DOCSLIB.ORG

Noodle Group Readings

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Noodle Group Readings Noodle Group Readings Aeschylus Walter Benjamin Prometheus Bound “The Work of Art in the Age of Mechanical Reproduction” W. H. Auden “In Memory of W. B. Yeats” Thomas Bernhard “In Memory of Sigmund Freud” The Loser Amir Bar-Lev Sven Birkerts My Kid Could Paint That (documentary film) “The Death of Literature” (from The Gutenberg Elegies, the Fate of Reading in an Electronic Age) Margaret Atwood “Monopoly” Amy Bloom “Moral Disorder” “Love Is Not a Pie” “White Horse” “The Labrador Fiasco” Roberto Bolano By Night in Chile Isaac Babel “My First Goose” Jorge Luis Borges “The Aleph” James Baldwin “The Garden of Forking Paths” The Fire Next Time “Emma Zunz” Another Country “The South” Julian Barnes Kevin Brockmeier Flaubert’s Parrot The Year of Silence The Sense of an Ending Harold Brodkey Andrea Barrett Ceil “The Behavior of the Hawkweeds” Charlotte Bronte Donald Bartheleme Jane Eyre “Critique de la Vie Quotidienne” Mikhail Bulgakov Giorgio Bassani The Master and Margarita The Garden of the Finzi-Continis Ivan Bunin Saul Bellow “Sunstroke” Zetland: By a Character Witness The Bellarosa Connection J. L. Carr A Month in the Country Andrei Bely St. Petersburg Lewis Carroll The Hunting of the Snark Raymond Carver Deborah Eisenberg “Blackbird Pie” “A Cautionary Tale” “What We Talk About When We Talk About Love” “Holy Week” Adolfo Bioy Casares Nathan Englander The Invention of Morel “What We Talk About When We Talk About Anne Frank” Michael Chabon “For the Relief of Unbearable Urges” “Werewolves in Their Youth” William Faulkner John Cheever Barn Burning “The Enormous Radio” “A Rose for Emily” “Goodbye, My Brother” Gabriel Fielding Anton Chekov In the Time of Greenbloom “In the Ravine” “Ward Six” Penelope Fitzgerald The Bookshop Robert Coover “A Political Fable” Gustave Flaubert A Simple Heart Joseph Coulson Madame Bovary The Vanishing Moon Paula Fox Stephen Crane “Desperate Characters” The Bride Comes to Yellow Sky Jonathan Franzen Michael Cunningham The Corrections The Hours Sigmund Freud Lydia Davis Civilization and Its Discontents “The Fish” “The Letter” Mavis Gallant “The Ice Wagon Going Down the Street” Emily Dickinson “The Soul Selects Her Own Society” Nikolai Gogol “The Nose” Isak Dinesen “The Inspector General” “The Invincible Slave Owners” Dead Souls Fyodor Dostoevsky Myla Goldberg “The Double” Bee Season The Grand Inquisitor (from The Brothers Karamazov) Barry Hannah “Testimony of Pilot” Lorraine Hansberry Barth Landor A Raisin in the Sun A Week in Winter Thomas Hardy Doris Lessing Far From the Madding Crowd “The Day Stalin Died” “To Room 19” Robert Hass “Meditation at Lagunitas” (poems) Primo Levi The Periodic Table Julie Hecht “A Cautionary Tale” Clarice Lispector “The Smallest Woman in the World” Amy Hempel “The Harvest” Bernard Malamud “The Magic Barrel” Homer The Iliad (Book 1) Gabriel Garcia Marquez Memories of My Melancholy Whores Bohumil Hrabal The Death of Mr. Baltisberger W. Somerset Maugham Too Loud a Solitude The Painted Veil Henry James Carson McCullers Washington Square “Court in the West Eighties” The Aspern Papers “The Ballad of the Sad Cafe” James Joyce Herman Melville The Dead Billy Budd, Sailor “Araby” Bartleby the Scrivener Franz Kafka Claire Messud The Metamorphosis The Hunters Karl Ove Knausgaard Lorrie Moore Selection from My Struggle, Volume 2 “Agnes of Iowa” “Debarking” Hans Keilson “Referential” Comedy in a Minor Key Toni Morrison Heinrich Von Kleist The Bluest Eye The Marquise of O Heinrich A Mercy Giuseppe di Lampedusa The Leopard Alice Munro Thomas Pynchon “Carried Away” Entropy “Soon” “Chance” Jamie Quatro “Silence” “Demolition” “Passion” Jean Rhys Haruki Murakami Wide Sargasso Sea “Sweetie Pie” Philip Roth Vladimir Nabokov “Defender of the Faith” Pnin Pale Fire J. D. Salinger “Signs and Symbols” “For Esme, With Love and Squalor” Lolita “The Laughing Man” Flannery O’Connor George Saunders “The Artificial Nigger” “Winky” “The Life You Save May Be Your Own” “Jon” CommComm Jenny Offil Department of Speculation Christine Schutt “Florida” George Orwell Homage to Catalonia W. G. Sebald The Emigrants Amos Oz Strange Fire George Bernard Shaw Major Barbara Grace Paley “Two Short Sad Stories from a Long and Happy Life” Mary Shelley “The Floating Truth” Frankenstein Dorothy Parker Percy Bysshe Shelley “Big Blonde” Prometheus Unbound Plato Susan Sontag Apology “On Photography” Crito Phaedo Art Spiegelman Maus Edgar Allan Poe “The Man of the Crowd” Stendahl The Charterhouse of Parma Katherine Anne Porter Pale Horse, Pale Rider Tom Stoppard The Coast of Utopia Rock and Roll Graham Swift “Last Orders” Wislawa Szymborska “On Death” “Without Exaggeration” “Allegro Ma Non Troppo” “Discovery” Leo Tolstoy The Death of Ivan Ilyich William Trevor “The News From Ireland” Voltaire Candide Eudora Welty “A Still Moment” Edith Wharton Ethan Fromme Virginia Woolf Mrs. Dalloway To the Lighthouse “Jacob’s Room” Richard Yates “A Really Good Jazz Piano” Revolutionary Road Yevgeny Zamyatin We.
Load more

Recommended publications
  • Writers Chimamanda Ngozi Adichie Monica Ali Isabel Allende Martin Amis Kurt Andersen K
    Writers Chimamanda Ngozi Adichie Monica Ali Isabel Allende Martin Amis Kurt Andersen K. A. Applegate Jeffrey Archer Diana Athill Paul Auster Wasi Ahmed Victoria Aveyard Kevin Baker Mark Allen Baker Nicholson Baker Iain Banks Russell Banks Julian Barnes Andrea Barrett Max Barry Sebastian Barry Louis Bayard Peter Behrens Elizabeth Berg Wendell Berry Maeve Binchy Dustin Lance Black Holly Black Amy Bloom Chris Bohjalian Roberto Bolano S. J. Bolton William Boyd T. C. Boyle John Boyne Paula Brackston Adam Braver Libba Bray Alan Brennert Andre Brink Max Brooks Dan Brown Don Brown www.downloadexcelfiles.com Christopher Buckley John Burdett James Lee Burke Augusten Burroughs A. S. Byatt Bhalchandra Nemade Peter Cameron W. Bruce Cameron Jacqueline Carey Peter Carey Ron Carlson Stephen L. Carter Eleanor Catton Michael Chabon Diane Chamberlain Jung Chang Kate Christensen Dan Chaon Kelly Cherry Tracy Chevalier Noam Chomsky Tom Clancy Cassandra Clare Susanna Clarke Chris Cleave Ernest Cline Harlan Coben Paulo Coelho J. M. Coetzee Eoin Colfer Suzanne Collins Michael Connelly Pat Conroy Claire Cook Bernard Cornwell Douglas Coupland Michael Cox Jim Crace Michael Crichton Justin Cronin John Crowley Clive Cussler Fred D'Aguiar www.downloadexcelfiles.com Sandra Dallas Edwidge Danticat Kathryn Davis Richard Dawkins Jonathan Dee Frank Delaney Charles de Lint Tatiana de Rosnay Kiran Desai Pete Dexter Anita Diamant Junot Diaz Chitra Banerjee Divakaruni E. L. Doctorow Ivan Doig Stephen R. Donaldson Sara Donati Jennifer Donnelly Emma Donoghue Keith Donohue Roddy Doyle Margaret Drabble Dinesh D'Souza John Dufresne Sarah Dunant Helen Dunmore Mark Dunn James Dashner Elisabetta Dami Jennifer Egan Dave Eggers Tan Twan Eng Louise Erdrich Eugene Dubois Diana Evans Percival Everett J.
    [Show full text]
  • Introduction
    Colby Quarterly Volume 38 Issue 3 September Article 3 September 2002 Introduction Douglas Archibald Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Quarterly, Volume 38, no.3, September 2002, pg. 269-279 This Front Matter is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Archibald: Introduction Introduction By DOUGLAS ARCHIBALD s HOLMES FAMOUSLY REMARKED, the curious incident is that the dogs are A not barking. Why has the Irish Studies establishment made so little of William Trevor? Nothing in Terry Eagleton. Nothing in W.J. McCormack, even though he writes about almost everything. Nothing in David Lloyd in spite of a well-informed interest in fiction. Nothing in Margot Backus's The Gothic Family Romance: Heterosexuality, Child Sacrifice, and the Anglo-Irish Colonial Order (1999), a Texas thesis become a Duke book which-aside from the required, lurid glow of the title-sounds like a book about Trevor. Nothing in Sex, Nation, and Dissent in Irish Literature (1997), or Representing Ireland: Gender, Class, Nationality (1997), or Decolonisation and Criticism: The Construction ofIrish Literature (1998), or New Voices in Irish Criticism (2000). Nothing in the Irish University Review special issue on "Contemporary Irish Fiction" (Spring/Summer 2000). Little on the program in recent meetings of ACIS or IASIL. Hardly any mention in the summer schools. Seamus Deane and Declan Kiberd are silent, except in their comprehensive literary histories, in which mention is unavoidable, and even then Kiberd is perfunctory: Both [Brian] Moore and Trevor are rightly renowned for the cool, crafted clarity of their prose, their wry wistful ironies, and their use of telling detail; and each has won a substantial overseas readership for many other books of high quality which have nothing to do with Ireland.
    [Show full text]
  • Notas a Los Textos
    NOTAS A LOS TEXTOS Dada la recurrencia de algunas fuentes, se las invoca mediante la siguiente citación abreviada: BIOY (1963): BIOY, Adolfo, Años de mocedad. Nuevo Cabildo, 1963. BIOY CASARES (1994): Memorias. Barcelona: Tusquets, 1994. BIOY CASARES (2006): Borges. Bogotá: Destino, 2006. Salvo indicación en contrario, Buenos Aires es el lugar de toda editorial o publicación periódica citada. NOTAS A LA INVENCIÓN DE MOREL La novela tuvo las siguientes ediciones: M1 «La invención de Morel». Sur, Nº 72 (septiembre 1940): 43-71 [fragmento, corres- pondiente a pp. 15-80 de M2]. M2 La invención de Morel. 1ª edición. Losada («Novelistas de España y América»), 1940, 169 pp. M3 La invención de Morel. 2ª edición. Sur, 1948, 140 pp. M4 La invención de Morel. 3ª edición. Emecé («Novelistas argentinos contemporá- neos»), 1953, 155 pp. M5 La invención de Morel. 4ª edición. Emecé («Escritores argentinos»), 1991, 162 pp. La presente edición sigue la cuarta y definitiva, cuyo texto fue fijado por Daniel Martino en 1991. Unicamente se ha corregido la divisa que cita el náufrago para ajustarla a la grafía original leonardiana tal como la invoca Valéry y tal como aparecía en la primera edición de la novela. En las notas se incluyen solo aquellas variantes que alteran conte- nidos. La invención de Morel. Títulos alternativos fueron La invención de Gopar (según el encabezamiento de una lista de correcciones, manuscrita de Bioy Casares, conservada en un cuaderno de c. 1939) y La invención de Guerin [sic] (conforme al texto del contrato original de publicación, fechado el 31 de julio de 1940). En el borrador de una carta de c.
    [Show full text]
  • Adolfo Bioy Casares En Uruguay
    ede haber sido mas auspiciosa Arturo Sergio V/SCA n si en su inauguracion se .agonista quien, por su parte, ficativas, esta presente? Adolfo Bioy Casares en Uruguay ldo Loustaunau sugirio que a afios del cuento de Borges, En un reportaje a Adolfo Bioy Casares, realizado por Ruben ~ria una conjuncion tal de Loza Aguerrebere y publicado en El Pais de los Domingos el 3 de ~s. junio de 1990, el reporteador le dijo al reporteado: «En Montevideo, de Salto. Es el pedazo de un tiene usted muchos lectores y muchos amigos mfos 10 admiran y 1mbien fue demol ida. Se 10 quieren infinitamente». Y el reporteado respondio: «Bueno, ademas o marcaba Lisa esta mafiana, de esos amigos, que seguramente van a ser amigos mfos cuando los epitan y, a la manera de los conozca, ha de haber un doble mfo, porque siempre tengo ganas de de contrasena para que los ir al Uruguay». Pues bien: la de ahora es la hora en que ese deseo de ento que entregamos a Bioy Adolfo Bioy Casares queda cumplido, y, para satisfaccion no solo de os. Muchas gracias a todos. el sino de todos los que estamos aquf congregados, su presencia en el Uruguay no es la de ese fantasmagorico doble aludido en sus palabras sino la suya real y personalfsima. Dire ahora, porque '1ubes, 18 de agosto de 1990. conviene destacarlo, que esa presencia estuvo de algun modo prefi­ gurada cuando laAcademia Nacional de Letras, en su sesion plenaria del dfa 3 de agosto de 1990, 10 propuso, conjuntamente con los chilenos Nicanor Parra y Jose Donoso, para constituir la terna de candidatos de la Corporacion para la edicion 1990 del Premio de Literatura en Lengua Castel/ana «Miguel de Cervantes».
    [Show full text]
  • Network Map of Knowledge And
    Humphry Davy George Grosz Patrick Galvin August Wilhelm von Hofmann Mervyn Gotsman Peter Blake Willa Cather Norman Vincent Peale Hans Holbein the Elder David Bomberg Hans Lewy Mark Ryden Juan Gris Ian Stevenson Charles Coleman (English painter) Mauritz de Haas David Drake Donald E. Westlake John Morton Blum Yehuda Amichai Stephen Smale Bernd and Hilla Becher Vitsentzos Kornaros Maxfield Parrish L. Sprague de Camp Derek Jarman Baron Carl von Rokitansky John LaFarge Richard Francis Burton Jamie Hewlett George Sterling Sergei Winogradsky Federico Halbherr Jean-Léon Gérôme William M. Bass Roy Lichtenstein Jacob Isaakszoon van Ruisdael Tony Cliff Julia Margaret Cameron Arnold Sommerfeld Adrian Willaert Olga Arsenievna Oleinik LeMoine Fitzgerald Christian Krohg Wilfred Thesiger Jean-Joseph Benjamin-Constant Eva Hesse `Abd Allah ibn `Abbas Him Mark Lai Clark Ashton Smith Clint Eastwood Therkel Mathiassen Bettie Page Frank DuMond Peter Whittle Salvador Espriu Gaetano Fichera William Cubley Jean Tinguely Amado Nervo Sarat Chandra Chattopadhyay Ferdinand Hodler Françoise Sagan Dave Meltzer Anton Julius Carlson Bela Cikoš Sesija John Cleese Kan Nyunt Charlotte Lamb Benjamin Silliman Howard Hendricks Jim Russell (cartoonist) Kate Chopin Gary Becker Harvey Kurtzman Michel Tapié John C. Maxwell Stan Pitt Henry Lawson Gustave Boulanger Wayne Shorter Irshad Kamil Joseph Greenberg Dungeons & Dragons Serbian epic poetry Adrian Ludwig Richter Eliseu Visconti Albert Maignan Syed Nazeer Husain Hakushu Kitahara Lim Cheng Hoe David Brin Bernard Ogilvie Dodge Star Wars Karel Capek Hudson River School Alfred Hitchcock Vladimir Colin Robert Kroetsch Shah Abdul Latif Bhittai Stephen Sondheim Robert Ludlum Frank Frazetta Walter Tevis Sax Rohmer Rafael Sabatini Ralph Nader Manon Gropius Aristide Maillol Ed Roth Jonathan Dordick Abdur Razzaq (Professor) John W.
    [Show full text]
  • Novel to Novel to Film: from Virginia Woolf's Mrs. Dalloway to Michael
    Rogers 1 Archived thesis/research paper/faculty publication from the University of North Carolina at Asheville’s NC DOCKS Institutional Repository: http://libres.uncg.edu/ir/unca/ Novel to Novel to Film: From Virginia Woolf’s Mrs. Dalloway to Michael Cunningham’s and Daldry-Hare’s The Hours Senior Paper Presented in Partial Fulfillment of the Requirements For a Degree Bachelor of Arts with A Major in Literature at The University of North Carolina at Asheville Fall 2015 By Jacob Rogers ____________________ Thesis Director Dr. Kirk Boyle ____________________ Thesis Advisor Dr. Lorena Russell Rogers 2 All the famous novels of the world, with their well known characters, and their famous scenes, only asked, it seemed, to be put on the films. What could be easier and simpler? The cinema fell upon its prey with immense rapacity, and to this moment largely subsists upon the body of its unfortunate victim. But the results are disastrous to both. The alliance is unnatural. Eye and brain are torn asunder ruthlessly as they try vainly to work in couples. (Woolf, “The Movies and Reality”) Although adaptation’s detractors argue that “all the directorial Scheherezades of the world cannot add up to one Dostoevsky, it does seem to be more or less acceptable to adapt Romeo and Juliet into a respected high art form, like an opera or a ballet, but not to make it into a movie. If an adaptation is perceived as ‘lowering’ a story (according to some imagined hierarchy of medium or genre), response is likely to be negative...An adaptation is a derivation that is not derivative—a work that is second without being secondary.
    [Show full text]
  • Notes for an Unwritten Biography of William Trevor
    Colby Quarterly Volume 38 Issue 3 September Article 4 September 2002 "Bleak Splendour": Notes for an Unwritten Biography of William Trevor Denis Sampson Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Quarterly, Volume 38, no.3, September 2002, p. 280-294 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Sampson: "Bleak Splendour": Notes for an Unwritten Biography of William Tr "Bleak Splendour": Notes for an Unwritten Biography of William Trevor By DENIS SAMPSON IILITERARY BIOGRAPHERS," William Trevor has ren1arked, "often make the mistake of choosing the wrong subjects. A novelist-or any artist­ admired for what he produces, may not necessarily have lived anything but the most mundane of lives" (Excursions 176). His remark is a warning to any prospective biographer of Trevor himself, his way of implying that his own life has no worthwhile story. Yet the warning has its own paradoxical interest, for surely it is Trevor's particular gift to make literature out of the mundane. His refusal to dramatize the artistic self, to adopt heroic or romantic postures, somehow allows him to absorb and honor his mundane material, to find a tone that mirrors the inner lives of his unheroic characters. The consistency of that tone is his major accomplishment, according to John Banville: "his inimitable, calmly ambiguous voice can mingle in a single sentence pathos and humor, outrage and irony, mockery and love.... He is almost unique among n10dem novelists in that his own voice is never allowed to intrude into his fiction" (Paulson 166-67).
    [Show full text]
  • Creative Writing (Iowa Writers' Workshop) 1
    Creative Writing (Iowa Writers' Workshop) 1 Creative Writing (Iowa Writers' Workshop) Director • Lan Samantha Chang Graduate degree: M.F.A. in English Faculty: https://writersworkshop.uiowa.edu/people Website: https://writersworkshop.uiowa.edu/ The Creative Writing Program (Iowa Writers' Workshop) is a world-renowned graduate program for fiction writers and poets. Founded in 1936, it was the first creative writing program in the United States to offer a degree, and it became a model for many contemporary writing programs. In addition to its Master of Fine Arts program, it also offers writing courses for undergraduates. The Iowa Writers' Workshop has been home to thousands of remarkable writers, including Flannery O'Connor, Raymond Carver, Rita Dove, John Irving, James Alan McPherson, Philip Levine, Jane Smiley, Michael Cunningham, Sandra Cisneros, Denis Johnson, Jorie Graham, Ann Patchett, D.A. Powell, Nathan Englander, Yiyun Li, Eleanor Catton, Angela Flournoy, Garth Greenwell, Yaa Gyasi, and Jamel Brinkley. The program's faculty and alumni include winners of virtually every major literary award, including seventeen winners of the Pulitzer Prize (most recently Paul Harding in 2010), six recent U.S. Poets Laureate, and numerous winners of the National Book Award, MacArthur Foundation Fellowships, and other major honors. In 2003, the Iowa Writers' Workshop received a National Humanities Medal from the National Endowment for the Humanities—the first awarded to a university and only the second given to an institution rather than an individual. The Creative Writing Program offers courses for students from other programs of study; summer courses are open to undergraduate and graduate students. To learn more about the Creative Writing Program's history and faculty, visit the Iowa Writers' Workshop website..
    [Show full text]
  • Teaching the Short Story: a Guide to Using Stories from Around the World. INSTITUTION National Council of Teachers of English, Urbana
    DOCUMENT RESUME ED 397 453 CS 215 435 AUTHOR Neumann, Bonnie H., Ed.; McDonnell, Helen M., Ed. TITLE Teaching the Short Story: A Guide to Using Stories from around the World. INSTITUTION National Council of Teachers of English, Urbana, REPORT NO ISBN-0-8141-1947-6 PUB DATE 96 NOTE 311p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 19476: $15.95 members, $21.95 nonmembers). PUB 'TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) Collected Works General (020) Books (010) EDRS PRICE MF01/PC13 Plus Postage. DESCRIPTORS Authors; Higher Education; High Schools; *Literary Criticism; Literary Devices; *Literature Appreciation; Multicultural Education; *Short Stories; *World Literature IDENTIFIERS *Comparative Literature; *Literature in Translation; Response to Literature ABSTRACT An innovative and practical resource for teachers looking to move beyond English and American works, this book explores 175 highly teachable short stories from nearly 50 countries, highlighting the work of recognized authors from practically every continent, authors such as Chinua Achebe, Anita Desai, Nadine Gordimer, Milan Kundera, Isak Dinesen, Octavio Paz, Jorge Amado, and Yukio Mishima. The stories in the book were selected and annotated by experienced teachers, and include information about the author, a synopsis of the story, and comparisons to frequently anthologized stories and readily available literary and artistic works. Also provided are six practical indexes, including those'that help teachers select short stories by title, country of origin, English-languag- source, comparison by themes, or comparison by literary devices. The final index, the cross-reference index, summarizes all the comparative material cited within the book,with the titles of annotated books appearing in capital letters.
    [Show full text]
  • Addition to Summer Letter
    May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays.
    [Show full text]
  • © Copyrighted by Charles Ernest Davis
    SELECTED WORKS OF LITERATURE AND READABILITY Item Type text; Dissertation-Reproduction (electronic) Authors Davis, Charles Ernest, 1933- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 07/10/2021 00:54:12 Link to Item http://hdl.handle.net/10150/288393 This dissertation has been microfilmed exactly as received 70-5237 DAVIS, Charles Ernest, 1933- SELECTED WORKS OF LITERATURE AND READABILITY. University of Arizona, Ph.D., 1969 Education, theory and practice University Microfilms, Inc., Ann Arbor, Michigan © COPYRIGHTED BY CHARLES ERNEST DAVIS 1970 iii SELECTED WORKS OF LITERATURE AND READABILITY by Charles Ernest Davis A Dissertation Submitted to the Faculty of the DEPARTMENT OF SECONDARY EDUCATION In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY .In the Graduate College THE UNIVERSITY OF ARIZONA 19 6 9 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE I hereby recommend that this dissertation prepared under my direction by Charles Ernest Davis entitled Selected Works of Literature and Readability be accepted as fulfilling the dissertation requirement of the degree of Doctor of Philosophy PqulA 1- So- 6G Dissertation Director Date After inspection of the final copy of the dissertation, the following members of the Final Examination Committee concur in its approval and recommend its acceptance:" *7-Mtf - 6 7-So IdL 7/3a This approval and acceptance is contingent on the candidate's adequate performance and defense of this dissertation at the final oral examination; The inclusion of this sheet bound into the library copy of the dissertation is evidence of satisfactory performance at the final examination.
    [Show full text]
  • Nobel Prize Literature
    DOCUMENT RESUME ED 112 423 CS 202 277 AUTHOR Hubbard, Terry E., Comp. TITLE Nobel Prize Literature; A Selection of the Works of Forty-Four Nobel Prize Winning Authors in the Library of Dutchess Community College, with Biographical and Critical Sketches. PUB DATE Nov 72 NOTE 42p.; Not available in hard copy due tc marginal legibility of original document EDRS PRICE MF-$0.76 Plus Postage. HC Not Available from EDRS. DESCRIPTORS Authors; *Bibliographies; *English Instruction; Fiction; Higher Education; Poetry; *Reading Materials; Secondary Education; *Twentieth Century Literature; *World Literature IDENTIFIERS Nobel (Alfred); *Nobel Literature Prize ABSTRACT This bibliography is a compilation of works by 44 Nobel Prize winning authors presently available at the Dutchess Community College library. Each entry describes the piece of literature for which the author received an award, provides a brief sketch of the writer, includes a commentary on the themes of major works, and lists the writer's works. An introduction to the bibliography provides background information on the life of Alfred Nobel and the prizes made available to individuals who have made contributions toward humanistic ends. The bibliography may be used as a reading guide to some classics of twentieth century literature or as an introduction to important authors. Authors listed include Samuel Beckett, Henri Bergson, Pearl Buck, Ivan Bunin, Albert Camus, and 7.S. Eliot.(RE) *********************************************************************** Documents acquired by ERIC include many informal unpublished * materials not available from other sources. ERIC makes every effort * * to obtain the best copy available. Nevertheless, items of marginal * * reproducibility are often encountered and this affects the quality * * of the microfiche and hardcopy reproductions ERIC makes available * * via the ERIC Document Reproduction Service (EDRS).
    [Show full text]