AMB Digital Booklet

AMB 90205 1 …and more bears RECORDINGS "designed for repeated listening" AMB 90205 2 rJiUchSardT h FayOmRan TanOd NhisI GorHcheT stra 1. Just For Tonight (Szpilman) . 2:19 2. Theme For A Starlet (Keller) . 2:36 3. Marie (Karasinski) . 2:23 4. Blue Angel (Ettore) . 2:54 5. Noche Misteriosa (Nowicki) . 2:10 6. Angie (Enoch) . 2:41 7. Bon Voyage (Buzuk) . 2:42 8. So Little Time (Keller) . 2:37 9. Serenade At Twilight (Mosti) . 3:04 10. Loneliness (Valdi) . 2:15 11. Serenade (Deiro) . 2:46 12. Fata Morgana (Lewandowski) . 2:18 Original SESAC N-1853/54 OP 1965 Alle Menschen …AND MORE BEARS • Achtern Dahl 4 • D-27729 Vollersode • Germany • OP & OC 2015 … AND MORE BEARS LC 05197 sind Ausländer. Fast überall. AMB 90205 3 rJiUchSardT h FayOmRan TanOd NhisI GorHcheT stra ‘Just For Tonight’ contains all the ingredients that have made Richard Hayman a distinctive name in music. Here, the famous harmonica virtuoso, composer, conductor and arranger combines the orchestral elements into a rich, yet trans - parent texture. The imaginative employment of brass, the winning use of harp and strings and the subtle interweaving of harmonica solos create that unique luxurious sound – a sound that possesses a delicate balance between sentiment and sophistication – ‘Just For Tonight.’ The title tune, an exotic beguine, introduces a night of tropical splendor as the reeds chant an idyll of love and the strings and brass capture the essence of undulating waters and whispering palms in a melody that will last for alife - time. The mood continues in Noche Misteriosa … a mysterious night south of the border – a black velvet tissue illuminated by a milion pinpoints of light. It’s another beguine, swept along by strings, maracas and bongos, that captures the musical pulse of a Caribbean night, and proves, through Richard Hayman’s solos, that the harmonica is a full-fledged member of the concert orchestra. In a similar Latin enchantment, Bon Voyage , expresses the sun-filled, fun-filled atmosphere of a cruise ship headed for the West Indies. The beauty of the evening is enhanced by the appearance of four lovely ladies. One is Marie , represented by a melodious harp that flits through a concert waltz, surrounded by an inventive array of musical instruments. Another is the young actress who fervently hopes, dreams and aspires to be a great star – her AMB 90205 4 rJiUchSardT h FayOmRan TanOd NhisI GorHcheT stra desires aptly mirrored by the glamorous mood piece in modern tempo… Theme For A Starlet . Still more mysterious is Blue Angel , the gal without a name who drifts through the domain of dreams, reflecting the many facets and moods of the night. Angie , though, is more down to earth – a pert little flirt who hurts men’s hearts, but still finds plenty of admirers at her doorstep. Her story is told in a swiging arrangement by Richard Hayman and His Orches - tra. The night is an etching of numerous impressions. The sliding, shifting and soft- stepped rhythms of a shuffle trace the feeling of daylight, born like a stroke of music into the world, slowly fading into a restful night in a Serenade At Twi - light . Then, in the deep reaches of night, another Serenade fills the air – the bright song of a wandering minstrel, playing his mandolin, among the rolling hills and fertile fields of romantic Italy. The night can also bring Loneliness – which is the title of a colorful melody in which Richard Hayman’s harmonica adds new dimensions to the musical expression of the blues. The feeling of loneliness can stir the imagination even to the point of seeing a mirage… but the Fata Morgana offered by Richard Hayman and His Orchestra is a reality… a lilting session of waltz magic. But for some, the night ends too soon… there is just a brief moment for a hurried embrace, a fleeting kiss and a memory… a memory in music that sighs So Little Time . Original Liner Notes AMB 90205 5 …and more bears RECORDINGS "designed for repeated listening" For the very first time you now can acquire – ex - were owned exclusively by the heirs of the clusively through ...AND MORE BEARS – the PT SESAC founder and, with a few exceptions, have Master Recording catalog, formerly known as never been used for vinyl recordings... much less 'SESAC Transcribed Library'. Extensive parts of CD. this catalog will be available worldwide for downloading through the regular channels and Highlights of the catalogue include: platforms, as well as CD-on-demand albums. G A catalog of more than 7500 songs; The most important point for music lovers and G Exclusive recordings from jazz giants such collectors is the material's exclusiveness: the as Count Basie, Duke Ellington, Woody music was unavailable elsewhere. Herman and many others; The musicians and band-leaders were given stu - G Ace session musicians and supporting dio time to record exclusive sessions of extra players who were stars in their own right songs. Successful artists liked SESAC because it like Alice Coltrane, Nat Adderly, Thad Jones, meant some extra money. From the very begin - Kai Winding, Si Zentner, Gary Burton, Andy ning, the repertoire was only available on a loan Williams, Eric Dolphy, Zoot Sims and many, basis for radio stations – every month the sta - many more; tions were given 40 cm transcription discs (later G Rare and sought after session recordings with LP-sized discs) that were delivered with com - Chet Atkins, The Jordanaires, Anita Kerr, plete text information for the radio presenters. For DJs, SESAC transcriptions meant interesting Richard Maltby, Tony Mottola, Nathaniel and rare material for their audiences. And the Shilkret, The Stamps Baxter Men, The States- sound quality is brilliant, as the recordings took men, Webb Pierce and Faron Young; place in some of America's best studios, and out- G Extensive classical repertoire with symphony standing arrangers worked on these sessions. orchestras. These recordings were initially produced for G 1950s material in categories like Swing, SESAC, America's second-oldest copyright soci - Lounge, Country, Folk, Barbershop, Choir, ety. The library was active from the late 1940s Cowboy Music, Southern Gospel, Hawaiian, until the early ‘80s. The rights to the recordings Latin, Marching Bands, Polkas among others. Go to www.and-more-bears.de to explore the full catalogue and see the latest additions.

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