Modi Digital

Total Page：16

File Type：pdf, Size：1020Kb

+91-8048361224 Modi Digital https://www.indiamart.com/modidigital/ Modi Digital has gained substantial recognition as India's leading Pro Audio Consultancy and Distribution Company. Our core purpose, which guides us in our approach to doing business, is to deliver the best possible audio & ... About Us Modi Digital has gained substantial recognition as India's leading Pro Audio Consultancy and Distribution Company. Our core purpose, which guides us in our approach to doing business, is to deliver the best possible audio & acoustic solution in a unique and cost-effective way. Aditya Modi Literally born in a recording studio in a quaint studio apartment in Chennai, Aditya has the flair & passion for anything audio, music & technology in his blood. After school, he used to sit in on recordings conducted by his father Vijay Modi for artists such as AR Rahman amongst others working on jingles. This was his pass time. Graduated with a Recording Arts Degree from Full Sail University, he then moved to LA and was practicing as a DJ, which bored him too soon. India calling, he moved to Mumbai where he assisted Sound Engineering legend Daman Sood, along with Avinash Oak. Here he really got trained on extensive analog recording techniques for large orchestra or singular vocals alike. Here he worked with Jagjit Singh, Lata Mangeshkar, Asha Bhosale, Pandit Jasraj, Pankaj Udhas, Naushaad Ali, Abida Parveen and almost every great one could think of in the Indian music industry. For more information, please visit https://www.indiamart.com/modidigital/aboutus.html TURN KEY SOLUTIONS P r o d u c t s & S e r v i c e s Technical Design And Equipment Supply And Implementation Installation Training Your Engineers Post Sales Support And Studio AMC OTHER PRODUCTS P r o d u c t s & S e r v i c e s Speaker 5-1 Channel Speaker 2-1 Channel Sound Amplifier System Audio Video Cable F a c t s h e e t Nature of Business :Wholesaler CONTACT US Modi Digital Contact Person: Aditya Modi No.4, Ashraf Mahal,jp Road,azad Nagar, Andheri West Mumbai - 400053, Maharashtra, India +91-8048361224 https://www.indiamart.com/modidigital/.

Copy Link

Recommended publications

Volume-13-Skipper-1568-Songs.Pdf
HINDI 1568 Song No. Song Name Singer Album Song In 14131 Aa Aa Bhi Ja Lata Mangeshkar Tesri Kasam Volume-6 14039 Aa Dance Karen Thora Romance AshaKare Bhonsle Mohammed Rafi Khandan Volume-5 14208 Aa Ha Haa Naino Ke Kishore Kumar Hamaare Tumhare Volume-3 14040 Aa Hosh Mein Sun Suresh Wadkar Vidhaata Volume-9 14041 Aa Ja Meri Jaan Kishore Kumar Asha Bhonsle Jawab Volume-3 14042 Aa Ja Re Aa Ja Kishore Kumar Asha Bhonsle Ankh Micholi Volume-3 13615 Aa Mere Humjoli Aa Lata Mangeshkar Mohammed RafJeene Ki Raah Volume-6 13616 Aa Meri Jaan Lata Mangeshkar Chandni Volume-6 12605 Aa Mohabbat Ki Basti BasayengeKishore Kumar Lata MangeshkarFareb Volume-3 13617 Aadmi Zindagi Mohd Aziz Vishwatma Volume-9 14209 Aage Se Dekho Peechhe Se Kishore Kumar Amit Kumar Ghazab Volume-3 14344 Aah Ko Chahiye Ghulam Ali Rooh E Ghazal Ghulam AliVolume-12 14132 Aah Ko Chajiye Jagjit Singh Mirza Ghalib Volume-9 13618 Aai Baharon Ki Sham Mohammed Rafi Wapas Volume-4 14133 Aai Karke Singaar Lata Mangeshkar Do Anjaane Volume-6 13619 Aaina Hai Mera Chehra Lata Mangeshkar Asha Bhonsle SuAaina Volume-6 13620 Aaina Mujhse Meri Talat Aziz Suraj Sanim Daddy Volume-9 14506 Aaiye Barishon Ka Mausam Pankaj Udhas Chandi Jaisa Rang Hai TeraVolume-12 14043 Aaiye Huzoor Aaiye Na Asha Bhonsle Karmayogi Volume-5 14345 Aaj Ek Ajnabi Se Ashok Khosla Mulaqat Ashok Khosla Volume-12 14346 Aaj Hum Bichade Hai Jagjit Singh Love Is Blind Volume-12 12404 Aaj Is Darja Pila Do Ki Mohammed Rafi Vaasana Volume-4 14436 Aaj Kal Shauqe Deedar Hai Asha Bhosle Mohammed Rafi Leader Volume-5 14044 Aaj
[Show full text]
Slide 1: Title Producing Bollywood: Sustainability and the Impacts On
Slide 1: Title Producing Bollywood: Sustainability and the impacts on Auckland’s cultural economy Introduction This paper examines the variety of ways event producers, as entrepreneurs; depend on relationships to create and maintain local and global networks that contribute to local and transnational cultural economies. Cultural economy in this context is considered as Pratt suggests: “ a set of socio‐economic relations that enable cultural activities” (2008, p. 49). Recently produced events have had a significant impact on the local cultural economy challenging the economic and cultural sustainability of Auckland’s Indian commercial event market. Some entrepreneurs are able to produce events that can be considered not only successful; normally measured by profitability and rave reviews, but also considered to be sustainable. Sustainability, in event management, results from a variable combination of economic feasibility, improved reputations for producers and/or artists, ongoing relationships among producers and others in the event industry, and production skill competency (Pernecky & Lück, 2013). I suggest that the continuous formal and informal processes, systems, structures, and relationships of cultural activities create production networks that contribute to the sustainability of local and global cultural economies. To set the scene I begin with a brief overviews of Auckland’s rapidly growing Indian population and the scope of commercial event produced. I will conclude with a case study that demonstrates dramatic changes in the sustainability of producing Bollywood star shows in Auckland. Slide 2: Migration The Background New Zealand’s 2013 census identified that the resident population had grown to 4.24 million and that ethnic diversity is on the rise in New Zealand, predominantly in Auckland.
[Show full text]
The Seductive Voice
> The art of seduction The seductive voice Charles Darwin had no doubts about the origins of music – it was a kind of mating call, a primitive language of the emotions from an early stage of evolution. While his ideas about music and evolution have often been alluded to, Darwin never really paid much attention to music. His contemporary Herbert Spencer, who was much more conversant with music, saw it differently – music had evolved from language, in particular speech laden with emotion. Wim van der Meer tic and the texts always had something to do with love. But their greatest asset was their voice. The best singers were (and iscussion on the origins of music and its evolutionary are) capable of captivating their audience with magical Dsignificance has regained momentum over the past magnetism. decade and a half. Nils Wallin, Ian Cross, Steven Mithen and Björn Merker are among those who have given impetus to this In my personal contact with some of the great women singers field of research referred to as biomusicology. Others oppose of India, I have been struck by how powerful the voice can be. the idea of music as important to evolution. Steven Pinker, for It is enough for them to barely utter a few sounds and one can- instance, considers music a useless, though pleasant, side- not escape the attraction. It is some indefinable quality of the product of language that could just as well be eliminated from voice, openness of the sound, and an earthy sensuality. Of human existence. course this is not limited to Indian courtesans.
[Show full text]
Indian Singers' Rights Association
INDIANINDIAN SINGERS’SINGERS’ RIGHTSRIGHTS ASASSOCIASOCIATIONTION Annual Report 2017-18 BOARD OF ADVISORS LATA MANGESHKAR SURESH WADKAR TALAT AZIZ SONU NIGAM SANJAY TANDON BOARD OF DIRECTORS ANUP JALOTA A HARIHARAN KAVITA KRISHNAMURTI S P BALASUBRAHMANIYAM PANKAJ UDHAS SHANTANU MUKHERJEE SRINIVASAN ALKA YAGNIK JASBIR JASSI SHAILENDRA SINGH DORAISWAMY INDIAN SINGERS’ RIGHTS ASSOCIATION 2208, Lantana, Nahar Amrit Shakti, Chandivali, Andheri (E), Mumbai 400 072 NOTICE NOTICE is hereby given that the Meeting of the General Body of the Society will be held at “Eden Hall”, The Classique Club, Behind Infinity Mall, Link Road, Oshiwara, Andheri (W), Mumbai 400 053 on Thursday, 20th September, 2018 at 3pm to transact the following business: ORDINARY BUSINESS: 1. To receive, consider and adopt the Audited Balance Sheet as on 31st March 2018, Statement of Income and Expenditure for the year ended on that date, and the Auditors Report thereon, together with the Directors’ Report as approved by the Board of Directors for the period ending 31st March, 2018. 2. To ratify the appointment of M/s. Kothari Mehta & Associates as the Statutory Auditors of the Company for the financial year ending 31st March, 2019 by passing the following resolution :- “RESOLVED THAT pursuant to provisions of Section 139, 141, 142 and all other applicable provisions, if any, of the Companies Act, 2013 read with Rule 3 of the Companies (Audit and Auditors) Rules, 2014 and pursuant to the resolution passed at the Annual General Meeting of the Company held on September 29, 2014, the consent of the members of the Company be and is hereby accorded to ratify the appointment of M/s.
[Show full text]
US Eyelights August
Number : 27 August 2021 Sankara Nethralaya USA Sankara Nethralaya USA 9710, Traville Gateway Drive No.392, Rockville, MD 20850 e-mail : [email protected] Sankara Nethralaya’s new centre at R. A. Puram August 2021 2 Sankara Nethralaya Fundraiser – A Grand Success Sankara Nethralaya (SN) is a non-profit charity organization providing ophthalmic (eye) care throughout India. For the last four decades, SN has treated millions of patients. Sankara Nethralaya USA (SN USA) was formed in the USA thirty years ago so NRIs could contribute to help mission of SN. SN USA, based in the USA, has received the highest rating of four stars by Charity Navigator for maintaining financial accountability and fiscal transparency for funds donated by donors and how they are utilized towards the stated cause. Every year, Sankara Nethralaya USA organizes Indian classical dance and music programs in various cities to raise awareness and raise funds. Because of the pandemic, all programs have been conducted virtually. As part of our mid-year campaign, Kalaratna Vidwan Flute Nagaraju Talluri gave a devotional flute music concert on July 25th, 2021. He performed the following songs: Ÿ Maha Ganapateem - Lord Ganesh Ÿ Adivo Alladivo - Annamayya Ÿ Janani Janani - Tamil song by Ilayaraja Ÿ Shyam Teri Bansi- Hindi- Lata Mangeshkar Ÿ Bhagyada Laxmi Baaramma- Kannada Ÿ Tandanaanaa Hare - Annamayya Ÿ Payoji Maine Raam Ratan Dhan Payo - Hindi - Meera bhajan Ÿ Harivaraasanam – a popular Malayalam song for Ayyappa Swami first sung by Shri K. J. Yesudas Ÿ Shankara Nada Sharirapara - SPB - Sankarabharanam Ÿ Sathyam Shivam Sundaram - Hindi - Lata Mangeshkar 3 August 2021 Sankara Nethralaya executive committee members - President Emeritus S V Acharya, President Bala Reddy Indurti, Vice President Moorthy Rekapalli, Secretary Srinivas Ganagoni, Treasurer Banumati Ramkrishnan, Joint Secretary Sowmiya Narayanan, Joint Treasurer Raja Krishnamurti, and Past President Leela Krishnamurthy appealed the audience through TV channels to support the cause and help indigent blind patients in India.
[Show full text]
Top 10 Male Indian Singers
Top 10 Male Indian Singers 001asd Don't agree with the list? Vote for an existing item you think should be ranked higher or if you are a logged in,add a new item for others to vote on or create your own version of this list. Share on facebookShare on twitterShare on emailShare on printShare on gmailShare on stumbleupon4 The Top Ten TheTopTens List Your List 1Sonu Nigam +40Son should be at number 1 +30I feels that I have goten all types of happiness when I listen the songs of sonu nigam. He is my idol and sometimes I think that he is second rafi thumbs upthumbs down +13Die-heart fan... He's the best! Love you Sonu, your an idol. thumbs upthumbs down More comments about Sonu Nigam 2Mohamed Rafi +30Rafi the greatest singer in the whole wide world without doubt. People in the west have seen many T.V. adverts with M. Rafi songs and that is incediable and mind blowing. +21He is the greatest singer ever born in the world. He had a unique voice quality, If God once again tries to create voice like Rafi he wont be able to recreate it because God creates unique things only once and that is Rafi sahab's voice. thumbs upthumbs down +17Rafi is the best, legend of legends can sing any type of song with east, he can surf from high to low with ease. Equally melodious voice, well balanced with right base and high range. His diction is fantastic, you may feel every word. Incomparable. More comments about Mohamed Rafi 3Kumar Sanu +14He holds a Guinness World Record for recording 28 songs in a single day Awards *.
[Show full text]
Kishore Booklet Copy
08. Tum Aa Gaye Ho Noor Aa Gaya with Lata Mangeshkar Film: Aandhi 01. The Evergreen Kishore Kumar 09. Asha Bhosle reminisces 02. Yeh Sham Mastani Kishore Kumar Film: Kati Patang 10. Piya Piya Piya Mora Jiya 03. Roop Tera Mastana with Asha Bhosle Film: Aradhana Film: Baap Re Baap 04. Yeh Jo Mohabbat Hai 11. Main Hoon Jhoom Jhoom Film: Kati Patang Film: Jhumroo 05. Aanewala Pal Janewala Hai 12. Dekha Ek Khwab Film: Golmaal with Lata Mangeshkar Film: Silsila 06. Oh Hansini Film: Zehreela Insaan 13. Meri Bheegi Bheegi Si Film: Anamika 07. Hamen Tumse Pyar Kitna Film: Kudrat 14. Kehna Hai Kehna Hai Film: Padosan 2 3 15. Raat Kali Ek Khwab Mein 23. Mere Sapnon Ki Rani Film: Buddha Mil Gaya Film: Aradhana 16. Aate Jate Khoobsurat Awara 24. Dil Hai Mera Dil Film: Anurodh Film: Paraya Dhan 17. Khwab Ho Tum Ya Koi 25. Mere Dil Mein Aaj Kya Hai Film: Teen Devian Film: Daag 18. Aasman Ke Neeche 26. Ghum Hai Kisi Ke Pyar Mein with Lata Mangeshkar with Lata Mangeshkar Film: Jewel Thief Film: Raampur Ka Lakshman 19. Mere Mehboob Qayamat Hogi 27. Aap Ki Ankhon Mein Kuch Film: Mr. X In Bombay with Lata Mangeshkar Film: Ghar 20. Teri Duniya Se Hoke Film: Pavitra Papi 28. Sama Hai Suhana Suhana Film: Ghar Ghar Ki Kahani 21. Kuchh To Log Kahenge Film: Amar Prem 29. O Mere Dil Ke Chain Film: Mere Jeevan Saathi 22. Rajesh Khanna talks about Kishore Kumar 4 5 30. Musaﬁr Hoon Yaron 38. Gaata Rahe Mera Dil Film: Parichay with Lata Mangeshkar Film: Guide 31.
[Show full text]
The Sixth String of Vilayat Khan
Published by Context, an imprint of Westland Publications Private Limited in 2018 61, 2nd Floor, Silverline Building, Alapakkam Main Road, Maduravoyal, Chennai 600095 Westland, the Westland logo, Context and the Context logo are the trademarks of Westland Publications Private Limited, or its affiliates. Copyright © Namita Devidayal, 2018 Interior photographs courtesy the Khan family albums unless otherwise acknowledged ISBN: 9789387578906 The views and opinions expressed in this work are the author’s own and the facts are as reported by her, and the publisher is in no way liable for the same. All rights reserved No part of this book may be reproduced, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without express written permission of the publisher. Dedicated to all music lovers Contents MAP The Players CHAPTER ZERO Who Is This Vilayat Khan? CHAPTER ONE The Early Years CHAPTER TWO The Making of a Musician CHAPTER THREE The Frenemy CHAPTER FOUR A Rock Star Is Born CHAPTER FIVE The Music CHAPTER SIX Portrait of a Young Musician CHAPTER SEVEN Life in the Hills CHAPTER EIGHT The Foreign Circuit CHAPTER NINE Small Loves, Big Loves CHAPTER TEN Roses in Dehradun CHAPTER ELEVEN Bhairavi in America CHAPTER TWELVE Portrait of an Older Musician CHAPTER THIRTEEN Princeton Walk CHAPTER FOURTEEN Fading Out CHAPTER FIFTEEN Unstruck Sound Gratitude The Players This family chart is not complete. It includes only those who feature in the book. CHAPTER ZERO Who Is This Vilayat Khan? 1952, Delhi. It had been five years since Independence and India was still in the mood for celebration.
[Show full text]
Sentimental Booklet for Web Copy
08. Mere Mehboob Qayamat Artiste: Kishore Film: Mr. X In Bombay 01. Mitaa Do Saare - Gulzar 09. Tum Pukar Lo Tumhara 02. Khush Rahe Tu Sada Artiste: Hemant Kumar Artiste: Rafi Film: Khamoshi Film: Khilona 10. Meri Bheegi Bheegi Si 03. Teri Galiyon Mein Artiste: Kishore Artiste: Rafi Film: Anamika Film: Hawas 11. Kuchh Log Mohabbat Karke 04. Pardesiyon Se Na Artiste: Kishore Artiste: Rafi Film: Lava Film: Jab Jab Phool Khile 12. Aao Phir Nazm - Gulzar 05. Koi Hota Jisko Apna Artiste: Kishore 13. Lagi Aaj Sawan Ki Film: Mere Apne Artistes: Suresh Wadkar & Anupama Deshpande 06. Sab Kuchh - Gulzar Film: Chandni 07. O Saathi Re 14. Dost Dost Na Raha Artiste: Kishore Artiste: Mukesh Film: Muqaddar Ka Sikandar Film: Sangam 2 3 15. Hui Sham Unka Khayal 22. Din Dhal Jaye Haye Artiste: Rafi Artiste: Rafi Film: Mere Hamdam Mere Dost Film: Guide 01. Mitaa Do Saare - Gulzar 16. Kuchh To Log Kahenge 23. Mere Toote Huye Dil Se 02. Khush Rahe Tu Sada Artiste: Kishore Artiste: Mukesh Artiste: Rafi Film: Amar Prem Film: Chhalia Film: Khilona 17. Waqt Karta Jo Wafa 24. Hue Hum Jinke Liye 03. Teri Galiyon Mein Artiste: Mukesh Artiste: Rafi Artiste: Rafi Film: Dil Ne Pukara Film: Deedar Film: Hawas 18. Patthar Ke Sanam 25. Koi Sagar Dil Ko Bahlata 04. Pardesiyon Se Na Artiste: Rafi Artiste: Rafi Artiste: Rafi Film: Patthar Ke Sanam Film: Dil Diya Dard Liya Film: Jab Jab Phool Khile 19. Khilona Jan Kar Tum To 26. Chandi Ki Deewar 05. Koi Hota Jisko Apna Artiste: Rafi Artiste: Mukesh Artiste: Kishore Film: Khilona Film: Vishwas Film: Mere Apne 20.
[Show full text]
Album Name Ganesh the Most Potent Prayers Sr Track Title Track Type
Album Name Ganesh the most potent prayers Track Type Sr Track title (Vocal / Duration Artiste Name Composer Lyricist Instrumental) 1 Shri Ganeshay namah vocal 2:17' Lata Mangeshkar Mayuresh Pai Traditional 2 Shri Siddhivinayak Naman vocal 4:15' Lata Mangeshkar Mayuresh Pai Traditional Shri Ganesh Mahamantra and 3 Ganesh Gayatri vocal 4:00' Lata Mangeshkar Mayuresh Pai Traditional 4 Kleshanashak shri Ganesh Mantra vocal 4:16' Lata Mangeshkar Mayuresh Pai Traditional Shri siddhivinayak santati-prapti 5 and Aashirvaad mantra vocal 4:17' Lata Mangeshkar Mayuresh Pai Traditional Shri Lakshmi-Vinayak Mantra and 6 Mahaganapati Moolmantra vocal 4:17' Lata Mangeshkar Mayuresh Pai Traditional 7 Shri Mayuresh Stavaha vocal 4:16' Lata Mangeshkar Mayuresh Pai Traditional 8 Jai Jai Ganesh Moraya vocal 4:11' Lata Mangeshkar Mayuresh Pai Traditional Shyam Manohar 9 Inner Voice Signature Shlok Vocal 0:52' Pt. Jasraj Vinayak Netke Goswami 10 Ganapati Atharvashirshya Vocal 15:37' Suresh Wadkar Vinayak Netke Traditional Suresh Wadkar & 11 Gajanan Stuti Vocal 4:35' Chorus Vinayak Netke Vinayak Netke Suresh Wadkar & 12 Shubhanana Gajar I Vocal 5:53' Chorus Vinayak Netke Vinayak Netke 13 Jayanti jai Ganapati Vocal 11:39' Suresh Wadkar Vinayak Netke Vinayak Netke Suresh Wadkar & 14 Anaadi Nit Poojita Vocal 3:34' Chorus Vinayak Netke Vinayak Netke Suresh Wadkar & 15 Hey Prarambha Adhipati Vocal 5:28' Sabhiha Vinayak Netke Ashok Roy 16 Mantra Pushpaanjali Vocal 2:56' Suresh Wadkar Vinayak Netke Traditional 17 Shubhanana Gajar II Vocal 1:01' Chorus Vinayak Netke
[Show full text]
Copyright by Peter James Kvetko 2005
Copyright by Peter James Kvetko 2005 The Dissertation Committee for Peter James Kvetko certifies that this is the approved version of the following dissertation: Indipop: Producing Global Sounds and Local Meanings in Bombay Committee: Stephen Slawek, Supervisor ______________________________ Gerard Béhague ______________________________ Veit Erlmann ______________________________ Ward Keeler ______________________________ Herman Van Olphen Indipop: Producing Global Sounds and Local Meanings in Bombay by Peter James Kvetko, B.A.; M.M. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment for the Degree of Doctor of Philosophy The University of Texas at Austin May 2005 To Harold Ashenfelter and Amul Desai Preface A crowded, red double-decker bus pulls into the depot and comes to a rest amidst swirling dust and smoke. Its passengers slowly alight and begin to disperse into the muggy evening air. I step down from the bus and look left and right, trying to get my bearings. This is only my second day in Bombay and my first to venture out of the old city center and into the Northern suburbs. I approach a small circle of bus drivers and ticket takers, all clad in loose-fitting brown shirts and pants. They point me in the direction of my destination, the JVPD grounds, and I join the ranks of people marching west along a dusty, narrowing road. Before long, we are met by a colorful procession of drummers and dancers honoring the goddess Durga through thundering music and vigorous dance. The procession is met with little more than a few indifferent glances by tired workers walking home after a long day and grueling commute.
[Show full text]
Responses to 100 Best Acts Post-2009-10-11 (For Reference)
Bobbytalkscinema.Com Responses/ Comments on “100 Best Performances of Hindi Cinema” in the year 2009-10-11. submitted on 13 October 2009 bollywooddeewana bollywooddeewana.blogspot.com/ I can't help but feel you left out some important people, how about Manoj Kumar in Upkar or Shaheed (i haven't seen that) but he always made strong nationalistic movies rather than Sunny in Deol in Damini Meenakshi Sheshadri's performance in that film was great too, such a pity she didn't even earn a filmfare nomination for her performance, its said to be the reason on why she quit acting Also you left out Shammi Kappor (Junglee, Teesri MANZIL ETC), shammi oozed total energy and is one of my favourite actors from 60's bollywood Rati Agnihotri in Ek duuje ke Liye Mala Sinha in Aankhen Suchitra Sen in Aandhi Sanjeev Kumar in Aandhi Ashok Kumar in Mahal Mumtaz in Khilona Reena Roy in Nagin/aasha Sharmila in Aradhana Rajendra Kuamr in Kanoon Time wouldn't permit me to list all the other memorable ones, which is why i can never make a list like this bobbysing submitted on 13 October 2009 Hi, As I mentioned in my post, you are right that I may have missed out many important acts. And yes, I admit that out of the many names mentioned, some of them surely deserve a place among the best. So I have made some changes in the list as per your valuable suggestion. Manoj Kumar in Shaheed (Now Inlcuded in the Main 100) Meenakshi Sheshadri in Damini (Now Included in the Main 100) Shammi Kapoor in Teesri Manzil (Now Included in the Main 100) Sanjeev Kumar in Aandhi (Now Included in Worth Mentioning Performances) Sharmila Togore in Aradhana (Now Included in Worth Mentioning Performances) Sunny Deol in Damini (Shifted to More Worth Mentioning Performances) Mehmood in Pyar Kiye Ja (Shifted to More Worth Mentioning Performances) Nagarjun in Shiva (Shifted to More Worth Mentioning Performances) I hope you will approve the changes made as per your suggestions.
[Show full text]