Feminist Periodicals
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M8-M9 EXHIBITION.Qxd
M8 India Abroad April 25, 2008 the magazine ART Tara Sabharwal’s Tree Path. As a student, she sold her work to London’s Victoria and Albert Museum Bridging gaps: or Roopa Singh, political poet, adjunct professor The artist of international political science at Pace University and theater instructor with South Asian Youth Action (both in New York), Erasing Borders 2008 — which is currently showing in FNew York — is a deeply diverse exhibit. “An extremely talks back affirming taste of how creative our Diaspora is,” she says. “From eerie florescent gas masks on Bharat Natyam dancers, to blood-hued mangoes for breakfast, to sari and sex pistol clad Desi women ‘stenciled’ on wallpaper, to a playful piece on the New York City sewer caps inscribed in Forty Diaspora artists express their South Asian identity in the US with the bold: Made In India. This is us bearing witness to our- traveling exhibition, Erasing Borders, reports Arthur J Pais selves, a South Asian Diaspora, spread and alive.” Vijay Kumar, curator for the fifth edition of the Erasing childhood; images from pop culture including Bollywood Borders traveling exhibition, has been watching the films, advertising and fashion; strong social commentary; changing Indian art scene in New York for several decades. traditional miniature painting transformed and used for “There are many new ‘Indian’ galleries in New York and new purposes; calligraphy and script; startling juxtaposi- other cities now, fueled by the new wealth in India and the tions; work trying to ‘find a home’ within the psyche.” booming art market there,” he says. “These galleries most- By the time India and Pakistan celebrated 50 years of ly show work by artists still living in India; occasionally, Independence, the words Desi and Diaspora had become they do exhibit work by Diaspora artists.” commonplace, he continues. -
Alexandra Chasin CV
Alexandra Chasin CV Employment 2012- Associate Professor, Literary Studies, Eugene Lang College, The New School 2008-2012 Assistant Professor, Literary Studies, Eugene Lang College, The New School Co-Chair, Literary Studies, 2008-2011 2006-2008 Instructor, Writing Department, Eugene Lang College, The New School 2005-2006 Instructor, Institute for Research on Women and Gender, Columbia University 1999-2003 Visiting Faculty, Department of English, University of Geneva 1998-99 Stephen Baker Asst. Professor of Lesbian and Gay Studies, Yale University, with appointments in American Studies and Women’s and Gender Studies 1993-99 Assistant Professor, Department of English, Boston College Director, Program in American Studies, 1997-98 Education 2002 M.F.A. Vermont College of Fine Arts, in Fiction Writing 1993 Ph.D. Stanford University, in Modern Thought and Literature 1987 M.A. Stanford University, in Modern Thought and Literature 1984 B.A. Brandeis University, summa cum laude, with Highest Honors in European Cultural Studies Books Brief. Jaded Ibis Press, 2012 [app/novel] Kissed By. Fiction Collective 2, 2007 [fiction] Selling Out: The Gay and Lesbian Movement Goes to Market. New York: St. Martin’s, 2000 [nonfiction] Short Fiction “This Was Your Last Human," Gigantic Worlds, eds. Barron, Michel, and Nieto, forthcoming. Brief excerpt in The Doctor T. J. Eckleburg Review, January 8. 2013 [online] “A White of Many Colors,” New Orleans Review 37.1, 2011 “Savvy Cremains,” in Moon Milk Review Anthology 2011, ed. Rae Bryant (Moon Milk Review, 2011) -
New Perspectives on American Jewish History
Transnational Traditions Transnational TRADITIONS New Perspectives on American Jewish History Edited by Ava F. Kahn and Adam D. Mendelsohn Wayne State University Press Detroit © 2014 by Wayne State University Press, Detroit, Michigan 48201. All rights reserved. No part of this book may be reproduced without formal permission. Manufactured in the United States of America. Library of Congress Control Number: 2014936561 ISBN 978-0-8143-3861-2 (paperback) ISBN 978-0-8143-3862-9 (e-book) Permission to excerpt or adapt certain passages from Joan G. Roland, “Negotiating Identity: Being Indian and Jewish in America,” Journal of Indo-Judaic Studies 13 (2013): 23–35 has been granted by Nathan Katz, editor. Excerpts from Joan G. Roland, “Transformation of Indian Identity among Bene Israel in Israel,” in Israel in the Nineties, ed. Fredrick Lazin and Gregory Mahler (Gainesville: University Press of Florida, 1996), 169–93, reprinted with permission of the University Press of Florida. CONN TE TS Acknowledgments vii Introduction 1 PART I An Anglophone Diaspora 1. The Sacrifices of the Isaacs: The Diffusion of New Models of Religious Leadership in the English-Speaking Jewish World 11 Adam D. Mendelsohn 2. Roaming the Rim: How Rabbis, Convicts, and Fortune Seekers Shaped Pacific Coast Jewry 38 Ava F. Kahn 3. Creating Transnational Connections: Australia and California 64 Suzanne D. Rutland PART II From Europe to America and Back Again 4. Currents and Currency: Jewish Immigrant “Bankers” and the Transnational Business of Mass Migration, 1873–1914 87 Rebecca Kobrin 5. A Taste of Freedom: American Yiddish Publications in Imperial Russia 105 Eric L. Goldstein PART III The Immigrant as Transnational 6. -
Festival Program
LOCATION OF EVENTS All panels and featured events are held in: 1. ATKINSON HALL (Theater & AuditoriumDUHRQVWÁRRU near check-in table. Room 4004 is on 4th Floor near elevator) 2. LITERATURE BUILDING (DeCerteau Room, Bookfair (Faculty Lounge), and Innovation in a Box (Room 145) are all on 1st Floor in the hallway to the right past the glass double-door entry. Signage will direct you to the locations. 3. PRICE CENTER EAST BALLROOM (2nd Floor) These three locations are within 5-7 mins walking distance. Find Food Court at THE PRICE CENTER, plus wine & Beer and good salads at The Loft upstairs at PRICE CENTER EAST. There’s a student Food Co- op at old Student Center on left of map, and Whole Foods, Trader Joes, and restaurants uphill from SHERATON. GETTING AROUND UCSD PARK: Pay to park in GILMAN PARKING STRUC- TURE or HOPKINS PARKING STRUCTURE for short walk to venues. SHUTTLE: There MAY be a nightime shuttle from Price Center E. to the Sheraton from 11PM-12AM. We are working on it. There will be no other Shuttle to/from the Sheraton. WALK/BUS: Walk or take city bus (30 or 42) from SHERATON uphill to GILMAN PARKING STRUCTURE where you can catch CAMPUS LOOP SHUTTLE to take you to ATKINSON HALL or Voigt Drive near the LITERATURE BLDG. 2 3 W E L C O M E T O short of a critical practice, and how critical practices arise and rely on creative alignments. It might be said that &Now writers—in their differing modes—are self- T O M O R R O W L A N D . -
Reviving the Queer Political Imagination
Reviving the Queer Political Imagination: Affect, Archives, and Anti-Normativity Ryan Conrad A Thesis in the Humanities Interdisciplinary Program Centre for Interdisciplinary Studies in Society and Culture Presented in Partial Fulfilment of the Requirements For the Degree of Doctor of Philosophy at Concordia University Montreal, Quebec, Canada April 2017 © Ryan Conrad, 2017 CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Ryan Conrad Entitled: Reviving the Queer Political Imagination: Affect, Archives, and Anti-Normativity and submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Humanities) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: Chair Rebecca Duclos Susan Knabe External Examiner Monika Gagnon External to Program Anne Whitelaw Examiner Deborah Gould Examiner Thomas Waugh Thesis Supervisor Approved by: Graduate Program Director 10 April 2017 Dean of Faculty Abstract Reviving the Queer Political Imagination: Affect, Archives, and Anti-Normativity Ryan Conrad, PhD Concordia University, 2017 Through investigating three cultural archives spanning the last three decades, this dissertation elucidates the causes and dynamics of the sharp conservative turn in gay and lesbian politics in the United States beginning in the 1990s, as well as the significance of this conservative turn for present-day queer political projects. While many argue -
Art Works Grants
National Endowment for the Arts — December 2014 Grant Announcement Art Works grants Discipline/Field Listings Project details are as of November 24, 2014. For the most up to date project information, please use the NEA's online grant search system. Art Works grants supports the creation of art that meets the highest standards of excellence, public engagement with diverse and excellent art, lifelong learning in the arts, and the strengthening of communities through the arts. Click the discipline/field below to jump to that area of the document. Artist Communities Arts Education Dance Folk & Traditional Arts Literature Local Arts Agencies Media Arts Museums Music Opera Presenting & Multidisciplinary Works Theater & Musical Theater Visual Arts Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Page 1 of 168 Artist Communities Number of Grants: 35 Total Dollar Amount: $645,000 18th Street Arts Complex (aka 18th Street Arts Center) $10,000 Santa Monica, CA To support artist residencies and related activities. Artists residing at the main gallery will be given 24-hour access to the space and a stipend. Structured as both a residency and an exhibition, the works created will be on view to the public alongside narratives about the artists' creative process. Alliance of Artists Communities $40,000 Providence, RI To support research, convenings, and trainings about the field of artist communities. Priority research areas will include social change residencies, international exchanges, and the intersections of art and science. Cohort groups (teams addressing similar concerns co-chaired by at least two residency directors) will focus on best practices and develop content for trainings and workshops. -
E M I L Y S K I L L I N
EM I L Y S K I L L I N GS E- MAIL EMILY.SKILLING [email protected] DU E D U C A T I O N MFA in Poetry from Columbia University School of the Arts, 2017. B.A. in Dance and Poetry from Eugene Lang College, The New School for Liberal Arts (GPA 3.9, Honors Graduate) May 2010. T E A C H I N G E X P E R I E N C E Eugene Lang College, The New School: Writing the Essay II, Spring 2019. The 92nd Street Y Unterberg Poetry Center: The Nature of Things, a four-week course on object-based writing, November 2018. Yale University: Introduction to Creative Writing, a survey course in poetry, fiction, and playwriting, Fall 2018. Reading Poetry for Craft, a combination workshop and seminar for beginning undergraduate poetry students, Fall 2017. Poets House: g/leaning: quotation, assemblage, intertextuality, a 6-week course, Spring 2018. Parsons School of Design, The New School: The Nay-Sayers, an interdisciplinary undergraduate studio course on the poetics of refusal. Co-taught with visual artist Simone Kearney, Spring 2018. Yale University: Assisted Claudia Rankine’s Advanced Poetry undergraduate workshop, Spring 2018. Brooklyn Poets Workshop: The Nay-Sayers, a 5-week course on the poetics of refusal. Co- taught with visual artist Simone Kearney, Summer 2017. Practicing the Poetics of Space. Co- taught a poetry workshop that engaged themes and concepts from Gaston Bachelard’s The Poetics of Space with visual artist and poet Simone Kearney, Fall 2016. Princeton University: Assisted Claudia Rankine’s Advanced Poetry undergraduate workshop, Spring 2017. -
Intercultural and Interreligious Bonds in the Language of Colors
Colby College Digital Commons @ Colby Honors Theses Student Research 2018 Intercultural and Interreligious Bonds in the Language of Colors Lucy Soucek Follow this and additional works at: https://digitalcommons.colby.edu/honorstheses Part of the Comparative Methodologies and Theories Commons, and the Painting Commons Colby College theses are protected by copyright. They may be viewed or downloaded from this site for the purposes of research and scholarship. Reproduction or distribution for commercial purposes is prohibited without written permission of the author. Recommended Citation Soucek, Lucy, "Intercultural and Interreligious Bonds in the Language of Colors" (2018). Honors Theses. Paper 914. https://digitalcommons.colby.edu/honorstheses/914 This Honors Thesis (Open Access) is brought to you for free and open access by the Student Research at Digital Commons @ Colby. It has been accepted for inclusion in Honors Theses by an authorized administrator of Digital Commons @ Colby. Intercultural and Interreligious Bonds in the Language of Colors Lucy Soucek has completed the requirements for Honors in the Religious Studies Department May 2018 Nikky Singh Religious Studies Thesis Advisor, First Reader Ankeney Weitz Art Second Reader © 2018 Soucek ii Table of Contents Table of Contents ii Abstract iii Acknowledgements iv 1: Broadening the Horizons of Interfaith Understanding 1 2: A Visual Venture: the Functionality of Art in Interfaith Understanding 9 3: Getting to Know You: Twindividual Collaboration of the Singh Twins 18 4: Coconut Kosher Curry: a Taste of Siona Benjamin’s Art 31 5: Conflict, Fragility, and Universality: Arpana Caur and the Mending of 47 Religious Fractures 6: Conclusion 61 Works Cited 63 Soucek iii Abstract This thesis explores the interfaith elements of the artwork of three south Asian visual artists, The Singh Twins, Siona Benjamin, and Arpana Caur. -
New Boston Marriages : News Representations, Respectability, and the Politics of Same-Sex Marriage
New Boston marriages : news representations, respectability, and the politics of same-sex marriage Author: Jeffrey A. Langstraat Persistent link: http://hdl.handle.net/2345/1351 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2009 Copyright is held by the author, with all rights reserved, unless otherwise noted. Boston College The Graduate School of Arts and Sciences Department of Sociology NEW BOSTON MARRIAGES: NEWS REPRESENTATIONS, RESPECTABILITY, AND THE POLITICS OF SAME-SEX MARRIAGE a dissertation by JEFFREY A. LANGSTRAAT Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy May, 2009 © copyright by JEFFREY ALAN LANGSTRAAT 2009 ABSTRACT In 2006, Mariane Valverde announced the birth of what she called, “a new type in the history of sexuality” (155), the Respectable Same-Sex Couple. This work analyzes newspaper coverage of same-sex couples during the Massachusetts campaign for marriage equality to explore the content of and contours around that new socio-sexual category. The processes involved in the incorporation of lesbians and gay men into the governing relations of American society are used to explain the development of this type, and its replacement of the pathological Homosexual. The manufacture of respectability by movement activists is explored via the selection of “public face couples” as a framing strategy that links the lives of these couples to marriage itself and the hardships they suffer due to their inability to marry. The respectability of these couples and their incorporation as economic citizens is also linked to representations of professional status, upward mobility, economic success, and the creation of identity-based markets through entrepreneurial and consumptive practices. -
HEBREW on CAMPUS: WHY a TOUGH SELL? Ari L
critical/constructive VOLUME 16 NUMBER 2 / WINTER 2015 IN THIS ANALYSIS: Missed HebrewH on Transcultural Art: ISSUE: Opportunities for CCampus: A Mosaic of Indian, Jewish Life in WWhy a American and Renewed Urban TTough Sell? Jewish Motifs Neighborhoods ARIA L. GOLDMAN SIONA BENJAMIN STEVEN I. WEISS CRITICAL / CONSTRUCTIVE Introducing the new CONTACT VOLUME 16, NUMBER 2 / WINTER 2015 elcome to the relaunch of CONTACT, the magazine of The Steinhardt Foundation for Jewish Life that provides critical Eli Valley and constructive commentary on the Jewish community. Editor W In its sixteen years of existence, CONTACT has offered a Ari L. Goldman Editorial Consultant forum for leaders and academics to assess programs and trends in the Jewish Erica Coleman world. Starting with this, our fifty-third issue, CONTACT will add Copy Editor journalistic pieces to the mix in an effort to investigate, isolate and uncover Yakov Wisniewski problems and potential solutions. We feel that the addition of independent Design Director voices calling out inefficiency, waste and missed opportunities will help make CONTACT a compelling force for change in the community. THE STEINHARDT FOUNDATION In addition, while in the past CONTACT was a journal devoted to a different FOR JEWISH LIFE theme in each edition, the new CONTACT will explore a range of topics. It will feature at least four sections dedicated to various aspects of Jewish life Michael H. Steinhardt Chairman today: LANDSCAPE, the structures of Jewish institutional life and borders of Sara Berman practice; LANGUAGE, the historic and current vernacular of Jewish Vice Chair expression; LIVES, personal profiles of people forging individual paths Rabbi David Gedzelman towards Jewish engagement; and LAYERS, the art, culture and joy that President and CEO defines Jewish creativity today. -
United States and Canada
John Simon Guggenheim Memorial Foundation 2019 Fellows - United States and Canada • Rachel Adams, Professor of English and Comparative Literature, Columbia University: Anatomies of Care: Narrative and the Art of Interdependency. • Samuel Adams, Composer, Berkeley, California: Music Composition. • Ann Cooper Albright, Professor of Dance, Oberlin College: Simone Forti: Improvising a Life. • Cecilia Aldarondo, Filmmaker, Mechanicville, New York; Assistant Professor of Film, Department of English, Skidmore College: Film-Video. • Ben Altman, Photographer, Spencer, New York: Photography. • Branka Arsić, Charles and Lynn Zhang Professor of English and Comparative Literature, Columbia University: Ambient Life; Melville: Materialism and the Ethereal Enlightenment. • Anna Badkhen, Writer, Philadelphia, Pennsylvania: An Anatomy of Lostness. • William Balée, Professor of Anthropology, Tulane University: A Guide to Historical Ecology of the Lower Amazon. • Yevgeniya Baras, Artist, New York City: Fine Arts. • Lisa Feldman Barrett, University Distinguished Professor, Department of Psychology, Northeastern University: Seven Insights about the Brain. • Kimberly Bartosik, Choreographer, Brooklyn, New York: Choreography. • Eric Baudelaire, Filmmaker, Paris, France: Film-Video. • Lauren Benton, Nelson O. Tyrone Jr. Professor of History and Professor of Law, Vanderbilt University: Legalities of Small Wars in European Empires, 1400-1900. • Susanna Berger, Assistant Professor of Art History, University of Southern California: Visual Expertise and the Aesthetics of Deception in Early Modern Italy. • Hester Blum, Associate Professor of English, Pennsylvania State University: Ice Ages. • Michael K. Bourdaghs, Robert S. Ingersoll Professor of East Asian Languages and Civilizations, University of Chicago: From Postwar to Cold War: Japanese Culture in the Age of Three Worlds. • Julia Bryan-Wilson, Doris and Clarence Malo Professor of Modern and Contemporary Art, History of Art Department, University of California, Berkeley: Louise Nevelson: Modernist Drag. -
From Word to Canvas: Appropriations of Myth in Women's Aesthetic
From Word to Canvas From Word to Canvas: Appropriations of Myth in Women’s Aesthetic Production Edited by V.G. Julie Rajan and Sanja Bahun-Radunoviü From Word to Canvas: Appropriations of Myth in Women’s Aesthetic Production, Edited by V.G. Julie Rajan and Sanja Bahun-Radunoviü This book first published 2009 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2009 by V.G. Julie Rajan and Sanja Bahun-Radunoviü and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-0537-8, ISBN (13): 978-1-4438-0537-7 TABLE OF CONTENTS List of Illustrations .................................................................................... vii Acknowledgments ...................................................................................... ix Introduction The Feminine Gaze: Looking back and across the Landscape of Myth Sanja Bahun-Radunoviü and V. G. Julie Rajan........................................... 1 Chapter One Blue like Me Siona Benjamin ......................................................................................... 11 Chapter Two The Persephone Figure in Eavan Boland’s “The Pomegranate” and Liz Lochhead’s “Lucy’s Diary” Tudor