Annex III Local Ngos 2011
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José Antonio Aponte Y Los Archivos De La Represión Haití Adquieren Un Relieve Particularmente Im- Tico De Cuba Resulta Más Que Evidente, Tanto En Elzbieta Sklodowska
América sin nombre, no 19 (2014) 27-33 DOI. 10.14198/AMENSN.2014.19.03 ISSN: 1577-3442 / eISSN: 1989-9831 Elzbieta Sklodowska De origen polaco, ocupa la cátedra de Randolph Family Professorship en Washington University en Saint Louis (EEUU), donde ha dirigido el Departamento de Lenguas y Litera- turas Románicas (2003-2010) y se ha desempeñado como co-editora general de la Revista de Estudios Hispánicos (1999-2010). Dentro de Genealogías de la diáspora africana: sus áreas de investigación requie- ren especial mención la narrativa hispanoamericana contemporánea, José Antonio Aponte y los archivos con énfasis en Cuba dentro del contexto del Caribe, el testimonio y la teoría literaria. Ha publicado más de la represión de sesenta artículos así como varios libros y co-ediciones, incluyendo ELZBIETA SKLODOWSKA La parodia en la nueva novela hispanoamericana (1990), Testi- monio hispanoamericano: historia, teoría, poética (1991; Premio de RESUMEN Northeast Modern Language As- sociation) y Todo ojos, todo oídos: control e insubordinación en la En las intersecciones cubano-haitianas del Circuncaribe diaspórico, híbrido y rebelde, se novela hispanoamericana (1895- 1935) (1997). Su libro más recien- enmarca la figura histórica del cubano José Antonio Aponte y Ubarra (? – 1812) —pintor, te, Espectros y espejismos: Haití en afrodescendiente, liberto, héroe y mártir— acusado por las autoridades coloniales españolas de el imaginario cubano, fue publica- haber sido líder de una conspiración antiesclavista, encarcelado, interrogado y ejecutado en La do por Iberoamericana-Vervuert en 2009. Tiene en preparación otro Habana el 9 de abril de 1812. Este ensayo repasa la evolución de la consideración del personaje libro sobre Cuba, provisionalmen- en la historiografía cubana contemporánea y analiza «el archivo de la represión»; documento te titulado Invento, luego existo: representaciones del Período Es- legal de registro metaliterario que recoge la descripción pormenorizada del Libro de pinturas, pecial en Cuba. -
A Musical Analysis of Afro-Cuban Batá Drumming
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2019 Meaning Beyond Words: A Musical Analysis of Afro-Cuban Batá Drumming Javier Diaz The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2966 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] MEANING BEYOND WORDS: A MUSICAL ANALYSIS OF AFRO-CUBAN BATÁ DRUMMING by JAVIER DIAZ A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Musical Arts, The City University of New York 2019 2018 JAVIER DIAZ All rights reserved ii Meaning Beyond Words: A Musical Analysis of Afro-Cuban Batá Drumming by Javier Diaz This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the dissertation requirement for the degree of Doctor in Musical Arts. ——————————— —————————————————— Date Benjamin Lapidus Chair of Examining Committee ——————————— —————————————————— Date Norman Carey Executive Officer Supervisory Committee Peter Manuel, Advisor Janette Tilley, First Reader David Font-Navarrete, Reader THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Meaning Beyond Words: A Musical Analysis of Afro-Cuban Batá Drumming by Javier Diaz Advisor: Peter Manuel This dissertation consists of a musical analysis of Afro-Cuban batá drumming. Current scholarship focuses on ethnographic research, descriptive analysis, transcriptions, and studies on the language encoding capabilities of batá. -
Volume 3 Demography, Data Processing and Cartography
VOLUME 3 DEMOGRAPHY, DATA PROCESSING AND CARTOGRAPHY M. Rahmi, E. Rabant, L. Cambrézy, M. Mohamed Abdi Institut de Recherche pour le Développement UNHCR – IRD October 1999 97/TF/KEN/LS/450(a$ Index MAJOR FINDINGS ...…………………………………………….……….…………….3 I-1 : Demography ...…………………………………………….……….…………….3 I-2 : Exploitation of the aerial mosaics …………………………………………..5 1 - Cartography of the refugee camps. …………………………………...……...5 2 - Estimation of the populations ………………………………………………..…6 I-3 – Conclusion : results of the integration of maps and data in a GIS … 10 II – Demography data processing ………………………………………………....13 Table 1. Number of households and family size …….....………………..….…....13 Graph 1 . Family size ..…………………………………….………………….14 Graph 2. Family size (percentage) …………………….…….……………. 15 Table 2 : Number of refugees by sex and by block …….……………...…... 15 Table 3 : number of households and family size by blocks ………………… 20 Table 4 : population by age and by sex. ……………………………...… 26 Graph 3. Pyramid of ages …………………………………………………29 Table 5 : Relationship by sex …………………………………………………38 Graph 4 : relationship …………………………………………………………39 Table 6 : Number of refugees by sex and nationality ………………….40 Table 7 : Number of refugees by sex and province of origin ………….41 Table 8 : UNHCR codes for districts and nationality ………………….43 Table 9 : Number of refugees by nationality, sex, and district of origin. ………………… 50 Table 10 : Principal districts of origin of somalian refugees (population by block and by sex). ……………………………………………………………………………………….. 69 Table 11 : Principal -
Commissione Alpi – Relazione De Basi Motta
ATTI PARLAMENTARI XIV LEGISLATURA CAMERA DEI DEPUTATI Doc. XXII-bis n. 1-ter COMMISSIONE PARLAMENTARE D’INCHIESTA SULLA MORTE DI ILARIA ALPI E MIRAN HROVATIN (istituita con deliberazione del 31 luglio 2003) (composta dai deputati: Taormina, Presidente; De Brasi, Lussana, Vice Presidenti; Ranieli, Tuccillo, Segretari; Bertucci, Bindi, Bulga- relli, Cannella, Craxi, Deiana, Fragala`, Galvagno, Lisi, Mariani, Motta, Palma, Pinotti, Pittelli, Schmidt) RELAZIONE DI MINORANZA (Presentata da: Raffaello De Brasi, Carmen Motta, Raffaella Mariani, Roberta Pinotti, Elettra Deiana, Rosy Bindi e Domenico Tuccillo) presentata alla Commissione in data 23 febbraio 2006 Comunicata al Presidente della Camera il 28 febbraio 2006 STABILIMENTI TIPOGRAFICI CARLO COLOMBO Atti Parlamentari —2— Camera dei Deputati XIV LEGISLATURA — DISEGNI DI LEGGE E RELAZIONI — DOCUMENTI Atti Parlamentari —3— Camera dei Deputati XIV LEGISLATURA — DISEGNI DI LEGGE E RELAZIONI — DOCUMENTI INDICE Pag. CONCLUSIONI ...................................................................................................... 6 La rilevanza di Bosaso ......................................................................................... 7 Una verita` non giustificata dalla dinamica dell’agguato mortale ................... 8 La riabilitazione di Giancarlo Marocchino ........................................................ 8 Il centro giornalistico di depistaggio e` una invenzione .................................... 9 Il rispetto della memoria di Ilaria Alpi e Miran Hrovatin ............................ -
Orisha Journeys: the Role of Travel in the Birth of Yorùbá-Atlantic Religions 1
Arch. de Sc. soc. des Rel., 2002, 117 (janvier-mars) 17-36 Peter F. COHEN ORISHA JOURNEYS: THE ROLE OF TRAVEL IN THE BIRTH OF YORÙBÁ-ATLANTIC RELIGIONS 1 Introduction 2 In recent years the array of Orisha 3 traditions associated withtheYorùbá- speaking peoples of West Africa has largely broken free of the category of “Afri- can traditional religion” and begun to gain recognition as a nascent world religion in its own right. While Orisha religions are today both trans-national and pan-eth- nic, they are nonetheless the historical precipitate of the actions and interactions of particular individuals. At their human epicenter are the hundreds of thousands of Yorùbá-speaking people who left their country during the first half of the 19th cen- tury in one of the most brutal processes of insertion into the world economy under- gone by any people anywhere; the Atlantic slave trade. While the journey of the Middle Passage is well known, other journeys under- taken freely by Africans during the period of the slave trade – in a variety of direc- tions, for a multiplicity of reasons, often at great expense, and sometimes at great personal risk – are less so. These voyages culminated in a veritable transmigration involving thousands of Yorùbá-speaking people and several points on both sides of 1 Paper presented at the 1999 meeting of the Société Internationale de la Sociologie des Religions. This article was originally prepared in 1999. Since then, an impressive amount of literature has been published on the subject, which only serves to strengthen our case. A great deal of new of theoretical work on the African Diaspora in terms of trans-national networks and mutual exchanges has not so much challenged our arguments as diminished their novelty. -
The Formation of African Identities in the Americas: Spiritual “Ethnicity”
THE FORMATION OF AFRICAN IDENTITIES IN THE AMERICAS: SPIRITUAL “ETHNICITY” Ivor L. Miller African Diaspora Studies Program, DePaul University ABSTRACT From the sixteenth century onward, various spiritual traditions were carried by enslaved Africans to the Caribbean and the Americas, where their bearers restruc- tured them by adapting to the economic, political, and social realities of the slave regimes. In Brazil, Cuba, Haiti, Trinidad, and other cultural zones, Africans and their descendants were able to reconstruct fundamental concepts and elements of their homeland material and spiritual cultures while adding new features to these mod- els. Just as we can speak of Anglo-American, Iberian-American, or Franco-Amer- ican culture—instead of speaking of a monolithic Black or an African American culture, or of an abstract Afro-Cuban culture—we can discuss Kongo-American, Calabarí-American, or Yorùbá-American cultures. Being inclusive, these African- derived cultural systems, perpetuated in most cases through ritual-kinship lineag- es established by Africans, have for some time been practiced by people of all her- itages, and in many cases become unofficial symbols of the particular nation-state in which they reside, even while resisting allegiance to that state and its dominant mythologies. “No nation now but the imagination.” Derek Walcott1 in a linear paradigm, the study of transatlantic history is a study of progress; progress being a condition requiring adaptation to Euro-American norms. The assimilation of Africans enslaved in the Americas entailed a process of several generations, exemplified by this scenario from Argentina: “When the African na- tions declined beginning in the mid-nineteenth century with the deaths of the last generation of people born in Africa, Afro-Argentineans began to form mutual aid societies. -
The Connectors of Two Worlds: Chano Pozo, Dizzy Gillespie, and the Continuity of Myth Through Afro-Cuban Jazz
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2005 The connectors of two worlds: Chano Pozo, Dizzy Gillespie, and the continuity of myth through Afro-Cuban jazz Dwight Paul Sweeney Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Music Commons, and the Race, Ethnicity and Post-Colonial Studies Commons Recommended Citation Sweeney, Dwight Paul, "The connectors of two worlds: Chano Pozo, Dizzy Gillespie, and the continuity of myth through Afro-Cuban jazz" (2005). Theses Digitization Project. 2823. https://scholarworks.lib.csusb.edu/etd-project/2823 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. THE CONNECTORS OF TWO WORLDS: CHANO POZO, DIZZY GILLESPIE, AND THE CONTINUITY OF MYTH THROUGH AFRO-CUBAN JAZZ A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in Interdisciplinary Studies by Dwight Paul Sweeney, Jr. March 2005 ■3 THE CONNECTORS OF TWO WORLDS: CHANO POZO, DIZZY GILLESPIE, ZYND THE CONTINUITY OF MYTH THROUGH AFRO-CUBAN JAZZ A Thesis Presented to the Faculty of California State University, San Bernardino by Dwight Paul Sweeney, Jr. March 2005 Approved by: 3-2- Chair, History Date Russell Barber, Anthropology ABSTRACT The histories of Cuba and the United States ran a parallel course until the late nineteenth century, and musical cultural exchanges are a legacy of this interaction. -
Ever Faithful
Ever Faithful Ever Faithful Race, Loyalty, and the Ends of Empire in Spanish Cuba David Sartorius Duke University Press • Durham and London • 2013 © 2013 Duke University Press. All rights reserved Printed in the United States of America on acid-free paper ∞ Tyeset in Minion Pro by Westchester Publishing Services. Library of Congress Cataloging- in- Publication Data Sartorius, David A. Ever faithful : race, loyalty, and the ends of empire in Spanish Cuba / David Sartorius. pages cm Includes bibliographical references and index. ISBN 978- 0- 8223- 5579- 3 (cloth : alk. paper) ISBN 978- 0- 8223- 5593- 9 (pbk. : alk. paper) 1. Blacks— Race identity— Cuba—History—19th century. 2. Cuba— Race relations— History—19th century. 3. Spain— Colonies—America— Administration—History—19th century. I. Title. F1789.N3S27 2013 305.80097291—dc23 2013025534 contents Preface • vii A c k n o w l e d g m e n t s • xv Introduction A Faithful Account of Colonial Racial Politics • 1 one Belonging to an Empire • 21 Race and Rights two Suspicious Affi nities • 52 Loyal Subjectivity and the Paternalist Public three Th e Will to Freedom • 94 Spanish Allegiances in the Ten Years’ War four Publicizing Loyalty • 128 Race and the Post- Zanjón Public Sphere five “Long Live Spain! Death to Autonomy!” • 158 Liberalism and Slave Emancipation six Th e Price of Integrity • 187 Limited Loyalties in Revolution Conclusion Subject Citizens and the Tragedy of Loyalty • 217 Notes • 227 Bibliography • 271 Index • 305 preface To visit the Palace of the Captain General on Havana’s Plaza de Armas today is to witness the most prominent stone- and mortar monument to the endur- ing history of Spanish colonial rule in Cuba. -
A Medley of Cultures: Louisiana History at the Cabildo
A Medley of Cultures: Louisiana History at the Cabildo Chapter 1 Introduction This book is the result of research conducted for an exhibition on Louisiana history prepared by the Louisiana State Museum and presented within the walls of the historic Spanish Cabildo, constructed in the 1790s. All the words written for the exhibition script would not fit on those walls, however, so these pages augment that text. The exhibition presents a chronological and thematic view of Louisiana history from early contact between American Indians and Europeans through the era of Reconstruction. One of the main themes is the long history of ethnic and racial diversity that shaped Louisiana. Thus, the exhibition—and this book—are heavily social and economic, rather than political, in their subject matter. They incorporate the findings of the "new" social history to examine the everyday lives of "common folk" rather than concentrate solely upon the historical markers of "great white men." In this work I chose a topical, rather than a chronological, approach to Louisiana's history. Each chapter focuses on a particular subject such as recreation and leisure, disease and death, ethnicity and race, or education. In addition, individual chapters look at three major events in Louisiana history: the Battle of New Orleans, the Civil War, and Reconstruction. Organization by topic allows the reader to peruse the entire work or look in depth only at subjects of special interest. For readers interested in learning even more about a particular topic, a list of additional readings follows each chapter. Before we journey into the social and economic past of Louisiana, let us look briefly at the state's political history. -
African Art at the Portuguese Court, C. 1450-1521
African Art at the Portuguese Court, c. 1450-1521 By Mario Pereira A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of History of Art and Architecture at Brown University Providence, Rhode Island May 2010 © Copyright 2010 by Mario Pereira VITA Mario Pereira was born in Boston, Massachusetts in 1973. He received a B.A. in Art History from Oberlin College in 1996 and a M.A. in Art History from the University of Chicago in 1997. His master’s thesis, “The Accademia degli Oziosi: Spanish Power and Neapolitan Culture in Southern Italy, c. 1600-50,” was written under the supervision of Ingrid D. Rowland and Thomas Cummins. Before coming to Brown, Mario worked as a free-lance editor for La Rivista dei Libri and served on the editorial staff of the New York Review of Books. He also worked on the curatorial staff of the Isabella Stewart Gardner Museum where he translated the exhibition catalogue Raphael, Cellini and a Renaissance Banker: The Patronage of Bindo Altoviti (Milan: Electa, 2003) and curated the exhibition Off the Wall: New Perspectives on Early Italian Art in the Gardner Museum (2004). While at Brown, Mario has received financial support from the Graduate School, the Department of History of Art and Architecture, and the Program in Renaissance and Early Modern Studies. From 2005-2006, he worked in the Department of Prints, Drawings and Photographs at the Museum of Art, Rhode Island School of Design. In 2007-2008, he received the J. M. Stuart Fellowship from the John Carter Brown Library and was the recipient of an Andrew W. -
The Influence of Yoruba Religion and Gastronomy on the Yoruba Diaspora of Cuba and Brazil: a Transnational Analysis
The Influence of Yoruba Religion and Gastronomy on the Yoruba Diaspora of Cuba and Brazil: A Transnational Analysis Maryam Ogunbiyi TC 660H Plan II Honors Program The University of Texas at Austin December 8, 2016 Omoniyi Afolabi, Ph.D. Department of African & African Diaspora Studies Supervising Professor Michael R. Anderson, Ph.D. Director in the Department of International Relations and Global Studies Second Reader Ogunbiyi 2 ABSTRACT Author: Maryam Ogunbiyi Title: The Influence of Yoruba Religion and Gastronomy on the Yoruba Diaspora of Cuba and Brazil: A Transnational Analysis Supervising Professor: Omoniyi Afolabi, Ph.D. Second Reader: Michael R. Anderson, Ph.D. The forced integration of the Yoruba into the Atlantic World has led to gastronomic and religious influences on the diaspora in Cuba and Brazil. Both nations are linguistically different but the combined diaspora of Cuba and Brazil have been influenced by the cultural preservation of Yoruba norms transposed in Latin America via the trans-Atlantic slave trade. The implication of this assertion is that Yoruba influence is not limited by borders; rather, the influence of the Yoruba ethnic group is transnational. The cultural manifestation of the Yoruba is found in the religious and gastronomic practices of their diaspora in Cuba and Brazil. Ogunbiyi 3 ACKNOWLEDGMENTS Ọwọ́ ọmọdé ò tó pẹpẹ, tàgbàlagbà ò wọ akèrègbè A child's hand can't reach the shelf as an elder's can't enter a gourd. -Yoruba Proverb I would like to extend my sincere gratitude to my supervisor, Dr. Omoniyi Afolabi, and my second reader, Dr. Michael R. Anderson for providing me with their endless support, patience, and guidance throughout this thesis writing process. -
Divination and Propitiation in the Lukumi Religion
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2014 Speaking with the Orishas: Divination and Propitiation in the Lukumi Religion Kristi Marrero University of Central Florida Part of the Anthropology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Marrero, Kristi, "Speaking with the Orishas: Divination and Propitiation in the Lukumi Religion" (2014). Electronic Theses and Dissertations, 2004-2019. 4787. https://stars.library.ucf.edu/etd/4787 SPEAKING WITH THE ORISHAS: DIVINATION AND PROPITIATION IN THE LUCUMI RELIGION by KRISTI MARRERO B.A. University of Central Florida, 2008 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Anthropology in the College of Sciences at the University of Central Florida Orlando, Florida Fall Term 2014 Major Professor: Rosalyn Howard ©2014 Kristi Marrero ii ABSTRACT The Lucumí religion was born in Cuba from African and European religious systems. The enslaved Yoruba were brought to the New World through the Trans-Atlantic Slave Trade. They were taken from their homes, family, language, and religion and brought to countries like Cuba to provide free labor to growing agricultural markets that benefited European colonizers of the Americas. The Yoruba would hold on to their religion, but in order to keep it alive, they would have to make it into a new religion.