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19 Widening Starts Into Town Millions in COVID Cash Coming
SPORTS COOK OF THE WEEK SANDERS ELATED AFTER JENKINS ENJOYS SCORING FIRST COLLEGE GOAL SOUTHERN STAPLES Soccer — Page 8A Anne Smith Jenkins — Page 1B Established 1881 — Oldest Business Institution in Neshoba County Philadelphia, Mississippi Wednesday, April 7, 2021 140th Year No. 14 **$1.00 COUNTY, CITY RECEIVING FUNDING Millions in COVID cash coming By SCOTT HAWKINS guidelines from the United it.” approximately $6 billion in total • $97 million for metro ty’s COVID-19 response efforts [email protected] States Department of the Treas- Mayor James Young said the from the rescue act, which is cities; and some allowable infrastruc- ury on allowable uses for the city also is awaiting guidelines equal to the state budget. • $1.8 billion to be appropri- ture spending. Neshoba County will receive monies before proceeding with but did say the funds will be a The funding will be distrib- ated by the Mississippi Legisla- “The board did publish a $5.6 million and the city of a spending plan. much-needed shot in the arm to uted as follows, according to ture over the next three years request for proposals on broad- Philadelphia $1.6 million in the “They haven’t published any the city. Mississippi Today: primarily to replace revenue lost band services for the under- federal government’s $1.9 tril- guidelines for the use of that “We will be able to do some- • $429 million for higher because of the pandemic for served and unserved areas of the lion federal American Rescue other than what is in the actual thing street-wise and police- education; COVID-19-related costs; and county in establishing broad- Act passed last month by Con- legislation,” said Jeff Mayo, wise,” Young said, adding the • $166 million for capital • $1.6 billion for K-12 edu- band,” Mayo said. -
1CCEE6 24 (REV) INSTRUCTION CF HIGH Sum STUCENTS in REACING for DIFFERENT PLRPOSE: SMITH, HELEN K
NCEC-63( ERIC REPORT RESUME EC C1C C6C 1CCEE6 24 (REV) INSTRUCTION CF HIGH sum STUCENTS IN REACING FOR DIFFERENT PLRPOSE: SMITH, HELEN K. * ANCRESEN, CLIVER S. C1YCS354 LNIVERSITY CF CHICAGC CRF-1714 EEPS PRICE MF$C.63 HC$17.84 446P. *REACING, REACING IHSTnLCTICK, REACING PROGRAMS, *PROGRAM EVALLATION, *INSTRICTICNAL MATERIALS, *SECONDARY ECUCATION, NILES TOWNSHIP HIGH sueu WEST, CHICAGO, ILLINOIS POTENTIAL BENEFITS TO EE DERIVED FRCP PLANNEC PURPOSEFUL READING INSTRICTION WERE STUCIED. TWELVE PURPOSES WERE THEN SELECTED FCR PIRPOSEFLL REACING AT THE NINTHGRACE NIGH SCHOOL LEVEL. STUDENTS IN TEE EXPERIMENTAL GROLP AND COINTROL GROUP WERE THEN SELECTED ON THE BASIS CF NEED FOR PURPOSEFLL READING INSTRUCTION. INDIVIDUALS IN THE CCNTROL AND EXPERIMENTAL GROUPS WERE MATCHED ON THE BASIS OF READING INVENTORY SCORES AND I.C. PLANNED PURPOSEFUL READING INSTRUCTION WAS TEEN GIVEN 'IC THE EXFERII"ENTAL GRCLP AND EVALUATED. THE EXPERIMENTAL EVALLATICh WAS CCMPAREC WITH AN EVALUATION OF CONTROL GROUP INSTRUCTION. INSTRUCTION IN BCTH GROUPS WAS OBSERVED EY A READING RESEARCH ASSOCIATE TC ASCERTAIN PROCECCRES ANC METHODS ISEC EY TEACHERS. EFFECTIVENESS CF THE INSTRUCTIONAL TECHNIQUES USED WAS CCMPAREC. ANALYSIS OF CCVARIANCE WAS USED TO ADJUST FOR DIFFERENCES IN I.Q. CR PLRFCSEFUL READING PRETEST SCORES. EXPERIMENTAL SUBJECTS CID NOT READ SIGNIFICANTLY BETTER THAN THE CCNTRCL GROUP FOR THE 12 STUN' PURPOSES SELECTED. HOWEVER, THE RESULTS INDICATE THAT THE PERCENTAGE OF STLDEN1S SCORING ABOVE ONE STANDARD DEVIATION WAS HIGHER IN THE EXPERIMENTAL GIMP. IT WAS CONCLUDED THAT THE MATERIALS CEVELOPED FOR INSTRUCTION ANC TESTING HAD BEEN USED SLCCESSFILLY ANC THAT PLAKNEC PURPOSEFUL READING INSTRUCTION WAS SIPERICR TC INCIDENTAL INSTRUCTION. IWO WELFAlia 1-lf_N_IH,CDUCATION AND U. -
100 Years: a Century of Song 1950S
100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary -
University Microfilms International 300 North Zeeb Road Ann Arbor, Michigan 48106 USA St
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand marking: or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
1950S Playlist
1/10/2005 MONTH YEAR TITLE ARTIST Jan 1950 RAG MOP AMES BROTHERS Jan 1950 WITH MY EYES WIDE OPEN I'M DREAMING PATTI PAGE Jan 1950 ENJOY YOURSELF (IT'S LATER THAN YOU THINK) GUY LOMBARDO Jan 1950 I ALMOST LOST MY MIND IVORY JOE HUNTER Jan 1950 THE WEDDING SAMBA EDMUNDO ROS Jan 1950 I SAID MY PAJAMAS (AND PUT ON MY PRAY'RS) TONY MARTIN/FRAN WARREN Jan 1950 SENTIMENTAL ME AMES BROTHERS Jan 1950 QUICKSILVER BING CROSBY/ANDREWS SISTERS Jan 1950 CHATTANOOGIE SHOE SHINE BOY RED FOLEY Jan 1950 BIBBIDI-BOBBIDI-BOO PERRY COMO Feb 1950 IT ISN'T FAIR SAMMY KAYE/DON CORNELL Feb 1950 RAG MOP LIONEL HAMPTON Feb 1950 THE THIRD MAN THEME ANTON KARAS Feb 1950 MY FOOLISH HEART GORDON JENKINS Feb 1950 THE CRY OF THE WILD GOOSE FRANKIE LAINE Feb 1950 THE FAT MAN FATS DOMINO Feb 1950 DADDY'S LITTLE GIRL MILLS BROTHERS Feb 1950 MUSIC MUSIC MUSIC TERESA BREWER Mar 1950 THE THIRD MAN THEME GUY LOMBARDO Mar 1950 CANDY AND CAKE MINDY CARSON Mar 1950 MY FOOLISH HEART BILLY ECKSTINE Mar 1950 IF I KNEW YOU WERE COMIN' I'D'VE BAKED A CAKE EILEEN BARTON Mar 1950 WANDERIN' SAMMY KAYE Mar 1950 DEARIE GUY LOMBARDO Apr 1950 COUNT EVERY STAR HUGO WINTERHALTER Apr 1950 HOOP-DEE-DOO PERRY COMO Apr 1950 BEWITCHED BILL SNYDER Apr 1950 PETER COTTONTAIL GENE AUTRY Apr 1950 ARE YOU LONESOME TONIGHT BLUE BARRON May 1950 THE OLD PIANO ROLL BLUES HOAGY CARMICHAEL/CASS DALEY May 1950 BEWITCHED DORIS DAY May 1950 VALENCIA TONY MARTIN May 1950 I DON'T CARE IF THE SUN DON'T SHINE PATTI PAGE May 1950 I WANNA BE LOVED ANDREWS SISTERS May 1950 BONAPARTE'S RETREAT KAY STARR Jun 1950 MONA -
Lister); an American Folk Rhapsody Deutschmeister Kapelle/JULIUS HERRMANN; Band of the Welsh Guards/Cap
Guild GmbH Guild -Light Catalogue Bärenholzstrasse 8, 8537 Nussbaumen, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Track/Composer Artists GLCD 5101 An Introduction Gateway To The West (Farnon); Going For A Ride (Torch); With A Song In My Heart QUEEN'S HALL LIGHT ORCHESTRA/ROBERT FARNON; SIDNEY TORCH AND (Rodgers, Hart); Heykens' Serenade (Heykens, arr. Goodwin); Martinique (Warren); HIS ORCHESTRA; ANDRE KOSTELANETZ & HIS ORCHESTRA; RON GOODWIN Skyscraper Fantasy (Phillips); Dance Of The Spanish Onion (Rose); Out Of This & HIS ORCHESTRA; RAY MARTIN & HIS ORCHESTRA; CHARLES WILLIAMS & World - theme from the film (Arlen, Mercer); Paris To Piccadilly (Busby, Hurran); HIS CONCERT ORCHESTRA; DAVID ROSE & HIS ORCHESTRA; MANTOVANI & Festive Days (Ancliffe); Ha'penny Breeze - theme from the film (Green); Tropical HIS ORCHESTRA; L'ORCHESTRE DEVEREAUX/GEORGES DEVEREAUX; (Gould); Puffin' Billy (White); First Rhapsody (Melachrino); Fantasie Impromptu in C LONDON PROMENADE ORCHESTRA/ WALTER COLLINS; PHILIP GREEN & HIS Sharp Minor (Chopin, arr. Farnon); London Bridge March (Coates); Mock Turtles ORCHESTRA; MORTON GOULD & HIS ORCHESTRA; DANISH STATE RADIO (Morley); To A Wild Rose (MacDowell, arr. Peter Yorke); Plink, Plank, Plunk! ORCHESTRA/HUBERT CLIFFORD; MELACHRINO ORCHESTRA/GEORGE (Anderson); Jamaican Rhumba (Benjamin, arr. Percy Faith); Vision in Velvet MELACHRINO; KINGSWAY SO/CAMARATA; NEW LIGHT SYMPHONY (Duncan); Grand Canyon (van der Linden); Dancing Princess (Hart, Layman, arr. ORCHESTRA/JOSEPH LEWIS; QUEEN'S HALL LIGHT ORCHESTRA/ROBERT Young); Dainty Lady (Peter); Bandstand ('Frescoes' Suite) (Haydn Wood) FARNON; PETER YORKE & HIS CONCERT ORCHESTRA; LEROY ANDERSON & HIS 'POPS' CONCERT ORCHESTRA; PERCY FAITH & HIS ORCHESTRA; NEW CONCERT ORCHESTRA/JACK LEON; DOLF VAN DER LINDEN & HIS METROPOLE ORCHESTRA; FRANK CHACKSFIELD & HIS ORCHESTRA; REGINALD KING & HIS LIGHT ORCHESTRA; NEW CONCERT ORCHESTRA/SERGE KRISH GLCD 5102 1940's Music In The Air (Lloyd, arr. -
Eastern Diamonds National January 27
r $?. r v &?? H: Pk.-- J , 22 THE SUNDAY OREGONIAN, PORTLAND, JULY 31, 190 ! or contrary to the attraction of gravita or vertically, from above or below, be- tlon. cause friction of the atmosphere, com- Major W. Bethel and Walter Goss Will Represent xno period mentioned was in ute in-- pressed by the ball's combined velocity A A lancy oi sKiiieu oaseDau piaymg. ainct: and speed of rotation retards and finally Crack Tennis Players to Go to Victoria Oregon at North Pacific International Tournament. 'then, a generation of players of the game exhausts Its movement of rotation at the Ijas grown up, and the constant repetition end of its flight- - The two movements of of the phenomenon mentioned has become the ball, and the resistance of the at- ATAfl TtT -A D L"MLJ L' I .....9 TrTM1M. mosphere, com- t 5. 1 ViV U. UIU IIOllU I so "engrafted with common experience forming together three Goss the two best tennis-pla- y- that few persons conversant with the pounded forces, compel the flight of the "11. '.m era in Oreeon. Trill renresent the game ever think that it needs explanation. ball to assume the form of a curve. As -- VmMultaomah Club, op The character of the pitch, whatever it the ball leaves the hand of the pitcher, it the official tennis may be, seems just as natural to them as whirls onward until, the quickness of its tion or the city, at Victoria this that of the slight vertical curve of the rotation being diminished by friction on tweet In the first annual tournament of ball when compounded simply of the It3 surface from the atmosphere, and ithe North Pacific International Lawn forces of Its projection and the attraction thereby weakened, it curves either up- ennls Association. -
Fall 2018 the WESTERN WAY CONTENTS FEATURES Tales of the West 27 6 Jim Wilson in the Crosshairs Sons of the Pioneers
Founder From e President... Bill Wiley Ocers Marvin O’Dell, Someone told me recently that they don’t join or get President involved with the IWMA because the same people win the Jerry Hall, Executive V.P. Robert Fee, awards year aer year. It’s not the rst time I’ve heard this, V.P. General Counsel but I thought this time I would check to see if that is, in fact, Yvonne Mayer, Secretary true. Here’s what I discovered (you can see these same results Diana Raven, Treasurer at the IWMA Web site): Executive Director In the Male Performer of the Year category, there have Marsha Short been six dierent winners in the last ten years; the female Board of Directors counterpart in that category has had six dierent winners in John Bergstrom Richard Dollarhide Marvin O’Dell the last eleven years. Ok, there’s a little room to gripe there, Robert Fee but not much. It’s certainly not the same winner every year. Juni Fisher IWMA President Belinda Gail In the Songwriter of the Year category there have been Jerry Hall eight dierent winners in the last ten years, and the Song of the Year category shows 14 Judy James Robert Lorbeer dierent winners in the last 16 years. Yvonne Mayer e Traditional Duo/Group category has had 10 dierent winners in the last eleven years. Marvin O’Dell Theresa O’Dell Western Swing Album of the Year? Nine dierent winners in the past ten years. Instrumentalist of the Year? Eight dierent players have taken home the award in the past 2018 Board Interns 10 years. -
The Rita Williams Popular Song Collection a Handlist
The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy -
Perry Como Lightly Latin Mp3, Flac, Wma
Perry Como Lightly Latin mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Latin / Pop Album: Lightly Latin Country: Germany Released: 1966 Style: Vocal, Easy Listening, Bossa Nova MP3 version RAR size: 1315 mb FLAC version RAR size: 1163 mb WMA version RAR size: 1543 mb Rating: 4.3 Votes: 644 Other Formats: MPC AUD MP4 APE VOC MIDI AAC Tracklist Hide Credits How Insensitive (Insensatez) A1 3:10 Written-By – Antonio Carlos Jobim, Vinicius De Moraes Stay With Me A2 3:03 Written-By – Nick Perito, Ray Charles The Shadow Of Your Smile A3 3:46 Arranged By – Torrie ZitoWritten-By – Johnny Mandel, Paul Francis Webster Meditation (Meditaçao) A4 Backing Vocals – The Ray Charles SingersWritten-By – Antonio Carlos Jobim, Newton 3:45 Mendonça, Norman Gimbel And Roses And Roses A5 3:07 Backing Vocals – The Ray Charles SingersWritten-By – Dorival Caymmi, Ray Gilbert Yesterday A6 2:59 Written-By – Lennon-McCartney Coo Coo Roo Coo Coo Paloma B1 Backing Vocals – The Ray Charles SingersWritten-By – Patricia P. Valando, Ronnie Carson, 2:49 Tomas Mendez Dindi B2 4:16 Written-By – Aloysio De Oliveira, Antonio Carlos Jobim, Ray Gilbert Baía B3 Arranged By – Torrie ZitoBacking Vocals – The Ray Charles SingersWritten-By – Ary 3:25 Barroso, Ray Gilbert Once I Loved (Amor e Paz) B4 3:50 Written-By – Antonio Carlos Jobim, Ray Gilbert, Vinicius De Moraes Manhã De Carnaval B5 2:39 Backing Vocals – The Ray Charles SingersWritten-By – Antônio Maria, Luiz Bonfá Quiet Nights Of Quiet Stars B6 3:19 Written-By – Antonio Carlos Jobim, Buddy Kaye, Gene Lees Credits -
Jimmy Durante Papers PASC-M.0195
http://oac.cdlib.org/findaid/ark:/13030/c8cv4m1z No online items Finding Aid for the Jimmy Durante Papers PASC-M.0195 Finding aid prepared by Alexandra Apolloni; machine-readable finding aid created by Julie Graham and Caroline Cubé. UCLA Library Special Collections Online finding aid last updated on 2021 January 19. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Jimmy Durante PASC-M.0195 1 Papers PASC-M.0195 Contributing Institution: UCLA Library Special Collections Title: Jimmy Durante papers Creator: Durante, Jimmy Identifier/Call Number: PASC-M.0195 Physical Description: 150 Linear Feet(342 boxes) Date (inclusive): circa 1920s-circa 1990 Abstract: Jimmy Durante had a decades-long career as a musician, songwriter, comedian, and actor. The collection consists of script material, scrapbooks, photographs, written music, audio recordings, printed material and ephemera, and a small amount of correspondence documenting Durante's extensive career as an entertainer on stage, radio, film, and television. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: Materials are in English. Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Physical Characteristics and Technical Requirements CONTAINS AUDIOVISUAL MATERIALS: This collection contains both processed and unprocessed audiovisual materials. Audiovisual materials are not currently available for access, unless otherwise noted in a Physical Characteristics and Technical Requirements note at the series and file levels. -
A Written Creative Work Submitted to the Faculty of San Francisco State University in Partial Fulfillment of the Requirements for the Degree
HOW ARE WE ALL CONNECTED? A written creative work submitted to the faculty of San Francisco State University In partial fulfillment of the requirements for the Degree As Master of Fine Arts 50 In Zo'Z Creative Writing • U 2 C , by Jennifer Lewis San Francisco, California May 2015 Copyright by Jennifer Lewis 2015 CERTIFICATION OF APPROVAL I certify that I have read How Are We All Connected by Jennifer Lewis, and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirement for the degree Master’s of Fine Arts in Creative Writing at San Francisco State University. Peter Omer, MFA Professor of Creative Writing --------- Maxine Chemoff, MA Professor of Creative Writing How Are We All Connected? Jennifer Lewis San Francisco, California 2015 This short story collection explores the complexity of human behavior and how various people only see role or mask of a whole self. The characters are intentionally inconsistent. For example in “My Collection,” Elaine is speaking directly to someone. Maybe a close friend? Maybe her own conscience? The tone of her voice and her opinions are very different than in “A Distinguished Man,” where she is shown as a responsible and loving mother. These jumps in voice and point of view, illustrate how we all teetering between hypocrisy and compassion. I certify that the abstract is a correct representation of the content of this written creative work. Chair, Thesis Committee Date ACKNOWLEDGEMENTS I would like to thank Peter Omer, Maxine Chemoff, Shadia Savo and Jason Pontin. v TABLE OF CONTENTS Page 1.