Das Grosse HOCHSCHUL-SPECIAL
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166-90-06 Tel: +38(063)804-46-48 E-Mail: [email protected] Icq: 550-846-545 Skype: Doowopteenagedreams Viber: +38(063)804-46-48 Web
tel: +38(097)725-56-34 tel: +38(099)166-90-06 tel: +38(063)804-46-48 e-mail: [email protected] icq: 550-846-545 skype: doowopteenagedreams viber: +38(063)804-46-48 web: http://jdream.dp.ua CAT ORDER PRICE ITEM CNF ARTIST ALBUM LABEL REL G-055 $15,84 1 CD 883 Uno In Piu CD - Cgd 10/15/2001 G-055 $15,14 1 CD 1910 Fruitgum Company Best Of The 1910 Fruitgum Co CD - 03/01/2008 G-055 $38,41 1 CD 4 Knights Jivin' & Smoothin' CD - Despo Cd 03/15/1998 G-055 $34,75 1 CD 5th Dimension Up Up & Away / Magic Garden / Stoned Soul Picnic CD - N/A G-055 $15,14 1 CD 99 Posse La Vida Que Vendra CD - Ricordi 05/15/2000 G-055 $14,90 1 CD Aa. Vv. I Grandi Successi Dei Cantautori CD - Imports 05/19/2006 G-055 $19,13 1 CD Aa. Vv. Sanremo Festival CD - Imports 07/15/2016 G-055 $15,25 1 CD A'anseltaler Leb'n Anseltaler Party Expres CD - Marlstone Music 06/02/2011 G-055 $18,19 1 CD Abba 2 For 1: Abba/Arrival CD - Polydor 07/07/2009 G-055 $23,23 1 CD Abba Compilation CD - Capitol (emi Austria) 04/27/2009 G-055 $20,65 1 CD Abraham Mateo Abraham Mateo CD - Dro 09/26/2013 G-055 $20,65 1 CD Accordeon 2006 Disque D''or Vol.2 CD - Wagra N/A G-055 $20,65 1 CD Accordeons De France / Various Accordeons De France / Various CD - 06/15/1999 G-055 $26,82 1 CD Ace Of Base The Golden Ratio CD - We Love Music 09/24/2010 G-055 $21,94 1 CD Ace Of Cups It's For You, But Buy It CD - Ace 01/13/2004 G-055 $22,52 1 CD Achim Schultz Think Big CD - 03/03/2008 G-055 $15,25 1 CD Acker Bilk Bridge Over Troubled Waters CD - Spectrum N/A G-055 $29,70 1 EP Ad Libs 7-you'll Always. -
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020)
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020) Vertrieb Interpret Titel Info Format Inhalt Label Genre Artikelnummer UPC/EAN AT+CH (ja/nein/über wen?) Exclusive Record Store Day version pressed on 7" picture disc! Top song on Billboard's 375Media Ace Of Base The Sign 7" 1 !K7 Pop SI 174427 730003726071 D 1994 Year End Chart. [ENG]Pink heavyweight 180 gram audiophile double vinyl LP. Not previously released on vinyl. 'Nam Myo Ho Ren Ge Kyo' was first released on CD only in 2007 by Ace Fu SPACE AGE 375MEDIA ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO (RSD PINK VINYL) LP 2 PSYDEL 139791 5023693106519 AT: 375 / CH: Irascible Records and now re-mastered by John Rivers at Woodbine Street Studio especially for RECORDINGS vinyl Out of print on vinyl since 1984, FIRST official vinyl reissue since 1984 -Chet Baker (1929 - 1988) was an American jazz trumpeter, actor and vocalist that needs little introduction. This reissue was remastered by Peter Brussee (Herman Brood) and is featuring the original album cover shot by Hans Harzheim (Pharoah Sanders, Coltrane & TIDAL WAVES 375MEDIA BAKER, CHET MR. B LP 1 JAZZ 139267 0752505992549 AT: 375 / CH: Irascible Sun Ra). Also included are the original liner notes from jazz writer Wim Van Eyle and MUSIC two bonus tracks that were not on the original vinyl release. This reissue comes as a deluxe 180g vinyl edition with obi strip_released exclusively for Record Store Day (UK & Europe) 2020. * Record Store Day 2020 Exclusive Release.* Features new artwork* LP pressed on pink vinyl & housed in a gatefold jacket Limited to 500 copies//Last Tango in Paris" is a 1972 film directed by Bernardo Bertolucci, saxplayer Gato Barbieri' did realize the soundtrack. -
Annual Reports of the Selectmen, Overseers of the Poor, Town Clerk
ANNUAL REPORT OF THE ; IM Town Officers OF THE TOWN OF West Bridgewater 19 3 2 ANNUAL REPORT OF THE Town Officers and Committees OF THE TOWN OF WEST BRIDGEWATER FOR THE YEAR 1932 EDWARD H. CROCKER, Town Clerk. Born in Barnstable, Mass,, August 5th, 1864. Died in West Bridgewater, November 12th, 1932. On March 15th, 1909 he was sworn in as Town Clerk, and con- tinued in that capacity for Twenty-three Years. Mourning the loss of his wife who died in 1927, and with continually fail- ing health, he strove on, meeting his misfortunes and valient- ly striving to perform his obligations of Office and his self- imposed duties to the Public, who will long remember him for his many helpful acts, performed without publicity. A Faithful and Competent Official. Town Officers for 1932* MODERATOR Howard B. Wilbur TOWN CLERK Edward H. Crocker TOWN ACCOUNTANT Arthur C. Peckham SELECTMEN AND BOARD OF PUBLIC WELFARE Elected Term Expires James A. Hemenway, 1930 1933 Morton A. Simmons, 1931 1934 Gustaf A. Peterson, 1932 1935 ASSESSORS Elected Term Expires Edwin H. Thayer, 1930 1933 Robert G. Dean, 1931 1934 Albert Manley, 1932 1935 TREASURER AND TAX COLLECTOR Catherine M. Howard 4 TRUSTEES OF PUBLIC LIBRARY Elected Term Expires .Dabll 1V1. oOUie, ±VO\J Ada M. Wood, 1930 1933 Louis P. Hayden, 1931 1934 Martha B. Mason, 1931 1934 Edith F. Howard, 1932 1935 Daniel J. Lothrop, 1932 1935 SCHOOL COMMITTEE Elected Term Expires Frank G. Chadwick, 1930 1933 Edwin H. Thayer, resigned Sept. 12, 1932, 1930 1933 Corelli C. Alger, 1931 1934 Walter C. -
The Lanthorn, 1968-2001 at Scholarworks@GVSU
Grand Valley State University ScholarWorks@GVSU Volume 24 Lanthorn, 1968-2001 11-29-1989 Lanthorn, vol. 24, no. 14, November 29, 1989 Grand Valley State University Follow this and additional works at: http://scholarworks.gvsu.edu/lanthorn_vol24 Part of the Archival Science Commons, Education Commons, and the History Commons Recommended Citation Grand Valley State University, "Lanthorn, vol. 24, no. 14, November 29, 1989" (1989). Volume 24. 14. http://scholarworks.gvsu.edu/lanthorn_vol24/14 This Issue is brought to you for free and open access by the Lanthorn, 1968-2001 at ScholarWorks@GVSU. It has been accepted for inclusion in Volume 24 by an authorized administrator of ScholarWorks@GVSU. For more information, please contact [email protected]. ( Inside: \ d r OlMNION thninmiininiiimituiiiVi Campus Life Sports C amimis I,ini ...... ....... 7 NlATUUII* *............inn.....10 kUtn'n ami Women'* nwim lenoy* were Sl'OK IN .................. I', I I /it hlo't'iiii w ill lot i in 11 (tludonl mllnr l i/n Inrili fit lor hum hi meet nn»hvi Ahim, Heep.H Cl ASSINKI) Aim 1,1 Mini: v/1 *> 11 f» lo /im la tlrw n 'w o p|< A* “I J The Lanthorn WHDNKNDAY, NOVHMIMH W, IM OMANI) VAUMY H'I'ATH IINIVI'PHI IY YOU/MU M m ill(14 “1 feel It’s somvthlnft that in (a renin a lot of people" t H i r t m t ( HHifhtli(iui A nthropology C lub H olds Lab- A ( (Iru n d v i s \ * y O pen H ouse, Show s O ff “Sm ltty” Hf Mike I Hfti Tim Dosvkrr demonslruiion of Hut undiiionid ( hum w m # HuffWrlwr ledmb|ue of lAshiofilng slone,(t im Mond*/ Hoh II, < htik projeefile isiinis, IfHomi, s ¥*\AdAwm i MitluU* 'llic On»Ml Valley Sum* l Inivcr W,f>, Prunkforter ihowrd leeh-, ltd f e ll A %eme, *medOomd pity Anlliri»|>oli)jiy Club held u lul* ol(|iifS of |SHU7y mukhiH devil Yfdhy t/rth Im '</ppioimn / ojHMi lit him* on TucNdiiy, Novcm o|iet| by Soudiwesieoi A ndfkm , ' r*i J “ ryi .)/* LUJi.J' MAJJit her 21,ill the A(illiro|Miluyjy l.ttb IruliAM, VmiiUkkt In u (Iwnl j iMfHM't 0 * * 0 0 4 m m * # , a t in I.uke Mielnpn Hull, l< iipnls resident who served ns I lie. -
Dreamscapes - CD1 - Dream Machine Intro 1998 - 4:44
Dreamscapes - CD1 - Dream Machine Intro 1998 - 4:44 I'm your best friend, the dream... I'm your best friend, the dream Without a doubt I'm your best friend, the dream You need a friend, without a doubt I wonder why you came around Are you awake, or do you dream? You're stuck inside a frozen scene I'm your best friend, the dream... Dreamscapes - CD1 - In The Mood - 1983, Demo remix - 5:04 He's in the mood to touch the fire He's in the mood to touch everything you are He's in the mood to touch the fire Touch the fire, touch the fire Jacky's locked in a silent dream He's watching movies on the TV-screen He feels unsteady lights a cigarette He's getting mellow in his cabinet Oh, Jacky, when everything goes wrong Get ready, for you've got to be so strong It's so supersensual, sentimental Dial that cipher in your tears, The number to the golden year You've got to touch the fire Wake up little boy You've got to play with fire Wake up, you've got to... You've got to play with fire Jacky hears it, is it her or not ? His eyes are burning 'cause the brain's too hot He's sitting calmly on a swivel chair There's something coming from the upper stairs Now listen to me Jacky, you were always So lonesome in that quiet lonely house High on the hill Just come... come and meet me You know where and we'll take a nice holiday Back in the old, old days of happiness - Oh, Jacky, when everything goes wrong.. -
Forever Young Alphaville – Forever Young (1984)
Bernhard Lloyd/Marian Gold/Frank Mertens 80's Pop 1984 BPM: 68 Aflyttet af Martin Krøger 2002 Forever Young Alphaville – Forever Young (1984) Intro | C – G | Am – F | | G – Dm | F – Am – G | A1 Let’s dance in style – let’s dance for a while | C – G | Heaven can wait – we’re only watching the sky | Am – F | Hoping for the best but expecting the worst | G – Dm | Are you gonna drop the bomb or not? | F – Am – G | A2 Let us die young or let us live forever | C – G | We don’t have the power but we never say never | Am – F | Sitting in a sandpit – life is a short trip | G – Dm | The music’s for the sad man | F – Am – G | A3 Can you imagine when this race is won | C – G | Turn our golden faces into the sun | Am – F | Praising our leaders – we're getting in tune | G – Dm | The music's played by the – the madman | F – Am – G | B1 Forever young, I want to be forever young | C – G | Am – F | Do you really want to live forever | G – Am | Forever – and ever | F – G | Forever young, I want to be forever young | C – G | Am – F | Do you really want to live forever | G – Am | Forever – forever young | F – Gsus – G | C – G – F – G | A4 Some are like water– some are like the heat | C – G | Some are a melody and some are the beat | Am – F | Sooner or later, they all will be gone | G – Dm | Why don't they stay young? | F – Am – G | A5 It's so hard to get old without a cause | C – G | I don't want to perish like a fading horse | Am – F | Youth's like diamonds in the sun | G – Dm | And diamonds are forever | F – Am – G | A6 So many adventures couldn't happen today | C – G | So many songs we forgot to play | Am – F | So many dreams swinging out of the blue | G – Dm | We'll let them come true – uh uh uh | F – Am – G | B2 Forever young, I want to be forever young | C – G | Am – F | Do you really want to live forever | G – Am | Forever – and ever | F – G | Forever young, I want to be forever young | C – G | Am – F | Do you really want to live forever | G – Am | Forever – and ever | F – Gsus – G | Coda (Solo ad lib) || C – G | Am – F | | G – Dm | F – Am – G || . -
Klaus Schulze
im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 [email protected] KLAUS SCHULZE Klaus Schulze wurde 1947 in Berlin geboren, tauchte während der 1960er-Jahre in die dortige Underground-Szene ein und spielte Bass, Gitarre und Schlagzeug in verschiedenen Bands. 1970 und 1971 veröffentlichte er Alben mit Tangerine Dream und Ash Ra Tempel, stieg bei beiden Gruppen jedoch bald wieder aus. In den folgenden Jahren sollten diese eine neue deutsche Musik definieren, die international als Krautrock oder Kosmische Musik verehrt wurde. Schulze tat dasselbe, auf seine eigene Art – seine musikalische Vision war derart mächtig und ambitioniert, dass er sie nur im Alleingang umsetzen konnte. Inspiriert von Pink Floyd und Richard Wagner formte er fremdartige Sounds zu ausufernden Kunstwerken. Schon bevor er gewöhnliche Synthesizer in seiner Musik einsetzte, entwarf er auf „Irrlicht“ (1972) episch orchestrale Klanglandschaften, die auf seinen vielen weiteren Alben der 1970er-Jahre wie dem Meisterwerk „Timewind“ (1975) immer elektronischer und hypnotischer ausfielen. Diese Alben gelten längst als Meilensteine und machten Schulze zu einem der wichtigsten Vertreter der „Berliner Schule“. Es gibt kaum ein Ambient- oder Electronica-Album der letzten 25 Jahre, auf dem der Einfluss von Klaus Schulze nicht zu hören ist: seine abstrakten Atmosphären, die übernatürlichen Flächen, der mystische Futurismus, den er mit seinem Synthesizer- und Keyboard-Arsenal heraufbeschwor. Damals passte Schulzes Musik perfekt in das goldene Zeitalter der Science Fiction, heute klingt sie schlichtweg nach zeitloser Ewigkeit. Schulze machte Musik, die es so noch nicht gegeben hatte. Manche nannten es Kosmische Musik, andere priesen Schulze als den Wegbereiter von New Age. Irgendwo zwischen Ambient, experimenteller Musik und klassischer Komposition schuf er sphärische Sound-Meditationen, die immer wieder neue, phantastische Welten erkundeten. -
Ambassador Doulat Kuanyshev
December 2015 4-7 Ambassador Doulat Kuanyshev: prospects for cooperation between Kazakhstan and Israel 8-10 President Rivlin receives diplomatic credentials of new ambassadors to Israel 11-18 Be Well in Israel conference 20-27 Israeli healthcare review Dear friends, 2015 was an eventful year, during which We wish you all the joy and happiness all of us fostered hope for peace.We for the next year. We want you to enjoy wish the Middle East a happier 2016, peace and prosperity, and live happily focused on peace and development, where with good health and familial pleasures. hatred dissolves and harmony blooms. No matter what you need, you may come to us for suggestions. Merry Christmas! According to Christian tradition, We also hope that all the political and Bethlehem is the birthplace of Jesus of economic problems will be solved Nazareth and the town is inhabited by as soon as possible. We wish that no one of the oldest Christian communities more bombs would fall in the Middle in the world, though the size of the East and other parts on this planet! We community has shrunk in recent years are sure that some of these wishes are due to emigration. According to Biblical just dreams, but we are also sure that tradition, the city is also believed to be the sometimes dreams can become true. So birthplace of David and the location where don’t stop to believe in it. he was crowned as the king of Israel. Happy New Year! Happy Holidays! New Year is one of the best festivities of Julia Verdel and The Diplomatic Club team the year. -
Leksykon Polskiej I Światowej Muzyki Elektronicznej
Piotr Mulawka Leksykon polskiej i światowej muzyki elektronicznej „Zrealizowano w ramach programu stypendialnego Ministra Kultury i Dziedzictwa Narodowego-Kultura w sieci” Wydawca: Piotr Mulawka [email protected] © 2020 Wszelkie prawa zastrzeżone ISBN 978-83-943331-4-0 2 Przedmowa Muzyka elektroniczna narodziła się w latach 50-tych XX wieku, a do jej powstania przyczyniły się zdobycze techniki z końca XIX wieku m.in. telefon- pierwsze urządzenie służące do przesyłania dźwięków na odległość (Aleksander Graham Bell), fonograf- pierwsze urządzenie zapisujące dźwięk (Thomas Alv Edison 1877), gramofon (Emile Berliner 1887). Jak podają źródła, w 1948 roku francuski badacz, kompozytor, akustyk Pierre Schaeffer (1910-1995) nagrał za pomocą mikrofonu dźwięki naturalne m.in. (śpiew ptaków, hałas uliczny, rozmowy) i próbował je przekształcać. Tak powstała muzyka nazwana konkretną (fr. musigue concrete). W tym samym roku wyemitował w radiu „Koncert szumów”. Jego najważniejszą kompozycją okazał się utwór pt. „Symphonie pour un homme seul” z 1950 roku. W kolejnych latach muzykę konkretną łączono z muzyką tradycyjną. Oto pionierzy tego eksperymentu: John Cage i Yannis Xenakis. Muzyka konkretna pojawiła się w kompozycji Rogera Watersa. Utwór ten trafił na ścieżkę dźwiękową do filmu „The Body” (1970). Grupa Beaver and Krause wprowadziła muzykę konkretną do utworu „Walking Green Algae Blues” z albumu „In A Wild Sanctuary” (1970), a zespół Pink Floyd w „Animals” (1977). Pierwsze próby tworzenia muzyki elektronicznej miały miejsce w Darmstadt (w Niemczech) na Międzynarodowych Kursach Nowej Muzyki w 1950 roku. W 1951 roku powstało pierwsze studio muzyki elektronicznej przy Rozgłośni Radia Zachodnioniemieckiego w Kolonii (NWDR- Nordwestdeutscher Rundfunk). Tu tworzyli: H. Eimert (Glockenspiel 1953), K. Stockhausen (Elektronische Studie I, II-1951-1954), H. -
Kultúrno - Spoloèenský Mesaèník
4/2009 Cena 0,33 P (10 Sk) Roèník XXXIV. kultúrnokultúrno -- spoloèenskýspoloèenský mesaèníkmesaèník www.nitra.sk www.msunitra.sk Nitra na snímkach z minulosti Obdivovatelia zanedbaného draovského kostolíka v roku 1969 netuili, e o 40 rokov bude svetoznámy vïaka novej slovenskej Dobová fotografia spred polstoroèia doka- mene, ocitne sa na 50-korunáèke a v roku zuje, e na nábreí starej Nitry sa pásavali 2009 bude vyobrazený na Teurovej poto- aj kozy z domácností, ijúcich pod hradom. vej známke. Jarný výlet na Zobor v roku 1973 poskytol výletníkom takýto poh¾ad na vtedají lieèebný ústav a jeho okolie. Dnes je pravdae, vetko inak a iné. Foto: Mikulá Gál www.nitra.sk APRÍL 2009 www.msunitra.sk Staré divadlo nesie meno reiséra a riadite¾a Karola Spiáka OBSAH Staré divadlo v Nitre dostalo votom bol pripútaný k Nitre 2 Jarmok sa presunie v piatok 13. marca meno po svo- a k tomuto divadlu. Svojim ume- na Jesenského ulici jom dlhoroènom riadite¾ovi - leckým pôsobením ho nasmero- Karolovi Spiákovi. Rozhodli val k typu rodinného divadla, do 3 Symbolická kytica od o tom poslanci krajského parla- ktorého prichádzajú deti spolu premiéra pre vetky mentu na mimoriadnom zasad- so svojimi rodièmi. Takúto poctu dámy nutí. V tento deò sa zároveò si zaslúil. Zároveò ma premkol 4 Centrálny zápis uskutoènilo aj slávnostné otvore- pocit zodpovednosti, e mám nie zrekontruovaných vstup- éfova divadlu, nesúce jeho u po piaty raz ných priestorov divadla. meno. Uvedomujem si vak, e 5 Z na Draovskej ulici Novinkou je výah, umoòujú- divadlo musíme robi tak, aby si ponesie meno krá¾a ci bezbariérový prístup hendike- jeho meno zaslúilo. -
Those Were the Days - 20 Jahre Alphaville
Those Were The Days - 20 Jahre Alphaville von Alexandra Wesche & Torleif Petzolt Thanks to … Alphaville, dafür, dass sie vor 20 Jahren be- schlossen haben musikalisch einen gemeinsamen Weg zu gehen, insbesondere Bernhard Lloyd, der uns mit seinen Erinnerungen bei der Arbeit an dieser Biographie geholfen hat und last but not least - den unendlichen Weiten des Inter- nets … PROLOG [by Marian Gold] WEN AUCH IMMER ES BETRIFFT Bang Button, 3 September 2054 Ich bin Reisender. Ich bin Freund, Beobachter, Bote, manchmal Schutzengel. Und ich bin ein Fan von Alphaville. Ich bin Alphaville oft begegnet, in ihren Anfängen in München oder, sorry, möglicherweise in Paris oder... Münster?? Ich war auf einem Konzert, das sie, glaube ich, 1981 nach der Release ihres Monsterhits 'Lassie come home' in Kinshasha gaben, in jener legendären Arena, in der Muhammed Ali gegen George Voorman boxte. Ich saß neben Marian, als er 1979 zusammen mit Michael diesen Millionendeal mit MCA unterschrieb und ich war derjenige, der ihn 20 Jahre später aus dem brennenden Autowrack in L.A. zog, kurz bevor er, na ja, das ist eine andere Geschichte... Es gibt so viele Geschichten, von Alphaville, von jedem von euch. Ich bin Reisender. Ich bin Freund, Beobachter, Bote und, wie gesagt, manchmal auch Schutzengel. Es ist die Neugierde, die mich treibt und jene seltsame Fähigkeit, die es mir ermöglicht, Welten zu besuchen, die ihr nur mit Hilfe eurer Träume betreten könnt. Darum beneide ich euch...Träume!! Zwar brauche ich sie nicht, denn schließlich kenne ich fast alle ihre Möglichkeiten, aber es muss ein tolles Spiel sein. Auf meinen langen Reisen war Alphavilles Musik immer ein wichtiger Begleiter. -
2013Specmarket.Pdf
*Hold up! Did you notice some of those dates on the cover were in black? As with all of our book and list covers, we strive to make them both fun and informative. If you take a closer look you will see that all of those dates in black are actually the dates specs were set up (or reported as such) during our 2013 spec tracking. Follow us on CONTACT @mytrackingboard TheTrackingBoard For advertising, contact | [email protected] For editorial, contact | [email protected] www.tracking-board.com General Inquiries | [email protected] Copyright 2014 The Tracking Board. No part of this publication (digital or hard copy) may be reproduced or transmitted in any form or by any means (electronic or mechanical) without the written permission of The Tracking Board or its representatives. If you would like to use any portion of this (digital or hard copy) for editorial purposes, please credit The Tracking Board properly with : Source: The Tracking Board. This publication may not be resold or redistributed elsewhere. If you would like to distribute this publication, please contact The Tracking Board. 3 INTRODUCTION AN INTRODUCTION TO THE SPEC SCRIPT & THE SPEC MARKET What is a spec? If you’ve ever perused the pages of our annual best specs of the year list – The Hit List, you’ve seen the definition we continually associate with the term “spec”… “On spec, made, built, or done with hopes of, but no assurance of payment of sale.” This term is one that defines not only what the spec script is, but also the passion, drive and perseverance a writer must command to set out and tell their story.