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Duke Ellington Monument Unveiled in Central Park Tatum, Elinor
Document 1 of 1 Duke Ellington monument unveiled in Central Park Tatum, Elinor. New York Amsterdam News [New York, N.Y] 05 July 1997: 14:3. Abstract A monument to jazz legend Duke Ellington was unveiled at Duke Ellington Circle on the northeast corner of Central Park on Jul 1, 1997. The jet black, 25-ft-high memorial was sculpted by Robert Graham and depicts Ellington, standing by his piano. The statue is a gift from the Duke Ellington Memorial Fund, founded by Bobby Short. Full Text Duke Ellington monument unveiled in Central Park The four corners of Central Park are places of honor. On the southwest gateway to the park are monuments and a statue of Christopher Columbus. On the southeast corner is a statue of General William Tecumseh Sherman. Now, on the northeast corner of the park, one of the greatest jazz legends of all time and a Harlem hero, the great Duke Ellington, stands firmly with his piano and his nine muses to guard the entrance to the park and to Harlem from now until eternity. The monument to Duke Ellington was over 18 years in the making, and finally, the dream of Bobby Short, the founder of the Duke Ellington Memorial Fund, came to its fruition with the unveiling ceremony at Duke Ellington Circle on 110th Street and Fifth Avenue on Tuesday. Hundreds of fans, family, friends and dignitaries came out to celebrate the life of Duke Ellington as he took his place of honor at the corner of Central Park. The jet black, 25-foot-high memorial sculpted by Robert Graham stands high in the sky, with Ellington standing by his piano, supported by three pillars of three muses each. -
Cool Trombone Lover
NOVEMBER 2013 - ISSUE 139 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM ROSWELL RUDD COOL TROMBONE LOVER MICHEL • DAVE • GEORGE • RELATIVE • EVENT CAMILO KING FREEMAN PITCH CALENDAR “BEST JAZZ CLUBS OF THE YEAR 2012” SMOKE JAZZ & SUPPER CLUB • HARLEM, NEW YORK CITY FEATURED ARTISTS / 7:00, 9:00 & 10:30pm ONE NIGHT ONLY / 7:00, 9:00 & 10:30pm RESIDENCIES / 7:00, 9:00 & 10:30pm Fri & Sat, Nov 1 & 2 Wed, Nov 6 Sundays, Nov 3 & 17 GARY BARTZ QUARTET PLUS MICHAEL RODRIGUEZ QUINTET Michael Rodriguez (tp) ● Chris Cheek (ts) SaRon Crenshaw Band SPECIAL GUEST VINCENT HERRING Jeb Patton (p) ● Kiyoshi Kitagawa (b) Sundays, Nov 10 & 24 Gary Bartz (as) ● Vincent Herring (as) Obed Calvaire (d) Vivian Sessoms Sullivan Fortner (p) ● James King (b) ● Greg Bandy (d) Wed, Nov 13 Mondays, Nov 4 & 18 Fri & Sat, Nov 8 & 9 JACK WALRATH QUINTET Jason Marshall Big Band BILL STEWART QUARTET Jack Walrath (tp) ● Alex Foster (ts) Mondays, Nov 11 & 25 Chris Cheek (ts) ● Kevin Hays (p) George Burton (p) ● tba (b) ● Donald Edwards (d) Captain Black Big Band Doug Weiss (b) ● Bill Stewart (d) Wed, Nov 20 Tuesdays, Nov 5, 12, 19, & 26 Fri & Sat, Nov 15 & 16 BOB SANDS QUARTET Mike LeDonne’s Groover Quartet “OUT AND ABOUT” CD RELEASE LOUIS HAYES Bob Sands (ts) ● Joel Weiskopf (p) Thursdays, Nov 7, 14, 21 & 28 & THE JAZZ COMMUNICATORS Gregg August (b) ● Donald Edwards (d) Gregory Generet Abraham Burton (ts) ● Steve Nelson (vibes) Kris Bowers (p) ● Dezron Douglas (b) ● Louis Hayes (d) Wed, Nov 27 RAY MARCHICA QUARTET LATE NIGHT RESIDENCIES / 11:30 - Fri & Sat, Nov 22 & 23 FEATURING RODNEY JONES Mon The Smoke Jam Session Chase Baird (ts) ● Rodney Jones (guitar) CYRUS CHESTNUT TRIO Tue Cyrus Chestnut (p) ● Curtis Lundy (b) ● Victor Lewis (d) Mike LeDonne (organ) ● Ray Marchica (d) Milton Suggs Quartet Wed Brianna Thomas Quartet Fri & Sat, Nov 29 & 30 STEVE DAVIS SEXTET JAZZ BRUNCH / 11:30am, 1:00 & 2:30pm Thu Nickel and Dime OPS “THE MUSIC OF J.J. -
Boston Symphony Orchestra Concert Programs, Summer, 1991, Tanglewood
/JQL-EWOOD . , . ., An Enduring Tradition ofExcellence In science as in the lively arts, fine performance is crafted with aptitude attitude and application Qualities that remain timeless . As a worldwide technology leader, GE Plastics remains committed to better the best in engineering polymers silicones, superabrasives and circuit board substrates It's a quality commitment our people share Everyone. Every day. Everywhere, GE Plastics .-: : ;: ; \V:. :\-/V.' .;p:i-f bhubuhh Seiji Ozawa, Music Director Grant Llewellyn and Robert Spano, Assistant Conductors One Hundred and Tenth Season, 1990-91 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman Emeritus J. P. Barger, Chairman George H. Kidder, President T Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, V ice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Avram J. Goldberg Mrs. August R. Meyer Peter A. Brooke Mrs. R. Douglas Hall III Mrs. Robert B. Newman James F. Cleary Francis W. Hatch Peter C. Read John F. Cogan, Jr. Julian T. Houston Richard A. Smith Julian Cohen Mrs. BelaT. Kalman Ray Stata William M. Crozier, Jr. Mrs. George I. Kaplan William F. Thompson Mrs. Michael H. Davis Harvey Chet Krentzman Nicholas T. Zervas Mrs. Eugene B. Doggett R. Willis Leith, Jr. Trustees Emeriti Vernon R. Alden Mrs. Harris Fahnestock Mrs. George R. Rowland Philip K. Allen Mrs. John L. Grandin Mrs. George Lee Sargent Allen G. Barry E. Morton Jennings, Jr. Sidney Stoneman Leo L. Beranek Albert L. Nickerson John Hoyt Stookey Mrs. John M. Bradley Thomas D. Perry, Jr. -
The Recordings
Appendix: The Recordings These are the URLs of the original locations where I found the recordings used in this book. Those without a URL came from a cassette tape, LP or CD in my personal collection, or from now-defunct YouTube or Grooveshark web pages. I had many of the other recordings in my collection already, but searched for online sources to allow the reader to hear what I heard when writing the book. Naturally, these posted “videos” will disappear over time, although most of them then re- appear six months or a year later with a new URL. If you can’t find an alternate location, send me an e-mail and let me know. In the meantime, I have provided low-level mp3 files of the tracks that are not available or that I have modified in pitch or speed in private listening vaults where they can be heard. This way, the entire book can be verified by listening to the same re- cordings and works that I heard. For locations of these private sound vaults, please e-mail me and I will send you the links. They are not to be shared or downloaded, and the selections therein are only identified by their numbers from the complete list given below. Chapter I: 0001. Maple Leaf Rag (Joplin)/Scott Joplin, piano roll (1916) listen at: http://www.youtube.com/watch?v=9E5iehuiYdQ 0002. Charleston Rag (a.k.a. Echoes of Africa)(Blake)/Eubie Blake, piano (1969) listen at: https://www.youtube.com/watch?v=R7oQfRGUOnU 0003. Stars and Stripes Forever (John Philip Sousa, arr. -
The Influence of Louis Armstrong on the Harlem Renaissance 1923-1930
ABSTRACT HUMANITIES DECUIR, MICHAEL B.A. SOUTHERN UNIVERSITY AT NEW ORLEANS, 1987 M.A. THE UNIVERSITY OF CALIFORNIA, BERKELEY, 1989 THE INFLUENCE OF LOUIS ARMSTRONG ON THE HARLEM RENAISSANCE 1923–1930 Committee Chair: Timothy Askew, Ph.D. Dissertation dated August 2018 This research explores Louis Armstrong’s artistic choices and their impact directly and indirectly on the African-American literary, visual and performing arts between 1923 and 1930 during the period known as the Harlem Renaissance. This research uses analyses of musical transcriptions and examples of the period’s literary and visual arts to verify the significance of Armstrong’s influence(s). This research also analyzes the early nineteenth century West-African musical practices evident in Congo Square that were present in the traditional jazz and cultural behaviors that Armstrong heard and experienced growing up in New Orleans. Additionally, through a discourse analysis approach, this research examines the impact of Armstrong’s art on the philosophical debate regarding the purpose of the period’s art. Specifically, W.E.B. Du i Bois’s desire for the period’s art to be used as propaganda and Alain Locke’s admonitions that period African-American artists not produce works with the plight of blacks in America as the sole theme. ii THE INFLUENCE OF LOUIS ARMSTRONG ON THE HARLEM RENAISSANCE 1923–1930 A DISSERTATION SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF ARTS IN HUMANITIES BY MICHAEL DECUIR DEPARTMENT OF HUMANITIES ATLANTA, GEORGIA AUGUST 2018 © 2018 MICHAEL DECUIR All Rights Reserved ACKNOWLEDGEMENTS My greatest debt of gratitude goes to my first music teacher, my mother Laura. -
Frank Driggs Collection of Duke Ellington Photographic Reference Prints [Copy Prints]
Frank Driggs Collection of Duke Ellington Photographic Reference Prints [copy prints] NMAH.AC.0389 NMAH Staff 2018 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Scope and Contents note................................................................................................ 2 Biographical/Historical note.............................................................................................. 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 3 Series 1: Band Members......................................................................................... 3 Series 2: Ellington at Piano...................................................................................... 5 Series 3: Candid Shots............................................................................................ 6 Series : Ellington -
John Clark Brian Charette Finn Von Eyben Gil Evans
NOVEMBER 2016—ISSUE 175 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM JOHN BRIAN FINN GIL CLARK CHARETTE VON EYBEN EVANS Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East NOVEMBER 2016—ISSUE 175 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : John Clark 6 by anders griffen [email protected] Andrey Henkin: [email protected] Artist Feature : Brian Charette 7 by ken dryden General Inquiries: [email protected] On The Cover : Maria Schneider 8 by john pietaro Advertising: [email protected] Encore : Finn Von Eyben by clifford allen Calendar: 10 [email protected] VOXNews: Lest We Forget : Gil Evans 10 by eric wendell [email protected] LAbel Spotlight : Setola di Maiale by ken waxman US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Festival Report Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, CD Reviews Stuart Broomer, Thomas Conrad, 14 Ken Dryden, Donald Elfman, Philip Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, Miscellany 33 Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Event Calendar 34 Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman Contributing Writers Robert Bush, Laurel Gross, George Kanzler, Matthew Kassel, Mark Keresman It is fascinating that two disparate American events both take place in November with Election Contributing Photographers Day and Thanksgiving. -
Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre
Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre Genre Album title Contributor (s) Date Final Box # Item # Additional Notes Original CD Blues (music) James Cotton Living the Blues James Cotton; Larry McCray; John Primer; Johnny B. Gayden; Brian Jones; Dr. John; Lucky Peterson; Joe Louis Walker 1994 1121-105-242 19 Blues (music) Willie Dixon Willie Dixon; Andy McKaie; Don Snowden 1988 1121-105-249 01 Oversized case; 2 CD box set Blues (music) Cincinnati Blues (1928-1936) Bob Coleman's Cincinnati Jug Band and Associates; Walter Coleman; Bob Coleman no date 1121-105-242 17 Found with CD album in Box #10, Item #28; Case was found separately Blues (music) Willie Dixon, The Big Three Trio Willie Dixon; The Big Three Trio 1990 1121-105-242 18 Blues (music) The Best of Muddy Waters Muddy Waters 1987 1121-105-242 08 Blues (music) The Roots of Robert Johnson Robert Johnson 1990 1121-105-242 07 Blues (music) The Best of Mississippi John Hurt Mississippi John Hurt; Bob Scherl 1987 1121-105-242 06 Blues (music) Bud Powell: Blues for Bouffemont Bud Powell; Alan Bates 1989 1121-105-242 36 Friday, May 11, 2018 Page 1 of 89 Genre Album title Contributor (s) Date Final Box # Item # Additional Notes Original CD Blues (music) Big Bill Broonzy Good Time Tonight Big Bill Broonzy 1990 1121-105-242 04 Blues (music) Bessie Smith The Collection Bessie Smith; John Hammond; Frank Walker 1989 1121-105-242 38 Blues (music) Blind Willie Johnson Praise God I'm Satisfied Blind Willie Johnson 1989 1121-105-242 20 Post-it note was found on the back of this CD case, photocopy made and placed in envelope behind CD. -
Otto Hardwick Duke Ellington´S Sweet Alto Saxophonist
BULLETIN NR 1, JANUARI 2017, ÅRGÅNG 25 Otto Hardwick Duke Ellington´s sweet alto saxophonist I detta nummer / In this issue: 2 Ledare m. m. 3 Recensioner 4 Otto Hardwick 9 Willie Cook with Dizzy Gillespie 10 Willie Cook with Billie Holiday 11 Olle Snismark 12 Milt Hinton and Duke Ellington 13 Other Duke´s Places 14 Nya skivor 15 When Jazz Had The Blues 16 A Swedish singer with Duke Ellington 17 Adelaide Hall 18 Duke Ellington in Europe 20 Kallelse 1-2017 Nu tar vi nya tag Alla våra medlemmar önskas en god den 13 februari engagera två erkänt bra av kassan. Jag känner mig övertygad fortsättning på det nya året. Med det musiker med synnerligen gott renommé. om att årsmötet kommer att godkänna önskar jag även en god fortsättning för Det rör sig om teamet Kjell Fernström vår begäran. Alla årsmöteshandlingar vår förening och att vårt medlemsantal och Mårten Lundgren (se kallelse på kommer att fnnas tillgängliga inför skall öka. Den CD som vi skickade ut sid. 20). Detta innebär att kostnaden för mötet. med förra Bulletinen har rönt ett gott evenemanget höjs och vi tvingas därför När jag ändå är inne på ekonomifrågor mottagande och något annat hade jag höja entréavgiften till 200:-, men vi tror så hoppas jag att alla våra medlemmar inte väntat mig. Den speglade ju en och hoppas att våra medlemmar skall få kommer att använda sig av det höjdpunkt i Duke Ellingtons karriär. Vi valuta för sina pengar. inbetalningskort som bifogades förra räknar med att senast under 2018 kunna Det kommande medlemsmötet är Bulletinen. -
Jazzpress 1212
GRUDZIEŃ 2012 Gazeta internetowa poświęcona muzyce improwizowanej 2084-3143 ISSN Cezary Konrad Rozmawiają z nami wieczny poszukiwacz Grzegorz Grzyb doskonałości Zbigniew Krzywański Krystyna Stańko Dorota Miśkiewicz KONKURSY Cezary Konrad fot. Krzysztof Wierzbowski SPIS TREŚCI 3 – Od Redakcji 76 – Publicystyka 76 Głosem muzyka jazzowego 4 – KONKURSY Nie chcę aby penetrowano mój odbyt 5 – Co w RadioJAZZ.FM i mówiono mi, że powinienem być z tego zadowolony 6 – Wydarzenia Trzeci nurt – wczesne próby integracji jazzu 10 – Płyty z europejską muzyką artystyczną (cz.2) 10 RadioJAZZ.FM poleca 80 Lektury (nie tylko jazzowe) jazzowe 12 Nowości płytowe 82 – Wywiady 18 Recenzje 82 Cezary Konrad Source of Life – Metus – wieczny poszukiwacz doskonałości Elektryczna Trylogia: Powrót fusion 86 Grzegorz Grzyb Zawsze interesowały mnie tylko 22 – Przewodnik koncertowy – bębny i kolarstwo 22 RadioJAZZ.FM i JazzPRESS polecają 91 Krystyna Stańko 24 Koncerty w Polsce Dzielę się pięknymi słowami otulonymi muzyką 25 Nasi zagranicą 96 Zbigniew Krzywański 26 Benoit Delbecq & Lutosławski Quartet Grzegorz to był utalentowany facet 28 Tord Gustavsen Quartet 102 Dorota Miśkiewicz 30 Jakob Bro i George Garzon Tworzę pod wpływem impulsu 32 Diana Krall – Glad Rag Doll koncertowo 34 Bill Frissell i Jack DeJohnette na Jazztopadzie 108 – BLUESOWY ZAUŁEK 37 Tommy Emmanuel 108 Ian Siegal & The Mississippi Mudbloods, 39 BMW Jazz Club prezentuje: The Mosaic Project! czyli Warsaw Blues Night po raz 50-ty! 40 Absurdalny koncert Michał Milczarek Trio 111 Blues Toruń Meeting XXIII -
Guide to the Leonard Gaskin Papers
Guide to the Leonard Gaskin Papers NMAH.AC.0900 Vanessa Broussard-Simmons and Dr. Theodore Hudson 2019 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 4 Series 1: Personal Papers, 1937-2006, undated..................................................... 4 Series 2: Diaries and Planners, 1947-2004............................................................. 7 Series 3: Business Records, 1939-2000, undated................................................. 10 Series 4: Photographic Materials, 1956-2003, undated......................................... 12 Series 5: Scrapbooks, 1923-2004, undated.......................................................... -
TV-I Ny Februar 2006X.Indd
NEWS NEW RELEASES MIPTV 2006 Desert Race – the Ultimate Adventure A unique look upon the legendary Dakar Rally The Dakar Rally is the world’s longest and toughest motor race. This is a tale of survival of the fittest, and completing the race is in itself an enormous achievement. It is an event that brings together real men and the toughest tom-boys. The Dakar Rally is a rarity in a man’s world of the purest kind. It is a kind of community that nowadays practically exists only in the armed forces and some biker gangs, where it is often described as violent and callous. But the solidarity is positive and its structure basically masculine and so it comes naturally to men. It is the stories of these people, their dreams and their hopes that the film provides. We live with them in their ups and downs, we share their disappointments and cheer with them in their victories. We follow them day and Arts & Culture night through the sacrifices they make to ensure their chariots the best possible positions. ● Producer: ....................Carsten Holst Ready for screening Director: ......................Wadt Thomsen September 2006 Produced by: ..............Allright Film Duration: .....................58 min. Year of production: ....2006 Email: [email protected] World Celebrity Golf In September world celebrities met up in Beijing, China, to participate in a very special golf tournament: Society & Social World Celebrity Golf. The aim was to collect money for Care For Children and to have fun at the same time. Mainly ● sports and film celebrities participated, but one senior political figure was also there: ex-President Bill Clinton, USA.