2016, Number 2 Judaism Beyond God
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Student Communes, Political Counterculture, and the Columbia University Protest of 1968
THE POLITICS OF SPACE: STUDENT COMMUNES, POLITICAL COUNTERCULTURE, AND THE COLUMBIA UNIVERSITY PROTEST OF 1968 Blake Slonecker A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History. Chapel Hill 2006 Approved by Advisor: Peter Filene Reader: Jacquelyn Dowd Hall Reader: Jerma Jackson © 2006 Blake Slonecker ALL RIGHTS RESERVED ii ABSTRACT BLAKE SLONECKER: The Politics of Space: Student Communes, Political Counterculture, and the Columbia University Protest of 1968 (Under the direction of Peter Filene) This thesis examines the Columbia University protest of April 1968 through the lens of space. It concludes that the student communes established in occupied campus buildings were free spaces that facilitated the protestors’ reconciliation of political and social difference, and introduced Columbia students to the practical possibilities of democratic participation and student autonomy. This thesis begins by analyzing the roots of the disparate organizations and issues involved in the protest, including SDS, SAS, and the Columbia School of Architecture. Next it argues that the practice of participatory democracy and maintenance of student autonomy within the political counterculture of the communes awakened new political sensibilities among Columbia students. Finally, this thesis illustrates the simultaneous growth and factionalization of the protest community following the police raid on the communes and argues that these developments support the overall claim that the free space of the communes was of fundamental importance to the protest. iii ACKNOWLEDGEMENTS Peter Filene planted the seed of an idea that eventually turned into this thesis during the sort of meeting that has come to define his role as my advisor—I came to him with vast and vague ideas that he helped sharpen into a manageable project. -
The Personal Account of an American Revolutionary and Member Ofthe Weather Underground
The Personal Account of an American Revolutionary and Member ofthe Weather Underground Mattie Greenwood U.S. in the 20th Century World February, 10"'2006 Mr. Brandt OH GRE 2006 1^u St-Andrew's EPISCOPAL SCHOOL American Century Oral History Project Interviewee Release Form I, I-0\ V 3'CoVXJV 'C\V-\f^Vi\ {\ , hereby give and grant to St. Andrew's (inter\'iewee) Episcopal School the absolute and unqualified right to the use ofmy oral histoiy memoir conducted by VA'^^X'^ -Cx^^V^^ Aon 1/1 lOip . I understand that (student interviewer) (date) the purpose ofthis project is to collect audio- and video-taped oral histories of fust-hand memories ofa particular period or event in history as part ofa classroom project (The American Century Projeci), I understand that these interviews (tapes and transcripts) will be deposited in the Saint Andrew's Episcopal School library and archives for the use by future students, educators and researchers. Responsibility for the creation of derivative works will be at the discretion ofthe librarian, archivist and/or project coordinator. 1 also understand that the tapes and transcripts may be used in public presentations including, but not limited to, books, audio or video documentaries, slide-tape presentations, exhibits, articles, public performance, or presentation on the World Wide Web at the project's web site www.americancenturyproject.org or successor technologies. In making this contract I understand that J am sharing with St. Andrew's Episcopal School librai"y and archives all legal title and literar)' property rights which J have or may be deemed to have in my interview as well as my right, title and interest in any copyright related to this oral history interview which may be secured under the laws now or later in force and effect in the United Slates of America. -
Uncivil Wars: Liberal Crisis and Conservative Rebirth 1961–1972
CHAPTER 28 Uncivil Wars: Liberal Crisis and Conservative Rebirth 1961–1972 . CHAPTER OUTLINE 1. The 1964 Election a. Lyndon Johnson was the opposite of The following annotated chapter outline will help Kennedy. A seasoned Texas politician you review the major topics covered in this chapter. and longtime Senate leader, he had I. Liberalism at High Tide risen to wealth and political eminence A. John F. Kennedy’s Promise without too many scruples. But he 1. President Kennedy called upon the never forgot his modest, hill-country American people to serve and improve origins or lost his sympathy for the their country. His youthful enthusiasm downtrodden. inspired a younger generation and laid the b. Johnson lacked the Kennedy style, but groundwork for an era of liberal reform. he capitalized on Kennedy’s 2. Kennedy was not able to fulfill his assassination, applying his astonishing promise or his legislative suggestions such energy and negotiating skills to bring as health insurance for the aged, a new to fruition several of Kennedy’s stalled antipoverty program, or a civil rights bill programs and many more of his own, because of opposition in the Senate. in the ambitious Great Society. 3. On November 22, 1963, in Dallas, Texas, c. On assuming the presidency, Johnson President Kennedy was assassinated by promptly and successfully pushed for Lee Harvey Oswald; Lyndon Johnson was civil rights legislation as a memorial to sworn in as president. his slain predecessor (see Chapter 27). 4. Kennedy’s youthful image, the trauma of His motives were complex. As a his assassination, and the sense that southerner who had previously Americans had been robbed of a opposed civil rights for African promising leader contributed to a powerful Americans, Johnson wished to prove mystique that continues today. -
Shawyer Dissertation May 2008 Final Version
Copyright by Susanne Elizabeth Shawyer 2008 The Dissertation Committee for Susanne Elizabeth Shawyer certifies that this is the approved version of the following dissertation: Radical Street Theatre and the Yippie Legacy: A Performance History of the Youth International Party, 1967-1968 Committee: Jill Dolan, Supervisor Paul Bonin-Rodriguez Charlotte Canning Janet Davis Stacy Wolf Radical Street Theatre and the Yippie Legacy: A Performance History of the Youth International Party, 1967-1968 by Susanne Elizabeth Shawyer, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May, 2008 Acknowledgements There are many people I want to thank for their assistance throughout the process of this dissertation project. First, I would like to acknowledge the generous support and helpful advice of my committee members. My supervisor, Dr. Jill Dolan, was present in every stage of the process with thought-provoking questions, incredible patience, and unfailing encouragement. During my years at the University of Texas at Austin Dr. Charlotte Canning has continually provided exceptional mentorship and modeled a high standard of scholarly rigor and pedagogical generosity. Dr. Janet Davis and Dr. Stacy Wolf guided me through my earliest explorations of the Yippies and pushed me to consider the complex historical and theoretical intersections of my performance scholarship. I am grateful for the warm collegiality and insightful questions of Dr. Paul Bonin-Rodriguez. My committee’s wise guidance has pushed me to be a better scholar. -
The Politics of Space: Student Communes, Political Counterculture, and the Columbia University Protest of 1968
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository THE POLITICS OF SPACE: STUDENT COMMUNES, POLITICAL COUNTERCULTURE, AND THE COLUMBIA UNIVERSITY PROTEST OF 1968 Blake Slonecker A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History. Chapel Hill 2006 Approved by Advisor: Peter Filene Reader: Jacquelyn Dowd Hall Reader: Jerma Jackson © 2006 Blake Slonecker ALL RIGHTS RESERVED ii ABSTRACT BLAKE SLONECKER: The Politics of Space: Student Communes, Political Counterculture, and the Columbia University Protest of 1968 (Under the direction of Peter Filene) This thesis examines the Columbia University protest of April 1968 through the lens of space. It concludes that the student communes established in occupied campus buildings were free spaces that facilitated the protestors’ reconciliation of political and social difference, and introduced Columbia students to the practical possibilities of democratic participation and student autonomy. This thesis begins by analyzing the roots of the disparate organizations and issues involved in the protest, including SDS, SAS, and the Columbia School of Architecture. Next it argues that the practice of participatory democracy and maintenance of student autonomy within the political counterculture of the communes awakened new political sensibilities among Columbia students. Finally, this thesis illustrates the simultaneous growth and factionalization of the protest community following the police raid on the communes and argues that these developments support the overall claim that the free space of the communes was of fundamental importance to the protest. -
Architecture [Criticism] Or Revolution
Architecture [Criticism] or Revolution Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Architectural Studies in the Graduate School of The Ohio State University By Gregory Lee Delaney, B.S. Graduate Program in Architectural Studies The Ohio State University 2010 Thesis Committee: Ashley Schafer, Advisor Jeffrey Kipnis Douglas Graf Copyright by Gregory Lee Delaney 2010 Abstract Architecture [Criticism] or Revolution is an exploration in journalistic architecture criticism. The current state of journalistic architecture criticism is uninspiring. There are two few of voices, and its field of influence is too narrow. The first article details the current position of journalistic architecture criticism. It accounts its history, its voices, its influence, and its future. The second two articles are explorations in writing on architecture for the people of Columbus, Ohio. They are meant for a non-professional audience, and begin to explore ways of educating the public on issues of contemporary architecture, and calls upon them to demand better design for our city. ii Vita 2000 to 2004……………………………….. Dublin Coffman High School 2004 to 2008………………..………...……. B.S. Architecture, The Ohio State University 2008 to 2009……………………..………… Graduate Assistant, Academic Advising, Knowlton School of Architecture, The Ohio State University 2009……….……………………...……...… Graduate Teaching Assistant, Knowlton School of Architecture, The Ohio State University Fields of Study Major Field: Architectural Studies iii Table of Contents Abstract……………………………………………………………………………………ii Vita……………………………………………………………………………………….iii Article 1: Architecture [Criticism] or Revolution………………………………………...1 Article 2: Building Momentum………………………………………………………….16 Article 3: (Mid)Western Duel…………………………………………………………...21 References………………………………………………………………………………..28 iv Article 1: Architecture [Criticism] or Revolution The year was 1963. The Beatles released their first album. -
This Year's Emmy Awards Noms Here
FOR IMMEDIATE RELEASE 2017 EMMY® AWARDS NOMINATIONS FOR PROGRAMS AIRING JUNE 1, 2016 – MAY 31, 2017 Los Angeles, CA, July 13, 2017– Nominations for the 69th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Hayma Washington along with Anna Chlumsky from the HBO series Veep and Shemar Moore from CBS’ S.W.A.T. "It’s been a record-breaking year for television, continuing its explosive growth,” said Washington. “The Emmy Awards competition experienced a 15 percent increase in submissions for this year’s initial nomination round of online voting. The creativity and excellence in presenting great storytelling and characters across a multitude of ever-expanding entertainment platforms is staggering. “This sweeping array of television shows ranges from familiar favorites like black- ish and House of Cards to nominations newcomers like Westworld, This Is Us and Atlanta. The power of television and its talented performers – in front of and behind the camera – enthrall a worldwide audience. We are thrilled to once again honor the very best that television has to offer.” This year’s seven Drama Series nomInees include five first-timers dIstrIbuted across broadcast,Deadline cable and dIgItal Platforms: Better Call Saul, The Crown, The Handmaid’s Tale, House of Cards, Stranger Things, This Is Us and Westworld. NomInations were also sPread over dIstrIbution Platforms In the OutstandIng Comedy Series category, with newcomer Atlanta joined by the acclaimed black-ish, Master of None, Modern Family, Silicon Valley, Unbreakable Kimmy Schmidt and Veep. Saturday Night Live and Westworld led the tally for the most nomInations (22) In all categories, followed by Stranger Things and FEUD: Bette and Joan (18) and Veep (17). -
NICK MOUGIS Editor
NICK MOUGIS Editor Scripted Television PROJECT DIRECTOR STUDIO/PRODUCTION CO. GRACE AND FRANKIE Various Netflix / Skydance Media season 7 EP: Marta Kauffman, Howard J. Morris EARTH TO NED Various Disney+ / The Jim Henson Company season 1 OUR CARTOON PRESIDENT Tim Luecke Showtime season 1 EP: Stephen Colbert, RJ Fried THE GOLDBERGS Lea Thompson ABC season 5 Joanna Kerns EP: Adam F. Goldberg, Annette Davis, Andy Secunda BROAD CITY Nicholas Jasenovic Comedy Central season 1 John Lee EP: Amy Poehler, Abbi Jacobson, Ilana Glazer THE ELECTRIC COMPANY Jason Woliner PBS seasons 1-3 EP: Karen Fowler Emmy Award – Outstanding Single Camera Editing: 2010, 2011, 2012 ARE WE THERE YET? Ali LeRoi TBS season 2 EP: Ali LeRoi, Michele Armour HUMAN GIANT Jason Woliner MTV seasons 1-2 Tom Gianas EP: Jason Woliner, Aziz Ansari, Paul Scheer, Rob Huebel, Tom Gianas UGLY AMERICANS Aaron Augenblick Comedy Central season 1 EP: Daniel Powell, Aaron Augenblick FUNNY OR DIE PRESENTS… Maggie Carey HBO “Lady Refs” miniseries - Co-Editor EP: Andrew Steele Variety + Sketch (select) PROJECT DIRECTOR STUDIO/PRODUCTION CO. RUPAUL’S CELEBRITY DRAG RACE Various VH1 / World of Wonder season 1 EP: RuPaul, Randy Barbato BUSY TONIGHT Various E! / Little Stranger season 1 EP: Tina Fey, Eric Gurian AROUND THE WORLD IN 80 GAMES Various truTV season 1 EP: Craig Armstrong, Fortune Feimster, Rick Ringbakk THE NEW NEGROES Lance Bangs Comedy Central season 1 EP: Baron Vaughn, Open Mike Eagle, Rob Anderson THE COMEDY LINEUP Chris Storer Netflix / Den of Thieves season 1 PROBLEMATIC W/MOSHE KASHER Lindsay Crystal Comedy Central season 1 Lenn Goodside EP: Moshe Kasher, Meghan Rady, Alex Blagg THE CHRIS GETHARD SHOW J.D. -
People's Law Office-20 Years
B y n CHICAGO CHAPTER, NATIONAL LAWYER'S GUILD AND PEOPLES LAW OFFICE 6:00 Drinks and Reception 7:00 Dinner 7:15 Program begins - Introduction- Doug Cassel, Vice President Chicago Chapter of the National Lawyers Guild Special Award- Lucy Montgomery, Human Rights Activist 7:30 Video Showing-20 years of PLO work 8:00 Introduction of Special Guests Francisco Altschul, Representative of the FMLN/FDR Dr. Fateh Arafat, President of the Palestine Red Crescent Society 8:15 Featured Speakers- Introduction by PLO members Deborah Johnson, Former Black Panther and survivor of the Dec. 4 Raid Big Black, A leader of the Attica Rebellion Rafael Cancel Miranda, Freed Puerto Rican Nationalist Prisoner and Independence Leader 9:45 Dancing with D.J. General B SPECIAL THANKS TO THOSE WHO HELPED MAKE THIS CELEBRATION POSSIBLE: Mariel Nanasi, Bill Bain, Tim Culver, Linda Turner, Cliff Zimmerman, Doug Cassell, and C & D Printers. r THIS EVENING IS DEDICATED TO THE FOLLOWING COMRADES WHO HAVE LIVED AND DIED IN THE STRUGGLE AND WHO HAVE MOST CLOSELY AFFECTED OUR LIVES AND WORK: Fred Hampton Mark Clark Ali Shanna (Jimmy Brewton) Dalu (Mariano Gonzalez) Shaka Roho (Gordon Woodson) Eugene Feldman Val Klink Angel Rodriguez Cristobal Andres Figueroa Cordero Roger "Champ" Champen Pat Finucane Ted Gold Diana Oughton Terry Robbins The Slain Attica Brothers Juan Antonio Corretjer Consuelo Lee Tapia de Corretjer George Jackson Spurgeon "Jake" Winters Larry Roberson John "Little John" Collins Michael Nathan Jim Waller Sandi Smith Cesar Cauce William Sampson Rose Kallal A HISTORY PREFACE It is reasonable and innocent to expect that an observance of our twenty-year anniversary would include a responsible account of what happened in the past twenty years. -
Outstanding Animated Program (For Programming Less Than One Hour)
Keith Crofford, Executive Producer Outstanding Animated Program (For Corey Campodonico, Producer Programming Less Than One Hour) Alex Bulkley, Producer Douglas Goldstein, Head Writer Creature Comforts America • Don’t Choke To Death, Tom Root, Head Writer Please • CBS • Aardman Animations production in association with The Gotham Group Jordan Allen-Dutton, Writer Mike Fasolo, Writer Kit Boss, Executive Producer Charles Horn, Writer Miles Bullough, Executive Producer Breckin Meyer, Writer Ellen Goldsmith-Vein, Executive Producer Hugh Sterbakov, Writer Peter Lord, Executive Producer Erik Weiner, Writer Nick Park, Executive Producer Mark Caballero, Animation Director David Sproxton, Executive Producer Peter McHugh, Co-Executive Producer The Simpsons • Eternal Moonshine of the Simpson Mind • Jacqueline White, Supervising Producer FOX • Gracie Films in association with 20th Century Fox Kenny Micka, Producer James L. Brooks, Executive Producer Gareth Owen, Producer Matt Groening, Executive Producer Merlin Crossingham, Director Al Jean, Executive Producer Dave Osmand, Director Ian Maxtone-Graham, Executive Producer Richard Goleszowski, Supervising Director Matt Selman, Executive Producer Tim Long, Executive Producer King Of The Hill • Death Picks Cotton • FOX • 20th Century Fox Television in association with 3 Arts John Frink, Co-Executive Producer Entertainment, Deedle-Dee Productions & Judgemental Kevin Curran, Co-Executive Producer Films Michael Price, Co-Executive Producer Bill Odenkirk, Co-Executive Producer Mike Judge, Executive Producer Marc Wilmore, Co-Executive Producer Greg Daniels, Executive Producer Joel H. Cohen, Co-Executive Producer John Altschuler, Executive Producer/Writer Ron Hauge, Co-Executive Producer Dave Krinsky, Executive Producer Rob Lazebnik, Co-Executive Producer Jim Dauterive, Executive Producer Laurie Biernacki, Animation Producer Garland Testa, Executive Producer Rick Polizzi, Animation Producer Tony Gama-Lobo, Supervising Producer J. -
Columbia ’68: What Happened?
Columbia ’68: What Happened? Theo Sweeting (University of Nottingham) Finally, what long range goal is worthy of this rebellion? Obviously the question is not whether to work for revolution – armed, communist revolution – in America, but how, and what form it will take – John Jacobs, May 1968 1 John Jacobs sat down to type this statement, part of his revolutionary manifesto for the University of Columbia protests of 1968, ‘Bringing the War Home.’ But even a man so enraptured by the inevitability of revolutionary change as Jacobs could probably not have predicted that more than 40 years later the chain of events this document helped catalyse would be remembered as a defining moment for the American New Left in the 1960s, particularly in organisational histories of Students for a Democratic Society (SDS). Jacobs signed this document from his position as a member of the occupations of Low Library and Mathematics hall on the Columbia campus. In the wake of Tom Hayden’s famous call to create “two, three, many Columbias” across global campuses, Jacob’s words took on a prophetic tone in the immediate aftermath of the Columbia protests, when students from the Sorbonne in Paris sent the Strike Coordinating Committee (SCC), a telegram: “We’ve occupied a building in your honor. What do we do now?” 2 Jacob’s plan unfolded further when he and fellow Columbia SDS militants Mark Rudd and Ted Gold helped found the 1 John Jacobs, ‘Bringing the War Home’, May 1968; UPAC, Box 13, Folder 5, 1 2 Tom Hayden, ‘Two, Three, Many Columbias’, Ramparts, June 15, 1968. -
The Weather Underground: a Study in Mobilization
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1981 The Weather Underground: A study in mobilization Paul Michael Pigulski College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the Organizational Behavior and Theory Commons, Political Science Commons, and the United States History Commons Recommended Citation Pigulski, Paul Michael, "The Weather Underground: A study in mobilization" (1981). Dissertations, Theses, and Masters Projects. Paper 1539625157. https://dx.doi.org/doi:10.21220/s2-svfy-tz10 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. THE WEATHER UNDERGROUND: U A STUDY IN MOBILIZATION A Thesis Presented to The Faculty of the Department of Sociology The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Paul Pigulski 1981 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Author^ Approved, August 1981 Edwin H. Rhvnj£U This thesis is dedicated to the Vietnamese people, and to Hoa Trung Tran and Ngoc-Hao Phung Tran. I trust, their lives will never be subject to the sufferings their countrymen endured. TABLE OF CONTENTS ACKNOWLEDGMENTS _ . iii ABSTRACT ............................................ v INTRODUCTION ............................................ 1 CHAPTER ONE - REVIEW OF L I T E R A T U R E ................