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A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature
A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Robert A. Taylor RESEARCH IN MEDIEVAL CULTURE Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Medieval Institute Publications is a program of The Medieval Institute, College of Arts and Sciences Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Robert A. Taylor MEDIEVAL INSTITUTE PUBLICATIONS Western Michigan University Kalamazoo Copyright © 2015 by the Board of Trustees of Western Michigan University All rights reserved Manufactured in the United States of America This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Taylor, Robert A. (Robert Allen), 1937- Bibliographical guide to the study of the troubadours and old Occitan literature / Robert A. Taylor. pages cm Includes index. Summary: "This volume provides offers an annotated listing of over two thousand recent books and articles that treat all categories of Occitan literature from the earli- est enigmatic texts to the works of Jordi de Sant Jordi, an Occitano-Catalan poet who died young in 1424. The works chosen for inclusion are intended to provide a rational introduction to the many thousands of studies that have appeared over the last thirty-five years. The listings provide descriptive comments about each contri- bution, with occasional remarks on striking or controversial content and numerous cross-references to identify complementary studies or differing opinions" -- Pro- vided by publisher. ISBN 978-1-58044-207-7 (Paperback : alk. paper) 1. Provençal literature--Bibliography. 2. Occitan literature--Bibliography. 3. Troubadours--Bibliography. 4. Civilization, Medieval, in literature--Bibliography. -
Gender and Violence in Gregory of Tours' 'Decem Libri Historiarum'
GENDER AND VIOLENCE IN GREGORY OF TOURS' DECEM LIBRI HISTORIARUM Jennifer McRobbie A Thesis Submitted for the Degree of PhD at the University of St Andrews 2012 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/3151 This item is protected by original copyright Gender and Violence in Gregory of Tours’ Decem Libri Historiarum Jennifer McRobbie This thesis is submitted in partial fulfilment for the degree of PhD at the University of St Andrews Date of Submission 19th August 2011 ii Declaration I, Jennifer McRobbie, hereby certify that this thesis, which is approximately 76,000 words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. I was admitted as a research student in September 2004 and as a candidate for the degree of PhD in August 2011; the higher study for which this is a record was carried out in the University of St. Andrews between 2004 and 2011. Date…………..signature of candidate I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of PhD in the University of St. Andrews and that the candidate is qualified to submit this thesis in application for that degree. In submitting this thesis to the University of St. Andrews I understand that I am giving permission for it to be made available for use in accordance with the regulations of the University Library for the time being in force, subject to any copyright vested in the work not being affected thereby. -
Complete Dissertation
University of Groningen The growth of an Austrasian identity Stegeman, Hans IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2014 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Stegeman, H. (2014). The growth of an Austrasian identity: Processes of identification and legend construction in the Northeast of the Regnum Francorum, 600-800. Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). The publication may also be distributed here under the terms of Article 25fa of the Dutch Copyright Act, indicated by the “Taverne” license. More information can be found on the University of Groningen website: https://www.rug.nl/library/open-access/self-archiving-pure/taverne- amendment. Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 02-10-2021 The growth of an Austrasian identity Processes of identification and legend construction in the Northeast of the Regnum Francorum, 600-800 Proefschrift ter verkrijging van het doctoraat aan de Rijksuniversiteit Groningen op gezag van de rector magnificus dr. -
Xerox University Microfilms
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. I.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
Origin and Early History of Double Monasteries
ORIGIN AND EARLY HISTORY OF DOUBLE MONASTERIES. BY MISS MARY BATESON I.—INQUIRY CONCERNING THE EARLIEST EXAMPLES M. VARIN'S learned monograph ' at present stands alone as an attempt to ascertain the origin of the double monastery, or monastery for men and women. He deals with the subject incidentally as part of a thesis on the points at issue between the Breton and Roman Church, and he handles his whole theme controversially. In spite of this fact, his argument on the subject of double monasteries has met with general acceptance, for example, from Montalembert,2 Ozanam,3 Haddan,4 Professor Mayor,5 and M. Maurice Prou.6 M. Varin seeks to prove that St. Rhadegund's foundation at Poitiers was the first example of this form of organisation among the Western nations of the Continent, and that its origin is directly traceable to Irish influences. It is the object of this essay to suggest a different conclusion, to collect the evidence on the subject from the scattered sources where alone it is at present accessible, and incidentally to criticise the arguments adduced by M. Varin. It is imperative in the first place to establish a definition of the half-technical term' double monastery.' The association 1 MSmoire stir les muses de la dissidence entre VEglise breionm et TEglise romaine. Published in the Mimoires prisentis far divers savants h TAcademie des Inscriptions et Belles Lettres. Paris, 1858: pp. 165-205 deal with double monasteries. ' Moines d'Occident, ii. 355. s (Euvres, iv. 120. 4 Remains, p. 277. s Beda, Hist. Ecdes. -
Nietzsche's “Gay” Science
Fordham University Masthead Logo DigitalResearch@Fordham Articles and Chapters in Academic Book Philosophy Collections 2006 Nietzsche’s “Gay” Science Babette Babich Fordham University, [email protected] Follow this and additional works at: https://fordham.bepress.com/phil_babich Part of the Classical Literature and Philology Commons, Continental Philosophy Commons, Esthetics Commons, German Language and Literature Commons, Medieval History Commons, Musicology Commons, Other French and Francophone Language and Literature Commons, Philosophy of Science Commons, and the Rhetoric and Composition Commons Recommended Citation Babich, Babette, "Nietzsche’s “Gay” Science" (2006). Articles and Chapters in Academic Book Collections. 18. https://fordham.bepress.com/phil_babich/18 This Article is brought to you for free and open access by the Philosophy at DigitalResearch@Fordham. It has been accepted for inclusion in Articles and Chapters in Academic Book Collections by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected]. A Companion to Nietzsche Edited by Keith Ansell Pearson Copyright © 2006nietzsche by Blackwell’s “gay Publishing” science Ltd 6 Nietzsche’s “Gay” Science BABETTE E. BABICH Nietzsche’s conception of a gay science is alluringly seductive, comic, and light – and accordingly many readers have celebrated it as the art of laughter. And, to be sure, the first edition of The Gay Science began with a teasing series of light, joking rhymes.1 Taking this teasing further, the 1887 title page replaces the 1882 epigraph from Emerson with a gently unserious rhyme, adding a fifth book and finishing it off with an additional cycle of songs – Songs of Prince Vogelfrei2 – invoking at once the knightly as well as the chastely3 erotic character of the troubadour (and recurring in the arch allusions of Nietzsche’s Ecce Homo). -
Join Us for Our Annual Michael Doulton Signing Event Aboard the Queen Mary September 9 – 11, 2016 | Long Beach, CA
Fall 2016 Join Us For Our Annual Michael Doulton Signing Event Aboard The Queen Mary September 9 – 11, 2016 | Long Beach, CA REDEEM YOUR EVENT SAVINGS CERTIFICATES – SEE BACK COVER FOR DETAILS – SHOP OUR ENTIRE COLLECTION AT SEAWAYCHINA.COM Celebrate the Great Just Your Experience Everything That Queens of England Cup of Tea The Queen Mary Has To Offer From bow to stern, this iconic vessel is filled with exciting with Michael Doulton tours and fascinating exhibits that highlight some of the greatest moments in British history as well as the intriguing In honor of her 80th anniversary, we’re very excited to be bringing our story of The Queen Mary herself. Complete your weekend collection of all things British aboard The Queen Mary! For three days, 4 O’clock experience by exploring these amazing onboard attractions. HN1760 you’ll shop our latest selection of Figures, Character Jugs, Stoneware, 6”H $2,000 To see all the exciting exhibits and tours available Royal Commemoratives and so much more. You won’t want to miss this aboard the ship, please visit queenmary.com. opportunity to add new treasures to your collection while toasting this majestic vessel as well as the other great Queens of England. MEET OUR FEATURED GUESTS Michael Doulton, Royal Doulton Ambassador Granny Among our special guests will be Michael Doulton, the 6th descendant HN1832 GUEST SPEAKERS 6.75”H of the Doulton family and the Brand Ambassador for the Royal Doulton $5,500 Company. Mr. Doulton will be on hand to meet with collectors and sign your favorite pieces. -
2011 International Conference on Fashion Design and Apparel
2013 SFTI International Conference & The 18th International Invited Fashion Exhibition Proceeding July 07 - 15, 2013 Korean Cultural Center, Berlin, Germany Re-Union in Fashion The Society of Fashion and Textile Industry 2013 SFTI International Conference & The 18th International Invited Fashion Exhibition Proceeding “Re-Union in Fashion” July07-15, 2013 Korean Cultural Center, Berlin, Germany Organized by The Society of Fashion & Textile Industry (SFTI), Korea Korea Research Institute for Fashion Industry (KRIFI), Korea Eco Design Center, Dong-A University, Korea Sponsored by Ministry of Foreign Affairs, Korea Korean Cultural Center, Berlin, Germany German Fashion Industrie Foundation, Germany Willy Bogner GmbH & CO. KGaA Fashion Group Hyungji, Korea 1 Committee of 2013 SFTI International Conference and Exhibition President Yang Suk Ku (Kyungpook National Univ., Korea) Vice President EunJoo Park (Dong-A Univ., Korea) Sung Hye Jung (Inha Univ., Korea) Hye Kyung Kim (Wonkwang Univ., Korea) Chil Soon Kim (Kyung Hee Univ., Korea) Moon Young Kim (Keimyung Univ. Korea) Gilsoo Cho (YonseiUniv.,Korea) Byung Oh Choi (Fashion Group Hyungji Co.Ltd, Korea) Yong-Bin Jung (DaeguGyeongbukDesign Center, Korea) Choong-Hwan Kim (Korea Research Institute for Fashion Industry, Korea) Sangbae Yoon (Shinpung Textile Co.Ltd, Korea) Conference Chair Jin Hwa Lee (Pusan National Univ., Korea) Exhibition Chair Sung Hye Jung (Inha Univ., Korea) Field Trip Chair Hye Kyung Kim (Wonkwang Univ., Korea) Program Committee Chil Soon Kim (Kyung Hee Univ., Korea) DaeGeun Jeon (Andong Univ., Korea) Eun A Yeoh(Keimyung Univ., Korea) Eun Jung Kim(Mongolia International Univ., Mongolia) Eunjoo Cho (Honam Univ., Korea) Ho Jung Choo(Seoul National Univ., Korea) Hsueh Chin Ko(National Pingtung Univ. -
Les Vendéens D'anjou (1793) : Analyse Des Structures Militaires
ISSN 0300-7979 MÉMOIRES ET' DOCUMENTS publiés par les soins du Ministère des Universités XXXVIII La Commission d'histoire économique et sociale de la Révolution française (Sous-commission permanente) a décidé, dans sa séance du 8 décembre 1979, de publier l'ouvrage de M. Claude PETITFRÈRE intitulé Les Vendéens d'Anjou (1793). Analyse des structures militaires, sociales et mentales. En vente à Paris, à la Bibliothèque nationale Service de vente des catalogues, 71, rue de Richelieu. COMMISSION D'HISTOIRE ÉCONOMIQUE ET SOCIALE DE LA RÉVOLUTION FRANÇAISE MÉMOIRES ET DOCUMENTS XXXVIII Claude PETITFRÈRE Professeur à l'Université de Tours LES VENDÉENS D'ANJOU (1793) ANALYSE DES STRUCTURES MILITAIRES, SOCIALES ET MENTALES Préface par Jacques GODECHOT PARIS BIBLIOTHÈQUE NATIONALE 1981 ISBN 2-7177-1597-5 @ BIBLIOTHÈQUE NATIONALE, PARIS, 1981 Tous droits de traduction, d'adaptation et de reproduction, par tous procédés, y compris la photographie et le microfilm, réservés pour tous pays. AVERTISSEMENT Cet ouvrage constitue la première partie, quelque peu remaniée et surtout allégée, de la thèse de doctorat ès-lettres que nous avons soutenue à l'Université de Toulouse-Le Mirail en janvier 1977. Il devrait être suivi d'un second consacré aux gardes nationaux et aux volontaires de 1791 - 1792. Nous tenons à exprimer ici notre profonde reconnaissance à notre directeur de thèse, Monsieur le Doyen Godechot, ainsi qu'à Messieurs les Professeurs P. Bois, M. Bouloiseau, F. Lebrun, J. Meyer, J. Sentou et A. Soboul. Nous remercions également les Directeurs successifs des Archives départementales du Maine-et-Loire, Monsieur Robert Favreau et Made- moiselle Françoise Poirier-Coutansais, la Directrice de la Bibliothèque municipale d'Angers, Mademoiselle Isabelle Battez ainsi que le personnel de ces établissements, nos collègues J.P. -
Localizing the Liberty Tree: Republican Ritual in the Wake of Civil War, 1794-1800
Localizing the Liberty Tree: Republican Ritual in the Wake of Civil War, 1794-1800 Edward J. Woell, Western Illinois University On 9 February 1798 a spectacle interrupted the tedium of Chemiré-sur- Sarthe and Daumeray, two villages in the department of the Maine-et-Loire. In the afternoon local officials met at the two sites to see a small army detachment replant liberty trees. Aside from noting that they were provided by a benefactor from Angers and taken from a nearby national forest, a written report about the rituals offered no description of the trees themselves. Nor was there any indication of how many of the locals looked on. The rites were only said to have taken place “amid universal acclamations,” that “citizens at this ceremony let testimonials of their civic allegiance burst forth, and that this feast occurred in the most orderly manner.”1 About seven months later, on 8 September, a village in the department of the Rhône about five hundred kilometers away from Chemiré and Daumeray enacted the exact same rite. While local officials in Rochetaillée-sur-Saône likewise provided an account of what happened, theirs was much more ornate. It began with leaders proceeding to the site while “accompanied by a crowd of farmers and a group of musicians.” Officials then recounted that “we found a liberty tree, a young oak with long roots and green and vigorous branches, which in several centuries will be the symbol of the republic’s duration.” They also noted that “the farmers fought over the honor of carefully placing the roots of the -
Arianna Savall, Petter Udland Johansen Hildegard Von Bingen
Arianna Savall, Petter Udland Johansen Carpe Diem Records Hildegard von Bingen: Vox Cosmica 1. Hildegard von Bingen (1098 – 1179) Responsorium: O tu suavissima virga 15:14 2. Hildegard von Bingen Antiphona: Karitas habundat 5:57 3. Petter Udland Johansen (*1971) Meditation I 4:54 4. Petrus Abaelardus (1079 – 1142) Sequentia: Planctus David 16:00 5. Petter Udland Johansen Meditation II 4:09 6. Hildegard von Bingen Responsorium: Ave Maria 10:26 7. Petter Udland Johansen Meditation III 4:33 8. Hildegard von Bingen Antiphona: O quam mirabilis 7:57 9. Petter Udland Johansen Meditation IV 4:27 10. Hildegard von Bingen Antiphona: O virtus Sapientie 6:21 Total time 78:18 Hirundo Maris Arianna Savall – Voice, Medieval Harp, Italian Triple Harp, Lyra, Tibetan Singing Bowl Petter Udland Johansen – Voice, Hardingfele, Lyra, Fiddle, Monochord Andreas Spindler – Flutes, Fiddle, Romain Bells, Colascione, Tromba Marina, Voice Anke Spindler – Nyckelharpa, Fiddles, Viola da Gamba, Voice David Mayoral – Santur, Percussion, Romain Bells, Voice (musical arrangements: A. Savall and P. U. Johansen) 3 EN HILDEGARD of BingEN gave us the image of Man in the Cosmos (Der Mensch im VOX Cosmica Kosmos), a concept of the microcosm (humanity) and the macrocosm (universe), in which humanity is endowed with “In all things Love abounds, the capacity to love and create life. This message is still very from the deepest depths relevant today, and even though 916 years have passed since to the starry heavens, the birth of Hildegard of Bingen in the summer of 1098, her for tenderly she gave work continues to arouse great interest and her great legacy the kiss of peace of wisdom is admired and studied all over the world. -
Troubadours NEW GROVE
Troubadours, trouvères. Lyric poets or poet-musicians of France in the 12th and 13th centuries. It is customary to describe as troubadours those poets who worked in the south of France and wrote in Provençal, the langue d’oc , whereas the trouvères worked in the north of France and wrote in French, the langue d’oil . I. Troubadour poetry 1. Introduction. The troubadours were the earliest and most significant exponents of the arts of music and poetry in medieval Western vernacular culture. Their influence spread throughout the Middle Ages and beyond into French (the trouvères, see §II below), German, Italian, Spanish, English and other European languages. The first centre of troubadour song seems to have been Poitiers, but the main area extended from the Atlantic coast south of Bordeaux in the west, to the Alps bordering on Italy in the east. There were also ‘schools’ of troubadours in northern Italy itself and in Catalonia. Their influence, of course, spread much more widely. Pillet and Carstens (1933) named 460 troubadours; about 2600 of their poems survive, with melodies for roughly one in ten. The principal troubadours include AIMERIC DE PEGUILHAN ( c1190–c1221), ARNAUT DANIEL ( fl c1180–95), ARNAUT DE MAREUIL ( fl c1195), BERNART DE VENTADORN ( fl c1147–70), BERTRAN DE BORN ( fl c1159–95; d 1215), Cerveri de Girona ( fl c1259–85), FOLQUET DE MARSEILLE ( fl c1178–95; d 1231), GAUCELM FAIDIT ( fl c1172–1203), GUILLAUME IX , Duke of Aquitaine (1071–1126), GIRAUT DE BORNELH ( fl c1162–99), GUIRAUT RIQUIER ( fl c1254–92), JAUFRE RUDEL ( fl c1125–48), MARCABRU ( fl c1130–49), PEIRE D ’ALVERNHE ( fl c1149–68; d 1215), PEIRE CARDENAL ( fl c1205–72), PEIRE VIDAL ( fl c1183–c1204), PEIROL ( c1188–c1222), RAIMBAUT D ’AURENGA ( c1147–73), RAIMBAUT DE VAQEIRAS ( fl c1180–1205), RAIMON DE MIRAVAL ( fl c1191–c1229) and Sordello ( fl c1220–69; d 1269).