Rafique Farooqi - Poems
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Moresurprisesfromfairacres
Fiction ISBN1-56145-255-6 $14.95 www.peachtree-online.com EFFIE LELAND WILDER’S ou’d think that author Effie Wilder—at the age of first novel, OUT TO PASTURE ninety-two and with more than 500,000 copies of her H, MY GOODNESS! Hattie (BUT NOT OVER THE HILL) was is at it again! In spite of her published to great acclaim in Yfour best-selling books in print—would be content to O 1995 when she was eighty-five rest on her laurels. Fortunately for us, she isn’t the “retiring” surprises fr failing eyesight, inveterate journal- years old. Its three sequels, OVER WHAT HILL, re om keeper and eavesdropper extraordi- sort. In response to the flood of letters from fans requesting o Fair cres) OLDER BUT WILDER, and ONE MORE TIME, have (m A naire Hattie McNair is still reporting attracted an even wider readership. another visit to FairAcres Home, Mrs. Wilder has graciously on the antics of her lovable cohorts at Mrs. Wilder has lived in Summerville, invited us back for another delightfully uplifting and enter- FairAcres Home. South Carolina, for more than sixty years, the In her familiar journal entries, last fifteen of them at the Presbyterian Home. taining adventure. Whether you’re already acquainted with Hattie takes note of the laughter that She graduated from Converse College in 1930 Hattie and her friends or are meeting them for the first time, lightens their days as well as the tears and received the Distinguished Alumna Award you’re sure to be charmed by these folks who have a whole lot in 1982. -
ENOCH JOHN - Poems
Poetry Series ENOCH JOHN - poems - Publication Date: 2008 Publisher: Poemhunter.com - The World's Poetry Archive ENOCH JOHN(30/07/1958) Teacher/Poet, holds a teacher's diploma /Valsayn Teachers' College A degree in English from THE UNIVERSITY OF THE WEST INDIES Working on a postgraduate to become one of the greatest poets of the modern read Shakespeare, Dante and Walcott. A writer in exile at home. Has a passion for poetry. Presently working on another anthology. Born to Kenneth and Sylvia John at Enterprise, Trinidad almost fifty years up in Pentecostal Church. This background influences his john wants to start a literary fire that will burn collection is entitled; SELECTIVE WORKS and I dedicate it to all poets, small and great; past and present. www.PoemHunter.com - The World's Poetry Archive 1 22 In Manchester Hey, we 22 just came to hear Arianne Grande's great music, We 22 just came to hear the songs of freedom, in a free world, Instead now there are the songs of melancholy, We 22 are a mix of young people and more mature adults, But now we must speak with one voice. Hey Manchester, weep for us and the whole world, For what kind of dark, deeply delusional, demonic person would perpetuate such slaughter? We can well imagine the trauma, hysteria and utter trepidation that saturated the atmosphere in Manchester that night. We came to hear the songs of freedom now the songs of melancholy are playing everywhere, We 22 looked at the beauty of mother earth and now we are gone, We 22 saw the pretty bougainvillae and the red roses in the field -
Between Liminality and Transgression: Experimental Voice in Avant-Garde Performance
BETWEEN LIMINALITY AND TRANSGRESSION: EXPERIMENTAL VOICE IN AVANT-GARDE PERFORMANCE _________________________________________________________________ A thesis submitted in partial fulfilment of the requirements for the Degree of Doctor of Philosophy in Theatre and Film Studies in the University of Canterbury by Emma Johnston ______________________ University of Canterbury 2014 ii Abstract This thesis explores the notion of ‘experimental voice’ in avant-garde performance, in the way it transgresses conventional forms of vocal expression as a means of both extending and enhancing the expressive capabilities of the voice, and reframing the social and political contexts in which these voices are heard. I examine these avant-garde voices in relation to three different liminal contexts in which the voice plays a central role: in ritual vocal expressions, such as Greek lament and Māori karanga, where the voice forms a bridge between the living and the dead; in electroacoustic music and film, where the voice is dissociated from its source body and can be heard to resound somewhere between human and machine; and from a psychoanalytic perspective, where the voice may bring to consciousness the repressed fears and desires of the unconscious. The liminal phase of ritual performance is a time of inherent possibility, where the usual social structures are inverted or subverted, but the liminal is ultimately temporary and conservative. Victor Turner suggests the concept of the ‘liminoid’ as a more transgressive alternative to the liminal, allowing for permanent and lasting social change. It may be in the liminoid realm of avant-garde performance that voices can be reimagined inside the frame of performance, as a means of exploring new forms of expression in life. -
An Introductory Wisdom School with Cynthia Bourgeault Course Transcript & Companion Guide
An Introductory Wisdom School with Cynthia Bourgeault Course Transcript & Companion Guide DAY 1 OF WISDOM SCHOOL Day 1.1 Morning Reading, Chant, Meditation & Body Prayer Day 1.2 Morning Teaching The Three Centers of Intelligence* Day 1.3 Morning Conscious Practical Work Day 1.4 Afternoon Reading, Chant & Meditation (offered by co-leaders) Day 1.5 Afternoon Teaching Introduction to The Gospel of Thomas & Logion 1* © WisdomWayofKnowing.org An Introductory Wisdom School with Cynthia Bourgeault—Course Transcript & Companion Guide Notes: © WisdomWayofKnowing.org Day 1.1 Morning Reading, Chant, Meditation & Body Prayer The Gospel of Thomas Logion 10 Yeshua says, “See, I have sown fire into the cosmos, and I shall guard it carefully until it blazes.” —The Gospel of Thomas, Translation by Lynn Bauman [01:00] [Chant with Darlene Franz on harmonium: Speak Through the Earthquake] Speak through the earthquake The wind and the fire Oh-oh Still small voice of love [04:35] [bell for meditation] [31:13] [bell to end meditation] The Gospel of Thomas Logion 10 Jesus says, “Behold, I have sown fire into the cosmos, and I shall guard it carefully until it blazes.” [from] Logion 82 Jesus says, “Whoever is close to me, is close to the fire.” [32:01] [final bell] © WisdomWayofKnowing.org 1 An Introductory Wisdom School with Cynthia Bourgeault—Course Transcript & Companion Guide Notes: © WisdomWayofKnowing.org Day 1.1 Morning : Reading, Chant, Meditation & Body Prayer 2 Day 1.2 Morning Teaching The Three Centers of Intelligence An Introductory Wisdom School -
Various Volume 2, Number 8 Mp3, Flac, Wma
Various Volume 2, Number 8 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Volume 2, Number 8 Country: US Released: 1979 Style: Disco, Funk MP3 version RAR size: 1351 mb FLAC version RAR size: 1201 mb WMA version RAR size: 1697 mb Rating: 4.9 Votes: 340 Other Formats: WAV FLAC RA VOC MP1 DMF AIFF Tracklist Hide Credits Side A Bobby DJ Spotlights Diana Ross A –Various 18:34 DJ Mix – Bobby "DJ" Guttadaro A1 –Diana Ross Love Hangover A2 –Diana Ross & The Supremes* Going Down For The Third Time A3 –Diana Ross & The Supremes* Love Is Like An Itching In My Heart A4 –Diana Ross What You Gave Me A5 –Diana Ross & The Supremes* Where Did Our Love Go Side B DJ: Bobby DJ Guttadaro B –Various 16:50 DJ Mix – Bobby "DJ" Guttadaro B1 –Wardell Piper Captain Boogie B2 –Witch Queen Bang A Gong Bonus Side 1 DJ: Bobby DJ Guttadaro C –Various 17:58 DJ Mix – Bobby "DJ" Guttadaro C1 –Lorraine Johnson Feed The Flame C2 –Voyage Tahitian Orgy C3 –Sarah Brightman & Hot Gossip (I Lost My Heart To A) Starship Trooper C4 –Rosebud Have A Cigar Bonus Side 2 DJ: Bobby DJ Guttadaro D –Various 17:30 DJ Mix – Bobby "DJ" Guttadaro D1 –Salsoul Strings* Sun After The Rain D2 –Alessi Dancing In The Halls Of Love D3 –Martin Stevens Les Femmes D4 –Marilyn McCoo & Billy Davis Jr. Shine On Silver Moon Notes Side A - 80 BPM to 142 BPM Side B - 134 BPM Bonus Side 1 - 128 BPM to 136 BPM Bonus Side 2 - 122 BPM to 124 BPM Related Music albums to Volume 2, Number 8 by Various Diana Ross - Tenderness Diana Ross & The Supremes - Farewell Diana Ross And The Supremes - In And Out Of Love / I Guess I'll Always Love You Diana Ross & The Supremes - Diana Ross & The Supremes Diana Ross & The Supremes With The Temptations - Together Diana Ross & The Supremes - Motown Legends Diana Ross & The Supremes And The Temptations - I Second That Emotion Diana Ross - Diana Ross Especial: Volume 2 Diana Ross - Voice Of Love Diana Ross And The Supremes - Some Things You Never Get Used To. -
Let Us Know How Access to This Document Benefits You
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2002 Snapshots Christopher Fielding Porter The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Porter, Christopher Fielding, "Snapshots" (2002). Graduate Student Theses, Dissertations, & Professional Papers. 3588. https://scholarworks.umt.edu/etd/3588 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Maureen and Mike MANSFIELD LIBRARY The University of Montana Pennission is granted by the author to reproduce this material in its entirety, provided that this material is used for scholarly purposes and is properly cited in published works and reports. ••Please check "Yes" or "No" and provide signature** Yes, I grant permission No, I do not gr; lermissioi Author's Signature; Date: Any copying for commercial purposes or financial gain may be undertaken only with the author's explicit consent. 8/98 Snapshots By Christopher Fielding Porter B.A. Roanoke College, Salem Virginia, 1998 Presented in partial fulfillment of the requirements For the degree of Master of Fine Arts The University of Montana May 2002 Approved by; Chairperson Dean, Graduate School S-2l-02_ Date UMI Number: EP35140 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
The Antarctic Sun, December 24, 2006
December 24, 2006 HowHow McMurdo Got Its Groove On Local music scene heats up By Peter Rejcek Sun staff OTHER RIFFS t’s possibly the cool- Even Shackleton got the est music scene on the blues, page 10 planet. McMurdo Station Pole, Palmer also jam, is certainly the hub page 11 Iof operations for the U.S. AntarcticI Program (USAP) wise, this is a real hotbed of with an austral summer popu- potential.” lation of a thousand people Fox is a pretty good judge or more. But in the last 10 or of what makes a music scene 15 years, it’s become a cross- pulse. He came of age dur- roads for musicians playing ing punk rock’s angry genesis in just about every genre in the late 1970s and early imaginable in their leisure 1980s, playing bass for the time, from reggae to rock and band United Mutation in the from blues to bluegrass. It’s Washington, D.C., area. (See a scene where a punk rocker the Dec. 18, 2005, issue of can share the night’s billing The Antarctic Sun at antarc- with a folk singer and a blues ticsun.usap.gov for a related guitarist – and the audience is story.) there to see them all. A conversation with Fox is “We have been really itself like listening to a punk lucky down here,” said Jay rock set – briefly intense out- Peter Rejcek / The Antarctic Sun Fox, the retail supervisor for bursts, each riff a variation Barb Propst plays guitar at the McMurdo Station Coffee House. -
João Gilberto
SEPTEMBER 2019 VOLUME 86 / NUMBER 9 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
6/14/2016 KCC Church Library 1 2 3 4 5
6/14/2016 KCC Church Library A B C D E F 1 KCC Ruth Cole Library Catalog Author List rev. 061416 2 3 Author - Last Author - First Title Date Section Acc. # 4 5 Abernathy Bob, et al. Life of Meaning, The 2007 ESSAYS 6443 6 Abingdon Press Editorial Board Interpreter's Bible, The, Vol. 10, Corinthians, Galatians & Ephesians 1952 BIBLICAL REFERENCE 873 7 Abingdon Press Editorial Board Interpreter's Bible, The, Vol. 9, Acts and Romans 1952 BIBLICAL REFERENCE 866 8 Abingdon Press Editorial Board Interpreter's Bible, The. Vol. 1 … Genesis, Exodus 1952 BIBLICAL REFERENCE 1255 9 Abingdon Press Editorial Board Interpreter's Bible, The. Vol. 11, Phillipians, Collosians, etc. 1955 BIBLICAL REFERENCE 1261 10 Abingdon Press Editorial Board Interpreter's Bible, The. Vol. 12, James, Peter, John, Jude, etc. 1957 BIBLICAL REFERENCE 1262 11 Abingdon Press Editorial Board Interpreter's Bible, The. Vol. 2, Leviticus, Numbers, Deuteronomy, etc. 1953 BIBLICAL REFERENCE 1256 12 Abingdon Press Editorial Board Interpreter's Bible, The. Vol. 3, Kings, Chronicles, Ezra, etc. 1954 BIBLICAL REFERENCE 1257 13 Abingdon Press Editorial Board Interpreter's Bible, The. Vol. 4, Psalms, Proverbs 1955 BIBLICAL REFERENCE 1258 14 Abingdon Press Editorial Board Interpreter's Bible, The. Vol. 5, Ecclesiastes, Isaiah, etc. 1956 BIBLICAL REFERENCE 1259 15 Abingdon Press Editorial Board Interpreter's Bible, The. Vol. 6, Lamentations, Ezekial, Daniel, etc. 1957 BIBLICAL REFERENCE 1260 16 Abingdon Press Editorial Board Interpreter's Bible, The. Vol. 7, Matthew and Mark 1952 BIBLICAL REFERENCE 864 17 Abingdon Press Editorial Board Interpreter's Bible, The. Vol. 8, Luke and John 1952 BIBLICAL REFERENCE 865 18 Abrams Richard L. -
Ephemeral Art Ephemeral Art
Apr–Jun 2008 The Magazine of the International Child Art Foundation Photo: Scott Whitelaw Photo Credit, opposite page: Christo and Jeanne-Claude: The Gates, Central Park, New York City, 1979–2005 April—June 2008 Volume 11, Issue 2, Number 38 Photo: Wolfgang Volz. © Christo and Jeanne-Claude Editor’s Corner Ephemeral Art Ephemeral Art .................................................. 4 5 Where the Sands Blow, Mandalas Go ............. 5 Modernity is the transient, the fleeting, the contingent; it is one half of art, the other being Ephemera in Art ............................................... 6 the eternal and the immovable. Ephemeral Art: Visualizing Time ...................... 8 - Charles Baudelaire (French Poet, 1857) Christo and Jeanne-Claude .......................... 10 Transformational Touching the Ephemeral Moment ................. 13 Dear Readers, Enviromental Art, Page 10 Art from Ice .................................................... 14 Lately it seems as though we are living in a constant state of transition in every corner of our planet. editor writers Interview with LEGO® Sculpture Artist .......... 16 14 Change is in the air; therefore, we have dedicated this Ashfaq Ishaq, Ph. D. Terry Barrett, Ph. D. B. Stephen Carpenter, II managing editor Day of the Dead: Día de Muertos .................. 18 distinctive issue of ChildArt to the Ephemeral Arts. Melissa Chapin Carrie Foix Andrew Crummy As you will soon discover, ephemeral artists “live in assistant editor Vicki Daiello Making Ephemeral Art ................................... 20 the moment.” From Christo and Jeanne-Claude’s B. Stephen Carpenter, II Claire Eike Sheri R. Klein, Ph. D. Clementina Ferrer How to Make a Paper Boat Sculpture ........... 22 environmental works (p.10) to the delicate sand Patricia McKee Carrie Foix Amanda Lichtenwalner Here Today, Gone Tomorrow ......................... 24 mandalas of Tibetan monks (p.5), ephemeral art’s contributing editor Joanna Mawdsley Amanda Lichtenwalner existence is shaped by the effects of time. -
Songs of the Love of Radha and Krishna
VIDYAPATI: BANGIYA PADABALI SONGS OF THE LOVE OF RADHA AND KRISHNA TRANS- LATED INTO ENGLISH BY ANANDA COOMARASWAMY AND ARUN SEN WITH INTRODUCTION AND NOTES AND ILLUS- TRATIONS FROM INDIAN PAINTINGS LONDON : THE OLD BOURNE PRESS, 15 HOLBORN, E.C. 1915. The whole creation will be consumed and appear infinite and holy, whereas it now appears finite and corrupt. This will come to pass by an improvement of sensual enjoyment. —William Blake. Be drunken with love, for love is all that exists. —Shamsi Tabriz. INTRODUCTION. VIDYAPATI THAKUR is one of the most renowned of the Vaishnava poets of Hindustan. Before him there had been the great Jayadeva, with his Gita Govinda made in Sanskrit ; and it is to this tradition Vidyapati belongs, rather than to that of Ramananda, Kablr, and Tul'sl Das, who sang of Rama and Sita. Vidyapati's fame, though he also wrote in Sanskrit, depends upon the wreath of songs {pada) in which he describes the courtship of God and the Soul, under the names of Krishna and Radha. These were written in Maithill, his mother-tongue, a dialect intermediate between Bengali and Hindi, but nearer to the former. His position as a poet and maker of language is analogous to that of Dante in Italy and Chaucer in England. He did not dis- dain to use the folk-speech and folk-thought for the expression of the highest matters. Just as Dante was blamed by the classical scholars of Italy, so Vidyapati was blamed by the pandits : he knew better, however, than they, and has well earned the title of Father of Bengali literature. -
Conceptual Blending, Metaphors, and the Construction Of
Conceptual Blending, Metaphors, and the Construction of Meaning in Ice Age Europe: An Inquiry Into the Viability of Applying Theories of Cognitive Science to Human History in Deep Time By Timothy Michael Gill A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Anthropology in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Margaret Conkey, Chair Professor Rosemary Joyce Professor Kent Lightfoot Professor Eve Sweetser Fall 2010 Copyright Timothy Michael Gill, 2010 All rights reserved Abstract Conceptual Blending, Metaphors, and the Construction of Meaning in Ice Age Europe: An Inquiry Into the Viability of Applying Theories of Cognitive Science to Human History in Deep Time by Timothy Michael Gill Doctor of Philosophy in Anthropology University of California, Berkeley Professor Margaret Conkey, Chair Although the peoples of Ice Age Europe undoubtedly considered the drawings, engravings and other imagery created during that long period of prehistory to be deeply meaningful, it is difficult for people today to discern with any degree of accuracy or reliability what those meanings may have been. Grand theories of meaning have been proposed, criticized, and in some cases rejected. The development over the last few decades of modern cognitive science presents us with another angle of approach to this difficult problem. In this dissertation I review two related cognitive science theories, Conceptual Metaphor Theory and Conceptual Integration