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Heracles's Weariness and Apotheosis in Classical Greek Art
Dourado Lopes, Antonio Orlando Heracles's weariness and apotheosis in Classical Greek art Synthesis 2018, vol. 25, nro. 2, e042 Dourado Lopes, A. (2018). Heracles's weariness and apotheosis in Classical Greek art. Synthesis, 25 (2), e042. En Memoria Académica. Disponible en: http://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.10707/pr.10707.pdf Información adicional en www.memoria.fahce.unlp.edu.ar Esta obra está bajo una Licencia Creative Commons Atribución-NoComercial-CompartirIgual 4.0 Internacional https://creativecommons.org/licenses/by-nc-sa/4.0/ ARTÍCULO / ARTICLE Synthesis, vol. 25, nº 2, e042, diciembre 2018. ISSN 1851-779X Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación. Centro de Estudios Helénicos Heracles's weariness and apotheosis in Classical Greek art Agotamiento físico y apoteosis de Heracles en el arte clásico griego Antonio Orlando Dourado Lopes Universidad Federal de Minas Gerais, Brasil [email protected] Resumen: Este estudio propone una interpretación general de las imágenes realizadas en Grecia, a partir del siglo V a. C. en monedas, joyas, pinturas de vasijas y esculturas, que muestran el agotamiento físico de Heracles y su apoteosis divina. Luego de una extendida consideración de los principales trabajos académicos que abordaron el tema desde finales del siglo XIX, procuro mostrar que la representación iconográfica del agotamiento de Heracles y de su apoteosis da testimonio de la influencia de nuevas concepciones religiosas y filosóficas en su mito, fundamentalmente del pitagorismo, del orfismo y de los cultos mistéricos, así como del fuerte intelectualismo de la Atenas del siglo V a. C. -
The Apotheosis of He#Rakle#S on Olympus and the Mythological Origins of the Olympics
The apotheosis of He#rakle#s on Olympus and the mythological origins of the Olympics The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Nagy, Gregory. 2019.07.12. "The apotheosis of He#rakle#s on Olympus and the mythological origins of the Olympics." Classical Inquiries. http://nrs.harvard.edu/ urn-3:hul.eresource:Classical_Inquiries. Published Version https://classical-inquiries.chs.harvard.edu/the-apotheosis-of- herakles-on-olympus-and-the-mythological-origins-of-the- olympics/ Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:41364811 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Classical Inquiries Editors: Angelia Hanhardt and Keith Stone Consultant for Images: Jill Curry Robbins Online Consultant: Noel Spencer About Classical Inquiries (CI ) is an online, rapid-publication project of Harvard’s Center for Hellenic Studies, devoted to sharing some of the latest thinking on the ancient world with researchers and the general public. While articles archived in DASH represent the original Classical Inquiries posts, CI is intended to be an evolving project, providing a platform for public dialogue between authors and readers. Please visit http://nrs.harvard.edu/urn-3:hul.eresource:Classical_Inquiries for the latest version of this article, which may include corrections, updates, or comments and author responses. Additionally, many of the studies published in CI will be incorporated into future CHS pub- lications. -
Ron-Dennis-POWERPOINT-2015.Pdf
Dan Jones Dan Jones about John Lloyd I saw that the Editor Hyd nes gweled of the Times had Golygydd yr Amserau taken hold of the wedi cydio yn yr carcass with his teeth, ysgerbwd a’i sucking the sap, ddannedd, ac yn maggots and all down sugno ei sugn, to his greedy gut cynrhon a’r cyfan i almost to the point of lawr i’w gylla gwancus bursting his stomach. hyd braidd dorri ei fola.” Dan Jones “The Maid of Iowa” President Hinckley “Dan Jones must certainly be included in the half dozen or so most productive missionaries in the history of the Church.” Daniel W. Jones Captain Dan Jones Dan Jones – after the Martyrdom Had 3 narrow escapes from death Served 1st mission from 1845 to 1849 Served 2nd mission from 1852 to 1856 SOURCES Dan Jones’s journal – hopefully someday 26 letters in the Millennial Star 20 handwritten letters A few letters written by admirers Scores of anti-Mormon articles in Welsh Published writings of Dan Jones Editor of the periodical for nearly 5 years – 1,728 pages Published 37 pamphlets – 554 pages Published a scriptural commentary – 288 pages OPPOSITION Sermons from the Nonconformist preachers and the Church of England vicars Scores of anti-Mormon articles in the periodicals Refusal of editors to print rebuttals Disturbance of street preaching Disturbance of indoor meetings Many threats and some physical attacks William Howells – Dan Jones’s greatest admirer William Howells – Lay Baptist Minister – impact of one of DJ’s pamphlets “Having spent twenty years nearly with the Baptist denomination seeking truth, but still in darkness, until the reply of dear Brother Jones to the false accusations of a neighboring Baptist minister, vindicating the principles of the Saints, came to my hand, which in a few hours proved the religion I professed to be no other than a sandy foundation—all my false hopes fled—all human traditions that I had cleaved to appeared folly. -
Vespasian's Apotheosis
VESPASIAN’S APOTHEOSIS Andrew B. Gallia* In the study of the divinization of Roman emperors, a great deal depends upon the sequence of events. According to the model of consecratio proposed by Bickermann, apotheosis was supposed to be accomplished during the deceased emperor’s public funeral, after which the senate acknowledged what had transpired by decreeing appropriate honours for the new divus.1 Contradictory evidence has turned up in the Fasti Ostienses, however, which seem to indicate that both Marciana and Faustina were declared divae before their funerals took place.2 This suggests a shift * Published in The Classical Quarterly 69.1 (2019). 1 E. Bickermann, ‘Die römische Kaiserapotheosie’, in A. Wlosok (ed.), Römischer Kaiserkult (Darmstadt, 1978), 82-121, at 100-106 (= Archiv für ReligionswissenschaftW 27 [1929], 1-31, at 15-19); id., ‘Consecratio’, in W. den Boer (ed.), Le culte des souverains dans l’empire romain. Entretiens Hardt 19 (Geneva, 1973), 1-37, at 13-25. 2 L. Vidman, Fasti Ostienses (Prague, 19822), 48 J 39-43: IIII k. Septembr. | [Marciana Aug]usta excessit divaq(ue) cognominata. | [Eodem die Mati]dia Augusta cognominata. III | [non. Sept. Marc]iana Augusta funere censorio | [elata est.], 49 O 11-14: X[— k. Nov. Fausti]na Aug[usta excessit eodemq(ue) die a] | senatu diva app[ellata et s(enatus) c(onsultum) fact]um fun[ere censorio eam efferendam.] | Ludi et circenses [delati sunt. — i]dus N[ov. Faustina Augusta funere] | censorio elata e[st]. Against this interpretation of the Marciana fragment (as published by A. Degrassi, Inscr. It. 13.1 [1947], 201) see E. -
Major Themes and Motifs in the Dionysiaca
chapter 6 Major Themes and Motifs in the Dionysiaca Fotini Hadjittofi A feature which will immediately strike the first-time reader of Nonnus’ Dionysiaca is the poet’s penchant for creating formulaic scenes or expressions: verses can be repeated verbatim or in a slightly varied form, and passages can be recast several times, with different protagonists and only minor alterations.1 These recurrent scenes and expressions are certainly a manifestation of Nonnus’ aesthetic principle of ποικιλία (variatio),2 and have an obvious role to play in structuring the poem. For example, in looking for unifying threads that would tie together the disparate episodes of the Dionysiaca, scholars have identified a set of close structural parallels between the first and last books of the epic.3 Thus, the narrative proper begins with a rape (of Europa, by Zeus) and ends with a rape (of Aura, by Dionysus). The Typhonomachy, in which Zeus defeats Typhoeus, in Books 1–2 corresponds to the Gigantomachy, in which Dionysus defeats the Giants of Thrace, in Book 48. The tragic narratives of Actaeon (Book 5) and Pentheus (Books 44–46) clearly echo each other. Even though this chapter will often focus on the thematic correspondences between the first and last books (as themes which appear in these narratively privileged positions are likely to be fundamental for the whole poem), it does not aim to explore structural questions, such as how far we can push these particular similarities and to what extent Nonnus was indeed striving for a perfect ring composition.4 My aim is to provide an outline of the most important themes and motifs which recur throughout the entire epic, and which will be studied 1 The formularity of Nonnus’ language will not concern me in this chapter, but see D’Ippolito in this volume. -
Origins of Apotheosis in Ancient Egypt by Julia Dawn Troche B.A
Origins of Apotheosis in Ancient Egypt By Julia Dawn Troche B.A., University of California, Los Angeles, 2008 A dissertation submitted in partial fulfillment of the requirements for the degree of of Doctor of Philosophy in the Department of Egyptology and Assyriology at Brown University Providence, Rhode Island May 2015 © Copyright 2015 by Julia Troche The dissertation by Julia Dawn Troche is accepted in its present form by the Department of Egyptology and Assyriology as satisfying the dissertation requirement for the degree of Doctor of Philosophy Date______________________ ____________________________________ James P. Allen, Advisor Recommended to the Graduate Council Date______________________ ____________________________________ Laurel Bestock, Reader Date______________________ ____________________________________ Elizabeth Frood, Reader Approved by the Graduate Council Date______________________ ____________________________________ Peter Weber, Dean of the Graduate School iii Curriculum Vitae Julia Dawn Troche was born November 17, 1986 in Long Beach, California. She earned a B.A. from the University of California, Los Angeles where she majored in History, received College Honors, and graduated Magna Cum Laude. From 2007-2008, Julia was also a Departmental Scholar in the Department of Near Eastern Langauges and Cultures and wrote a thesis entitled “Political Implications of Hatshepsut’s Building Program in the Greater Theban Region.” After graduation Julia taught high school English and World History at High Bluff Academy in San Diego, California before enrolling in her Ph.D. program at Brown University in 2009. During her time at Brown University Julia has taught her own undergraduate course, “Daily Life in Ancient Egypt,” and taught for the Summer at Brown Program for five years, including the classes “Middle Egyptian Hieroglyphs,” “Ancient Egyptian Religion and Magic,” and “Art and Archaeology of Ancient Egypt.” Julia also worked at the Brown University Writing Center where she received training in teaching English for English Language Learners. -
What Does It Mean to Be a Martyr?
And because thou hast seen thy weakness, thou shalt be made strong, even unto the sitting down in the place which I have prepared in the mansions of my Father. ~ Ether 12:37 KnoWhy #1 January 1, 2016 Statue of Hyrum and Joseph Smith riding to Carthage, Illinois. Photo from illinoisinfocus.com. What does it mean to be a Martyr? The Know and Hyrum were dead while John Taylor was left On June 24, 1844, the Prophet Joseph Smith, his grievously wounded. Miraculously, Willard Rich- brother Hyrum, and a company of associates left ards suffered no wounds from the attack.4 the city of Nauvoo, Illinois and rode for the town of Carthage, the county seat, to comply with a legal Not long before the martyrdom, Hyrum read a complaint that he and others appear, yet again, “paragraph near the close of the fifth chapter of before a county court.1 Ether, in the Book of Mormon.”5 Moroni, an ancient American prophet, wrote the passage Hyrum read Joseph was well aware that he was facing impend- (now Ether 12:36–38) some 1500 years before that ing martyrdom. “I am going like a lamb to the fateful day. slaughter,” Joseph reportedly said, “but I am calm as a summer’s morning.”2 Just hours before his And it came to pass that I prayed unto the murder, the Prophet penned a message to his wife, Lord that he would give unto the Gentiles Emma. “I am very much resigned to my lot, know- grace, that they might have charity. -
Representations of Mormonism in American Culture Jeremy R
University of New Mexico UNM Digital Repository American Studies ETDs Electronic Theses and Dissertations 8-19-2011 Imagining the Saints: Representations of Mormonism in American Culture Jeremy R. Ricketts Follow this and additional works at: https://digitalrepository.unm.edu/amst_etds Part of the American Studies Commons Recommended Citation Ricketts, eJ remy R.. "Imagining the Saints: Representations of Mormonism in American Culture." (2011). https://digitalrepository.unm.edu/amst_etds/37 This Dissertation is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in American Studies ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Jeremy R. Ricketts Candidate American Studies Departmelll This dissertation is approved, and it is acceptable in quality and form for publication: Approved by the Dissertation Commillee: , Chairperson Alex Lubin, PhD &/I ;Se, tJ_ ,1-t C- 02-s,) Lori Beaman, PhD ii IMAGINING THE SAINTS: REPRESENTATIONS OF MORMONISM IN AMERICAN CULTURE BY JEREMY R. RICKETTS B. A., English and History, University of Memphis, 1997 M.A., University of Alabama, 2000 M.Ed., College Student Affairs, 2004 DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy American Studies The University of New Mexico Albuquerque, New Mexico May 2011 iii ©2011, Jeremy R. Ricketts iv DEDICATION To my family, in the broadest sense of the word v ACKNOWLEDGMENTS This dissertation has been many years in the making, and would not have been possible without the assistance of many people. My dissertation committee has provided invaluable guidance during my time at the University of New Mexico (UNM). -
1 Catholic Transtemporality Through the Lens of Andrea Pozzo and The
1 Catholic Transtemporality through the Lens of Andrea Pozzo and the Jesuit Catholic Baroque A thesis presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Emily C. Thomason August 2020 © 2020 Emily C. Thomason. All Rights Reserved. 2 This thesis titled Catholic Transtemporality through the Lens of Andrea Pozzo and the Jesuit Catholic Baroque by EMILY C. THOMASON has been approved for the School of Art + Design and the College of Fine Arts by Samuel Dodd Lecturer, School of Art + Design Matthew R. Shaftel Dean, College of Fine Arts 3 Abstract THOMASON, EMILY C, M.A., August 2020, Art History Catholic Transtemporality through the Lens of Andrea Pozzo and the Jesuit Catholic Baroque Director of Thesis: Samuel Dodd Andrea Pozzo was a lay brother for the Order of the Society of Jesus in the late seventeenth and early eighteenth centuries who utilized his work in painting, architecture, and writing to attempt to create an ideal expression of sacred art for the Counter- Reformation Catholic Church. The focus of this study is on Pozzo’s illusionary paintings in Chiesa di Sant’Ignazio di Loyola in Rome as they coincide with his codification of quadratura and di sotto in su, as described through perspectival etchings and commentary in Perspectiva Pictorum et Architectorum. This thesis seeks to understand the work of Pozzo in context with his Jesuit background, examining his work under the lens of Saint Ignatius of Loyola’s Spiritual Exercises, as well as the cultural, political, and religious climates of Rome during the Counter-Reformation era. -
Sources of Mormon History in Illinois, 1839-48: an Annotated Catalog of the Microfilm Collection at Southern Illinois University
BIBLIOGRAPHIC CONTRIBUTIONS NO. Sources of Mormon History in Illinois, 1839-48: An Annotated Catalog of the Microfilm Collection at Southern Illinois University Compiled by STANLEY B. KIMBALL 2nd edition, revised and enlarged, 1966 The Library SOUTHERN ILLINOIS UNIVERSITY Carbondale—Edwardsville Bibliographic Contributions No. 1 SOURCES OF MORMON HISTORY IN ILLINOIS, 1839-48 An Annotated Catalog of the Microfilm Collection at Southern Illinois University 2nd edition, revised and enlarged, 1966 Compiled by Stanley B. Kimball Central Publications Southern Illinois University Carbondale, Illinois ©2014 Southern Illinois University Edwardsville 2nd edition, revised and enlarged, May, 1966 FOREWORD In the course of developing a book and manuscript collection and in providing reference service to students and faculty, a univeristy library frequently prepares special bibliographies, some of which may prove to be of more than local interest. The Bibliographic Contributions series, of which this is the first number, has been created as a means of sharing the results of such biblio graphic efforts with our colleagues in other universities. The contribu tions to this series will appear at irregular intervals, will vary widely in subject matter and in comprehensiveness, and will not necessarily follow a uniform bibliographic format. Because many of the contributions will be by-products of more extensive research or will be of a tentative nature, the series is presented in this format. Comments, additions, and corrections will be welcomed by the compilers. The author of the initial contribution in the series is Associate Professor of History of Southern Illinois University, Edwardsville, Illinois. He has been engaged in research on the Nauvoo period of the Mormon Church since he came to the university in 1959 and has published numerous articles on this subject. -
Fathers of the Catholic Church
OF THE CATHOLIC CHURCH. A BRIEF EXAMINATION OF THE "FALLING AWAY" OF THE CHURCH IN THE FIRST THREE CENTURIES. BY E. J. WA woivER. " To the law and to the testimony; If they speak not according to this word, it is because there is no light in them " Isa. 8 : no. PACIFIC PRESS PUBLISHING COMPANY, OAKLAND, CAL., SAN FRANCISCO AND NEW YORK. 1888. ../1.-1 if 6 VI\ • Entered according to Act of Congress in the ye. 1883, by "Pacific "Press 'Publishing T,o') In the nice of the Librarain of Congress, Washington, D. C. ALL RIGHTS RESERVED. PAC \ \C PRESS ?URA \SH\IAG Co'MAVIN, 01,‘\_Ati3O, CAI., PR‘cliv_Rs, FAV_OIROVIPERS , 1,1A0 Bmzuks. PREFACE. THIS book is the outgrowth of some extracts which I copied into a pocket scrap-book a few years ago, thinking that it would often be convenient to have at hand the exact words of a few reliable historians, concerning the Fathers and their work, when the histories themselves might not be accessible. It soon occurred to me that something similar would be of value to others, especially since the Fathers are being appealed to more and more, and it is ithpossible for the majority, even of ministers, always to have access to their writings. Accordingly, extracts were made on a more extensive scale, and were woven together, the result being this book, which is in reality a brief account of the rise of that antichristian structure called the papacy, which was built on the foundation of the so-called Fathers, the hea- then philosopher Plato being the chief corner-stone. -
Lysander Gee and His Families Wer~ Teken from Tl:E Volume, "Pr-Ornd.Nerrt Men of Utah, Rr by Frank Es Ahom, 1S'13
SuIrJ rh(~~t ~11 +0 w,e. /t;(J<?/e f;O;1ee¥ ;t1~5ellm Llf~ II-lS/P'fy t;f L Y 54,Mder Ge-e, I tj IV - I~qf W n:He'" 0y h ,s ~ raw( -d~frfey H (Vle~ Gee WPlds In Iq~g (;o(J(2er {)(/er[ttw! Tval.6/ of Ly SttMoV (Jee I ~j Wrfc !1tereSq £:'w1r <Sof7 o rl.eCf:f 0 rftf£('54fev ~5i/lq Llk tJes+ov f o·f Mavys1tQ /3JuJ2. 3?A ultfe of ~rSqtdw Qee.. Note: these records of Lysander Gee and his families wer~ teken from tl:e volume, "Pr-ornd.nerrt Men of Utah, rr by Frank Es ahom, 1S'13. HISTORY of LYSJ~NDER GEE, PIONEER. 'dU'I''I'EN by HIS GRAND-DAUGHTER, Helen Gee Woods. Nov. 3, 1938. Lysander Gee, pioneer,was Gaptain of his Sompany which crossed the plains in 1849. The company consisted of welch people; and were immigrants g~thered from about the community of Nauvoo, Ill- inois. He was born Sept. 1, 1818 at ..tiustinburg, Ashtabula flounty,Ohio. His parents are bolomon and ~arah Wat[:on Crane Gee of Conneticut. ~olomon was born Oct. 16, 1792; his wife, ~arah, was born Jan. 24th. 1795. As a boy he was studious, and went to school in Ill- inois. However, little is knOn~ to me of his youthful environment, plaJ~ates, and ~~usements; or of the economic conditions which pre- vailed at that time. He was 8. convert of the church having lived and endured at the time of its or-grna z at.Lon , He took an active part in the epic that char-e.ct er-Lzes the dr-amat Lc life of Joseph Smith; for he is only thir·teen years younger.