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166-90-06 Tel: +38(063)804-46-48 E-Mail: [email protected] Icq: 550-846-545 Skype: Doowopteenagedreams Viber: +38(063)804-46-48 Web
tel: +38(097)725-56-34 tel: +38(099)166-90-06 tel: +38(063)804-46-48 e-mail: [email protected] icq: 550-846-545 skype: doowopteenagedreams viber: +38(063)804-46-48 web: http://jdream.dp.ua CAT ORDER PRICE ITEM CNF ARTIST ALBUM LABEL REL G-055 $15,84 1 CD 883 Uno In Piu CD - Cgd 10/15/2001 G-055 $15,14 1 CD 1910 Fruitgum Company Best Of The 1910 Fruitgum Co CD - 03/01/2008 G-055 $38,41 1 CD 4 Knights Jivin' & Smoothin' CD - Despo Cd 03/15/1998 G-055 $34,75 1 CD 5th Dimension Up Up & Away / Magic Garden / Stoned Soul Picnic CD - N/A G-055 $15,14 1 CD 99 Posse La Vida Que Vendra CD - Ricordi 05/15/2000 G-055 $14,90 1 CD Aa. Vv. I Grandi Successi Dei Cantautori CD - Imports 05/19/2006 G-055 $19,13 1 CD Aa. Vv. Sanremo Festival CD - Imports 07/15/2016 G-055 $15,25 1 CD A'anseltaler Leb'n Anseltaler Party Expres CD - Marlstone Music 06/02/2011 G-055 $18,19 1 CD Abba 2 For 1: Abba/Arrival CD - Polydor 07/07/2009 G-055 $23,23 1 CD Abba Compilation CD - Capitol (emi Austria) 04/27/2009 G-055 $20,65 1 CD Abraham Mateo Abraham Mateo CD - Dro 09/26/2013 G-055 $20,65 1 CD Accordeon 2006 Disque D''or Vol.2 CD - Wagra N/A G-055 $20,65 1 CD Accordeons De France / Various Accordeons De France / Various CD - 06/15/1999 G-055 $26,82 1 CD Ace Of Base The Golden Ratio CD - We Love Music 09/24/2010 G-055 $21,94 1 CD Ace Of Cups It's For You, But Buy It CD - Ace 01/13/2004 G-055 $22,52 1 CD Achim Schultz Think Big CD - 03/03/2008 G-055 $15,25 1 CD Acker Bilk Bridge Over Troubled Waters CD - Spectrum N/A G-055 $29,70 1 EP Ad Libs 7-you'll Always. -
The Lanthorn, 1968-2001 at Scholarworks@GVSU
Grand Valley State University ScholarWorks@GVSU Volume 24 Lanthorn, 1968-2001 11-29-1989 Lanthorn, vol. 24, no. 14, November 29, 1989 Grand Valley State University Follow this and additional works at: http://scholarworks.gvsu.edu/lanthorn_vol24 Part of the Archival Science Commons, Education Commons, and the History Commons Recommended Citation Grand Valley State University, "Lanthorn, vol. 24, no. 14, November 29, 1989" (1989). Volume 24. 14. http://scholarworks.gvsu.edu/lanthorn_vol24/14 This Issue is brought to you for free and open access by the Lanthorn, 1968-2001 at ScholarWorks@GVSU. It has been accepted for inclusion in Volume 24 by an authorized administrator of ScholarWorks@GVSU. For more information, please contact [email protected]. ( Inside: \ d r OlMNION thninmiininiiimituiiiVi Campus Life Sports C amimis I,ini ...... ....... 7 NlATUUII* *............inn.....10 kUtn'n ami Women'* nwim lenoy* were Sl'OK IN .................. I', I I /it hlo't'iiii w ill lot i in 11 (tludonl mllnr l i/n Inrili fit lor hum hi meet nn»hvi Ahim, Heep.H Cl ASSINKI) Aim 1,1 Mini: v/1 *> 11 f» lo /im la tlrw n 'w o p|< A* “I J The Lanthorn WHDNKNDAY, NOVHMIMH W, IM OMANI) VAUMY H'I'ATH IINIVI'PHI IY YOU/MU M m ill(14 “1 feel It’s somvthlnft that in (a renin a lot of people" t H i r t m t ( HHifhtli(iui A nthropology C lub H olds Lab- A ( (Iru n d v i s \ * y O pen H ouse, Show s O ff “Sm ltty” Hf Mike I Hfti Tim Dosvkrr demonslruiion of Hut undiiionid ( hum w m # HuffWrlwr ledmb|ue of lAshiofilng slone,(t im Mond*/ Hoh II, < htik projeefile isiinis, IfHomi, s ¥*\AdAwm i MitluU* 'llic On»Ml Valley Sum* l Inivcr W,f>, Prunkforter ihowrd leeh-, ltd f e ll A %eme, *medOomd pity Anlliri»|>oli)jiy Club held u lul* ol(|iifS of |SHU7y mukhiH devil Yfdhy t/rth Im '</ppioimn / ojHMi lit him* on TucNdiiy, Novcm o|iet| by Soudiwesieoi A ndfkm , ' r*i J “ ryi .)/* LUJi.J' MAJJit her 21,ill the A(illiro|Miluyjy l.ttb IruliAM, VmiiUkkt In u (Iwnl j iMfHM't 0 * * 0 0 4 m m * # , a t in I.uke Mielnpn Hull, l< iipnls resident who served ns I lie. -
Dreamscapes - CD1 - Dream Machine Intro 1998 - 4:44
Dreamscapes - CD1 - Dream Machine Intro 1998 - 4:44 I'm your best friend, the dream... I'm your best friend, the dream Without a doubt I'm your best friend, the dream You need a friend, without a doubt I wonder why you came around Are you awake, or do you dream? You're stuck inside a frozen scene I'm your best friend, the dream... Dreamscapes - CD1 - In The Mood - 1983, Demo remix - 5:04 He's in the mood to touch the fire He's in the mood to touch everything you are He's in the mood to touch the fire Touch the fire, touch the fire Jacky's locked in a silent dream He's watching movies on the TV-screen He feels unsteady lights a cigarette He's getting mellow in his cabinet Oh, Jacky, when everything goes wrong Get ready, for you've got to be so strong It's so supersensual, sentimental Dial that cipher in your tears, The number to the golden year You've got to touch the fire Wake up little boy You've got to play with fire Wake up, you've got to... You've got to play with fire Jacky hears it, is it her or not ? His eyes are burning 'cause the brain's too hot He's sitting calmly on a swivel chair There's something coming from the upper stairs Now listen to me Jacky, you were always So lonesome in that quiet lonely house High on the hill Just come... come and meet me You know where and we'll take a nice holiday Back in the old, old days of happiness - Oh, Jacky, when everything goes wrong.. -
Page 1 of 115 WELCOME Welcome to the Theatre Royal & Royal Concert
WELCOME Welcome to the Theatre Royal & Royal Concert Hall’s season brochure, covering February to May 2019. IMPORTANT BOOKING INFORMATION Please be aware that bookings are subject to fees, unless stated otherwise, and that discounts may not be available for certain seating areas and performances. Customers with disabilities, we recommend you check the availability of discounts at the time of booking. Please contact the Box Office for further details. Where fees apply, it is £3 per transaction for orders in person and by phone, £2 per transaction online. Further details are on our website - trch.co.uk/fees. AN UPDATE FROM EMILY MALEN Hello and welcome to the Nottingham Theatre Royal and Royal Concert Hall's events listing for February to May 2019. Page 1 of 115 This listing includes details of forthcoming productions at the Theatre Royal and Royal Concert Hall and well as venue news and information. Forthcoming sign language interpreted performances include RSC’s Romeo & Juliet, Friday 22 February at 7.30pm. Semi-integrated signer provided by RSC. Benidorm Live, Wednesday 27 March at 7.30pm. Interpreted by Laura Miller. Rock of Ages, Thursday 4 April at 7.30pm. Interpreted by Caroline Richardson. Motown the Musical, Thursday 25 April at 7.30pm. Interpreted by Donna Ruane. Forthcoming captioned performances include The Full Monty, Saturday 9 February at 7.30pm. Captioned by Stagetext Page 2 of 115 RSC’s Romeo & Juliet, Saturday 23 February at 1.30pm. Captioned by the RSC. Opera North – The Magic Flute, Saturday 23 March at 7pm. Captioned by Opera North. Benidorm Live, Thursday 28 March at 7.30pm. -
Klaus Schulze
im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 [email protected] KLAUS SCHULZE Klaus Schulze wurde 1947 in Berlin geboren, tauchte während der 1960er-Jahre in die dortige Underground-Szene ein und spielte Bass, Gitarre und Schlagzeug in verschiedenen Bands. 1970 und 1971 veröffentlichte er Alben mit Tangerine Dream und Ash Ra Tempel, stieg bei beiden Gruppen jedoch bald wieder aus. In den folgenden Jahren sollten diese eine neue deutsche Musik definieren, die international als Krautrock oder Kosmische Musik verehrt wurde. Schulze tat dasselbe, auf seine eigene Art – seine musikalische Vision war derart mächtig und ambitioniert, dass er sie nur im Alleingang umsetzen konnte. Inspiriert von Pink Floyd und Richard Wagner formte er fremdartige Sounds zu ausufernden Kunstwerken. Schon bevor er gewöhnliche Synthesizer in seiner Musik einsetzte, entwarf er auf „Irrlicht“ (1972) episch orchestrale Klanglandschaften, die auf seinen vielen weiteren Alben der 1970er-Jahre wie dem Meisterwerk „Timewind“ (1975) immer elektronischer und hypnotischer ausfielen. Diese Alben gelten längst als Meilensteine und machten Schulze zu einem der wichtigsten Vertreter der „Berliner Schule“. Es gibt kaum ein Ambient- oder Electronica-Album der letzten 25 Jahre, auf dem der Einfluss von Klaus Schulze nicht zu hören ist: seine abstrakten Atmosphären, die übernatürlichen Flächen, der mystische Futurismus, den er mit seinem Synthesizer- und Keyboard-Arsenal heraufbeschwor. Damals passte Schulzes Musik perfekt in das goldene Zeitalter der Science Fiction, heute klingt sie schlichtweg nach zeitloser Ewigkeit. Schulze machte Musik, die es so noch nicht gegeben hatte. Manche nannten es Kosmische Musik, andere priesen Schulze als den Wegbereiter von New Age. Irgendwo zwischen Ambient, experimenteller Musik und klassischer Komposition schuf er sphärische Sound-Meditationen, die immer wieder neue, phantastische Welten erkundeten. -
Norman Rockwell
accent argot articulation brogue cant The communication conversation dialect diction Languagedictionary discourse doublespeak expression gibberish Teacher idiom <jalt-publications.org/tlt> interchange jargon lexicon lingua franca March / April 2011 Feature Article . palaver Volume 35, Number 2 9 David Ockert investigates student motivationparlance and pedagogical activity preferences patois ISSN 0289-7938 phraseology ¥950 Readers’ Forum . prose 19 Mark Fennelly and Robert Luxton address Englishsignal in The Japan Association elementary schools for Language Teaching slang 25 Joseph Falout provides an interview with Ema Ushioda sound My Share Activities Special Issue . speech THE JAPAN ASSOCIATION FOR LANGUAGE TEACHING 全 国 語 学 教 育 学 会 29 Classroom ideas from Catherine Cheetham, Bob Jones,style JALT2011 – Teaching Eoin Jordan, Dawn Kobayashi, Arthur Lauritsen, Mariotalk Leto, Leigh McDowell, Patrick Miller,terminology Robert Shoichi Learning Growing Murphy, Julian Pigott, James W. Porcaro, Mark Gerrard November 18-21, 2011 and Jack Ryan, Graham Taylor, and James Yorktongue National Olympics Memorial utterance Center, Yoyogi, Tokyo Book Reviews . verbalization TEAC HIN G 50 Kevin M. Maher reviews Impact Conversationvernacular 1 & 2 • L E A and Jodie Campbell evaluates Tell Me More: Effective R N vocabulary I N Communication Strategies for the Japanese Student G • G R vocalization O W I N G voice <jalt.org/conference> word wording JALT Publications } OuTrEACh Tim}Murphey}– Kanda University of JALT Publications Board Chair david McMurray International -
Those Were the Days - 20 Jahre Alphaville
Those Were The Days - 20 Jahre Alphaville von Alexandra Wesche & Torleif Petzolt Thanks to … Alphaville, dafür, dass sie vor 20 Jahren be- schlossen haben musikalisch einen gemeinsamen Weg zu gehen, insbesondere Bernhard Lloyd, der uns mit seinen Erinnerungen bei der Arbeit an dieser Biographie geholfen hat und last but not least - den unendlichen Weiten des Inter- nets … PROLOG [by Marian Gold] WEN AUCH IMMER ES BETRIFFT Bang Button, 3 September 2054 Ich bin Reisender. Ich bin Freund, Beobachter, Bote, manchmal Schutzengel. Und ich bin ein Fan von Alphaville. Ich bin Alphaville oft begegnet, in ihren Anfängen in München oder, sorry, möglicherweise in Paris oder... Münster?? Ich war auf einem Konzert, das sie, glaube ich, 1981 nach der Release ihres Monsterhits 'Lassie come home' in Kinshasha gaben, in jener legendären Arena, in der Muhammed Ali gegen George Voorman boxte. Ich saß neben Marian, als er 1979 zusammen mit Michael diesen Millionendeal mit MCA unterschrieb und ich war derjenige, der ihn 20 Jahre später aus dem brennenden Autowrack in L.A. zog, kurz bevor er, na ja, das ist eine andere Geschichte... Es gibt so viele Geschichten, von Alphaville, von jedem von euch. Ich bin Reisender. Ich bin Freund, Beobachter, Bote und, wie gesagt, manchmal auch Schutzengel. Es ist die Neugierde, die mich treibt und jene seltsame Fähigkeit, die es mir ermöglicht, Welten zu besuchen, die ihr nur mit Hilfe eurer Träume betreten könnt. Darum beneide ich euch...Träume!! Zwar brauche ich sie nicht, denn schließlich kenne ich fast alle ihre Möglichkeiten, aber es muss ein tolles Spiel sein. Auf meinen langen Reisen war Alphavilles Musik immer ein wichtiger Begleiter. -
Language Teaching in a Global Age? November 17 – 20, 2017 Tsukuba International Congress Center (Epochal Tsukuba), Tsukuba, Ibaraki, JAPAN
The Language Teacher http://jalt-publications.org/tlt Feature Articles TLT Interviews Facebook vs. Paper-and-Pencil Writing: An Interview with Dr. Jennifer Sclafani 3 19 Comparing Japanese EFL Students’ Daniel Dunkley Opinions of the Writing Mediums Gilbert Dizon My Share The Learning of Congruent and 9 Incongruent Collocations Utilizing Classroom ideas from Steve Hampshire, 24 Dynamic Assessment Eric Hirata, and James Bury Mohammad R. Hashemi & Raziye Eskandari JALT Praxis TLT Wired Readers’ Forum 27 Young Learners Teaching English Through English: An 30 15 Book Reviews Analysis of a Sample of Japanese and 33 Recently Received South Korean Textbooks 35 Diane Johnson, Keiko Umeda, Teaching Assistance 36 & Kyoungja Oh The Writers’ Workshop 38 SIG Focus 41 Old Grammarians 45 The Japan Association for Language Teaching Volume 41, Number 6 • November / December 2017 ISSN 0289-7938 • ¥1,900 • TLT uses recycled paper JALT Publications JALT Publications Board Chair } OLD GRAMMARIANS Deryn Verity – Penn State University Scott Gardner York Weatherford – Kyoto Notre Dame Jerry Talandis Jr. [email protected] University [email protected] Asako Yoshitomi – Tokyo University of JALT Focus Editors Foreign Studies } SIG FOCUS TLT Editorial Staff } ADDITIONAL READERS Joël Laurier & Robert Morel Dale Brown, John Eidswick, Frank Daulton, } TLT EDITORS [email protected] Danielle Fischer, Patrick Foss, Naomi Fujishima, Philip Head } JALT NOTICES EDITOR Austin Gardner, James Hobbs, Brandon Kramer, Gerry McLellan -
2013Specmarket.Pdf
*Hold up! Did you notice some of those dates on the cover were in black? As with all of our book and list covers, we strive to make them both fun and informative. If you take a closer look you will see that all of those dates in black are actually the dates specs were set up (or reported as such) during our 2013 spec tracking. Follow us on CONTACT @mytrackingboard TheTrackingBoard For advertising, contact | [email protected] For editorial, contact | [email protected] www.tracking-board.com General Inquiries | [email protected] Copyright 2014 The Tracking Board. No part of this publication (digital or hard copy) may be reproduced or transmitted in any form or by any means (electronic or mechanical) without the written permission of The Tracking Board or its representatives. If you would like to use any portion of this (digital or hard copy) for editorial purposes, please credit The Tracking Board properly with : Source: The Tracking Board. This publication may not be resold or redistributed elsewhere. If you would like to distribute this publication, please contact The Tracking Board. 3 INTRODUCTION AN INTRODUCTION TO THE SPEC SCRIPT & THE SPEC MARKET What is a spec? If you’ve ever perused the pages of our annual best specs of the year list – The Hit List, you’ve seen the definition we continually associate with the term “spec”… “On spec, made, built, or done with hopes of, but no assurance of payment of sale.” This term is one that defines not only what the spec script is, but also the passion, drive and perseverance a writer must command to set out and tell their story. -
College Voice Vol. 13 No. 7
Connecticut College Digital Commons @ Connecticut College 1989-1990 Student Newspapers 10-17-1989 College Voice Vol. 13 No. 7 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/ccnews_1989_1990 Recommended Citation Connecticut College, "College Voice Vol. 13 No. 7" (1989). 1989-1990. 7. https://digitalcommons.conncoll.edu/ccnews_1989_1990/7 This Newspaper is brought to you for free and open access by the Student Newspapers at Digital Commons @ Connecticut College. It has been accepted for inclusion in 1989-1990 by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. THE CO GE VOICE Volume XIII, Number 7 Ad Fontes October 17, 1989 Technicality May Give RTC House Governor Students Assembly Vote Impeached by SGA in "No one has expressed by Jacqueline Soteropoulos interest in the off-campus seat Associate News Editor anyway," she said. Unprecedented Move Fisfis justified the move by After extended debate on the referring to the Assembly's president of SGA, said the leader motion presented by Jamie Fisfis, decision to send a letter on the by Jac:quelJneSoteropoulos '91, house senator of Lambdin, the abortion rights result, although that Assoclilk News Editor "committed such a serious offense Student Government Assembly issue also failed to reach quorum. of the honor code" as to require granted Return To College students "I felt that if we acted regard- After closing doors to press impeachment, she said that the temporary representation on the less of quorum on one issue, we and students at large, the Student student's actions, in her opinion, did not harm the dorm's constitu- Assembly. -
Language Teacher
The Language Teacher <jalt-publications.org/tlt> Feature Article My Share EAP as a Bridge to EMI: Learning from Classroom ideas from Mike de Jong, 3 12 the UK Luke Houghton, Jamie Reay, and Susan Gregory Strong Brennan TLT Interviews JALT Praxis An Interview with Henry Widdowson 9 TLT Wired Chantal Hemmi, Graham Mackenzie, & 16 Younger Learners Katsuya Yokomoto 19 Book Reviews 22 Teaching Assistance 24 The Writers’ Workshop 27 Old Grammarians 31 The Japan Association for Language Teaching Volume 43, Number 6 • November / December 2019 ISSN 0289-7938 • ¥1,900 • TLT uses recycled paper JALT Publications JALT Publications Board Chair JALT Focus Editors JALT Journal Caroline Handley } SIG FOCUS } JALT JOURNAL EDITOR [email protected] Joël Laurier & Robert Morel Eric Hauser [email protected] [email protected] TLT Editorial Staff } JALT NOTICES EDITOR } JALT JOURNAL ASSOCIATE EDITOR Malcolm Swanson Gregory Glasgow } TLT EDITORS [email protected] [email protected] Theron Muller } JALT JOURNAL JAPANESE EDITOR Nicole Gallagher Production Yo In’nami [email protected] [email protected] } } TLT ADVISOR COPYEDITORS & PROOFREADERS } JALT JOURNAL JAPANESE ASSOCIATE Gerry McLellan Casey Bean, Brian Birdsell, Chris EDITOR Edelman, Decha Hongthong, Zoe } TLT ASSISTANT EDITOR Natsuko Shintani Kenny, Robert Kerrigan, Andrew Peter Ferguson } JALT JOURNAL REVIEWS EDITOR Leichsenring, Simon Park, Nick } TLT JAPANESE LANGUAGE EDITOR Greg Rouault Roma, Kevin Thomas, -
Alphaville – a Vörös Lapok (1994)
ALPHAVILLE – A VÖRÖS LAPOK (1994) A Prostitute megjelenése óta a Moonoffice új ismertetőt küld az együttes iránt érdeklődőknek. Az alábbiakban ezeknek a „vörös lapoknak” a szövegét olvashatjátok. 1. Az ellazult befogadás Új album az Alphaville-től? Ez váratlan eseménynek tűnhet, hiszen a trió a „The Breathtaking Blue” 1989-es megjelenése óta gyakorlatilag eltűnt. De legalább jól használták ki ezt az időszakot. Az Alphaville tagjai kiválasztották magukat – úgy zenészekként, mint emberekként. Bernhard Lloyd így összegzi ezt: „Sokkal nyugodtabb hangulatban készítettük ezt a lemezt, mint a legutóbbit.” Marian Gold úgy tekint a múltra, hogy a The Breathtaking Blue készítése során a túlzó gyűlölet jegyében dolgoztak, és ez sok döntésükre kihatott. A So Long Celeste címü szólólemezének megjelenése döntő befolyással volt rá, mint alkotóra. Ezért az új album felvételekor egyfajta türelmes légkör uralkodott a stúdióban. Csupán egy kérdés maradt: a mai techno-mánia, a rövid életű dance-floor irányzatok és a hetvenes évek rock klasszikusainak visszatérése mellett van-e az Alphaville-nek létjogosultsága és mit kell közvetíteniük? 2. A szöveg ereje Az Alphaville mindig is őszinte volt a szerzeményei stílusát tekintve. A Prostitute során kifejlesztettek egy új stúdiótechnológiát, de a cél persze a zene és a szöveg meggyőző erejének egyesítése maradt. De egy popzenekar, mint az Alphaville nem szolgálhat válasszal napjaink sürgető politikai és társadalmi problémáira. Ők ezért csak az üzenet elemzését nyújthatják, amit egy popegyüttes még megtehet: „Saját élményeinken keresztül fejezhettük csak ki magunkat, nem globális szinten. Nem lehetünk egy, az egész világon elterjedt dolog ellen egy globális válasszal.” Az Alphaville ezért a szövegek szintjén mozog, megadva ezzel az egyéni értelmezés lehetőségét.