Enigma 2 Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Enigma 2 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: 2 Country: Poland Released: 1993 Style: New Age, Downtempo, Ambient MP3 version RAR size: 1153 mb FLAC version RAR size: 1979 mb WMA version RAR size: 1666 mb Rating: 4.1 Votes: 913 Other Formats: MP4 AHX AA XM FLAC MMF MIDI Tracklist A1 Second Chapter 2:16 A2 The Eyes Of Truth 7:13 A3 Return To Innocence 4:17 A4 I Love You… I'll Kill You 8:51 B1 Silent Warrior 6:10 B2 The Dream Of The Dolphin 2:47 B3 Age Of Loneliness (Carly's Song) 5:22 B4 Out From The Deep 4:53 B5 The Changes 2:23 Other versions Category Artist Title (Format) Label Category Country Year LPVIR 20, Virgin, LPVIR 20, The Cross Of Changes (LP, UK & 7243 8 39236 Enigma Virgin, 7243 8 39236 1993 Album) Europe 1 8, 8 39236 1 Virgin 1 8, 8 39236 1 Enigma = エニグマ* - The Enigma Cross Of Changes = エニグマ２～ VJCP-25077 Virgin VJCP-25077 Japan 1994 = エニグマ* ザ・クロス・オブ・チェンジズ (CD, Album, Promo) Western The Cross Of Changes WT 0111 Enigma Thunder WT 0111 Ukraine Unknown (Cass, Album, Unofficial) Records 7243 8 39236 Virgin, 7243 8 39236 2: The Cross Of Changes 4 9 - MCVIR Enigma Pomaton 4 9 - MCVIR Poland 1993 (Cass, Album) 20 - PM 464 EMI 20 - PM 464 CDVIR 20, Virgin, CDVIR 20, The Cross Of Changes (CD, UK & 7243 8 39236 Enigma Virgin, 7243 8 39236 1993 Album) Europe 2 5, 8 39236 2 Virgin 2 5, 8 39236 2 Comments about 2 - Enigma Zyangup I got this tape too, mine says "Thomsun original" on the spine and on the left corner of the the front. This here seems like to have stickers put over the Thomsun logo, as the printing on the cover art still says "Thomsun Original". So like a bootleg of a bootleg. Related Music albums to 2 by Enigma Enigma - Le Roi Est Mort, Vive Le Roi! ENiGMA Dubz - 30 Freebies From ENiGMA Dubz Enigma = エニグマ - Sadness Part 1 = サッドネス・パート１ Enigma - MCMXC a.D. (The Limited Edition) Enigma - The Screen Behind The Mirror Enigma - The Cross Of Changes Enigma - Out From The Deep Enigma - Voyageur Enigma - Boum Boum Enigma - Remember The Future.

Copy Link

Recommended publications

The Linguascape of Urban Youth Culture in Mongolia
THE LINGUASCAPE OF URBAN YOUTH CULTURE IN MONGOLIA SENDER DOVCHIN A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Faculty of Arts and Social Sciences University of Technology, Sydney MARCH 2014 Certificate of Authorship/Originality I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. Signature of Candidate ______________________________ SENDER DOVCHIN MARCH 31 2014 ACKNOWLEDGEMENTS First and foremost, I would like to thank the Endeavour Postgraduate Scholarship, Australian Education International, for funding this research project. My sincere thanks go to my supervisor, Alastair Pennycook. Without his intellectual guidance, encouragement and support, this thesis may never have been completed. Not only did he give generously of his time and expertise while I was in Sydney, but he also remained actively involved when I returned to Perth and offered his continuing support particularly when I started juggling my PhD with motherhood. My warm gratitude also goes to Liam Morgan for always standing by me and providing valuable advice on the thesis; to Shaila Sultana, for her grounded and needle-sharp opinions, and is someone that I look forward to co-authoring many more future articles with; to Emi Otsuji, for her constructive and critical conversations.
[Show full text]
SALVAGUARDA DO PATRIMÔNIO CULTURAL IMATERIAL Uma Análise Comparativa Entre Brasil E Itália UNIVERSIDADE FEDERAL DA BAHIA
SALVAGUARDA DO PATRIMÔNIO CULTURAL IMATERIAL uma análise comparativa entre Brasil e Itália UNIVERSIDADE FEDERAL DA BAHIA REITOR João Carlos Salles Pires da Silva VICE-REITOR Paulo Cesar Miguez de Oliveira ASSESSOR DO REITOR Paulo Costa Lima EDITORA DA UNIVERSIDADE FEDERAL DA BAHIA DIRETORA Flávia Goulart Mota Garcia Rosa CONSELHO EDITORIAL Alberto Brum Novaes Angelo Szaniecki Perret Serpa Caiuby Alves da Costa Charbel Niño El Hani Cleise Furtado Mendes Evelina de Carvalho Sá Hoisel Maria do Carmo Soares de Freitas Maria Vidal de Negreiros Camargo O presente trabalho foi realizado com o apoio da Coordenação de Aperfeiçoamento de pessoal de nível superior – Brasil (CAPES) – Código de financiamento 001 F. Humberto Cunha Filho Tullio Scovazzi organizadores SALVAGUARDA DO PATRIMÔNIO CULTURAL IMATERIAL uma análise comparativa entre Brasil e Itália também com textos de Anita Mattes, Benedetta Ubertazzi, Mário Pragmácio, Pier Luigi Petrillo, Rodrigo Vieira Costa Salvador EDUFBA 2020 Autores, 2020. Direitos para esta edição cedidos à Edufba. Feito o Depósito Legal. Grafia atualizada conforme o Acordo Ortográfico da Língua Portuguesa de 1990, em vigor no Brasil desde 2009. capa e projeto gráfico Igor Almeida revisão Cristovão Mascarenhas normalização Bianca Rodrigues de Oliveira Sistema de Bibliotecas – SIBI/UFBA Salvaguarda do patrimônio cultural imaterial : uma análise comparativa entre Brasil e Itália / F. Humberto Cunha Filho, Tullio Scovazzi (organizadores). – Salvador : EDUFBA, 2020. 335 p. Capítulos em Português, Italiano e Inglês. ISBN:
[Show full text]
Enigma Return to Innocence Mp3, Flac, Wma
Enigma Return To Innocence mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Return To Innocence Country: Europe Released: 1993 Style: Downtempo, Ambient MP3 version RAR size: 1882 mb FLAC version RAR size: 1644 mb WMA version RAR size: 1411 mb Rating: 4.1 Votes: 629 Other Formats: WAV AHX AAC MOD DTS MP3 XM Tracklist Hide Credits 1 Return To Innocence (Radio Edit) 4:03 Return To Innocence (Long & Alive Version) 2 7:07 Remix – Curly M.C., Jens Gad Return To Innocence (380 Midnight Mix) 3 5:55 Remix – Jens Gad 4 Return To Innocence (Short Radio Edit) 3:01 Sadeness Part I (Radio Edit) 5 Lyrics By – Curly M.C., David FairsteinMusic By – Curly M.C., F. GregorianProducer – 4:17 Enigma Companies, etc. Phonographic Copyright (p) – Virgin Schallplatten GmbH Copyright (c) – Virgin Schallplatten GmbH Pressed By – EMI Jax Credits Producer, Engineer – "Curly" Michael Cretu* (tracks: 1 to 4) Vocals [Additional] – Angel* (tracks: 1 to 4) Written-By – Curly M.C. (tracks: 1 to 4) Notes Issued in a standard jewel case with front and rear inserts, black disc tray. Barcode and Other Identifiers Barcode (String): 724383842322 Barcode (Text): 7 2438 38423 2 2 Matrix / Runout: 38423-2 MO RE1 S4120F Y 1-1-1 EMI JAX Other versions Category Artist Title (Format) Label Category Country Year 7243 8 92197 2 Virgin, 7243 8 92197 2 Return To Innocence 2, 8 92197 2, Enigma Virgin, 2, 8 92197 2, Europe 1993 (CD, Maxi) DINSD 123 Virgin DINSD 123 Enigma = エニグマ* - VJCP-12015, Enigma Return To Innocence Virgin, VJCP-12015, Japan 1994 DINSD 123 = エニグマ* = リターン・トゥ・イノセンス Virgin DINSD 123 (CD, EP) 7243 8 92197 6 Virgin, 7243 8 92197 6 Return To Innocence UK & 0, DINST 123, 8 Enigma Virgin, 0, DINST 123, 8 1993 (12", Maxi) Europe 92197 6 Virgin 92197 6 7243 8 92197 2 Virgin, 7243 8 92197 2 Return To Innocence 2, 8 92197 2, Enigma Virgin, 2, 8 92197 2, Europe 1993 (CD, Maxi) DINSD 123 Virgin DINSD 123 Return To Innocence 4KM-38423 Enigma Charisma 4KM-38423 US 1993 (Cass, Single) Related Music albums to Return To Innocence by Enigma Enigma - MCMXC a.D.
[Show full text]
The Amis Harvest Festival in Contemporary Taiwan A
?::;'CJ7 I UNIVERSITY OF HAWAII LIBRARY. THE AMIS HARVEST FESTIVAL IN CONTEMPORARY TAIWAN A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'IIN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN MUSIC MAY 2003 BY Linda Chiang Ling-chuan Kim Thesis Committee: Frederick Lau, Chairperson Ricardo Trimillos Robert Cheng ACKNOWLEDGEMENTS I would never have been able to finish this thesis without help from many people and organizations. I would like to first thank my husband Dennis, and my children, Darrell, Lory, Lorinda, Mei-ling, Tzu-yu, and Darren, for their patience, understanding, and encouragement which allowed me to spend two entire summers away from home studying the culture and music of the Amis people of Taiwan. I especially want to thank Dennis, for his full support of my project. He was my driver and technical assistant during the summer of 1996 as I visited many Amis villages. He helped me tape and record interviews, songs, and dances, and he spent many hours at the computer, typing my thesis, transcribing my notes, and editing for me. I had help from friends, teachers, classmates, village chiefs and village elders, and relatives in my endeavors. In Taiwan, my uncles and aunts, T'ong T'ien Kui, Pan Shou Feng, Chung Fan Ling, Hsu Sheng Ming, Chien Su Hsiang, Lo Ch'iu Ling, Li Chung Nan, and Huang Mei Hsia, all helped with their encouragement and advice. They also provided me with rides, contacts, and information. Special thanks goes to T'ong T'ien Kui and Chung Fan Ling who drove me up and down mountains, across rivers and streams, and accompanied me to many of the villages I wanted to visit.
[Show full text]
1994.06.18-NME.Pdf
INDIE 45s US 45s PICTURE: PENNIE SMITH PENNIE PICTURE: 1 I SWEAR........................ ................. AII-4-One (Blitzz) 2 I’LL REMEMBER............................. Madonna (Maverick) 3 ANYTIME, ANYPLACE...................... Janet Jackson (Virgin) 4 REGULATE....................... Warren G & Nate Dogg (Outburst) 5 THE SIGN.......... Ace Of Base (Arista) 6 DON’TTURN AROUND......................... Ace Of Base (Arista) 7 BABY I LOVE YOUR WAY....................... Big Mountain (RCA) 8 THE MOST BEAUTIFUL GIRL IN THE WORLD......... Prince(NPG) 9 YOUMEANTHEWORLDTOME.............. Toni Braxton (UFace) NETWORK UK TOP SO 4Ss 10 BACK AND FORTH......................... Aaliyah (Jive) 11 RETURN TO INNOCENCE.......................... Enigma (Virgin) 1 1 LOVE IS ALL AROUND......... ...Wet Wet Wet (Precious) 37 (—) JAILBIRD............................. Primal Scream (Creation) 12 IFYOUGO ............... ....................... JonSecada(SBK) 38 38 PATIENCE OF ANGELS. Eddi Reader (Blanco Y Negro) 13 YOUR BODY’S CALLING. R Kelly (Jive) 2 5 BABYI LOVE YOUR WAY. Big Mountain (RCA) 14 I’M READY. Tevin Campbell (Qwest) 3 11 YOU DON’T LOVE ME (NO, NO, NO).... Dawn Penn (Atlantic) 39 23 JUST A STEP FROM HEAVEN .. Eternal (EMI) 15 BUMP’N’ GRIND......................................R Kelly (Jive) 4 4 GET-A-WAY. Maxx(Pulse8) 40 31 MMMMMMMMMMMM....... Crash Test Dummies (RCA) 5 7 NO GOOD (STARTTHE DANCE)........... The Prodigy (XL) 41 37 DIE LAUGHING........ ................. Therapy? (A&M) 6 6 ABSOLUTELY FABULOUS.. Absolutely Fabulous (Spaghetti) 42 26 TAKE IT BACK ............................ Pink Floyd (EMI) 7 ( - ) ANYTIME YOU NEED A FRIEND... Mariah Carey (Columbia) 43 ( - ) HARMONICAMAN....................... Bravado (Peach) USLPs 8 3 AROUNDTHEWORLD............... East 17 (London) 44 ( - ) EASETHEPRESSURE................... 2woThird3(Epic) 9 2 COME ON YOU REDS 45 30 THEREAL THING.............. Tony Di Bart (Cleveland City) 3 THESIGN.,. Ace Of Base (Arista) 46 33 THE MOST BEAUTIFUL GIRL IN THE WORLD.
[Show full text]
Leksykon Polskiej I Światowej Muzyki Elektronicznej
Piotr Mulawka Leksykon polskiej i światowej muzyki elektronicznej „Zrealizowano w ramach programu stypendialnego Ministra Kultury i Dziedzictwa Narodowego-Kultura w sieci” Wydawca: Piotr Mulawka [email protected] © 2020 Wszelkie prawa zastrzeżone ISBN 978-83-943331-4-0 2 Przedmowa Muzyka elektroniczna narodziła się w latach 50-tych XX wieku, a do jej powstania przyczyniły się zdobycze techniki z końca XIX wieku m.in. telefon- pierwsze urządzenie służące do przesyłania dźwięków na odległość (Aleksander Graham Bell), fonograf- pierwsze urządzenie zapisujące dźwięk (Thomas Alv Edison 1877), gramofon (Emile Berliner 1887). Jak podają źródła, w 1948 roku francuski badacz, kompozytor, akustyk Pierre Schaeffer (1910-1995) nagrał za pomocą mikrofonu dźwięki naturalne m.in. (śpiew ptaków, hałas uliczny, rozmowy) i próbował je przekształcać. Tak powstała muzyka nazwana konkretną (fr. musigue concrete). W tym samym roku wyemitował w radiu „Koncert szumów”. Jego najważniejszą kompozycją okazał się utwór pt. „Symphonie pour un homme seul” z 1950 roku. W kolejnych latach muzykę konkretną łączono z muzyką tradycyjną. Oto pionierzy tego eksperymentu: John Cage i Yannis Xenakis. Muzyka konkretna pojawiła się w kompozycji Rogera Watersa. Utwór ten trafił na ścieżkę dźwiękową do filmu „The Body” (1970). Grupa Beaver and Krause wprowadziła muzykę konkretną do utworu „Walking Green Algae Blues” z albumu „In A Wild Sanctuary” (1970), a zespół Pink Floyd w „Animals” (1977). Pierwsze próby tworzenia muzyki elektronicznej miały miejsce w Darmstadt (w Niemczech) na Międzynarodowych Kursach Nowej Muzyki w 1950 roku. W 1951 roku powstało pierwsze studio muzyki elektronicznej przy Rozgłośni Radia Zachodnioniemieckiego w Kolonii (NWDR- Nordwestdeutscher Rundfunk). Tu tworzyli: H. Eimert (Glockenspiel 1953), K. Stockhausen (Elektronische Studie I, II-1951-1954), H.
[Show full text]
Bytes and Backbeats: Repurposing Music in the Digital
ͭ Bytes and Backbeats ͭ Bytes and Backbeats Repurposing Music in the Digital Age steve savage the university of michigan press / ann arbor Copyright © by the University of Michigan 2011 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2014 2013 2012 2011 4 3 2 1 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Savage, Steve, 1948– Bytes and backbeats : repurposing music in the digital age / Steve Savage. p. cm. — (Tracking pop) Includes bibliographical references and index. ISBN 978-0-472-11785-7 (cloth : alk. paper) — ISBN 978-0-472-02773-6 (e-book) 1. Popular music—Production and direction. 2. Sound recordings— Production and direction. I. Title. ML3470.S32 2011 781.6409'051—dc22 2011007217 for tamara Together we explored the world while I explored this world. Preface Several of the gracious readers of this book in its various drafts suggested that I should include some biographical information to help orient the reader to this work. I suppose all authors have a story about what brought them to their book, but perhaps in this case it is particularly relevant. My story begins with a career as a drummer during which time I played in nu- merous unsuccessful rock bands, learned some jazz without ever coming close to mastering it, studied and performed African music with a master drummer from Ghana, and spent a couple of years actually making a liv- ing as a musician playing in a dance band.
[Show full text]
Explains Why They Did Not Follow the Typical Blueprint for Female Rock Bands. Page 6 Muncie's All-Girl Quartet
72 HOURS OCTOBER 16, 2003 U! ARCMuncie’sA all-girlD quartetE explains why they did not OUR follow the typical blueprint for female rock bands. R page 6 BUTT ON 285-8257 INSIDE: MICHELLE BRANCH, THE MATRIX RELOADED, ELECTRIC SIX, WHITE RIVER LANDING, ENIGMA, THE STROKES, JONATHAN SANDERS’ ‘IN MY HEADPHONES’, 2 FAST 2 FURIOUS, VERTICAL HORIZON 2 • Culture CULTURE EVERYTHING BUT POLE DANCING Vicki Lawrence CMT’s Most Zack Bent: and Mama — A Wanted Live Dropping the Two-Woman with Rascal Ball and Other Show Flats, Chris Common 72HOURS Civic Hall Cagle and Brian Dilemmas Performing Arts McComas Mitchell Place Center Emens Gallery The Ball State Daily News Saturday Auditorium ends October 28 arts and entertainment tab 4 p.m. and 8 Friday Friday and p.m. 8 p.m. Saturday sold out noon to 5:30 Rent p.m. Don’t see your event listed? Clowes Ball State Sunday Memorial Hall Symphony noon to 4 p.m. Friday Orchestra 8 p.m Emens Friday Night Saturday Auditorium Filmworks: 2 p.m. and 8 Sunday Pirates of the p.m. 7:30 p.m. Caribbean Sunday free Pruis Hall 1 p.m. and 6:30 Friday p.m. Heartland Film 9:30 p.m. TELL US! Festival free Of Mice and Indiana History Men Center and What Men Don’t Muncie Civic other Tell phone: 765-285-8257 Theatre Indianapolis Murat Theatre Friday and locations Friday and Saturday Friday, Saturday Saturday 8 p.m. and Sunday 8 p.m. email: [email protected] $7 for students visit www.heart- $26.50 landfilmfesti- val.org for times and locations Movics • 3 BEN ‘MOUSE’ MCSHANE’S CINEMA REEL CALL MOVIES IN THEATERS THIS WEEKEND BLOOD, NINJAS AND UMA OPENING THIS WEEK and his bizarre wins in court, in MUST-SEE MOVIE clan.
[Show full text]
Digital Music Sampling and Copyright
DIGITAL MUSIC SAMPLING AND COPYRIGHT POLICY-A BITTERSWEET SYMPHONY?' ASSESSING THE CONTINUED LEGALITY OF MUSIC SAMPLING IN THE UNITED KINGDOM, THE NETHERLANDS, AND THE UNITED STATES Melissa Hahn* TABLE OF CONTENTS I. INTRODUCTION: ABORIGINAL VOICES AND THE 1996 OLYMPICS-ASSESSING THE GLOBAL SCOPE OF DIGITAL M USIC SAMPLING ....................................... 715 II. BACKGROUND: THE RISE OF DIGITAL MUSIC SAMPLING AND ITS LEGAL RAMIFICATIONS ................... 719 A. The Emergence of DigitalMusic Sampling in PopularMusic and in Copyright Litigation ................ 719 B. The Berne Convention and Moral Rights .................. 721 III. ANALYSIS: A GLOBAL CONSIDERATION OF THE CURRENT LEGALITY OF DIGITAL MUSIC SAMPLING ............ 723 A. The Legality of Sampling Under U.K. Law ................ 723 B. The Legality of Sampling Under Dutch Law ............... 726 C. The Legality of Sampling Under U.S. Law ................. 730 * J.D., University ofGeorgia School of Law, 2006; B.A., UniversityofSouthern California, 2001; MSc, London School of Economics, 2002. In the late 1990s, a British court ordered rock group the Verve to pay all of the royalties stemming from their 1997 hit "Bittersweet Symphony" to the owners of the Rolling Stones' song "The Last Time" for failing to clear the use of a Rolling Stones' sample in the song. See Ben Challis, The Song Remains the Same: Music Sampling in the DigitalAge, MONDAQ, Dec. 23, 2003, http://www.mondaq.com/article.asp?articleid=23823&latestnews.html. The Verve sampled a symphonic remake of the Stones' hit, which was released on the "Rolling Stones Songbook" album under the monniker, the Andrew Oldham Orchestra. Christopher O'Connor, The Verve SuedAgain over 'BitterSweet Symphony,'VH .coM, Jan.
[Show full text]
"Precious States of Mind": the Aesthetic Encounter in Victorian Literature
"Precious States of Mind": The Aesthetic Encounter in Victorian Literature by Meghan A Freeman This thesis/dissertation document has been electronically approved by the following individuals: Adams Jr.,James Eli (Chairperson) Bogel,Fredric Victor (Minor Member) Shaw,Harry Edmund (Minor Member) “PRECIOUS STATES OF MIND”: THE AESTHETIC ENCOUNTER IN VICTORIAN LITERATURE A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Meghan A. Freeman August 2010 © 2010 Meghan A. Freeman “PRECIOUS STATES OF MIND”: THE AESTHETIC ENCOUNTER IN VICTORIAN LITERATURE Meghan A. Freeman, Ph.D. Cornell University 2010 This dissertation investigates literary representations of the scene of viewership in Victorian literature in order to interrogate how the narrative rendering of the “aesthetic encounter” brings to the fore the social and material realities of such moments that contemporary philosophical treatises on the subject often overlook, obscure, or repress. I am interested in the ways in which the scene or environment of the aesthetic encounter—be it in a private gallery or public museum space—structures power relations grounded in notions of taste, cultivation, and civility. Because the nineteenth-century philosophical aesthetic treatise does not avow the material conditions of viewing art, the narrative representation of such moments is particularly important in revealing that aesthetic experience is not and cannot be an intensely private moment, but is rather one that is thoroughly social and highly performative. Narrating the scene of aesthetic encounter in the nineteenth century was part of a larger cultural effort to represent sociality, to comprehend the vast network of circumstances and contingencies that determines one’s relation to and perspective on the world and the other people in it.
[Show full text]
Feat. Eminen) (4:48) 77
01. 50 Cent - Intro (0:06) 75. Ace Of Base - Life Is A Flower (3:44) 02. 50 Cent - What Up Gangsta? (2:59) 76. Ace Of Base - C'est La Vie (3:27) 03. 50 Cent - Patiently Waiting (feat. Eminen) (4:48) 77. Ace Of Base - Lucky Love (Frankie Knuckles Mix) 04. 50 Cent - Many Men (Wish Death) (4:16) (3:42) 05. 50 Cent - In Da Club (3:13) 78. Ace Of Base - Beautiful Life (Junior Vasquez Mix) 06. 50 Cent - High All the Time (4:29) (8:24) 07. 50 Cent - Heat (4:14) 79. Acoustic Guitars - 5 Eiffel (5:12) 08. 50 Cent - If I Can't (3:16) 80. Acoustic Guitars - Stafet (4:22) 09. 50 Cent - Blood Hound (feat. Young Buc) (4:00) 81. Acoustic Guitars - Palosanto (5:16) 10. 50 Cent - Back Down (4:03) 82. Acoustic Guitars - Straits Of Gibraltar (5:11) 11. 50 Cent - P.I.M.P. (4:09) 83. Acoustic Guitars - Guinga (3:21) 12. 50 Cent - Like My Style (feat. Tony Yayo (3:13) 84. Acoustic Guitars - Arabesque (4:42) 13. 50 Cent - Poor Lil' Rich (3:19) 85. Acoustic Guitars - Radiator (2:37) 14. 50 Cent - 21 Questions (feat. Nate Dogg) (3:44) 86. Acoustic Guitars - Through The Mist (5:02) 15. 50 Cent - Don't Push Me (feat. Eminem) (4:08) 87. Acoustic Guitars - Lines Of Cause (5:57) 16. 50 Cent - Gotta Get (4:00) 88. Acoustic Guitars - Time Flourish (6:02) 17. 50 Cent - Wanksta (Bonus) (3:39) 89. Aerosmith - Walk on Water (4:55) 18.
[Show full text]
List: 44 When Your Heart Stops Beating ...And You Will Know Us By
List: 44 When Your Heart Stops Beating ...And You Will Know Us By The Trail Of Dead ...And You Will Know Us By The Trail Of Dead ...And You Will Know Us By The Trail Of Dead So Divided ...And You Will Know Us By The Trail Of Dead Worlds Apart 10,000 Maniacs In My Tribe 10,000 Maniacs Our Time In Eden 10,000 Maniacs The Earth Pressed Flat 100% Funk 100% Funk 3 Doors Down Away From The Sun 3 Doors Down The Better Life 30 Seconds To Mars 30 Seconds To Mars 30 Seconds To Mars A Beautiful Lie 311 311 311 Evolver 311 Greatest Hits '93-'03 311 Soundsystem 504 Plan Treehouse Talk 7:22 Band 7:22 Live 80's New Wave 80's New Wave (Disc1) 80's New Wave 80's New Wave (Disc2) A Day Away Touch M, Tease Me, Take Me For Granted A Day To Remember And Their Name Was Treason A New Found Glory Catalyst A New Found Glory Coming Home A New Found Glory From The Screen To Your Stereo A New Found Glory Nothing Gold Can Stay A New Found Glory Sticks And Stones Aaron Spiro Sing Abba Gold Aberfeldy Young Forever AC/DC AC/DC Live: Collector's Edition (Disc 1) AC/DC AC/DC Live: Collector's Edition (Disc 2) AC/DC Back In Black AC/DC Ballbreaker AC/DC Blow Up Your Video AC/DC Dirty Deeds Done Dirt Cheap AC/DC Fly On The Wall AC/DC For Those About To Rock We Salute You AC/DC High Voltage AC/DC Highway To Hell AC/DC If You Want Blood You've Got I AC/DC Let There Be Rock AC/DC Powerage AC/DC Stiff Upper Lip AC/DC T.N.T.
[Show full text]