The Athenian Agora ® PUBLISHED with the AID of a GRANT from MR

Total Page:16

File Type:pdf, Size:1020Kb

The Athenian Agora ® PUBLISHED with the AID of a GRANT from MR THE ATHENIANAGORA RESULTS OF EXCAVATIONS CONDUCTED BY THE AMERICAN SCHOOL OF CLASSICAL STUDIES AT ATHENS VOLUME XXI Athens GRAFFITI AND DIPINTI at BY Studies CC-BY-NC-ND. MABEL LANG License: Classical of only. use School personal American © For THE AMERICAN SCHOOL OF CLASSICAL STUDIES AT ATHENS PRINCETON, NEW JERSEY 1976 American School of Classical Studies at Athens is collaborating with JSTOR to digitize, preserve, and extend access to The Athenian Agora ® www.jstor.org PUBLISHED WITH THE AID OF A GRANT FROM MR. JOHN D. ROCKEFELLER, JR. Athens at ALL RIGHTS RESERVED Studies CC-BY-NC-ND. License: Classical of only. use School personal in Publication Data American Library of Congress Cataloging Lang, Mabel L 1917- For © Graffiti and dipinti. (The Athenian Agora; v. 21) Bibliography: p. 1. Athens. Agora. 2. Graffiti-Athens. 3. Inscriptions, Greek-Athens. I. Title. II. Series: American School of Classical Studies at Athens. The Athenian Agora; v. 21. DF287.A23A5 vol. 21 938'.5s [938'.5] 75-40229 ISBN 0-87661-221-4 PRINTED IN GERMANY at J.J. AUGUSTIN, GLtCKSTADT PREFACE P erhapseven more than in othervolumes of the AthenianAgora series the materialpresented here has hadthe benefitof muchtime and thought over the years on the partof a goodly numberof excavators, cataloguersand visitorsin the Agora. Everyoneenjoys verbal puzzles that challengeone's powersof reading(ancient) minds, and manyhappy notions about these texts wereevolved around the tea table so Athens that the 'onlie begetter'may have been lost in obscurity. Dating of the materialhas also been a cooperativeeffort, so that the presentauthor is indebtednot at only to excavatorsbut also to the many scholarswhose study of particularkinds of materialfor particularperiods has broughtorder out of complicationand confusion. Basicto this workwas firsta completelisting of all graffitiand dipintifound in the Agora,initiated by Lucy Talcottand effectedby SuzanneYoung and a successionof helpfulvolunteers. Then, the founda- Studies tionsCC-BY-NC-ND. of this study'scategories A throughG werelaid in a preliminaryversion written in the early1950's by George A. Stamiresand EugeneVanderpool. Although far more limited in scope and numberof piecesstudied than this, that workhas on severaloccasions provided not only the best readingbut also the right phrasesin which to presentthe material.In the years following,the presentauthor was for- tunatein beingable to consultwith EugeneVanderpool and benefitfrom his vast experienceof all things GreekLicense: and graphic.His wisdomand temperedjudgment in consequencepervade the whole work; the Classical infelicitiesand what errorsthere may be of commisssionor omissionare all my own. of Illustrationsof the graffitihave beenlimited to drawings.In the case of dipintiphotographs have been preferredonly. for one category,because of the difficultiespresented by a combinationof run-oncursive forms and the fugitivemedium. The drawingswere made by Hero Athanasiadesand Helene Besi who have shownboth skill and firmnessin representingwhat was actuallyvisible rather than being influencedby use School the 'wishfulseeing' of the author. 'It is easy to read if you know what it says.' - EUGENEVANDERPOOL NOVEMBER,1974 MABEL LANG personal American For © TABLE OF CONTENTS PREFACE ........................................................................ V LIST OF PLATES ............................................................ .... viii Athens ABBREVIATIONSAND BIBLIOGRAPHY ...................................................... ix at INTRODUCTION......... ................ ..................................... 1 A. ABECEDARIA ........................... ................. ..... 6 B. MESSAGESAND LISTS ...................................................... 8 C. LOVENAMES AND HATENAMES ........... ................................ 11 Studies CC-BY-NC-ND. D. NAMESON SHERDS................... ........... ................... 16 E. NUMERICALNOTATIONS ON SHERDS .......................... ................... 21 F. OWNERS' MARKS ....................... ............................ 23 F. PRIVATEOWNERSHIP ...................................................... 30 FA. PUBLIC OWNERSHIP: DELTA-EPSILONLIGATURES .................................... 51 License: Classical FB. PUBLICOWNERSHIP: DELTA-ETA LIGATURES ........ ........ ......... 52 of G. DEDICATIONSAND CONVIVIALINSCRIPTIONS .............................. ............ 52 only. H. COMMERCIALNOTATIONS .......................................................... 55 HA. CAPACITY....................... ............... ..................... 55 HB. TARE .6............................................................. 64 use School HC. DATE ................................................................ 69 HD. CONTENTS ....................................................... 72 HE. COMBINATIONS....................................................... 75 I. TAX NOTATIONS ....... ......... ................................... 82 J. CHRISTIANINSCRIPTIONS ............................................ 87 personal 88 American K. MISCELLANEOUSNOTATIONS ......... ................................... L. UNCLASSIFIEDNOTATIONS ................. ............... ................... 90 For © M. PICTURES ............ ..... .......................... .............. 94 DEPOSITS ................................................9...................96 CONCORDANCEOF INVENTORYAND CATALOGUENUMBERS ................................... 101 INDICES............................................ 105 INDEX NOMINUM........... .. ............................. ..... .......105 INDEX VERBORUM ................................................................... 110 INDEX NUMERORUM ................................................................. 115 INDEX SIGILLORUM .................................................................. 116 LIST OF PLATES PLATE 1 Abecedaria (A 1-11) 2-3 Lists and Messages (B 1-21) Athens 4-6 Love Names and Hate Names (C 1-34) 7-9 Names on Sherds (D 1-44) at 10 Numerical Notations on Sherds (E 1-16) 11-28 Owners' Marks (F 1-334) 29 Owners' Marks: De(mosion) Ligatures (Fa 1-26; Fb 1-3) 30-31 Dedications and Convivial Studies Inscriptions (G 1-23) CC-BY-NC-ND. 32-36 Commercial Notations: Capacity (Ha 1-56) 37-38 Commercial Notations: Tare (Hb 1-31) 39-40 Commercial Notations: Date (Hc 1-26) 41-42 Commercial Notations: Contents (Hd 1-23) License: Classical 42-47 Commercial Notations: Combinations (He 1-44) of 48-53 Tax Notations (I 1-45) 53-54 Christian only. Inscriptions (J 1-12) 54-55 Miscellaneous (K 1-19) 56-59 Unclassified (L 1-56) use School 60-61 Pictures (M 1-23) 62 Actual State Plan of the Agora personal American For © ABBREVIATIONS AND BIBLIOGRAPHY Agora TheAthenian Agora, Results of Excavationsconducted by the AmericanSchool of ClassicalStudies at Athens III R. E. Wycherley, Literary and Epigraphical Testimonia, Princeton, 1957 (see below, Wycherley) Athens IV R. H. Howland, Greek Lamps and their Survivals,Princeton, 1958 (see at below, Howland) V H. S. Robinson, Pottery of the Roman Period: Chronology,Princeton, 1959(see below, Robinson,Chronology) VI C. Grandjouan, Terracottasof the Roman Period, Princeton, 1961 VII J. Perlzweig, Lamps of the Roman Period, Princeton, 1961 VIII E. T. H. Brann, Late Geometric and Protoattic Pottery, Princeton, 1962 Studies CC-BY-NC-ND. (see below, Brann) X M. Lang and M. Crosby, Weights,Measures and Tokens, Princeton, 1964 XII B. A. Sparkes and L. Talcott, Black and Plain Pottery of the 6th, 5th and 4th CenturiesB. C., Princeton,1970 (see below, Sparkes-Talcott) A. J.A 1. AmericanJournal of Archaeology Annualrio Annuariodella (R.) Scuola archeologicadi Atene License: Classical Beazley, A. B. V. J. D. Beazley, Attic Black-Figure Vase-Painters,Oxford, 1956 of Beazley, A. R. V. J. D. Beazley, Attic Red-Figure Vase-Painters,second edition, Oxford, 1963 Bechtel Fr. Bechtel, Die historischePersonennamen des Griechischen,Halle, 1917 Bickermanonly. E. J. Bickerman, Chronologyof the Ancient World,London, 1968 Brann Late Geometricand Protoattic Pottery. Agora, VIII B. S. A. Annual of the British School at Athens use School B. C.H. Bulletin de correspondancehellenique C. I. L. CorpusInscriptionum Latinarum, Paris, 1862-1963 C.R. Classical Review Edmonds J. M. Edmonds, The Fragmentsof Attic Comedy, Leiden, 1959-61 Howland Greek Lamps and their Survivals.Agora, IV personal I.G. Editio 1924 - American InscriptionesGraecae, minor, Berlin, I. G. A. Imagines InscriptionumGraecarum Antiquissimarum, third edition, H. Roehl, For © Berlin,1907 LG. R.R. InscriptionesGraecae ad Res Romanas Pertinentes,Paris, 1906-2/ Immerwahr H. R. Immerwahr,"Some Inscriptionson Attic Pottery," The James Sprunt Studies in History and Political Science, XLVI, 1964, pp. 16-27 Jeffery, L. S. A. G. Lillian H. Jeffery, The Local Scripts of Archaic Greece, Oxford, 1961 Kretschmer P. Kretschmer,Die griechischen Vaseninschriften,Giitersloh, 1894 Kubitschek W. Kubitschek, GrundriJ3fider antiken Zeitrechnung,Munich, 1928 LSJ H. G. Liddell,R. Scott, H. S. Jones,A Greek-EnglishLexicon, Oxford, 1925- 40 Meisterhans2 K. Meisterhans, Grammatik der attischen Inschriften, second edition, Berlin, 1888 x ABBREVIATIONS AND BIBLIOGRAPHY Metrolog. Script. MetrologicorumScriptorum Reliquiae, Leipzig, 1864-1866 P. Oxy. OxyrhynchusPapyri, B. P. Grenfelland A. S. Hunt, ed., London, 1898- Pape J. E. Pape, Worterbuchder griechischenEigennamen, third edition (G. Benseler), Braunschweig,1884 Prosop. Att. J. E. Kirchner, ProsopographiaAttica, Berlin, 1901-03 Robinson, Chronology Pottery
Recommended publications
  • Baran, Karian Archit
    I Frank Rumscheid (Hrsg.) · Die Karer und die Anderen II III Die Karer und die Anderen Internationales Kolloquium an der Freien Universität Berlin 13. bis 15. Oktober 2005 Herausgegeben von Frank Rumscheid Verlag Dr. Rudolf Habelt GmbH · Bonn 2009 IV Umschlag: Männlicher ‘Sphinx’, Akroterion des Androns B in Labraunda (Entwurf S. Biegert auf Grundlage einer Graphik von F. Rumscheid) Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie. Detailliertere bibliografische Daten sind im Internet über <http://dnb.d-nb.de> abrufbar. © 2009 by Dr. Rudolf Habelt GmbH, Bonn Redaktion: Frank Rumscheid (Kiel) Satz: Susanne Biegert (Bonn) Druck: Druckhaus Thomas Müntzer, 99947 Bad Langensalza ISBN 978-3-7749-3632-4 V Inhaltsverzeichnis Frank Rumscheid Einführung VII Beziehungen zu den Anderen Michael Meier-Brügger Karer und Alt-Anatolier aus sprachwissenschaftlicher Sicht 1 Wolf-Dietrich Niemeier Milet und Karien vom Neolithikum bis zu den ‘Dunklen Jahrhunderten’. Mythos und Archäologie 7 Alexander Herda Karki™a-Karien und die sogenannte Ionische Migration 27 Alain Bresson Karien und die dorische Kolonisation 109 Winfried Held Die Karer und die Rhodische Peraia 121 Christopher Ratté The Carians and the Lydians 135 Hilmar Klinkott Die Karer im Achaimenidenreich 149 Werner Tietz Karer und Lykier: Politische und kulturelle Beziehungen im 5./4. Jh. v. Chr. 163 Frank Rumscheid Die Leleger: Karer oder Andere? 173 Bernhard Schmaltz Klassische Leitkultur und karische Provinz? Archäologische Zeugnisse im südlichen
    [Show full text]
  • Chapter 4, Section 1
    Hellenistic Civilization 324 - 100 BC Philip II of Macedonia . The Macedonians were viewed as barbarians. By the 5th century BC, the Macedonians had emerged as a powerful kingdom in the north. In 359 BC, Philip II became king, and he turned Macedonia into the chief power in the Greek world. Philip II Philip II of Macedonia . The Macedonians were viewed as barbarians. By the 5th century BC, the Macedonians had emerged as a powerful kingdom in the north. In 359 BC, Philip II became king, and he turned Macedonia into the chief power in the Greek world. Philip was a great admirer of Greek culture, and he wanted to unite all of Greece under Macedonian rule. Fearing Philip, Athens allied with a number of other Greek city-states to fight the Macedonians. In 338, the Macedonians crushed the Greeks. After quickly gaining control over most of the Greek city-states, Philip turned to Sparta. He sent them a message, "You are advised to submit without further delay, for if I bring my army into your land, I will destroy your farms, slay your people, and raze your city." . Their reply was “if", both Philip and his son, Alexander, would leave the Spartans alone. By 336 BC, Philip was preparing to invade the Persian Empire when he was assassinated. The murder occurred during the celebration of his daughter’s marriage, while the king was entering the theater, he was killed by the captain his bodyguards. Alexander the Great . Alexander III was born in 356 BC. When Alexander was 13, his father Philip chose Aristotle as his tutor, and in return for teaching Alexander, Philip agreed to rebuild Aristotle's hometown which Philip had razed.
    [Show full text]
  • 2014 Maayandonors.Pdf
    The Charles E. Smith Jewish Day School Annual Fundraising Campaign, Ma’ayan, CESJDS is deeply appreciative of the very ensures that CESJDS can provide more than a basic education. It ensures that our generous annual subsidy that we receive for Timeless lessons. each student from the Jewish Federation of children and families have the benefi t of enhancements in every area of our School. Greater Washington. Enduring values. Thank you for supporting CESJDS through Ma’ayan so that we can strengthen our Brilliant futures. School, allow others to a ord this experience, create new Jewish leaders, and ensure the best programs and teachers that our children deserve. CESJDS’s success in our extended community is due, in no small measure, to your support of our School. WWW.CESJDS.ORG THANK YOU TO THE FOLLOWING DONORS: MITZVAH SOCIETY ($25,000+) Jessica & Michael Isen Jennifer & Michael Reichbach Joan & Abe Brauner & Rabbi Jacob Blumenthal Linda & Neil Kirschner Rebecca & Steven Weisman Stephanie Cantor ’08 Marsha & Marvin Fish Catherine & Christopher Hendrix Drs. Judith & Jonathan Levin Cathy & Samuel Pearlman Robert Sniffen Marsha & Sidney Tishler Monica & Gavin Abrams Kimberly & Abraham Kader Sara Cohen Rich ’87 & Norm Rich Lisa & Jonathan Charnoff Susan & Harvey Blumenthal Rhonda Kleiner Devra ’89 & Avi Weiss Revital & Nir Carmel Rosalyn & Monroe Fisher Jordan Herling Susan Wachtel & Richard Levine Jillian Pedone Rachel Sniffen ’14 Stacy Weiner & Yoel Tobin The Bender Foundation, Inc. Lauren Kogod & David Smiley Meryl ’75 & Samuel ’75 Rosenberg Corey Cines ’07 Debra Vodenos & Samuel Boxerman Ellen & Barry Koitz Edith & Charles Weller Leah F. Chanin Miriam Fishkin Galit & Tal Hermoni Ilana Levine ’00 Kathryn & Rick Penn Tamara & Ivan Snyder Miriam & Sheldon Tommer Diane & Norman Bernstein Leslie S.
    [Show full text]
  • The Athenian Agora
    Excavations of the Athenian Agora Picture Book No. 12 Prepared by Dorothy Burr Thompson Produced by The Stinehour Press, Lunenburg, Vermont American School of Classical Studies at Athens, 1993 ISBN 87661-635-x EXCAVATIONS OF THE ATHENIAN AGORA PICTURE BOOKS I. Pots and Pans of Classical Athens (1959) 2. The Stoa ofAttalos II in Athens (revised 1992) 3. Miniature Sculpturefrom the Athenian Agora (1959) 4. The Athenian Citizen (revised 1987) 5. Ancient Portraitsfrom the Athenian Agora (1963) 6. Amphoras and the Ancient Wine Trade (revised 1979) 7. The Middle Ages in the Athenian Agora (1961) 8. Garden Lore of Ancient Athens (1963) 9. Lampsfrom the Athenian Agora (1964) 10. Inscriptionsfrom the Athenian Agora (1966) I I. Waterworks in the Athenian Agora (1968) 12. An Ancient Shopping Center: The Athenian Agora (revised 1993) I 3. Early Burialsfrom the Agora Cemeteries (I 973) 14. Graffiti in the Athenian Agora (revised 1988) I 5. Greek and Roman Coins in the Athenian Agora (1975) 16. The Athenian Agora: A Short Guide (revised 1986) French, German, and Greek editions 17. Socrates in the Agora (1978) 18. Mediaeval and Modern Coins in the Athenian Agora (1978) 19. Gods and Heroes in the Athenian Agora (1980) 20. Bronzeworkers in the Athenian Agora (1982) 21. Ancient Athenian Building Methods (1984) 22. Birds ofthe Athenian Agora (1985) These booklets are obtainable from the American School of Classical Studies at Athens c/o Institute for Advanced Study, Princeton, N.J. 08540, U.S.A They are also available in the Agora Museum, Stoa of Attalos, Athens Cover: Slaves carrying a Spitted Cake from Market.
    [Show full text]
  • Ancient Greek Coins
    Ancient Greek Coins Notes for teachers • Dolphin shaped coins. Late 6th to 5th century BC. These coins were minted in Olbia on the Black Sea coast of Ukraine. From the 8th century BC Greek cities began establishing colonies around the coast of the Black Sea. The mixture of Greek and native currencies resulted in a curious variety of monetary forms including these bronze dolphin shaped items of currency. • Silver stater. Aegina c 485 – 480 BC This coin shows a turtle symbolising the naval strength of Aegina and a punch mark In Athens a stater was valued at a tetradrachm (4 drachms) • Silver staterAspendus c 380 BC This shows wrestlers on one side and part of a horse and star on the other. The inscription gives the name of a city in Pamphylian. • Small silver half drachm. Heracles wearing a lionskin is shown on the obverse and Zeus seated, holding eagle and sceptre on the reverse. • Silver tetradrachm. Athens 450 – 400 BC. This coin design was very poular and shows the goddess Athena in a helmet and has her sacred bird the Owl and an olive sprig on the reverse. Coin values The Greeks didn’t write a value on their coins. Value was determined by the material the coins were made of and by weight. A gold coin was worth more than a silver coin which was worth more than a bronze one. A heavy coin would buy more than a light one. 12 chalkoi = 1 Obol 6 obols = 1 drachm 100 drachma = 1 mina 60 minas = 1 talent An unskilled worker, like someone who unloaded boats or dug ditches in Athens, would be paid about two obols a day.
    [Show full text]
  • Agorapicbk-17.Pdf
    Excavations of the Athenian Agora Picture Book No. 17 Prepared by Mabel L. Lang Dedicated to Eugene Vanderpool o American School of Classical Studies at Athens ISBN 87661-617-1 Produced by the Meriden Gravure Company Meriden, Connecticut COVER: Bone figure of Socrates TITLE PAGE: Hemlock SOCRATES IN THE AGORA AMERICAN SCHOOL OF CLASSICAL STUDIES AT ATHENS PRINCETON, NEW JERSEY 1978 ‘Everything combines to make our knowledge of Socrates himself a subject of Socratic irony. The only thing we know definitely about him is that we know nothing.’ -L. Brunschvicg As FAR AS we know Socrates himselfwrote nothing, yet not only were his life and words given dramatic attention in his own time in the Clouds of Ar- istophanes, but they have also become the subject of many others’ writing in the centuries since his death. Fourth-century B.C. writers who had first-hand knowledge of him composed either dialogues in which he was the dominant figure (Plato and Aeschines) or memories of his teaching and activities (Xe- nophon). Later authors down even to the present day have written numerous biographies based on these early sources and considering this most protean of philosophers from every possible point of view except perhaps the topograph- ical one which is attempted here. Instead of putting Socrates in the context of 5th-century B.C. philosophy, politics, ethics or rhetoric, we shall look to find him in the material world and physical surroundings of his favorite stamping- grounds, the Athenian Agora. Just as ‘agora’ in its original sense meant ‘gathering place’ but came in time to mean ‘market place’, so the agora itself was originally a gathering place I.
    [Show full text]
  • Separating Fact from Fiction in the Aiolian Migration
    hesperia yy (2008) SEPARATING FACT Pages399-430 FROM FICTION IN THE AIOLIAN MIGRATION ABSTRACT Iron Age settlementsin the northeastAegean are usuallyattributed to Aioliancolonists who journeyed across the Aegean from mainland Greece. This articlereviews the literary accounts of the migration and presentsthe relevantarchaeological evidence, with a focuson newmaterial from Troy. No onearea played a dominantrole in colonizing Aiolis, nor is sucha widespread colonizationsupported by the archaeologicalrecord. But the aggressive promotionof migrationaccounts after the PersianWars provedmutually beneficialto bothsides of theAegean and justified the composition of the Delian League. Scholarlyassessments of habitation in thenortheast Aegean during the EarlyIron Age are remarkably consistent: most settlements are attributed toAiolian colonists who had journeyed across the Aegean from Thessaly, Boiotia,Akhaia, or a combinationof all three.1There is no uniformityin theancient sources that deal with the migration, although Orestes and his descendantsare named as theleaders in mostaccounts, and are credited withfounding colonies over a broadgeographic area, including Lesbos, Tenedos,the western and southerncoasts of theTroad, and theregion betweenthe bays of Adramyttion and Smyrna(Fig. 1). In otherwords, mainlandGreece has repeatedly been viewed as theagent responsible for 1. TroyIV, pp. 147-148,248-249; appendixgradually developed into a Mountjoy,Holt Parker,Gabe Pizzorno, Berard1959; Cook 1962,pp. 25-29; magisterialstudy that is includedhere Allison Sterrett,John Wallrodt, Mal- 1973,pp. 360-363;Vanschoonwinkel as a companionarticle (Parker 2008). colm Wiener, and the anonymous 1991,pp. 405-421; Tenger 1999, It is our hope that readersinterested in reviewersfor Hesperia. Most of trie pp. 121-126;Boardman 1999, pp. 23- the Aiolian migrationwill read both articlewas writtenin the Burnham 33; Fisher2000, pp.
    [Show full text]
  • Chapter One Pottery Other Than Transport Amphorae Philip M. Kenrick
    . chapter one . Pottery Other Than Transport Amphorae Philip M. Kenrick INTRODUCTION THE potterY fabrics The rescue excavations of 2000 took place alongside par- The pottery is arranged primarily by fabric, in order to dis- allel investigations at Zeugma by French and Turkish tinguish where possible the various sources from which teams. When I was first invited to participate there was Zeugma was supplied. Since there is also a high degree of also understood to be a possibility of a further long-term correlation between fabrics and the functions for which the research excavation on the site to study the pottery.1 At the vessels were intended, the following conceptual structure time, it seemed premature to embark upon a compre­­hen- was found useful. sive description of the pottery of Zeugma: It was there fore . Table wares. Vessels for serving and consuming food: agreed that I should concentrate on a few contexts that plates, dishes, small bowls, drinking cups, together with could be reasonably well dated and that might be used to lids intended for use with such forms; also some small characterize the major chronological phases identified in flagons and jugs intended for use at the table. These are the trenches for which Oxford Archaeology was respon- generally made in fine fabrics with smooth surfaces, sible: these were Trenches 1, 2, 4, 5, 7, 9, 10, 11, 12, 13, 15, 18, mostly with a distinctive surface finish such as a slip or and 19. glaze. The briefest of notes were made upon the entire pottery collection, and these were then used in conjunction with .
    [Show full text]
  • Greece • Crete • Turkey May 28 - June 22, 2021
    GREECE • CRETE • TURKEY MAY 28 - JUNE 22, 2021 Tour Hosts: Dr. Scott Moore Dr. Jason Whitlark organized by GREECE - CRETE - TURKEY / May 28 - June 22, 2021 May 31 Mon ATHENS - CORINTH CANAL - CORINTH – ACROCORINTH - NAFPLION At 8:30a.m. depart from Athens and drive along the coastal highway of Saronic Gulf. Arrive at the Corinth Canal for a brief stop and then continue on to the Acropolis of Corinth. Acro-corinth is the citadel of Corinth. It is situated to the southwest of the ancient city and rises to an elevation of 1883 ft. [574 m.]. Today it is surrounded by walls that are about 1.85 mi. [3 km.] long. The foundations of the fortifications are ancient—going back to the Hellenistic Period. The current walls were built and rebuilt by the Byzantines, Franks, Venetians, and Ottoman Turks. Climb up and visit the fortress. Then proceed to the Ancient city of Corinth. It was to this megalopolis where the apostle Paul came and worked, established a thriving church, subsequently sending two of his epistles now part of the New Testament. Here, we see all of the sites associated with his ministry: the Agora, the Temple of Apollo, the Roman Odeon, the Bema and Gallio’s Seat. The small local archaeological museum here is an absolute must! In Romans 16:23 Paul mentions his friend Erastus and • • we will see an inscription to him at the site. In the afternoon we will drive to GREECE CRETE TURKEY Nafplion for check-in at hotel followed by dinner and overnight. (B,D) MAY 28 - JUNE 22, 2021 June 1 Tue EPIDAURAUS - MYCENAE - NAFPLION Morning visit to Mycenae where we see the remains of the prehistoric citadel Parthenon, fortified with the Cyclopean Walls, the Lionesses’ Gate, the remains of the Athens Mycenaean Palace and the Tomb of King Agamemnon in which we will actually enter.
    [Show full text]
  • The Parthenon Frieze: Viewed As the Panathenaic Festival Preceding the Battle of Marathon
    The Parthenon Frieze: Viewed as the Panathenaic Festival Preceding the Battle of Marathon By Brian A. Sprague Senior Seminar: HST 499 Professor Bau-Hwa Hsieh Western Oregon University Thursday, June 07, 2007 Readers Professor Benedict Lowe Professor Narasingha Sil Copyright © Brian A. Sprague 2007 The Parthenon frieze has been the subject of many debates and the interpretation of it leads to a number of problems: what was the subject of the frieze? What would the frieze have meant to the Athenian audience? The Parthenon scenes have been identified in many different ways: a representation of the Panathenaic festival, a mythical or historical event, or an assertion of Athenian ideology. This paper will examine the Parthenon Frieze in relation to the metopes, pediments, and statues in order to prove the validity of the suggestion that it depicts the Panathenaic festival just preceding the battle of Marathon in 490 BC. The main problems with this topic are that there are no primary sources that document what the Frieze was supposed to mean. The scenes are not specific to any one type of procession. The argument against a Panathenaic festival is that there are soldiers and chariots represented. Possibly that biggest problem with interpreting the Frieze is that part of it is missing and it could be that the piece that is missing ties everything together. The Parthenon may have been the only ancient Greek temple with an exterior sculpture that depicts any kind of religious ritual or service. Because the theme of the frieze is unique we can not turn towards other relief sculpture to help us understand it.
    [Show full text]
  • Parthenon 1 Parthenon
    Parthenon 1 Parthenon Parthenon Παρθενών (Greek) The Parthenon Location within Greece Athens central General information Type Greek Temple Architectural style Classical Location Athens, Greece Coordinates 37°58′12.9″N 23°43′20.89″E Current tenants Museum [1] [2] Construction started 447 BC [1] [2] Completed 432 BC Height 13.72 m (45.0 ft) Technical details Size 69.5 by 30.9 m (228 by 101 ft) Other dimensions Cella: 29.8 by 19.2 m (98 by 63 ft) Design and construction Owner Greek government Architect Iktinos, Kallikrates Other designers Phidias (sculptor) The Parthenon (Ancient Greek: Παρθενών) is a temple on the Athenian Acropolis, Greece, dedicated to the Greek goddess Athena, whom the people of Athens considered their patron. Its construction began in 447 BC and was completed in 438 BC, although decorations of the Parthenon continued until 432 BC. It is the most important surviving building of Classical Greece, generally considered to be the culmination of the development of the Doric order. Its decorative sculptures are considered some of the high points of Greek art. The Parthenon is regarded as an Parthenon 2 enduring symbol of Ancient Greece and of Athenian democracy and one of the world's greatest cultural monuments. The Greek Ministry of Culture is currently carrying out a program of selective restoration and reconstruction to ensure the stability of the partially ruined structure.[3] The Parthenon itself replaced an older temple of Athena, which historians call the Pre-Parthenon or Older Parthenon, that was destroyed in the Persian invasion of 480 BC. Like most Greek temples, the Parthenon was used as a treasury.
    [Show full text]
  • Constructions of Childhood on the Funerary Monuments of Roman Athens Grizelda Mcclelland Washington University in St
    Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) Summer 8-26-2013 Constructions of Childhood on the Funerary Monuments of Roman Athens Grizelda McClelland Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/etd Recommended Citation McClelland, Grizelda, "Constructions of Childhood on the Funerary Monuments of Roman Athens" (2013). All Theses and Dissertations (ETDs). 1150. https://openscholarship.wustl.edu/etd/1150 This Dissertation is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of Classics Department of Art History and Archaeology Dissertation Examination Committee: Susan I. Rotroff, Chair Wendy Love Anderson William Bubelis Robert D. Lamberton George Pepe Sarantis Symeonoglou Constructions of Childhood on the Funerary Monuments of Roman Athens by Grizelda D. McClelland A dissertation presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy August 2013 St. Louis, Missouri © 2013, Grizelda Dunn McClelland Table of Contents Figures ...............................................................................................................................
    [Show full text]