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Asean Para Games
ASEAN PARA GAMES OPENING AND CLOSING CEREMONIES 1 ASEAN PARA GAMES Opening Ceremony 3 December 2015, Singapore Indoor Stadium Closing Ceremony 9 December 2015, Marina Bay Sand 2 OVERVIEW The Opening and Closing Ceremonies of the 8th ASEAN Para Games was directed by the award-winning Creative Director Philip Tan (Philbeat), who led a core creative team of 75 mem- bers. The ceremonies’ carried a bold central message, which is the celebration of human beings’ physical and mental abilities. This is a radical departure from the tone of charity that had hith- erto dominated the disability discourse in Singapore and the re- gion. Philip embedded colleagues with disability into all stages of production. A complex environment of teaching and learning was built into the 2-year production process. Associate Directors worked with other individuals and teams, which included profes- sionals, schools (comprising special education schools, secon- dary and tertiary institutions) and volunteers. 3 IMPACT The Ceremonies generated positive impact to its audiences, par- ticipants, partner institutions, and creative team members. Singa- pore’s Prime Minister called it ‘spectacular’. Together with the suc- cessful run of the Games (‘best ever’ — The New Paper 2015), they are paving the way for a paradigm shift in the disability dis- course in Singapore and the region. Firsts for the Ceremonies include: being beamed live to 3 countries and Youtube to 600 mil- lion in the region and beyond, with live interpretation and live cap- tioning. For a partnering school, the process was ‘exceptional’, letting ‘the status of our students with disabilities soar to great heights in an international platform’ (Metta School). -
Rvf 4 Sample Unit 9.Pdf
UNIT Culture and Identity NINE Mozambican woman with painted face 200 9781285173412_RVF4_Final_File.indd 200 1/16/14 1:07 PM FOCUS 1. What is a legend or story that you remember from your childhood? 2. What are some lessons that legends and ancient cultures try to teach us? Culture and Identity 201 9781285173412_RVF4_Final_File.indd 201 1/16/14 1:07 PM READING 1 Kung Fu Battles Academic Vocabulary to demonstrate to mature an opponent to found to modify proficient insufficient a myth Multiword Vocabulary to grit one’s teeth to look the part to hone a skill to make the case to keep up with to stretch the truth a leading role to talk one’s way into Reading Preview Preview. Look at the time line in Reading 1 on page 205. Then discuss the following questions with a partner or in a small group. 1. When was the Shaolin Temple founded? 2. What happened in 1928? Enter the modern world of 3. When did a lot of Americans learn about the Shaolin Kung Fu, an ancient Shaolin Temple? Why? form of defense. Follow the story of one Shaolin master, who must Topic vocabulary. The following words appear decide whether to star in a movie in Reading 1. Look at the words and answer the questions with a partner. or stick with tradition. brand monks cash registers robes disciples self-defense employees temple enlightenment training karate chop warfare 1. Which words are connected to fighting? 2. Which words are connected to business and money? 3. Which words suggest that the reading might be about religion and philosophy? Predict. -
I LAMBANG ORNAMEN LANGIT
LAMBANG ORNAMEN LANGIT - LANGIT RUANG KWAN TEE KOEN KLENTENG KWAN TEE KIONG YOGYAKARTA DITINJAU DARI FILSAFAT CHINA SKRIPSI Diajukan kepada Fakultas Bahasa dan Seni Universitas Negeri Yogyakarta untuk Memenuhi Sebagian Persyaratan guna Memperoleh Gelar Sarjana Pendidikan oleh Nanda Harya Hellavikarany NIM. 11206241003 PROGRAM STUDI PENDIDIKAN SENI RUPA FAKULTAS BAHASA DAN SENI UNIVERSITAS NEGERI YOGYAKARTA OKTOBER 2015 i MOTTO Segala sesuatu yang terbentuk, kelak akan terurai. Segala sesuatu berawal dari kosong, dan kembali kosong. Kehidupan bagaikan roda yang terus - menerus berputar tanpa henti. Setiap sesuatu mengalami dua jalan tersebut (terbentuk dan terurai; terbentuk dan terurai; terbentuk dan terurai; begitu seterusnya), tiada jalan lain. Oleh karenanya, kehidupan diwarnai dengan yin dan yang. Keseluruhan Alam Semesta adalah satu mekanisme. Jika salah satu bagian darinya keluar dari aturan, maka bagian lainnya juga akan keluar dari aturan. Segala sesuatu cenderung menarik sesuatu yang sejenis dengannya. Oleh karenanya, jika salah satu berjalan sesuai kebenaran, maka keseluruhan yang lain juga akan berjalan sesuai kebenaran. Pembalikan adalah ketetapan hukum alam. Ketika sesuatu telah mencapai titik ekstrem, maka cenderung akan berbalik darinya. Segala sesuatu memiliki batasan kekuatan, seperti bola yang dilambungkan ke atas, setelah ia mencapai titik tertingginya, maka bola akan kembali ke tempat semulanya (jatuh). Oleh karenanya, segala sesuatu harus hidup sewajarnya, mengambil jalan tengah, jangan terlalu sedikit dan terlalu banyak (jangan mengambil langkah ekstrem). v PERSEMBAHAN Alhamdulillahirobbil „alamin. Ridho-Mu senantiasa menyertaiku. Sebuah langkah usai sudah. Satu cita telah ada di tanganku. Namun… Itu bukanlah akhir dari perjalanan. Melainkan awal dari satu perjuangan. Hari takkan indah tanpa mentari dan rembulan. Begitu juga hidup takkan indah tanpa tujuan / harapan dan tantangan. -
'Does Anybody Here Want to Fight'… 'No, Not Really, but If You Care to Take a Swing at Me…' the Cultivation of A
© Idōkan Poland Association “IDO MOVEMENT FOR CULTURE. Journal of Martial Arts Anthropology”, Vol. 17, no. 2 (2017), pp. 24–33 DOI: 10.14589/ido.17.2.3 TOURISM OF MARTIAL ARTS. SOCIOLOGY & ANTHROPOLOGY OF TOURISM Wojciech J. Cynarski1(ABDEFG), Pawel Swider1(BDE) 1 University of Rzeszow, Rzeszow (Poland) e-mail: [email protected] The journey to the cradle of martial arts: a case study of martial arts’ tourism Submission: 14.09.2016; acceptance: 27.12.2016 Key words: wushu, Shaolin, cultural tourism, anthropology of martial arts Abstract Background. The study presents the account of a trip to the Shaolin monastery within the anthropological framework of martial arts and concept of martial arts tourism. Problem. The aim of the paper is to show the uniqueness of the place of destination of many tourists including the authors. The study is meant as a contribution to the further study on the tourism of martial arts. Method. The main method used here is participant observation, and additionally, an analysis of the subject literature. This is par- tially a case study, and an analysis of facts, literature and symbolism. The method of visual sociology was also used (the main material are photos taken during the trip). Results. The authors conducted field research in the area ofDengfeng: Shaolin and Fawang temples cultivating kung-fu. The descrip- tion is illustrated with photographs (factual material) and analysis of facts. It was found that in the case of the Shaolin centre both commercialisation of martial arts and tourism occurred. However, as wushu schools around the historic monastery are function- ing, this is still an important place for martial arts, especially related to the Chinese tradition. -
Calvin Kang Li Loong Height
A SA publication www.SingaporeAthletics.org.sg Name: Calvin Kang Li Loong Height: 1.76m Weight: 67kg Date of Birth: 16 April 1990 (25yrs) Personal Best(s): 10.48s (Men 100m, 2015 Singapore Open) Career Highlight(s): - Below is an extract of the interview Q) What are your hopes, dream and target this SEA Games? Going for GOLD (Goal)! In the 4x100m relay, I am aiming to finish on the podium in the 100m as well! I’m fortunate to be able to compete at the Sports Hub in front of Singaporeans and that has always been my dream! Q) How’s your preparation for the SEA Games? It is going good so far, though I have been falling sick more prevalently these few days, I am listening very closely to my body. Working a lot of my weakness (a.ka, Achilles, foot strength, hip strength) and sprint technique. Q) What are some of the biggest challenges in your sports career so far leading to SEA Games and your athletics career? Battling with chronic injuries and rehabilitation, as we have an intense training regime, missing a session would affect the training cycle; it has not been easy managing it. Q) How did you specialise in your particular event? Why this event, what’s the attraction? I started sprinting since I was 9 years old, since then I always loved speed, I love to feel the breeze brushing past my face, the feeling of out running another, the atmosphere of competition resides well with my being, I like the short sprints and running the 100m is the shortest in the outdoor season (I also love the 60m – INDOOR season). -
I: Chinese Buddhism and Taoism
SPECIAL REPORT: The Battle for China’s Spirit I: Chinese Buddhism and Taoism Degree of Key findings persecution: 1 Revival: Chinese Buddhism and Taoism have revived Chinese significantly over the past 30 years from near extinction, Buddhism but their scale and influence pale in comparison to the LOW pre–Chinese Communist Party (CCP) era. With an Taoism estimated 185 to 250 million believers, Chinese VERY LOW Buddhism is the largest institutionalized religion in China. 2 Intrusive controls: A large body of regulations and Trajectory of bureaucratic controls ensure political compliance, but persecution: unfairly restrict religious practices that are routine in other countries. Unrealistic temple registration Chinese Buddhism requirements, infrequent ordination approvals, and official intervention in temple administration are among Consistent the controls that most seriously obstruct grassroots monastics and lay believers. Taoism Consistent 3 Under Xi Jinping: President Xi Jinping has essentially continued the policies of his predecessor, Hu Jintao, with some rhetorical adjustments. For CCP leaders, Chinese Buddhism and Taoism are seen as increasingly important channels for realizing the party’s political and economic goals at home and abroad. In a rare occurrence, a Chinese Buddhist monk was sentenced to prison in 2016 on politically motivated charges. 4 Commodification: Economic exploitation of temples for tourism purposes—a multibillion-dollar industry—has emerged as a key point of contention among the state, clergy, and lay believers. 5 Community response: Religious leaders and monks are becoming increasingly assertive in trying to negotiate free or relatively inexpensive access to temples, and are pushing back against commercial encroachment, often with success. 26 Freedom House Visitors walk past the statue of a bodhisat- tva in a scenic park in Zhejiang Province. -
许环良) Is Perhaps Best Known As the Record Producer Who Launched the Successful Careers of Singapore Singing Artistes Kit Chan ( 陈洁仪), JJ Lin (林俊杰), A-Do ( 阿杜), and BY2
ARTICLE Billy Koh ( 许 环 良): The Butterfly and Its Dreams by Kong, Kam Yoke , written on 20th August 2010 National Library Board, Singapore Billy Koh, who has helped re-shape the Singapore Chinese pop music scene over the last 25 years, is best known as the record producer who launched the successful careers of Singapore singers Kit Chan, JJ Lin, A-Do and BY2. Considered one of the most instrumental and influential figures in the Singapore music industry, Billy Koh ( 许环良) is perhaps best known as the record producer who launched the successful careers of Singapore singing artistes Kit Chan ( 陈洁仪), JJ Lin (林俊杰), A-Do ( 阿杜), and BY2. As the most recognised face from Ocean Butterflies Music Pte Ltd ( 海蝶音乐私人有限公 司), which Koh co-founded, he had, together with his team, re-shaped the landscape of the Singapore Chinese pop music scene over a span of a quarter of a century, carving a place for itself and creating a brand name that exerts an impact in Asia. In his nearly three-decade-long career, Koh has produced more than 150 albums and is credited for discovering and grooming many top artistes who made it big in Asia. For his contributions to the Singapore music industry, Koh was awarded the Meritorious Award and the Wings of Excellence Award by COMPASS in 2001 and 2005 respectively. It had all begun in 1981. Billy Koh had formed a singing group called The Straw ( 水草三重唱), together with his schoolmates, Koh Nam Seng ( 许南盛) and the late Sunkist Ng ( 黄元成), to participate in the television talent show “Chinese Talentime” ( 《斗歌竞艺》), which was one of the most watched shows then. -
Vihara Data Jumlah Rumah Ibadah Per Kecamatan
DATA JUMLAH RUMAH IBADAH PER KECAMATAN TAHUN 2015 DI KOTA SURABAYA VIHARA NO NAMA ALAMAT PENGURUS KECAMATAN KELURAHAN KET 1 VIHARA MAHA VIRA GRAHA JL. PASAR BESAR WETAN No. 4 SUHU CHUANG HUI BUBUTAN ALON-ALON CONTONG 2 VIHARA SANGGAR AGUNG JL. SUKOLILO No. 100 SETYADI YUDHO BULAK SUKOLILO 3 VIHARA BUDHA MATREYIA JL. KUPANG INDAH VIII/18 JENNY DUKUH PAKIS DUKUH PAKIS 4 VIHARA KASIH ABADI JL. KUPANG INDAH 17/50 A3 5 VIHARA UTIR RUMAH SUCI JL. GENTENG SAYANGAN No. 29 - 31 LAOSHE WILLY SIM GENTENG GENTENG 6 BUDI BHAKTI HUTAMA JL. GENTENG MUHAMMADIYAH No. 43 SUCINDRA 7 VIHARA DANA MAITREYA JL. KALISARI II/23 SLAMET KAPASARI 8 VIHARA VIDYA DHARMA JL. MANYAR SAMBONGAN No. 62 GUBENG KERTAJAYA 9 VIHARA JL. NGAGEL TAMA SELATAN 3/5 KAMAWATI PUCANG SEWU 10 SHAN POO YHAY DJIEN/BAH RATU JL. DEMAK ONG KA HWEI KREMBANGAN MOROKREMBANGAN 11 VIHARA IKA DHARMA LOKA JL. BABATAN PANTAI UTARA 9/67 TAN TJIONG STE HEND MULYOREJO DUKUH SUTOREJO 12 VIHARA DAMMAJAYA JL. DK. SAMBISARI RT. 01 RW.III WIDIA SABIKEREP LONTAR 13 VIHARA SANGGRAHA BUDHIS MUKA DUKUH BULU RT. 02 RW. IV SLAMET 14 VIHARA MUDITAMAMAITREYA JL. SIMOLAWANG BARU TAMAN SELATAN 20 SIMOKERTO SIMOKERTO 15 JL. KENJERAN No. 587 KAPASAN 16 KAPASAN DALAM 17 KAPASAN DALAM 18 VIHARA BUDHA MAETREA JL. DUKUH KUPANG UTARA I/1 - 4 JIMMI CHENDRAWAN SAWAHAN 19 VIHARA YAYASAN CHONG ZHENG JL. DUKUH KUPANG TIMUR NO. 872 AYONG 20 VIHARA BUDAYANA JL. RAYA PUTATA GEDE 3 IWAN PONTO SUKOMANUNGGAL PUTAT GEDE 21 VIHARA PERUM WISMA MUKTI SUKOLILO KLAMPISNGASEM 22 VIHARA BHUMI FAJRA JL. -
FUNGSI TARI REJANG ADAT KLASIK DALAM UPACARA PIODALAN DI PURA SANGGAR AGUNG DESA BEBANDEM KABUPATEN KARANGASEM BALI Skripsi
FUNGSI TARI REJANG ADAT KLASIK DALAM UPACARA PIODALAN DI PURA SANGGAR AGUNG DESA BEBANDEM KABUPATEN KARANGASEM BALI Skripsi Diajukan Kepada Fakultas Bahasa dan Seni Universitas Negeri Yogyakarta untuk Memenuhi Sebagian Persyaratan guna Memperoleh Gelar Sarjana Pendidikan oleh: Ni Luh Enita Maharani NIM 11209241026 JURUSAN PENDIDIKAN SENI TARI FAKULTAS BAHASA DAN SENI UNIVERSITAS NEGERI YOGYAKARTA 2016 FUNGSI TARI REJANG ADAT KLASIK DALAM UPACARA PIODALAN DI PURA SANGGAR AGUNG DESA BEBANDEM KABUPATEN KARANGASEM BALI Skripsi Diajukan kepada Fakultas Bahasa dan Seni Universitas Negeri Yogyakarta untuk Memenuhi Sebagian Persyaratan guna Memperoleh Gelar Sarjana Pendidikan oleh: Ni Luh Enita Maharani NIM 11209241026 JURUSAN PENDIDIKAN SENI TARI FAKULTAS BAHASA DAN SENI UNIVERSITAS NEGERI YOGYAKARTA 2016 i PERSETUJUAN Skripsi yang be{udul F*ngsi Tari RoJang Adat Klasik D.alsm Upaeara Fiodalan Di Pxra SafiSgor Agilrtg Boao Bebwdsm Knbupaten Karangasem Baliimtel& disqiui oi& peurbimbing unfuk diqjikan, Yogyakart&3t Maret 20 I 6 Yogyakarta,r,t Maret 2016 Pmbimbing I, Pembinrbing II, \W! Ni Nyomm Ser{ati, M.tfum Drs. Bambang Suharjana, M.Sn NIF. 19621231 198803 2 003 NIP. 19610906 19890r r 001 b-- PENGESAIIAN Skripsi yang berjudul Fungsi Tari Rejang Adat Klasik dalam Upacara Piodalan di Puro Sanggar Aguftg Dcso Bebandent Kabupaten,Karangasem Bqli ini telah dipertahankan di depan Dewan Pengpji pada 13 April 2016 dan dinyatakan lulus. Tanggal ...!.?./*."..'..? Dm. Barnbang S !!l*1.'9 Dr. Sutiyono, M '.1/*],? Dra. NiNyoman 'Y*if l5April 2016 bkultas Bahasa dan Srmi ffi i Purbani, M.A. 19610s24 199001 2001 $l E't' L PERI{YATAAII Yang bertandatangan di bawah ini, saya Nama Ni Luh Enita Maharani NIM 1t20924rc26 Program Studi Pendidikan Seni Tari Fakultas Bahasa dan Seni Universitas Negeri Yogyakarta menyatakan bahwa karya ilmiah ini adalah hasil pekerjaan saya sendiri. -
Contesting the Commercialization and Sanctity of Religious Tourism In
Contesting the Commercialization and Sanctity of Religious Tourism in The Shaolin Monastery, China Abstract The Shaolin Monastery annually attracts millions of visitors from around the world. However, the overcommercialization of these sacred places may contradict the values and philosophies of Buddhism. This study aims to comprehensively understand the balance between commercialization and sanctity, engaging with 58 Chinese practitioners and educators in 7 focus groups. Participants articulated their expectation to avoid overcommercialization, and they discussed the conflicts between commercialization and sanctity to further explore on how to mitigate over commercialization. Based on the study findings, a balanced model of religious tourism development is proposed and specific recommendations are offered to sustainably manage religious sites. Keywords: Shaolin monastery, kung fu, culture, commercialization, sanctity, religion INTRODUCTION A popular Chinese saying states that “All martial arts under heaven arose out of the Shaolin Monastery.” The Shaolin Monastery is the birthplace of Dhyana (also known as Zen, a Buddhism philosophy that emphasizes internal meditation) and Shaolin kung fu, which evolved from Buddhism. This martial art tradition, which spanned for over 1,500 years, involves the Shaolin monks learning the Buddhism doctrines and practicing the Dhyana (Chan) philosophy in their martial arts. This practice has distinguished Shaolin kung fu from other types of Chinese kung fu (The Shaolin Monastery, 2010). The movie Shaolin Monastery released in 1982 established the global reputation of Chinese kung fu and the Shaolin Monastery. A number of movies are also made subsequently based on topics involving Chinese kung fu and the monastery. For example, the recent movie, The Grand Masters (2013), introduced kung fu worldwide as a fascinating element of the Chinese culture. -
ST/LIFE/PAGE<LIF-009>
THURSDAY, JUNE 11, 2015 Music LIFE! C9 2000s: Then and now Musicians who lead in the classical scene Paige Lim Over the years, many Singaporean classical musicians who studied abroad have remained over- seas to pursue their careers. Renowned violinist Chan Yoong-Han and pianist Lim Yan are among the rare few who have returned here to develop their careers. And over the past 10 or more years, the pair have made waves in the local classical music scene. Besides being members of popular piano quintet Take 5, both have played as soloists with the Singa- pore Symphony Orchestra and performed in inter- national music festivals. Life! classical music reviewer Chang Tou Liang calls them “two of the most active and busiest classical musicians” in Singapore today. “They are leaders in their fields and figures whom young Singaporean musicians can relate to and emulate,” he says. Both musicians came to prominence in the 2000s after returning to Singapore from their over- seas studies. A graduate from Rice University in the United States in 1995, Chan, 40, was awarded the 2000 Shell-NAC Arts Scholarship by the National Arts Council. He then completed his masters of music at the University of Massachusetts. In 2007, he was appointed concertmaster for the Singapore Festival Orchestra, the resident orches- tra of the Singapore Arts Festival which ended in 2012. Lim, 35, the nephew of well-known conductor Lim Yau, was the first Singaporean to play in the 12th Singapore International Piano Festival in 2005. He made history again when he became the Violinist Chan first Singaporean pianist to perform all five Yoong-Han About Sing50 Beethoven piano concertos in a cycle here in 2012. -
Performing Group: 8 Shaolin Kung Fu Monks 少林寺武僧, 37 Students of Shaolin Temple USA Aged 9 - 70+
Shaolin Temple USA 少林寺文化中心 Website: http://www.shaolinusa.us Diana Hong 5509 Geary Blvd. San Francisco, CA 94121 [email protected] 415 666-9966 415 666-9966 415 666-9977 45 N/A 50 Performing group: 8 Shaolin Kung Fu Monks 少林寺武僧, 37 students of Shaolin Temple USA aged 9 - 70+. Performance: Shaolin Kung Fu (traditional Shaolin Fist forms including animal forms such as the dragon, tiger, monkey, eagle, praying mantis, etc. featuring the Shaolin Snake Fist, Shaolin traditional weapons such as broadsword and shield, drunken sword, 3-sectioned staff , crescent spade, 9-sectioned whip chain, etc. and Shaolin Wellness Qigong exercises.) Costumes: The monks will be in traditional monk attire 僧服; the students will wear the school’s traditional Luohan uniform 罗汉服. Music: Pre-recorded kung fu and traditional Chinese music played on portable CD player. Props: Traditional Chinese martial arts weapons such as spears, swords, staff s, broadswords and shields, whips; banners and fl ags Southwest Airlines Chinese New Year Parade 2013 Application - Shaolin Temple USA (page 2) WHAT DO YOU PLAN TO DO IN THE 2013 CHINESE NEW YEAR PARADE? IF YOU ARE A MARCHING BAND, LIST THE MUSIC THAT YOU WILL PLAY. The procession will stop at designated intervals and perform spectacular Shaolin Kung Fu to pre-recorded music: • Shaolin Animal forms featuring the “Shaolin Snake Fist” 《少林蛇拳》 • Shaolin Wellness exercies 少林养生功 - from the 1,500-year old healing system for body and mind including the ancient Shaolin manuals Yijinjingjing (Change of Sinews 易筋经)and Xisuijingjing (Bone Marrow Cleansing 洗髓经). • The famous 18 traditional Shaolin weapons such as spears, swords, staff s, crescent spades, whips, hooks, dadao, etc.