Uncivil Wars: Liberal Crisis and Conservative Rebirth 1961–1972
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Student Communes, Political Counterculture, and the Columbia University Protest of 1968
THE POLITICS OF SPACE: STUDENT COMMUNES, POLITICAL COUNTERCULTURE, AND THE COLUMBIA UNIVERSITY PROTEST OF 1968 Blake Slonecker A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History. Chapel Hill 2006 Approved by Advisor: Peter Filene Reader: Jacquelyn Dowd Hall Reader: Jerma Jackson © 2006 Blake Slonecker ALL RIGHTS RESERVED ii ABSTRACT BLAKE SLONECKER: The Politics of Space: Student Communes, Political Counterculture, and the Columbia University Protest of 1968 (Under the direction of Peter Filene) This thesis examines the Columbia University protest of April 1968 through the lens of space. It concludes that the student communes established in occupied campus buildings were free spaces that facilitated the protestors’ reconciliation of political and social difference, and introduced Columbia students to the practical possibilities of democratic participation and student autonomy. This thesis begins by analyzing the roots of the disparate organizations and issues involved in the protest, including SDS, SAS, and the Columbia School of Architecture. Next it argues that the practice of participatory democracy and maintenance of student autonomy within the political counterculture of the communes awakened new political sensibilities among Columbia students. Finally, this thesis illustrates the simultaneous growth and factionalization of the protest community following the police raid on the communes and argues that these developments support the overall claim that the free space of the communes was of fundamental importance to the protest. iii ACKNOWLEDGEMENTS Peter Filene planted the seed of an idea that eventually turned into this thesis during the sort of meeting that has come to define his role as my advisor—I came to him with vast and vague ideas that he helped sharpen into a manageable project. -
The Personal Account of an American Revolutionary and Member Ofthe Weather Underground
The Personal Account of an American Revolutionary and Member ofthe Weather Underground Mattie Greenwood U.S. in the 20th Century World February, 10"'2006 Mr. Brandt OH GRE 2006 1^u St-Andrew's EPISCOPAL SCHOOL American Century Oral History Project Interviewee Release Form I, I-0\ V 3'CoVXJV 'C\V-\f^Vi\ {\ , hereby give and grant to St. Andrew's (inter\'iewee) Episcopal School the absolute and unqualified right to the use ofmy oral histoiy memoir conducted by VA'^^X'^ -Cx^^V^^ Aon 1/1 lOip . I understand that (student interviewer) (date) the purpose ofthis project is to collect audio- and video-taped oral histories of fust-hand memories ofa particular period or event in history as part ofa classroom project (The American Century Projeci), I understand that these interviews (tapes and transcripts) will be deposited in the Saint Andrew's Episcopal School library and archives for the use by future students, educators and researchers. Responsibility for the creation of derivative works will be at the discretion ofthe librarian, archivist and/or project coordinator. 1 also understand that the tapes and transcripts may be used in public presentations including, but not limited to, books, audio or video documentaries, slide-tape presentations, exhibits, articles, public performance, or presentation on the World Wide Web at the project's web site www.americancenturyproject.org or successor technologies. In making this contract I understand that J am sharing with St. Andrew's Episcopal School librai"y and archives all legal title and literar)' property rights which J have or may be deemed to have in my interview as well as my right, title and interest in any copyright related to this oral history interview which may be secured under the laws now or later in force and effect in the United Slates of America. -
Shawyer Dissertation May 2008 Final Version
Copyright by Susanne Elizabeth Shawyer 2008 The Dissertation Committee for Susanne Elizabeth Shawyer certifies that this is the approved version of the following dissertation: Radical Street Theatre and the Yippie Legacy: A Performance History of the Youth International Party, 1967-1968 Committee: Jill Dolan, Supervisor Paul Bonin-Rodriguez Charlotte Canning Janet Davis Stacy Wolf Radical Street Theatre and the Yippie Legacy: A Performance History of the Youth International Party, 1967-1968 by Susanne Elizabeth Shawyer, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May, 2008 Acknowledgements There are many people I want to thank for their assistance throughout the process of this dissertation project. First, I would like to acknowledge the generous support and helpful advice of my committee members. My supervisor, Dr. Jill Dolan, was present in every stage of the process with thought-provoking questions, incredible patience, and unfailing encouragement. During my years at the University of Texas at Austin Dr. Charlotte Canning has continually provided exceptional mentorship and modeled a high standard of scholarly rigor and pedagogical generosity. Dr. Janet Davis and Dr. Stacy Wolf guided me through my earliest explorations of the Yippies and pushed me to consider the complex historical and theoretical intersections of my performance scholarship. I am grateful for the warm collegiality and insightful questions of Dr. Paul Bonin-Rodriguez. My committee’s wise guidance has pushed me to be a better scholar. -
The Politics of Space: Student Communes, Political Counterculture, and the Columbia University Protest of 1968
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository THE POLITICS OF SPACE: STUDENT COMMUNES, POLITICAL COUNTERCULTURE, AND THE COLUMBIA UNIVERSITY PROTEST OF 1968 Blake Slonecker A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History. Chapel Hill 2006 Approved by Advisor: Peter Filene Reader: Jacquelyn Dowd Hall Reader: Jerma Jackson © 2006 Blake Slonecker ALL RIGHTS RESERVED ii ABSTRACT BLAKE SLONECKER: The Politics of Space: Student Communes, Political Counterculture, and the Columbia University Protest of 1968 (Under the direction of Peter Filene) This thesis examines the Columbia University protest of April 1968 through the lens of space. It concludes that the student communes established in occupied campus buildings were free spaces that facilitated the protestors’ reconciliation of political and social difference, and introduced Columbia students to the practical possibilities of democratic participation and student autonomy. This thesis begins by analyzing the roots of the disparate organizations and issues involved in the protest, including SDS, SAS, and the Columbia School of Architecture. Next it argues that the practice of participatory democracy and maintenance of student autonomy within the political counterculture of the communes awakened new political sensibilities among Columbia students. Finally, this thesis illustrates the simultaneous growth and factionalization of the protest community following the police raid on the communes and argues that these developments support the overall claim that the free space of the communes was of fundamental importance to the protest. -
A View of the American Road from Bob Dylan's Rolling Thunder Revue, 1975
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1992 Gotta Travel On: A View of the American Road from Bob Dylan's Rolling Thunder Revue, 1975 Matthew David Shine College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons, and the Music Commons Recommended Citation Shine, Matthew David, "Gotta Travel On: A View of the American Road from Bob Dylan's Rolling Thunder Revue, 1975" (1992). Dissertations, Theses, and Masters Projects. Paper 1539625713. https://dx.doi.org/doi:10.21220/s2-sf1j-bd95 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. GOTTA TRAVEL ON A View of the American Road from Bob Dylan’s Rolling Thunder Revue, 1975 A Thesis Presented to The Faculty of the Department of American Studies The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Matthew D. Shine 1992 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Matthew D. Shine Approved, May 1992 Dale Cockrell 1 7 Robert Gross Scott Donaldson TABLE OF CONTENTS page ACKNOWLEDGEMENTS......................................................................... iv ABSTRACT........................... v INTRODUCTION........................................................................................ 4 CHAPTER I. IN SEARCH OF THE REAL AMERICA IN THE 1930S........................................... 5 CHAPTER H. -
People's Law Office-20 Years
B y n CHICAGO CHAPTER, NATIONAL LAWYER'S GUILD AND PEOPLES LAW OFFICE 6:00 Drinks and Reception 7:00 Dinner 7:15 Program begins - Introduction- Doug Cassel, Vice President Chicago Chapter of the National Lawyers Guild Special Award- Lucy Montgomery, Human Rights Activist 7:30 Video Showing-20 years of PLO work 8:00 Introduction of Special Guests Francisco Altschul, Representative of the FMLN/FDR Dr. Fateh Arafat, President of the Palestine Red Crescent Society 8:15 Featured Speakers- Introduction by PLO members Deborah Johnson, Former Black Panther and survivor of the Dec. 4 Raid Big Black, A leader of the Attica Rebellion Rafael Cancel Miranda, Freed Puerto Rican Nationalist Prisoner and Independence Leader 9:45 Dancing with D.J. General B SPECIAL THANKS TO THOSE WHO HELPED MAKE THIS CELEBRATION POSSIBLE: Mariel Nanasi, Bill Bain, Tim Culver, Linda Turner, Cliff Zimmerman, Doug Cassell, and C & D Printers. r THIS EVENING IS DEDICATED TO THE FOLLOWING COMRADES WHO HAVE LIVED AND DIED IN THE STRUGGLE AND WHO HAVE MOST CLOSELY AFFECTED OUR LIVES AND WORK: Fred Hampton Mark Clark Ali Shanna (Jimmy Brewton) Dalu (Mariano Gonzalez) Shaka Roho (Gordon Woodson) Eugene Feldman Val Klink Angel Rodriguez Cristobal Andres Figueroa Cordero Roger "Champ" Champen Pat Finucane Ted Gold Diana Oughton Terry Robbins The Slain Attica Brothers Juan Antonio Corretjer Consuelo Lee Tapia de Corretjer George Jackson Spurgeon "Jake" Winters Larry Roberson John "Little John" Collins Michael Nathan Jim Waller Sandi Smith Cesar Cauce William Sampson Rose Kallal A HISTORY PREFACE It is reasonable and innocent to expect that an observance of our twenty-year anniversary would include a responsible account of what happened in the past twenty years. -
2016, Number 2 Judaism Beyond God
HUMANISTIC JUDAISM Volume XLV 2016, Number 2 judaism beyond god Change, Fear, and Hope in the Twenty-First Century Peter Schweitzer Jeffrey L. Falick Laura Feldman Frederic S. Pearson Fred L. Pincus Stephen Greenspan Humanistic Voices and more Humanistic Judaism is a voice for Jews who value their Jewish identity and who seek an alternative to conventional Judaism. Humanistic Judaism affirms the right of individuals to shape their own lives independent Humanistic Judaism is published twice a year by the of supernatural authority. Society for Humanistic Judaism, a non-profit organi- zation, 28611 West Twelve Mile Road, Farmington Hills, Michigan 48334, (248) 478-7610, [email protected], www.shj.org. Signed articles do not necessarily represent the viewpoints or policies of the Society for Humanistic Judaism. Transliterations used in articles reflect the author’s preferences. All material © Copyright 2016 by the Society for Humanistic Judaism. No portion of this work may be reprinted or copied without written permission of the publisher. Subscription Rates: $21.00 per year. Canadian Subscriptions $31.00. Overseas Subscriptions $43.00 per year (U.S. Dollars). No refunds. Sample copies available at single issue price plus postage. Addi- tional copies of a single issue are available from the Society for Humanistic Judaism at the cover price plus postage. Address all inquiries and subscriptions to Humanistic Judaism, 28611 West Twelve Mile Road, Farmington Hills, Michigan 48334. Listed in Index to Jewish Periodicals, American Jewish Yearbook, Encyclopedia of Associations, and Standard Periodical Directory. Manuscripts are welcome and may be sent to shjjour- [email protected]. Word documents preferred. -
Columbia ’68: What Happened?
Columbia ’68: What Happened? Theo Sweeting (University of Nottingham) Finally, what long range goal is worthy of this rebellion? Obviously the question is not whether to work for revolution – armed, communist revolution – in America, but how, and what form it will take – John Jacobs, May 1968 1 John Jacobs sat down to type this statement, part of his revolutionary manifesto for the University of Columbia protests of 1968, ‘Bringing the War Home.’ But even a man so enraptured by the inevitability of revolutionary change as Jacobs could probably not have predicted that more than 40 years later the chain of events this document helped catalyse would be remembered as a defining moment for the American New Left in the 1960s, particularly in organisational histories of Students for a Democratic Society (SDS). Jacobs signed this document from his position as a member of the occupations of Low Library and Mathematics hall on the Columbia campus. In the wake of Tom Hayden’s famous call to create “two, three, many Columbias” across global campuses, Jacob’s words took on a prophetic tone in the immediate aftermath of the Columbia protests, when students from the Sorbonne in Paris sent the Strike Coordinating Committee (SCC), a telegram: “We’ve occupied a building in your honor. What do we do now?” 2 Jacob’s plan unfolded further when he and fellow Columbia SDS militants Mark Rudd and Ted Gold helped found the 1 John Jacobs, ‘Bringing the War Home’, May 1968; UPAC, Box 13, Folder 5, 1 2 Tom Hayden, ‘Two, Three, Many Columbias’, Ramparts, June 15, 1968. -
Playing Hippies and Indians: Acts of Cultural Colonization in the Theatre of the American Counterculture
PLAYING HIPPIES AND INDIANS: ACTS OF CULTURAL COLONIZATION IN THE THEATRE OF THE AMERICAN COUNTERCULTURE Miriam Hahn A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2014 Committee: Jonathan Chambers, Advisor Sheri Wells-Jensen, Graduate Faculty Representative Eileen Cherry-Chandler Scott Magelssen © 2014 Miriam Hahn All Rights Reserved iii ABSTRACT Jonathan Chambers, Advisor In this dissertation, I examine the appropriation of Native American cultures and histories in the theatre of the American counterculture of the 1960s and seventies, using the Living Theatre’s Paradise Now, the street theatricals and broadsides of the San Francisco Diggers, and James Rado and Gerome Ragni’s Hair: The American Tribal- Love Rock Musical as my primary case studies. Defining themselves by points of difference from mainstream America and its traditional social and cultural values, counterculturalists often attempted to align themselves with Native Americans in order to express an imagined sense of shared otherness. Representations of Natives on countercultural stages, however, were frequently steeped in stereotype, and they often depicted Native cultures inaccurately, elided significant tribal differences, and relegated Native identity almost wholly to the past, a practice that was particularly problematic in light of concurrent Native rights movements that were actively engaged in bringing national attention to the contemporary issues and injustices Native Americans faced on a daily basis. In my study, I analyze the impulses that might have led counterculturalists to appropriate Native culture during this period, highlighting some of the ways in which such appropriations played out in Paradise Now and Hair, as well as on the streets of San Francisco’s Haight-Ashbury district. -
The Weather Underground: a Study in Mobilization
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1981 The Weather Underground: A study in mobilization Paul Michael Pigulski College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the Organizational Behavior and Theory Commons, Political Science Commons, and the United States History Commons Recommended Citation Pigulski, Paul Michael, "The Weather Underground: A study in mobilization" (1981). Dissertations, Theses, and Masters Projects. Paper 1539625157. https://dx.doi.org/doi:10.21220/s2-svfy-tz10 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. THE WEATHER UNDERGROUND: U A STUDY IN MOBILIZATION A Thesis Presented to The Faculty of the Department of Sociology The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Paul Pigulski 1981 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Author^ Approved, August 1981 Edwin H. Rhvnj£U This thesis is dedicated to the Vietnamese people, and to Hoa Trung Tran and Ngoc-Hao Phung Tran. I trust, their lives will never be subject to the sufferings their countrymen endured. TABLE OF CONTENTS ACKNOWLEDGMENTS _ . iii ABSTRACT ............................................ v INTRODUCTION ............................................ 1 CHAPTER ONE - REVIEW OF L I T E R A T U R E ................ -
INTERVIEWS with KWAME TUR£ (Stoldy Carmichael) and Chokwe Luwumba Table of Contents
. BLACK LIBERATION 1968 - 1988 INTERVIEWS wiTh KWAME TUR£ (SToldy CARMichAEl) ANd ChokwE LuwuMbA Table of Contents 1 Editorial: THE UPRISING 3 WHAT HAPPENS TO A DREAM DEFERRED? 7 NO JUSTICE, NO PEACE-The Black Liberation Movement 1968-1988 Interview with Chokwe Lumumba, Chairman, New Afrikan People's Organization Interview with Kwame Ture", All-African People's Revolutionary Party 17 FREE THE SHARPEVILLE SIX ™"~~~~~~~ 26 Lesbian Mothers: ROZZIE AND HARRIET RAISE A FAMILY —— 33 REVISING THE SIXTIES Review of Todd Gitlin's The Sixties: Years of Hope, Days of Rage 38 BEHIND THE U.S. ECONOMIC DECLINE by Julio Rosado, Movimiento de Liberaci6n Nacional Puertorriquefio 46 CAN'T KILL THE SPIRIT ~ Political Prisoners & POWs Update 50 WRITE THROUGH THE WALLS Breakthrough, the political journal of Prairie Fire Organizing Committee, is published by the John Brown Book Club, PO Box 14422, San Francisco, CA 94114. This is Volume XXII, No. 1, whole number 16. Press date: June 21,1988. Editorial Collective: Camomile Bortman Jimmy Emerman Judy Gerber Judith Mirkinson Margaret Power Robert Roth Cover photo: Day of Outrage, December 1987, New York. Credit: Donna Binder/Impact Visuals We encourage our readers to write us with comments and criticisms. You can contact Prairie Fire Oganizing Committee by writing: San Francisco: PO Box 14422, San Francisco, CA 94114 Chicago: Box 253,2520 N. Lincoln, Chicago, IL 60614 Subscriptions are available from the SF address. $6/4 issues, regular; $15/yr, institutions. Back issues and bulk orders are also available. Make checks payable to John Brown Book Club. John Brown Book Club is a project of the Capp St. -
1968 Background Guide 1 Letters from the Chairs and Crisis Director
Table of Contents Table of Contents 1 Letters from the Chairs 2 How JCCs Work 5 Introduction 9 Before 1968 10 The Political Parties 20 The Election 24 Issues to Consider 26 Your Mission 30 Sources 31 JCC: 1968 Background Guide 1 Letters from the Chairs and Crisis Director You’re the One, Delegate! It is my distinct honor to welcome you to WinMUN IV as the chair of this year’s JCC Republicans! The fast-paced and rapidly evolving nature of crisis committees make them a treat for any delegate lucky enough to earn a spot. Especially for such an action-packed topic as the tumultuous revolution around the sun that was 1968, we are so excited to see what creative (and funny) solutions y’all will devise. If there’s one thing I’ve learned at conferences, it’s that it pays to do research and prepare. Do not treat your position paper as your only research. Make it a preliminary outline and gameplan that you can use to bulk up your speeches and directives with facts and evidence. Crisis committees are nuanced and require a thorough understanding of the context of the situation--if you do not have this, you will certainly catch yourself falling behind in debate. Don’t let this ruin what should be a groovy and exhilarating experience! Additionally, make sure to learn from your mistakes! Delegates in crisis committees should always have an end goal which you work towards throughout the committee. Whether that may be securing a cabinet position or becoming your party’s nominee, spend committee time cultivating resources to move you closer to your end goal.