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CURRICULUM VITAE ET STUDIORUM Including the Complete List of Publications

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CURRICULUM VITAE ET STUDIORUM Including the Complete List of Publications DONATELLA FAILLA - CURRICULUM VITAE ET STUDIORUM Including the Complete list of Publications 27 September 2017 [Name] Donatella Failla ドナテッラ・ファイッラ [Nationality, Birth] [Permanent Address in Italy] Prof. Dr. Donatella Failla, Director “Edoardo Chiossone” Museum of Oriental Art Villetta Di Negro, Piazzale Mazzini 4N 16122 Genoa Italy Email: [email protected] [CV summary] Donatella Failla is the Director of the ‘Edoardo Chiossone’ Museum of Oriental Art in Genoa, Italy, and teaches the History of Art of Eastern Asia at the University of Genoa. After obtaining her PhD in Oriental Studies from the University of Rome ‘La Sapienza’ (1980), she has been employed at the Chiossone Museum of Genoa in 1982, starting her career as Assistant Research Scholar and becoming Director in 1995. In January 2014, Failla has obtained from the Italian Ministry of the University and Scientific Research the National Scientific Qualification (ASN) as Associate Professor in the History of Art of Eastern Asia. In December 2015, she has received from the Ministry of Foreign Affairs of Japan an award for her cultural activity in the field of Japanese Art and the mutual understanding between Japan and Italy, with a special mention on the part of the Minister. In 2016, she has been invited to become a member of Accademia Ambrosiana, Classis Asiatica. On 3 November 2016, His Majesty the Emperor of Japan has conferred on Failla the ‘Order of the Rising Sun, Gold Rays with Rosette’ “for her activity in the divulgation of Japanese art in Italy, as well as for her contribution to the development of research in the field of Japanese art”. Failla has organised over thirty exhibitions and authored more than 180 publications in Italian, English, French, Japanese and Spanish. Thanks to a Japan Foundation Research Fellowship she has spent one year in Japan, Jan. 2012- Jan. 2013, at the Art Research Center (ARC), Ritsumeikan University, Kyōto, where she has carried out an in-depth research on later Chinese bronzes of the Song, Yuan, Ming and Qing periods imported in Japan from the Kamakura down through the Meiji period. [Main Research Fields] History of Japanese Art, late Muromachi, Momoyama, Edo and Meiji periods. Chinese art exported to Japan and its influence on Japanese Art (bronze, lacquer, textiles). PRESENT POSITION, AFFILIATIONS AND HONOURS Director, Museo d'Arte Orientale "Edoardo Chiossone" Villetta Di Negro, Piazzale Mazzini, 4N 16122 GENOA I T A L Y Tel. + 39 010 542 285 (museum) Fax + 39 010 580 526 Office mobile + 39 335 5699 298 e-mail: [email protected] November 2016: His Majesty the Emperor of Japan has conferred on Failla the ‘Order of the Rising Sun, Gold Rays with Rosette’ “for her activity in the divulgation of Japanese art in Italy, as well as for her contribution to the development of research in the field of Japanese art”. October 2016 Failla was invited to become a member of Accademia Ambrosiana, Classis Asiatica. December 2015 received from the Ministry of Foreign Affairs of Japan an award for her cultural activity in the field of Japanese Art and the mutual understanding between Japan and Italy, with a special mention on the part of the Minister. January 2014 obtained from the Italian Ministry of the University and Scientific Research the National Scientific Qualification (ASN) as Associate Professor in the History of Art of Eastern Asia Professor, the History of Art of Eastern Asia from 2012-2013 Academic Year, Faculty of Letters, Conservation of Cultural Properties Department, University of Genoa. 1 =============================================================================== RECENT SCIENTIFIC ACCOMPLISHMENTS [Publications, Exhibitions, Research, Conference Papers] 2018 Donatella Failla, “A Treasure of Chinese and Japanese Flower Bronzes in the Chiossone Museum, Genoa” (article in final preparation, to be published in 2018 in ANDON, the Dutch Journal of Japanese Art). D. FAILLA, “Reconstructing a Page of Meiji History through Painting: the Umiwashi zu hanging scroll by Nanga painter Nakabayashi Shōun (1818-1890), an allegoric portrait of Ōmura Masujirō (1824-1869) and Ōkubo Toshimichi (1830-1878)” (article in preparation). Donatella Failla, “Il tema degli iris nella pittura Rinpa di Kyōto e di Edo: interpretazioni e trasfigurazioni letterarie, pittoriche e poetiche”, in: Kuniko Tanaka (ed.), Bellezza in fiore: colori e parole nell’estetica asiatica, Asiatica Ambrosiana 9 / Accademia ambrosiana, Classe di studi sull'estremo oriente, IX Dies Academicus in Classe Asiatica, Bulzoni, Roma (article in press). 2017 Donatella Failla (individual paper), Bronzi cinesi e giapponesi nel Museo Chiossone di Genova, Museo delle Civiltà, L’eredità umana e scientifica di Mario Bussagli, Convegno di Studi, Museo d’Arte Orientale Giuseppe Tucci, Roma, 21-23 settembre 2017. Donatella Failla (individual paper), Yōgakusha’s landscape views and visions, metaphors and symbols in late 18th-century Japan, Landscapes in Art, Theory, and Practice across Media, Time, and Place, Joint Workshop of Kobe University, Ritsumeikan University and Freie Universität Berlin, Museum für Asiatische Kunst, Small Lecture Room, Berlin, June 30 – July 1, 2017. Donatella Failla, Food for the Ancestors, flowers for the Gods: transformations of archaistic bronzes in China and Japan, exhibition catalogue, Sagep Editrice, Genova 2017 (special exhibition at the Chiossone Museum). Donatella Failla, “Pitture e stampe di Katsushika Hokusai e allievi nel Museo Chiossone di Genova”, in: R. Menegazzo (ed.), Hokusai, sulle orme del Maestro, exhibition catalogue, Skira, Milano 2017, pp. 31- 39 (essay in exhibition catalogue). Donatella Failla, Genova, Museo d’Arte Orientale “Edoardo Chiossone”. Guida alla visita, Silvana Editoriale, Cinisello Balsamo 2017 (in press). Donatella Failla, Genoa, The Museo d’Arte Orientale “Edoardo Chiossone”. Guide to the visit, SilvanaEditoriale, Cinisello Balsamo 2017 (in press). 2015-2016 Donatella Failla (individual paper), “Hanaike 花生, vasi da fiori cinesi in bronzo nel Museo Chiossone di Genova: una speciale categoria del collezionismo karamono nella storia dell’arte giapponese”. AISTUGIA Annual Conference, Università di Catania, 24-26 settembre 2015. Donatella Failla, Tabemono no bi: beauty, taste and image of Japanese food (special exhibition with printed catalogue, 30th October 2015 – 26th June 2016, Chiossone Museum). Donatella Failla, “Artistic Dolls of Japan from the Mori Mika Collection exhibited at the Chiossone Museum, Genoa” (article published in 2015 in Japan as part of a collection of essays). 2014 Donatella Failla, “Nanga painter Nakabayashi Shōun (1818-1890) and his Umiwashi zu as an allegorical portrait of two ‘triumphant victims’ of political martyrdom: Ōmura Masujirō (1824-1869) and Ōkubo Toshimichi (1830-1878)”. 南画絵師中林湘雲 (1818-1890) とその「海鷲図 」- 大村益次郎 (1824- 1869)と大久保利通 (1830-1878) の政治的な殉教の高然被害者としての寓意的なポートレート, IAJS Conference, Kyōto Women’s University, Japan, 13 December 2014 (individual paper). Japan Foundation in collaboration with Donatella Failla and Chiossone Museum, SgargianteSobrio: artigianato artistico del Giappone contemporaneo, Museo Chiossone, Nov. 19, 2014 – January 11, 2015 (international touring exhibition organised by the Japan Foundation, installed at the Chiossone Museum). Donatella Failla, La ‘Grande Onda’ di Hokusai e i paesaggi di Hiroshige, special exhibition, 27 September – 14 December 2014, Museo Chiossone (special exhibition, 30 works) Donatella Failla, “A virtual escape from the ‘closed country’: Shiba Kōkan’s Seiyō mitate Mimeguri fūkei zu 西 洋見立三囲風景”, EAJS Conference, Ljubljana University, Slovenia, August 2014 (individual paper). Donatella Failla, Incenso Luce Fiori: suppellettili giapponesi in bronzo dei periodi Edo e Meiji, special exhibition, 25 July – 12 Nov, 2014, Museo Chiossone (special exhibition, 76 works) Mori Mika and Donatella Failla, Bambole artistiche del Giappone: sculture figurative di Ōno Hatsuko della Collezione Mori Mika, special exhibition, 5 March – 27 July 2014, Museo Chiossone (special exhibition, 50 works) Donatella Failla, La Rinascita della Pittura Giapponese: vent'anni di restauri al Museo Chiossone di 2 Genova, special exhibition, Museo Chiossone, Genoa (special exhibition, 77 works; exhibition catalogue published by Silvana Editoriale, Milano 2014, 264 pp. ills. col. & bw). Donatella Failla, “Museo d’Arte Orientale ‘Edoardo Chiossone’ e Villetta Dinegro”, in: Matteo Fochessati, Gianni Franzone (Eds), Dalla Città al Museo: percorsi nella Genova dell’Ottocento e del Novecento tra storia, arte e architettura, Regione Liguria, Fondazione Regionale per la Cultura e lo Spettacolo, Sagep Editori, Genova 2014, pp. 98-101 (article, 4 pp., ill. col. & bw). January 2014: received from the Italian Ministry of the University and Scientific Research the National Scientific Qualification (ASN) as ASSOCIATE PROFESSOR of the HISTORY OF ART OF EASTERN ASIA. 2013 Donatella Failla, “Falchi e falconeria nella cultura artistica giapponese dei secoli XVI-XIX”, in: M. Mastrangelo, A. Maurizi (Eds), I dieci colori dell’eleganza. Saggi in onore di Maria Teresa Orsi, ScriptaWeb 2013, pp. 247-287 (article, 41 pp., 15 ill. bw). Donatella Failla, “La Grande Onda di Hokusai, un'icona globale del Giappone in Occidente: fenomenologia, fortuna significati”, in: La grande onda di Hokusai: toccare il sentimento della forma, Cafoscarina, Venezia 2013 (article 10 pp., ill. col). Donatella Failla, “Karamono, Chinese bronzes in the Chiossone Museum of Genoa: a special category
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