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M8-M9 EXHIBITION.Qxd
M8 India Abroad April 25, 2008 the magazine ART Tara Sabharwal’s Tree Path. As a student, she sold her work to London’s Victoria and Albert Museum Bridging gaps: or Roopa Singh, political poet, adjunct professor The artist of international political science at Pace University and theater instructor with South Asian Youth Action (both in New York), Erasing Borders 2008 — which is currently showing in FNew York — is a deeply diverse exhibit. “An extremely talks back affirming taste of how creative our Diaspora is,” she says. “From eerie florescent gas masks on Bharat Natyam dancers, to blood-hued mangoes for breakfast, to sari and sex pistol clad Desi women ‘stenciled’ on wallpaper, to a playful piece on the New York City sewer caps inscribed in Forty Diaspora artists express their South Asian identity in the US with the bold: Made In India. This is us bearing witness to our- traveling exhibition, Erasing Borders, reports Arthur J Pais selves, a South Asian Diaspora, spread and alive.” Vijay Kumar, curator for the fifth edition of the Erasing childhood; images from pop culture including Bollywood Borders traveling exhibition, has been watching the films, advertising and fashion; strong social commentary; changing Indian art scene in New York for several decades. traditional miniature painting transformed and used for “There are many new ‘Indian’ galleries in New York and new purposes; calligraphy and script; startling juxtaposi- other cities now, fueled by the new wealth in India and the tions; work trying to ‘find a home’ within the psyche.” booming art market there,” he says. “These galleries most- By the time India and Pakistan celebrated 50 years of ly show work by artists still living in India; occasionally, Independence, the words Desi and Diaspora had become they do exhibit work by Diaspora artists.” commonplace, he continues. -
The Commercial Gallery
THE COMMERCIAL TIM SCHULTZ b. 1960, Sydney lives Sydney WEBSITE www.timschultz.com.au EDUCATION 2012 Doctor of Philosophy, Sydney College of the Arts, The University of Sydney, Sydney 1985 Graduate Diploma, City Art Institute, Sydney 1983 Bachelor of Arts, City Art Institute, Sydney 1980 Bachelor of Arts (fine arts), University of Sydney, Sydney SOLO EXHIBITIONS 2014 Ornamental Perversion, The Commercial Gallery, Sydney 2012 Blood Red Make-Up Under the Armpits, The Commercial Gallery, Sydney Blood Red Make-Up Under the Armpits, Phd Graduation exhibition, SCA Galleries, Sydney College of the Arts, The University of Sydney, Sydney 2011 Schultztown the Rococo, Barry Stern Gallery, Sydney Schultztown, MOP Projects, Sydney 2010 The Cyclopean Orb is a Phantom, Peloton, Sydney 2005 Tim Schultz, Kaliman Gallery, Sydney 2000 Tim Schultz, Barry Stern Gallery, Sydney 1998 Tim Schultz, Barry Stern Gallery, Sydney 1997 Catafalque Pompadour, Barry Stern Gallery, Sydney 1996 Circus, (with Hany Armanious) CBD Gallery, Sydney Cheri de Tous, Barry Stern Gallery, Sydney 1994 Tim Schultz, Barry Stern Gallery, Sydney 1990 Tim Schultz, Rex Irwin Gallery, Sydney 1987 Cave of Plato, Rex Irwin Gallery, Sydney SELECTED GROUP EXHIBITIONS 2012 TWO/THREE - Hossein Ghaemi, Natalya Hughes, Emily Hunt, Stephen Ralph, Tim Schultz, curated by Amanda Rowell, The Commercial Gallery, Sydney 2008 Rimbaud/Rambo, curated by Geoff Newton, Neon Parc, Melbourne OBLIVION PAVILION, curated by Amanda Rowell, Roslyn Oxley9 Gallery, Sydney OBLIVION PAVILION, curated by Amanda Rowell, -
Leading Cultural Figures Attend Asia Society Art Gala, Launching Art Basel in Hong Kong
FOR IMMEDIATE RELEASE LEADING CULTURAL FIGURES ATTEND ASIA SOCIETY ART GALA, LAUNCHING ART BASEL IN HONG KONG GUESTS INCLUDED ROBERT AND CHANTAL MILLER, JULIA AND VICTOR FUNG & BASSAM SALEM THIS YEAR’S HONOUREES FEATURED BHARTI KHER, LIU GUOSONG, TAKASHI MURAKAMI & ZHANG XIAOGANG (Hong Kong, 15 May 2014) More than four hundred of the world’s most distinguished collectors, curators, gallerists and dignitaries gathered this evening to honor four exceptional contemporary artists at the Asia Society’s second annual Art Gala, hosted by Ms. S. Alice Mong and Dr. Melissa Chiu at their spectacular Hong Kong Center. Kicking off Art Basel in Hong Kong, the evening celebrated world-renowned artists Bharti Kher, Liu Guosong, Takashi Murakami and Zhang Xiaogang for their extraordinary contributions to contemporary art in Asia. Guests were also treated to a private viewing of the first major solo exhibition of Xu Bing’s work in Hong Kong, currently on display through 31 August 2014. Notable guests included artists Li Songsong, Mariko Mori, Michael Joo and Song Dong. International collectors attended, including Deddy Kusama, Basma Al Sulaiman, Maggie Tsai, Alexandra Prasetio, and Bharat and Swati Bhise. Gallerists present included Nick Simunovic of Gasgosian Gallery, one of the evening’s hosts, Rachel Lehmann, Emmanuel Perrotin, Arne Glimcher, Marcia Levine, and Jane Lombard and Lisa Carlson. Supporters of Asia Society included Robert and Chantal Miller, Hal and Ruth Newman, Mitch and Joleen Julis. Other guests included actress Lynn Hsieh, Nam June Paik’s Nephew, Ken Hakuta, Director of Art Basel, Marc Spiegler, Managing Director of Christie’s Asia, Rebecca Wei, and Curator of UBS Art Collection, Stephen McCoubrey. -
Download CV As
CHRIS BORS www.chrisbors.com [email protected] Instagram @chris_bors Born in Ithaca, New York. Lives and works in New York City. EDUCATION M.F.A., School of Visual Arts, New York Rhode Island School of Design, Providence, Rhode Island BA, University at Albany, Albany, New York SOLO EXHIBITIONS 2021 Brian Leo Projects, Ackchyually, New York 2018 ADO Projects, American Jesus, Brooklyn, New York 2016 Guttenberg Arts, Kill Your Idols, Guttenberg, New Jersey 2013 Randall Scott Projects, The Youth are Getting Restless, Washington, DC 2009 Envoy Gallery, Forward and Backward Pam and Tommy, New York 2008 Go North, i against i, Beacon, New York 2005 Argo Gallery, America is a mistake, a giant mistake., Nicosia, Cyprus Haven Arts, Virtual Dumpster Diving, Bronx, New York 2002 Here Art, Quest for Herb, New York TWO PERSON EXHIBITONS 2021 Chris Bors and Joe Waks, curated by Brian Leo, IFAC Arts, The Yard Lower East Side, New York 2001 Meredith Allen and Chris Bors, P.S. 122 Gallery, New York SELECTED GROUP EXHIBITIONS 2020 The Confidence Game, curated by Joe Nanashe and Savannah Spirit, www.theconfidencegame.website Electoral Electric, curated by Michelle Vitale, Hudson County Community College, Jersey City, NJ General Store, SPRING/BREAK Art Show, New York The Mind Is a Terrible Thing to Taste, SPRING/BREAK Art Show, Los Angeles, California A Horse Walks Into a Bar, curated by D. Dominick Lombardi, Hampden Gallery, UMass Amherst, Amherst, Massachusetts 2019 Foodie Fever, curated by D. Dominick Lombardi and Thalia Vrachopoulos, Anya and Andrew Shiva Gallery, John Jay College, New York (catalog) Malled & Walled: American Style, curated by Fred Fleisher, Turbine Space, Glarus, Switzerland 2018 The Southwest Brooklyn Biennial, Kustera Projects, Brooklyn, New York Summer of Love, curated by Nick Lawrence, Freight+Volume, New York (catalogue) Shadowman Meets the Kids, curated by Noah Becker, Contra Studios, New York 2018 Collect Hudson, curated by Fred Fleisher and Michelle Vitale, The Benjamin J. -
New Perspectives on American Jewish History
Transnational Traditions Transnational TRADITIONS New Perspectives on American Jewish History Edited by Ava F. Kahn and Adam D. Mendelsohn Wayne State University Press Detroit © 2014 by Wayne State University Press, Detroit, Michigan 48201. All rights reserved. No part of this book may be reproduced without formal permission. Manufactured in the United States of America. Library of Congress Control Number: 2014936561 ISBN 978-0-8143-3861-2 (paperback) ISBN 978-0-8143-3862-9 (e-book) Permission to excerpt or adapt certain passages from Joan G. Roland, “Negotiating Identity: Being Indian and Jewish in America,” Journal of Indo-Judaic Studies 13 (2013): 23–35 has been granted by Nathan Katz, editor. Excerpts from Joan G. Roland, “Transformation of Indian Identity among Bene Israel in Israel,” in Israel in the Nineties, ed. Fredrick Lazin and Gregory Mahler (Gainesville: University Press of Florida, 1996), 169–93, reprinted with permission of the University Press of Florida. CONN TE TS Acknowledgments vii Introduction 1 PART I An Anglophone Diaspora 1. The Sacrifices of the Isaacs: The Diffusion of New Models of Religious Leadership in the English-Speaking Jewish World 11 Adam D. Mendelsohn 2. Roaming the Rim: How Rabbis, Convicts, and Fortune Seekers Shaped Pacific Coast Jewry 38 Ava F. Kahn 3. Creating Transnational Connections: Australia and California 64 Suzanne D. Rutland PART II From Europe to America and Back Again 4. Currents and Currency: Jewish Immigrant “Bankers” and the Transnational Business of Mass Migration, 1873–1914 87 Rebecca Kobrin 5. A Taste of Freedom: American Yiddish Publications in Imperial Russia 105 Eric L. Goldstein PART III The Immigrant as Transnational 6. -
Art in the Asia-Pacific
Art in the Asia-Pacifi c As social, locative, and mobile media render the intimate public and the public intimate, this volume interrogates how this phenomenon impacts art practice and politics. Contributors bring together the worlds of art and media culture to rethink their intersections in light of participatory social media. By focusing upon the Asia-Pacifi c region, they seek to examine how regionalism and locality affect global circuits of culture. The book also offers a set of theoretical frameworks and methodological paradigms for thinking about contemporary art practice more generally. Larissa Hjorth is Professor in the Games Programs, School of Media & Communication, RMIT University, Australia. Natalie King is Director of Utopia at Asialink, The University of Melbourne, Australia. Mami Kataoka is Chief Curator at the Mori Art Museum in Tokyo, Japan. Routledge Advances in Art and Visual Studies 1 Ethics and Images of Pain 5 Manga’s Cultural Crossroads Edited by Asbjørn Grønstad & Edited by Jaqueline Berndt Henrik Gustafsson and Bettina Kümmerling- Meibauer 2 Meanings of Abstract Art Between Nature and Theory 6 Mobility and Fantasy in Visual Edited by Paul Crowther and Isabel Culture Wünsche Edited by Lewis Johnson 3 Genealogy and Ontology of the 7 Spiritual Art and Art Western Image and its Digital Education Future Janis Lander John Lechte 8 Art in the Asia-Pacifi c 4 Representations of Pain in Art Intimate Publics and Visual Culture Edited by Larissa Hjorth, Edited by Maria Pia Di Bella and Natalie King, and Mami James Elkins Kataoka -
Artnet Launches the World's First Dedicated 24/7 Art Market Newswire
PRESS RELEASE For Immediate Release artnet Launches the World’s First Dedicated 24/7 Art Market Newswire The Site Will Provide Non-Stop Art World and Market News New York, February 25, 2014—artnet has announced the newest addition to its lineup of products and services: artnet News. artnet News will be a one-stop platform providing readers with constant access to the events, trends, developments, and people that shape the art market and global art industry. artnet has long been known as the leading place to buy, sell, and research art online, and this renewed focus on news will allow the company to become a fully integrated source for information about artworks and the global art industry. This new platform will combine the best writing with the latest in content-sharing technology. artnet News consists of three broad sections—market, art world, and people—allowing users to browse news about the art world, the art market, and the art world social scene. The daily “in brief” section will provide a 24-hour chronicle of art world news. Content will be hosted on a dynamic new platform with an easy-to-navigate interface. artnet is committed to providing cutting-edge market services to collectors, art businesses, and art enthusiasts. According to artnet CEO Jacob Pabst, “Innovation has always been a driving force for artnet. We are constantly seeking ways to better connect with our audience, and meet the rapidly changing demands of the international art community. We are already the standard for market data, and now, artnet News will provide visitors with greater context to fully understand what is happening in the market.” About the Editor in Chief: Benjamin Genocchio will be leading the artnet News team, and comes to artnet with two decades of experience in both the print and online art news business. -
Resume Wizard
Indigenous Australian Art: An Analytical Survey Class code ANTH-UA 9038 or SCA-UA 9836 Instructor Details Professor Sabra Thorner [email protected] 02 8016 8214 (office) 0415 850 392 (mobile) Office Hour: Wednesdays 5-6pm Class Details Indigenous Art: An Analytical Survey Wednesdays, 2pm-5pm Room 304 NYU Sydney Academic Centre Science House, 157 Gloucester St, The Rocks Prerequisites None Class Description This course is a survey of the principal themes and issues in the development of Indigenous art in Australia. It focuses on some of the regional and historical variations of Aboriginal art in the context of the history of a settler nation, while considering the issues of its circulation and evaluation within contemporary discourses of value. Topics include the cosmological dimensions of the art, its political implications, its relationship to cultural identity, and its aesthetic frameworks. Students will visit some of the major national collections of Indigenous Australian art as well as exhibitions of contemporary works. There will also be guest presentations from Indigenous artists and Indigenous art curators. Desired As a result of successfully completing this course, students will be able to: Outcomes • Demonstrate knowledge of the diversity of Indigenous arts in Australia—ranging from acrylic paintings of the Western Desert to bark designs of Arnhem land to urban, politically motivated works in various media (including photography, sculpture, print-making, etc) • Think about these works both as objectifications of cultural expression -
Art Works Grants
National Endowment for the Arts — December 2014 Grant Announcement Art Works grants Discipline/Field Listings Project details are as of November 24, 2014. For the most up to date project information, please use the NEA's online grant search system. Art Works grants supports the creation of art that meets the highest standards of excellence, public engagement with diverse and excellent art, lifelong learning in the arts, and the strengthening of communities through the arts. Click the discipline/field below to jump to that area of the document. Artist Communities Arts Education Dance Folk & Traditional Arts Literature Local Arts Agencies Media Arts Museums Music Opera Presenting & Multidisciplinary Works Theater & Musical Theater Visual Arts Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Page 1 of 168 Artist Communities Number of Grants: 35 Total Dollar Amount: $645,000 18th Street Arts Complex (aka 18th Street Arts Center) $10,000 Santa Monica, CA To support artist residencies and related activities. Artists residing at the main gallery will be given 24-hour access to the space and a stipend. Structured as both a residency and an exhibition, the works created will be on view to the public alongside narratives about the artists' creative process. Alliance of Artists Communities $40,000 Providence, RI To support research, convenings, and trainings about the field of artist communities. Priority research areas will include social change residencies, international exchanges, and the intersections of art and science. Cohort groups (teams addressing similar concerns co-chaired by at least two residency directors) will focus on best practices and develop content for trainings and workshops. -
Intercultural and Interreligious Bonds in the Language of Colors
Colby College Digital Commons @ Colby Honors Theses Student Research 2018 Intercultural and Interreligious Bonds in the Language of Colors Lucy Soucek Follow this and additional works at: https://digitalcommons.colby.edu/honorstheses Part of the Comparative Methodologies and Theories Commons, and the Painting Commons Colby College theses are protected by copyright. They may be viewed or downloaded from this site for the purposes of research and scholarship. Reproduction or distribution for commercial purposes is prohibited without written permission of the author. Recommended Citation Soucek, Lucy, "Intercultural and Interreligious Bonds in the Language of Colors" (2018). Honors Theses. Paper 914. https://digitalcommons.colby.edu/honorstheses/914 This Honors Thesis (Open Access) is brought to you for free and open access by the Student Research at Digital Commons @ Colby. It has been accepted for inclusion in Honors Theses by an authorized administrator of Digital Commons @ Colby. Intercultural and Interreligious Bonds in the Language of Colors Lucy Soucek has completed the requirements for Honors in the Religious Studies Department May 2018 Nikky Singh Religious Studies Thesis Advisor, First Reader Ankeney Weitz Art Second Reader © 2018 Soucek ii Table of Contents Table of Contents ii Abstract iii Acknowledgements iv 1: Broadening the Horizons of Interfaith Understanding 1 2: A Visual Venture: the Functionality of Art in Interfaith Understanding 9 3: Getting to Know You: Twindividual Collaboration of the Singh Twins 18 4: Coconut Kosher Curry: a Taste of Siona Benjamin’s Art 31 5: Conflict, Fragility, and Universality: Arpana Caur and the Mending of 47 Religious Fractures 6: Conclusion 61 Works Cited 63 Soucek iii Abstract This thesis explores the interfaith elements of the artwork of three south Asian visual artists, The Singh Twins, Siona Benjamin, and Arpana Caur. -
TERENCE EDWIN SMITH, FAHA, CIHA CURRICULUM VITAE Andrew W Mellon
TERENCE EDWIN SMITH, FAHA, CIHA CURRICULUM VITAE www.terryesmith.net/web http://www.douban.com/group/419509/ Andrew W Mellon Professor of Contemporary Art History and Theory Henry Clay Frick Department of the History of Art and Architecture 104 FFA, University of Pittsburgh, Pittsburgh PA 15260 USA Tel 412 648 2404 fax 412 648 2792 Messages (Linda Hicks) 412 648 2421 [email protected] 3955 Bigelow Boulevard, #911, Pittsburgh, PA 15213 Tel. 412 682 0395 cell 919 683 8352 33 Elliott St., Balmain, NSW 2041 Australia, tel. 61 -2- 9810 7464 (June-August each year) 1. ACADEMIC RECORD 2. APPOINTMENTS 3. RESEARCH GRANTS, HONOURS AND AWARDS 4. PUBLICATIONS, INTERVIEWS, EXHIBITIONS 5. TEACHING AND ADMINISTRATION 6. HONORARY PROFESSIONAL POSITIONS 7. COMMUNITY SERVICE 8. GUEST LECTURES AND CONFERENCE PAPERS 9. RELATED ACTIVITIES 10. PROFILES 11. RECENT REVIEWS 1 1. ACADEMIC RECORD 1986 Doctor of Philosophy, University of Sydney (dissertation topic: “The Visual Imagery of Modernity: USA 1908-1939”) 1976 Master of Arts, University of Sydney, first class honours and University Medal (thesis topic: “American Abstract Expressionism: ethical attitudes and moral function”) 1973-74 Doctoral studies, Institute of Fine Arts, New York University (Professors Goldwater, Rosenblum, Rubin); additional courses at Columbia University, New York (Professor Schapiro), Whitney Museum of American Art, New York 1966 Bachelor of Arts, University of Melbourne 2. APPOINTMENTS 2011-2015 Distinguished Visiting Professor, National Institute for Experimental Arts, College of Fine -
Carla Gannis “The Garden of Emoji Delights” October 26 – November 8, 2015
E B K Gallery [small works] 218 Pearl St. Hartford, CT Carla Gannis “The Garden of Emoji Delights” October 26 – November 8, 2015 Gallery and Pricing sheet For purchase arrangements please contact us at ph 860.523.9384 Email: [email protected] Artist: Carla Gannis Title: “The Garden of Emoji Delights” Date: 2013 Size: 13’ x 7’ Medium: digital C-Print Price: on request 10/21/2015 CARLA GANNIS Carla Gannis, originally from Oxford, North Carolina, today lives and works in Brooklyn, New York. She received a BFA in painting from The University of North Carolina at Greensboro and an MFA in painting from Boston University. In the late 1990s she began to incorporate digital technologies into her work, and in 2005 she was awarded a New York Foundation for the Arts (NYFA) Grant in Computer Arts. Currently she is a professor and assistant chairperson of The Department of Digital Arts at Pratt Institute. Since 2003 Gannis’s work has appeared in 20 solo exhibitions and numerous group exhibitions both nationally and internationally. Her most recent solo exhibitions include “The Garden of Earthly Delights” at The Hudson River Museum, Yonkers, NY (currently on view) and at Kasia Kay Art Projects in Chicago, IL, 2014. In 2013 she collaborated with poet Justin Petropoulos on a transmedia book, installation and net art project entitled <legend> </legend> published by Jaded Ibis Press, Seattle, WA and exhibited at Transfer Gallery, Brooklyn, NY. Her forthcoming shows include the group exhibition “Porn to Pizza – Domestic Clichés” at DAM Gallery, in Berlin Germany and solo exhibitions at EBK Gallery in Hartford, CT and Transfer Gallery in Brooklyn, NY.