Dossier Ingles.Indd
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Quaderns Del CAC 44, Vol
QUADERNS ISSN (online): 2014-2242 / www.cac.cat DEL CAC Constructing a television format: the case of the Telenotícies news programme on Catalan public television (TV3) MIQUEL SAÑAS Graduate in Audiovisual Communication and consultant [email protected] MARÍA GUTIÉRREZ Associate Professor of the Audiovisual Communication and Advertising Department at the Universitat Autònoma de Barcelona [email protected] ORCID Code: orcid.org/0000-0002-2340-7677 Article received on 13/05/18 and accepted on 20/07/18 Abstract Resum The consolidation of any television format requires a long La consolidació d’un format requereix una llarga trajectòria period of time in broadcast, so that the audience can recognize d’emissions que faciliti el reconeixement de les convencions the narrative conventions used. This article contemplates the narratives emprades per l’audiència. Aquest article aborda evolution of 33 years of Telenotícies newscast on the Catalan l’evolució dels 33 anys de Telenotícies a TV3 des de la perspectiva public channel TV3 from the perspective of the format, del format, analitzant els diferents factors que l’han convertit analysing the factors that have made it a product with its en un producte amb entitat pròpia. A partir de l’anàlisi d’una own entity. Based on the analysis of a sample of editions, mostra d’edicions, complementades amb entrevistes als actors complemented with interviews with the actors directly involved directament implicats en el seu desenvolupament, es constata in their development, there is a significant influence of the la significativa influència de la forma sobre el contingut i com shape on the content and an outstanding role of technology in la tecnologia participa de l’art d’explicar notícies. -
Organizing Your Daily Life in Catalonia
ORGANIZING YOUR DAILY LIFE IN CATALONIA Opening Hours: Shops (food, newspapers ...) Monday – Saturday: 8.00 – 13.00 and 17.00-20.00 Sunday: 8.00 – 14.00, Petrol stations : Monday – Saturday: 7.00 – 22.00 Sunday: 7.00 – 14.00, Banks : Monday – Saturday: 9.00 – 14.00 Other Shops : Monday – Saturday: 10.00 – 13.00 and 17.00 -20.00 Some shops : 10.00 - 20.00 Radio and TV: TV : Catalan Channels:TV3, Canal 33, 8TV Spanish Channels:TV1, TV2, Antena3, Cuatro, Telecinco, La Sexta There are other TV channels, but the ones above are the most popular. You’ll find all the information about the programs in the newspapers. Radio : there are a lot different broadcasting stations in Catalan or Spanish where you can listen to music, news or other programs. Newspapers: Here are some links to Spanish and Catalan newspapers. www.lavanguardia.es Spanish (Right) www.elmundo.es Spanish (Right) www.abc.es Spanish (Right) www.elpais.com Spanish (Left) www.elperiodico.com Catalan and Spanish (Left) www.avui.es Catalan (Left) You will find some English newspapers on many newsstands all over Spain, especially at bigger railway stations. There is also some selection of English books available in the bookshops of bigger cities. Travelling in Catalonia Travelling by train is a good way to get to know the country. Information about the connections you will find on the webpage www.renfe.es If you want to go to villages in the countryside, you can use the bus service. Depending on the area, the company is different, so you’d better go to the bus station and ask. -
Edición Impresa
Larevista Páginas 14 a 19 «SOY UN ROMÁNTICO Follonero Peter Inicia en Cuba Handke EMPEDERNIDO» la tercera Entrevista con Pablo Pineda,que protagoniza temporada Por primera Yo,también junto con Lola Dueñas.Ayer se de ‘Salvados’ vez, su poesía presentó en el Festival de San Sebastián en castellano El precio de la cesta de la compra baja por El primer diario que no se vende primera vez en 21 años Dijous 24 SETEMBRE DEL 2009. ANY IX. NÚMERO 2225 Llenar el carro cuesta ahora un 3,6% menos que el año pasado. Canarias y PaísVasco son las comunidades más caras; y Murcia y Galicia, las más baratas. En Barcelona La Mercè comença amb un pregó que exalta «la gent de mal viure» del Raval podemos ahorrar hasta 1.851 euros al año dependiendo del establecimiento. 2 Montse Carulla i Vicky Peña defensen la «immigra- ció». Arrenquen més de 600 activitats al carrer. 3y17 La reforma del Palau de la Música costó la mitad de lo que decían las cuentas Se habrían puesto de más 12 millones de euros. 2 El TSJ de Castilla y León reconoce la objeción a Educación para la Ciudadanía El tribunal castellano lo admite en dos casos. El Supre- mo falló hace 8 meses a favor de cursar la materia. 6 La UE y EE UU anuncian medidas concretas de OSWALDO RIVAS / REUTERS control para los bancos Primeras víctimas en los disturbios de Honduras Obama elegirá a un supervisor y la Comisión Eu- Una persona murió por un disparo de la Policía, según reconocieron fuentes oficiales, aunque la oposición asegura que ha ha- ropea creará un consejo que vigilará la estabi- bido otras tres víctimas, entre ellas un niño de 8 años, intoxicadas por los gases lacrimógenos. -
2021 Annual Disclosure Statements
ATMC - PRIVACY INFORMATION programming, and related purposes. Aggregate information that does not identify you may be collected and used for As a customer of ATMC, you are entitled to know what we programming, advertising and similar purposes. When we do with personal information that we receive about you. We provide digital video recorder services, we may also receive consider our treatment of such information to be a part of the detailed information concerning your use and operation of the trust you place in us by using our Voice, Video, and Internet recorder for the uses described below in “Use and Sharing.” Services. We provide this notice to better answer questions Internet Services – Like most Internet service providers, we you may have, but our basic privacy policy remains the same. automatically collect certain general information concerning We keep only the personal information of our customers that your use, such as the Internet Protocol (IP) addresses is needed to provide our services, treat it as private, use it only assigned (an identifier assigned to your computer while for what we offer you, do not sell it to others, work to keep it online), bandwidth used, system and connection performance, secure, and destroy it when no longer needed. While we cannot browsers used, dates and times of access, and Internet cover here every situation where your personal information resource requests, including requests to access web pages. may be affected, we have included those we believe are of We do not store online messages sent and received unless left most interest. By law, we tell you annually about our privacy in your ATMC Internet account file. -
Broadcasting Decision CRTC 2011-43
Broadcasting Regulatory Policy CRTC 2011-43 PDF version Ottawa, 25 January 2011 Revised lists of eligible satellite services – Annual compilation of amendments 1. In Broadcasting Public Notice 2006-55, the Commission announced that it would periodically issue public notices setting out revised lists of eligible satellite services that include references to all amendments that have been made since the previous public notice setting out the lists was issued. 2. Accordingly, in Appendix 1 to this regulatory policy, the Commission sets out all amendments made to the revised lists since the issuance of Broadcasting Regulatory Policy 2010-57. In addition, the lists of eligible satellite services approved as of 31 December 2010 are set out in Appendix 2. 3. The Commission notes that, as set out in Broadcasting Regulatory Policy 2010-839, it approved a request by TELUS Communications Company for the addition of 17 new language tracks to Baby TV, a non-Canadian service already included on the lists of eligible satellite services for distribution on a digital basis. Secretary General Related documents • Addition of 17 new language tracks to Baby TV, a service already included on the lists of eligible satellite services for distribution on a digital basis, Broadcasting Regulatory Policy CRTC 2010-839, 10 November 2010 • Revised lists of eligible satellite services – Annual compilation of amendments, Broadcasting Regulatory Policy CRTC 2010-57, 4 February 2010 • A new approach to revisions to the Commission’s lists of eligible satellite services, -
Mediterranean Games Are a Sports Competition Organized by the International Committee of the Mediterranean Games and Are Also Part of the Olympic Movement
MAKE HISTORY WITH US The Mediterranean Games are a sports competition organized by the International Committee of the Mediterranean Games and are also part of the olympic movement. Participating countries are from the mediterranean basin. Tarragona 2018 will host the mediterranean games from 22nd june to 1st july 2018 and it will be the third time in which Spain organizes the games, after Barcelona in 1955 and Almería in 2005. TARRAGONA HERITAGE OF HUMANITY BY UNESCO • Mediterranean quality of life • Great international tourism impact • Average yearly temperature 17ºC • 14 km of beaches with de fine sands and crystal waters • 2.700 hours of sun per year • Tarragona, Capital of the Costa Daurada • +400.000 tourists in 2015 • 1,5 M overnight stays 2015 A PROJECT ORGANIZED BY THE MAIN HOST COUNTRY INSTITUTIONS AND INTERNATIONAL AND NATIONAL SPORTS ORGANIZATIONS His Majesty the King Felipe VI is the president of the XVIII MEDITERRANEAN GAMES 26 NATIONAL OLYMPIC COMMITTEES WILL PARTICIPATE Important olympic athletes have participated in former editions of the mediterranean games Tarragona 2018: more than 4,000 athletes, 1,000 juries and an estimated presence of more than 150,000 spectators 16NUESTRAS VENUES WILL HOLD THESEDES SPORT COMPETITIONS IN WHICH ATHLETES WILL COMPETE IN 33 SPORTS DISCIPLINES THE GAMES WILL HAVE AN IMPORTANT MEDIA IMPACT: RTVE & CCMA AGREEMENTS MEDIA REPERCUSSION • The Media impact will surpass 20 million euros and 250 hours of broadcasting • Agreement with RTVE and Corporació Catalana for the broadcasting and support of the coverage of the games through highlights and daily roundups (TVE, Teledeporte, TV3, C33, Catalunya Radio…) • Opening and Closing ceremonies broadcast live and on prime time (Teledeporte and TV3) • Collaboration with the local TV networks • Specific agreements with International TV Channels of participating countries. -
The Construction of Gender Roles and Sexual Dissidence on TV
The Construction of Gender Roles And Sexual Dissidence on TV Using Anglo-Saxon Paradigms to Re-read Catalan and Spanish Texts Ph.D. 2013 SILVIA GRASSI Cardiff University 1 Contents Abstract i Acknowledgements ii Introduction 1-20 Chapter 1: The Construction of Gender Roles in Soap Operas: Using Anglo-Saxon Paradigms to Re-read Catalan Texts 21-123 1.1 A Call to Action: Television as a Site for Feminist Struggle 22-33 1.2 How and Why Women Watch Television: From Content Analysis to Audience Analysis 33-42 1.3 Soap Opera: A ‘Female’ Genre? 43-51 1.4 How and Why Women Watch Soap Operas: An Analysis of this Genre’s Appeal for an Audience Constructed as Female 51-67 1.5 Are Soaps all the Same? An Analysis of National Differences within the Genre 68-80 1.6 Are Soaps a Safe Place? An Analysis of Models of Family and the Construction of a Sense of Community in Soaps 80-99 1.7 Learning From Soaps: An Analysis of Soap Operas’ Didactic Aspirations 99-120 1.8 Conclusions 120-123 Chapter 2 The Construction of Sexual Dissidence on TV Using Anglo-Saxon Paradigms to Re-read Spanish and Catalan Texts 124-223 2.1 Do Words Count? A Terminological Clarification 126-131 2 2.2 An Overview of Studies of Non-Heteronormative Content on TV 131-135 2.3 Why Television Counts: The Importance of Non-Heteronormative Media Images 135-141 2.4 Normalisation: Who Has the Right to Belong to a Normal Country? 141-163 2.5 Television’s Construction of Sexual Dissidence: The Dominant Paradigm of Essentialism 163-198 2.6 Constructing a Collective History 198-211 2.7 Television’s Depiction of the Role of the School System in Sustaining Heteronormativity 211-218 2.8 Conclusions 219-223 Conclusion 224-232 Appendix 1 233-273 Appendix 2 274-296 Bibliography 297-331 3 Abstract Taking as a starting point an interpretation of the television medium as an Ideological State Apparatus, in my thesis I examine how gender roles and sexual dissidence are constructed in Spanish and Catalan television series. -
Watching TV Through Your Ears: an Overview of Catalan-Language Broadcasters’ Accessibility Services Offered for Viewers with Sight Loss
Watching TV Through Your Ears: An Overview of Catalan-language Broadcasters’ Accessibility Services Offered for Viewers With Sight Loss Irene Tor-Carroggio Universitat Autnoma de Barcelona, Spain Sara Rovira-Esteva Universitat Autnoma de Barcelona, Spain _________________________________________________________ Abstract Citation: Tor-Carroggio, I. & Rovira- Since 2010 the provision of audio description is legally required on TV Esteva, S. (2020). Watching TV through in Spain. The objective of this study was threefold: to investigate the your ears: An overview of Catalan- language broadcasters' accessibility current state of the media accessibility services of Catalan-language services offered for viewers with sight broadcasters for viewers with sight loss in relation to current legislation; loss. Journal of Audiovisual Translation, 3(1), 1–25. to assess user satisfaction with these services; and to gather feedback Editor(s): E. di Giovanni & A. Jankowska from users on non-professional services. According to our results Received: November 04, 2019 broadcasters fail to comply with the law in terms of quantity, although Accepted: March 28, 2020 users are fairly satisfied with the quality offered and are willing to Published: October 15, 2020 explore new approaches for AD provision. Copyright: ©2020 Tor-Carroggio & Rovira-Esteva. This is an open access Key words: audiovisual translation, media accessibility, audio article distributed under the terms of the Creative Commons Attribution License. description, Catalan-language broadcasters, user This allows for unrestricted use, satisfaction, non-professional services. distribution, and reproduction in any medium, provided the original author and source are credited. [email protected], https://orcid.org/0000-0003-2924-014X [email protected], https://orcid.org/0000-0001-7647-6417 Watching TV Through Your Ears: An Overview of Catalan-language Broadcasters’ Accessibility Services Offered for Viewers with Sight Loss 1. -
Goodbye-Espana-Dossier.Pdf
Pág. 1/12 C/Cueva de la Mora 7 Local 13 28670 Villaviciosa de Odón (Madrid) www.diagorasproducciones.com [email protected] Pág. 2/12 REPARTO: Rebecca Laura Castrillón Sam Andrés Navarro Pasionaria Candela Arroyo Jack Gabriel García Pilar Cristina De La Riva George Ramsés Vollbrecht Ernesto Daniel Acebes Piano y Guitarra Gabriel Martínez Marín Piano y Percusión Jorge Niño Laina Clarinete Alberto Villa Lozano Dirección Musical: Gabriel Martínez Marín Música y Letras: K S Lewkowicz Libreto: Judith Jhonson Traducción y Adaptación: Daniel Acebes Maya y Gabriel García Moreno Diseño de Iluminación: Juanjo Hernández Bellot y Sergio Barreiro Sánchez Diseño de Cartel: José Ponce de León Diseño Escenografía: Diagoras Producciones Vestuario: Dani Maya Jefe Técnico: Juanjo Hernández Bellot Ayudante de Dirección: Sergio Barreiro Sánchez Dirección: Daniel Acebes Maya Producción, Gestión y Distribución: Diagoras producciones C/Cueva de la Mora 7 Local 13 28670 Villaviciosa de Odón (Madrid) www.diagorasproducciones.com [email protected] Pág. 3/12 SOBRE LA OBRA Goodbye España cuenta la historia de Sam, un joven ingles que decide venirse a España como voluntario para combatir en la guerra civil. Rebecca, su madre, al no recibir noticias suyas, decide venirse a buscarlo uniéndose como enfermera voluntaria. Durante esa búsqueda de madre e hijo a lo largo de un país devastado por la guerra, Sam conoce a Pilar, una joven española a la que la guerra ha dejado huérfana. Rebecca, por su parte, conoce a Ernesto un español que resulta herido en la guerra. Goodbye España trata de lo que puede hacer la gente común y corriente cuando decide actuar. -
The Sala Beckett's 8Th Obrador D'estiu: from 6 to 13 July 2013
The Sala Beckett's 8th Obrador d'estiu: From 6 to 13 July 2013 An international meeting point for new playwriting This year... with all the rage Contents Welcome p.3 Agenda p.4 Courses and Workshops p.6 Seminar New Plays for a Time of Rage p.12 Open Activities p.20 New Plays for a Time of Rage. Staged readings p.20 Work in progress p.20 Other Activities p.21 Desig Jam p.22 The Obrador d’estiu on Núvol p.23 The Sala Beckett’s Obrador d’estiu Team p.24 Collaborators p.25 2 Welcome! It has now been eight years since the Sala Beckett/Obrador Internacional de Dramatúrgia started organising the Obrador d’estiu, an international meeting of emerging playwrights from around the world. Since 2006, initially in Argelaguer and more recently at different venues around Barcelona, in the month of July, we have been offering an intensive programme lasting a week and made up of courses, seminars, staged readings and other activities linked to contemporary playwriting, directed by some of the most important playwrights or theatre teachers of the moment. This year will see the participation of such professionals as David Harrower, Simon Stephens, Andrés Lima, José Sanchis Sinisterra, Guillem Cluaand Jordi Oriol. In the last two editions, fear and desire respectively were the themes chosen as a motif for the creation of works entrusted to authors hailing from different countries around the world. Thisl year our proposal is rage, not just as a motif for inspiration but also as a creative state of mind that is comprehensible and justifiable, as an attitude of personal and collective confrontation with respect to the economic, social and cultural situation we are currently experiencing. -
Variació Autodiatòpica I Variació Alterdiatòpica En Les Sèries De Televisió En Català
Núm. 8 Coneixements, usos i representacions socials de la llengua catalana 2014 Variació autodiatòpica i variació alterdiatòpica en les sèries de televisió en català David Paloma Mònica Montserrat Universitat Autònoma de Barcelona Universitat Oberta de Catalunya Resum L’article aborda dos conceptes nous del col·loquial mediatitzat en el marc de les sèries de televisió de producció pròpia: variació autodiatòpica i variació alterdiatòpica. Aquesta variació està al servei de la versemblança audiovisual, que és justament el propòsit més destacat del registre col·loquial en el marc de la ficció. L’article pren en consideració un corpus format per 96 capítols d’un total de 24 sèries de producció pròpia de TV3, d’IB3 i de Canal 9, emeses durant els anys 1992-2013, i presenta les principals tendències en la variació diatòpica dels actors i de les actrius en relació amb els personatges que interpreten. Paraules clau: televisió, sèries, variació geogràfica, variació autodiatòpica, varia- ció alterdiatòpica Abstract This article deals with the two new concepts of the mediated colloquial register in relation to the nationally-produced television series: autodiatopic variation and alterdiatopic variation. This kind of variation is at the service of audiovisual credibility, which is precisely the highlighted purpose of the mediated colloquial register within fiction. This article takes into consideration a corpus formed by 96 episodes from a total of 24 national television series produced by TV3, IB3 and Canal 9, which have been emitted from 1992 to 2003, and presents the main trends in the diatopic variation of actors and actresses in relation to their roles. Keywords: television, series, geographical variation, autodiatopic variation, alter- diatopic variation 37 David Paloma,Mònica Montserrat 1. -
DUNS Program5 FINAL Lowres
DUNSINANE DUNSINANE Contents —The Merry Wives of Windsor Chicago Shakespeare Theater 800 E. Grand on Navy Pier On the Boards 8 Chicago, Illinois 60611 A selection of notable CST events, plays and players 312.595.5600 www.chicagoshakes.com ©2015 Point of View 10 Chicago Shakespeare Theater Joyce McMillan examines the truth in All rights reserved. Shakespeare’s storytelling artistic director: Barbara Gaines executive director: Criss Henderson Cast 17 cover: Siobhan Redmond and Darrell D’Silva, photo by Simon Murphy. above: Siobhan Redmond in Dunsinane, photo by Richard Campbell. Playgoer’s Guide 18 Profiles 20 From Another Perspective 32 Journalist Jackie McGlone discusses Dunsinane playwright David Greig’s historical and contemporary inspirations www.chicagoshakes.com 3 CHICAGO SHAKESPEARE THEATER To be! Welcome DEAR FRIENDS, Welcome to Chicago’s home for Shakespeare. Today’s presentation marks the return of two of our seminal international partners: the Royal Shakespeare Company and the National Theatre of Scotland. Their collaboration on Dunsinane has created a tour-de-force, penned by modern-day Scottish playwright David Greig. By boldly imaging the complicated power struggle following the demise of King Macbeth, Greig provokes a timely dialog on the complexities of nation- building following an invasion of epic proportion. The original play is one of the greatest tragedies ever written. To have it followed 400 years later by an equally complicated, nuanced tale is theatrically thrilling. Through our World’s Stage Series, we are honored to serve as a cultural ambassador by importing leading international companies like the RSC and National Theatre of Scotland to Chicago. In the spirit of cultural exchange, we are also increasingly exporting our own work to the world.