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Role of Corporate Goverance and Sebi : a Critical Analysis
Journal of Xi'an University of Architecture & Technology Issn No : 1006-7930 ROLE OF CORPORATE GOVERANCE AND SEBI : A CRITICAL ANALYSIS Dr. Neetu Prakash Assistant Professor, Guru Nanak Khalsa College for Women, Model Town, Ludhiana ABSTRACT Corporate frauds or financial crimes or financial frauds can be classified as white-collar crimes, which represent the illegal acts that are characterized by deceit, concealment or violation of trust. The fraudulent exercises practiced by Enron, WorldCom and Martha Steward shook the world. Of these scandals, the Enron accounting scandal was the most infamous one. There were similar allegations against the WorldCom Company, whose CEO Bernard Ebbers hid an expenditure of $11 bn; later this led the company to bankruptcy. Frauds have occurred in almost every country in the world, in almost every sector, including banking, insurance, telecom, automobile industry, health, and the list is endless. The growing focus on cross-border expansion, high levels of growth with internal processes not keeping pace and large number of new employees joining the organization are making most companies vulnerable to greater fraud risk in recent times. The IT hackers and fraudsters can pose a significant threat of a financial crime. Cyber-crimes, economic crimes, ethical crimes, falsification of accounts by showing inflated profits, breach of fiduciary duty, breach of confidential information, non- disclosure of material facts etc. are causing enormous harm to the rights and interests or the society. Every such corporate fraud is a heinous crime against humanity, as it adversely affects and ruins the fortunes of large segments of innocent people. There are several adverse consequences of financial crimes. -
Uila Supported Apps
Uila Supported Applications and Protocols updated Oct 2020 Application/Protocol Name Full Description 01net.com 01net website, a French high-tech news site. 050 plus is a Japanese embedded smartphone application dedicated to 050 plus audio-conferencing. 0zz0.com 0zz0 is an online solution to store, send and share files 10050.net China Railcom group web portal. This protocol plug-in classifies the http traffic to the host 10086.cn. It also 10086.cn classifies the ssl traffic to the Common Name 10086.cn. 104.com Web site dedicated to job research. 1111.com.tw Website dedicated to job research in Taiwan. 114la.com Chinese web portal operated by YLMF Computer Technology Co. Chinese cloud storing system of the 115 website. It is operated by YLMF 115.com Computer Technology Co. 118114.cn Chinese booking and reservation portal. 11st.co.kr Korean shopping website 11st. It is operated by SK Planet Co. 1337x.org Bittorrent tracker search engine 139mail 139mail is a chinese webmail powered by China Mobile. 15min.lt Lithuanian news portal Chinese web portal 163. It is operated by NetEase, a company which 163.com pioneered the development of Internet in China. 17173.com Website distributing Chinese games. 17u.com Chinese online travel booking website. 20 minutes is a free, daily newspaper available in France, Spain and 20minutes Switzerland. This plugin classifies websites. 24h.com.vn Vietnamese news portal 24ora.com Aruban news portal 24sata.hr Croatian news portal 24SevenOffice 24SevenOffice is a web-based Enterprise resource planning (ERP) systems. 24ur.com Slovenian news portal 2ch.net Japanese adult videos web site 2Shared 2shared is an online space for sharing and storage. -
Simon Dale 1St Assistant Director
Simon Dale 1st Assistant Director Phone: 07957 392 701 E-Mail: [email protected] British Full Clean Driving Licence Movie Magic Scheduling Final Draft 1st Assistant Director ‘Bounty’ (Big Talk Productions) C4 Comedy Blaps NovemBer 2018 (Manchester) Dir: George Kane Pro: Lara Singer LP: Helen Blyth ‘Timewasters – Series 2’ (Big Talk Productions) ITV2 July – SeptemBer 2018 (Liverpool) Dir: George Kane Pro: Jim Poyser LP: Katie Kearney ‘God’s Own County’ (Guilty Party Pictures) C4 Comedy Blaps May 2018 (Holmfirth) Dir: Jim Archer Pro: Spencer Millman LP: David Finnigan ‘Biggleton – Series 1’ (CBeebies) CBeebies July 2017 – Sept 2017 (Manchester) Dir: Iwan Watson / Luk Ying Yick ‘Scallywagga – Series 2’ (BBC) BBC3 July 2009 – Sept 2009 (Manchester) Dir: David Sant LP: David Noble ‘Britannia High: Block 4’ (ITV Productions) ITV1 Sept 2008 – Nov 2008 (Manchester) Dir: Brian Grant LP: Howard Ella Recent 1st AD Dailies & Commercials APRIL 2019: ‘Sanditon’ (Red Planet Pictures / ITV) Main Unit (1 Day) / LP Ian Hogan APRIL 2019: ‘PUMA’ Commercial (Green Room / Revolution) Pro: Jack Suckling MARCH/APRIL 2019: ‘Coronation Street’ (ITV) Main Unit (Multiple 5+) JAN – APRIL 2019: ‘Hollyoaks’ (Lime Pictures / C4) Main Unit (Multiple 15+) MARCH 2019: ‘PUMA’ Commercial (Green Room / Revolution) Pro: Jack Suckling / PM: Lee Meredith MARCH 2019: ‘EFC / Davanti Tyres’ Commercial (The Mob Film Company) Dir: Martin McGreal / PM: Michael Evans NOV 2018: FEATURE ‘Military Wives’ (Koliko Films) 2nd Unit (4 Days) / PM Claire Campbell NOV 2018: -
France's Banijay Group Buys Endemol Shine to Create European Production Giant
Publication date: 28 Oct 2019 Author: Tim Westcott Director, Research and Analysis, Programming France's Banijay Group buys Endemol Shine to create European production giant Brought to you by Informa Tech France's Banijay Group buys Endemol Shine to 1 create European production giant France-based production company Banijay Group has reached agreement to acquire Endemol Shine Group from Walt Disney Company and US hedge fund Apollo Global Management. The price for the deal was not disclosed but is widely reported to be $2.2 billion. A statement from the group said the deal will be financed through a capital increase of Banijay Group and debt. On closure, subject to regulatory clearances and employee consultations. Post-closing, the combined group will be majority owned (67.1%) by LDH, the holding company controlled by Stephane Courbit's LOV Group, and Vivendi (32.9%), which invested in Banijay in 2014. The merged group said it will own almost 200 production companies in 23 territories and the rights for close to 100,000 hours of content, adding that total pro-forma revenue of the combined group is expected to be €3 billion ($3.3 billion) this year. Endemol Shine Group is jointly owned by Disney, which acquired its 50% stake as part of its acquisition of 21st Century Fox last year, and funds managed by affiliates of Apollo Global Management. Endemol Shine has 120 production labels and owns 66,000 hours of scripted and non- scripted programming and over 4,300 registered formats. Our analysis Endemol Shine Group has been up for sale since last year, and Banijay Group appears to be have been the only potential buyer to have made an offer, despite reported interest from All3Media, RTL Group-owned Fremantle and others. -
Ordinary Lies
Ordinary Lies TX: Tuesday 17 March 2015 (TBC) BBC One 6 x 60min For further information: Katy Ardagh: 020 7292 7358 / [email protected] Ruth Bray: 020 7292 8348 / [email protected] Amy Shacklady: 020 7292 7373 / [email protected] 1 Contents Press Release 3 Cast List 4 Cast Interviews Danny Brocklehurst Series creator and writer 5 Jason Manford Plays Marty McLean 7 Jo Joyner Plays Beth Corbin 9 Sally Lindsay Plays Kathy Kavanagh 11 Episode 1 Synopsis 13 2 Ordinary Lies How well do you really know the people who work around you? From RED Production Company, creators of hit series Happy Valley and Last Tango In Halifax, comes highly-anticipated new primetime drama, Ordinary Lies, penned by BAFTA and International Emmy award-winning writer, Danny Brocklehurst (Accused, Shameless). We all tell little white lies everyday be it for self-protection, success or for love. But what happens when a spur-of-the-moment mistruth snowballs and begins to take over? Is it possible get away with it, or will the lie inevitably come undone to devastating effect? Set in a car showroom, Ordinary Lies is a compelling drama about how a simple lie can spiral out of control. With drama, tragedy, warmth and humour, each episode focuses on one of the colleagues and friends of JS Motors. From party-loving receptionists, Tracy (Michelle Keegan) and Viv (Cherelle Skeet) and ambitious company boss, Mike (Max Beesley) to enigmatic salesman, Pete (Mackenzie Crook) and mothering PA, Kathy (Sally Lindsay), each new and individual story questions just how well we know the people we work with. -
Corus and Discovery Announce New Venture to Produce Kids Content for the Global Market
CORUS AND DISCOVERY ANNOUNCE NEW VENTURE TO PRODUCE KIDS CONTENT FOR THE GLOBAL MARKET New Creative Engine to Deliver Premium Content for Kids’ Video Linear and Digital Markets Around the World LONDON/TORONTO, October 17, 2017 – Corus Entertainment’s Nelvana and Discovery Communications today announced the formation of a new venture to produce a new pipeline of content for the kids’ market in Canada, Latin America, and around the world. Based in Canada, the yet-to-be named venture operates independently of Corus, Discovery and Nelvana’s other services, and is dedicated to the production of premium children’s content across linear and digital platforms. The venture combines the strength of the hugely successful Discovery Kids business in Latin America, and Corus’ high-ranking suite of kids’ channels in Canada – both of whom will commission content from the new production company. Nelvana is Canada’s premier animation company, producer and distributor of children’s content – world- renowned for hit properties including Babar, Franklin, Max & Ruby, Ranger Rob, Mysticons and Hotel Transylvania: The Series. Nelvana licenses its content in more than 160 countries and Corus operates five of the top five kids’ channels in Canada*. Discovery Communications is one of the biggest media and entertainment companies in the world with a massive global footprint in more than 220 countries and territories. Discovery Kids is the number one pre-school network in Latin America, the top pay TV network in Brazil for eight years, and operates the popular Discovery Kids Play digital app. The venture increases Nelvana’s production and distribution business on a global scale, and is the next step in Discovery’s expansion of its kids’ business. -
Upfronts: HGTV and DIY Network Strip Down Branding to Hit Harder
Upfronts: HGTV and DIY Network Strip Down Branding to Hit Harder 04.09.2014 At the Upfronts in Manhattan, the greatest barrier to successful branding may be the city itself. "When you think of New York City and Manhattan… there's just so much going on," said Chris Martin, creative director of promotion for HGTV and DIY Network. "And people are moving a million miles an hour. You've got maybe 20 steps for someone to even glance at what you've got." To make a splash at this year's Upfronts, HGTV and DIY Network sought to grab potential buyers' attention before they even reached the venues, by plastering the walking areas leading up to them with posters advertising six key programs: HGTV's "Love It or List It," "Property Brothers" and "Rehab Addict," and DIY Network's "Desperate Landscapes," "Rev Run's Renovation" and "The Vanilla Ice Project." The shows selected were all highly character-driven, presenting "passionate people who know what they want and are good at what they do," said Martin. The challenge was letting that passion cut through. "There's so much depth and detail in every square foot of Manhattan," said Martin, "if you go out with something that's way too colorful or vibrant, in a way it almost gets lost there. So Martin's team, working with Ignition Creative, went in the opposite direction. "Black and white is just kind of made for that environment," Martin said, "and we loved what black and white did for our talent specifically. It gives a bit of drama and a bit of style to [content] that can be seen as just about the information." But while the black and white images were striking, there was a way to make them pop even harder: HGTV/DIY tasked Ignition Creative with producing extremely minimal copy for the campaign, etched across each poster in vibrant hues of yellow (DIY Network) and magenta (HGTV). -
Allison Page President, HGTV
Allison Page President, HGTV Allison Page is the President of HGTV at Discovery, Inc. In this role, she oversees all programming, development and operations for the dynamic lifestyle brand that delivers the superstar experts, fascinating families, compelling renovations and stunning transformations that make all things home fun. In addition, Page has played a critical role in developing Discovery’s pending partnership with Chip and Joanna Gaines. Along with her leadership of HGTV, she will continue to work closely with the Gaineses as that new venture takes shape during 2019 and beyond. Prior to Discovery, Inc.’s acquisition of Scripps Networks Interactive, Page served as the General Manager of U.S. Programming and Development for the company’s HGTV, Food Network, Travel Channel, DIY Network, Cooking Channel and Great American Country brands. Page previously served as General Manager of HGTV, DIY Network, Great American Country and Travel Channel. Under her leadership, series such as Fixer Upper, Flip or Flop and Brother vs. Brother garnered record ratings for HGTV. She has also served as Senior Vice President of Programming and Development for Food Network and Cooking Channel. She joined Food Network in 2001 and spent many years developing primetime series for Rachael Ray, Giada De Laurentiis, Bobby Flay and Guy Fieri. Page was known as a key strategist and dynamic leader who developed hit shows as well as successful sales and digital partnerships. Her efforts were key to Food Network’s record-breaking, double-digit, ratings growth and instrumental in the successful launch of Cooking Channel in 2010. Prior to Food Network, Page was an associate producer at CBS News Sunday Morning. -
ME Is Not a Functional Disorder
ME Association Recipient: Sir Andrew Dillon Letter: Greetings, M.E. is not a functional disorder Comments Name Location Date Comment Carol Bryant Mottram, 2017-09-27 My daughter has ME and clearly this illness is NOT in her England, UK mind it is a physical illness Clare Crofts Rochdale, 2017-09-27 My daughter had Very Severe ME for the last 6years, was England, UK diagnosed as terminal 18 months ago and died in May this year. This disease is horrendous and needs the medical community to take it seriously Sheena young Prestatyn, 2017-09-27 M.E is not a functional disorder and should not be treated as Wales, UK such. Julie Holliday Shrewsbury, 2017-09-27 I have ME and have been treated appallingly by the NHS. England, UK Paul Winter Hailsham, 2017-09-27 I have ME. Some hospitals, such as the National England, UK Neurological Hospital in Queen Square, London, are already routinely ignoring the NICE guidelines and diagnosing people with ME as having FND. This is unacceptable given the mounting evidence that ME is a neuro-imune disease. Jane Iles Cheddar, 2017-09-27 This is too important. NICE need to look at the facts and England, UK listen to ME specialists and more importantly, the sufferers Kathie Cortese UK 2017-09-27 I have got M.E and I know it's not a " functional disorder" NICE need to use more recent up-to-date world studies, and consult with ME patients, and experts on ME Jayne Glover Warminster, 2017-09-27 I don't want other people to suffer the indignity and England, UK humiliation that I have endured for the last 15 years. -
Trends in TV Production Ofcom, December 2015 Contents
Trends in TV Production Ofcom, December 2015 Contents 1. Summary 2. What were the original aims of intervention? 3. The UK production market 4. How many companies are active in the market? 5. How easy is it to enter? 6. Production sector revenue and flow of funds 7. Production sector consolidation 8. Quotas 9. Regionality 10. Historical context of the US market Summary – the questions asked This pack aims to confirm (or dispel) many of the widely held beliefs about the UK television production sector. Among the questions it seeks to answer are: • What is the intervention (regulation of the sector) meant to do? • How has commissioning developed over time? • How has the number of producers changed over time? • Is it harder to get into the market? • How do terms of trade work? • How has the sector grown? • What has consolidation looked like? • How do quotas work? • How does the sector operate regionally? 3 Summary – caveats This report was produced for Ofcom by Oliver & Ohlbaum Associates Ltd (“O&O”). The views expressed in this report are those of O&O and do not necessarily represent the views of Ofcom. While care has been taken to represent numbers in this report as accurately as possible based on available sources there may be inaccuracies and they may not correspond with Ofcom’s view of the market and cannot be taken as officially representative of Ofcom data. 4 Summary - data sources used • Oliver & Ohlbaum Producer Database, 2006-2015 ₋ BARB data supplied by Attentional and further coded by O&O to include production companies and their status as qualifying or no-qualifying producers, plus their respective turnover bands. -
The Lockdown to Contain the Coronavirus Outbreak Has Disrupted Supply Chains
JOURNALISM OF COURAGE SINCE 1932 The lockdown to contain the coronavirus outbreak has disrupted supply chains. One crucial chain is delivery of information and insight — news and analysis that is fair and accurate and reliably reported from across a nation in quarantine. A voice you can trust amid the clanging of alarm bells. Vajiram & Ravi and The Indian Express are proud to deliver the electronic version of this morning’s edition of The Indian Express to your Inbox. You may follow The Indian Express’s news and analysis through the day on indianexpress.com eye THE SUNDAY EXPRESSMAGAZINE ServesAll,With a NEWDELHI,LATECITY Side of Chutney NOVEMBER1,2020 Idli is one of India’smost 18PAGES,`6.00 consumed breakfast. What (`8BIHAR&RAIPUR,`12SRINAGAR) accounts forits popularity? DAILY FROM: AHMEDABAD, CHANDIGARH, DELHI,JAIPUR, KOLKATA, LUCKNOW, MUMBAI,NAGPUR,PUNE, VADODARA WWW.INDIANEXPRESS.COM PAGES 14, 15, 16 THE WORLD EXPRESSINVESTIGATION PART ONE RASHTRIYAEKTA DIWAS ADDRESS Direct Benefit Transfer is direct PakadmitstoPulwama… siphoning of school scholarship timeworldunitestostamp SEAN CONNERY, THE In severaldistrictsofJharkhand,minority studentsare being dupedofa FIRSTJAMES BOND, outterror,itsbackers:PM DIES AT 90 Centrallyfundedscholarship by anexus of bank staff, middlemen, school PAGE 12 and govt employees, an investigation by The IndianExpress has found ‘Admission of attacktruth in PakistanHouse exposes real face of Oppositionhere, their distasteful statements’ Yogiwarning: Tribal boy is EXPRESSNEWSSERVICE Endlove jihad, shown as VADODARA,OCTOBER31 Parsi, woman PRIME MINISTER Narendra or get ready Modi said SaturdaythatPakistan told money had admitted to the “truth” that for Ram naam it wasbehind the Pulwama ter- rorattackin2019. satya hai from Saudi He said this admissioninthe Pakistanparliament —“wahan ki sansad meisatyasweekaragaya EXPRESSNEWSSERVICE ABHISHEKANGAD hai”—also exposed“the real LUCKNOW,OCTOBER31 RANCHI,DHANBAD,LATEHAR, face” of the Opposition parties at RAMGARH,LOHARDAGA, home. -
Limitations on Copyright Protection for Format Ideas in Reality Television Programming
For exclusive use of MLRC members and other parties specifically authorized by MLRC. © Media Law Resource Center, Inc. LIMITATIONS ON COPYRIGHT PROTECTION FOR FORMAT IDEAS IN REALITY TELEVISION PROGRAMMING By Kent R. Raygor and Edwin Komen* * Kent R. Raygor and Edwin Komen are partners in the Entertainment, Media, and Technology Group in the Century City, California and Washington, D.C. offices, respectively, of Sheppard Mullin Richter & Hampton LLP. The authors thank Ben Aigboboh, an associate in the Century City office, for his assistance with this article. 97 For exclusive use of MLRC members and other parties specifically authorized by MLRC. © Media Law Resource Center, Inc. LIMITATIONS ON COPYRIGHT PROTECTION FOR FORMAT IDEAS IN REALITY TELEVISION PROGRAMMING I. INTRODUCTION Television networks constantly compete to find and produce the next big hit. The shifting economic landscape forged by increasing competition between and among ever-proliferating media platforms, however, places extreme pressure on network profit margins. Fully scripted hour-long dramas and half-hour comedies have become increasingly costly, while delivering diminishing ratings in the key demographics most valued by advertisers. It therefore is not surprising that the reality television genre has become a staple of network schedules. New reality shows are churned out each season.1 The main appeal, of course, is that they are cheap to make and addictive to watch. Networks are able to take ordinary people and create a show without having to pay “A-list” actor salaries and hire teams of writers.2 Many of the most popular programs are unscripted, meaning lower cost for higher ratings. Even where the ratings are flat, such shows are capable of generating higher profit margins through advertising directed to large groups of more readily targeted viewers.