfortable-venomously-funny/ Romney, Jonathan (2017), Film of the Week: Suntan, Film Comment, March 10, https://www.filmcomment.com/blog/film-week-suntan/ ______(2017), The Killing of a Sacred Deer: Cannes Review, ScreenDaily, May 22, https://www.screendaily.com/reviews/the-killing-of-a- sacred-deer-cannes-review/5118329.article Rooney, David (2017), 'The Killing of a Sacred Deer': Film Review/ Cannes 2017, The Hollywood Reporter, May 22, http://www.hollywoodreporter.com/review/killing-of-a-sacred-deer- cannes-2017-1006199 San Filippo, Maria (2015), ‘Captive Viewers: Learning In/humanity through Film in 'Dogtooth' and 'The Wolfpack'’, In Media Res, April 23. http://mediacommons.futureofthebook.org/imr/2015/04/23/captive- viewers-learninginhumanity-through-film-dogtooth-and-wolfpack Talu, Yonca (2016), “Review: The Lobster”, filmcomment, Issue March/April 2016, http://www.filmcomment.com/article/review-the-lobster-yorgos- lanthimos/ Trevor, Johnston (2015), Animal Instincts, Sight and Sound, 25 (11). Van Hoeij, Boyd (2015), ‘‘Chevalier’: Locarno Review’, The Hollywood Reporter, August 19. http://www.hollywoodreporter.com/review/chevalier- locarno-review-815763 394

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Veciana, Alejandro (2015), ‘NYFF Interview: Athina Rachel Tsangari’, filmcomment, October 7, http://www.filmcomment.com/blog/nyff- interview-athina-rachel-tsangari/ Wilkinson, Amber (2015), “Testing the limits. Yorgos Zois on imagination and reality in Interruption”, Eye For Film, September 12. http://www.eyeforfilm.co.uk/feature/2015-09-12-yorgos-zois-feature- story-by-amber-wilkinson Yoshida, Emily (2017), ‘Cannes Review: Colin Farrell Reunites With His Lobster Director for the Terrifying Killing of a Sacred Deer’, Vulture, May 22, http://www.vulture.com/2017/05/cannes-killing-of-a- sacred-deer-is-a-chilling-horror-film.html Yuan, Jada (2015), ‘Cannes 2015: Colin Farrell’s Anti-Singlehood Dystopia The Lobster’, Vulture, May 15. http://www.vulture.com/2015/05/cannes-colin-farrells-anti- singlehood-dystopia.html

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