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Australian and International Photography
Australian and International Photography Collectors’ List No. 151, 2011 Josef Lebovic Gallery 103a Anzac Parade (cnr Duke Street) Kensington (Sydney) NSW Ph: (02) 9663 4848; Fax: (02) 9663 4447 Email: [email protected] Web: joseflebovicgallery.com JOSEF LEBOVIC GALLERY 19th to Early 20th Century Established 1977 103a Anzac Parade, Kensington (Sydney), NSW Postal: PO Box 93, Kensington NSW 2033, Australia Tel: (02) 9663 4848 • Fax: (02) 9663 4447 • Intl: (+61-2) Email: [email protected] • Web: joseflebovicgallery.com Open: Wed to Fri 1-6pm, Sat 12-5pm, or by appointment • ABN 15 800 737 094 Member of • Association of International Photography Art Dealers Inc. International Fine Print Dealers Assoc. • Australian Art & Antique Dealers Assoc. COLLECTORS’ LIST No. 151, 2011 Australian & International Photography Compiled by Josef & Jeanne Lebovic, Lenka Miklos, Mariela Brozky On exhibition from Wednesday, 29 June to Saturday, 13 August and on our website from 2 July. All items have been illustrated in this catalogue. Prices are in Australian dollars and include GST. Exch. rates as at time of printing: AUD $1.00 = USD $1.05¢; UK £0.65p 1. The 35th Royal Sussex Regiment (Album Compiled by J.J. Twining), c1861-1865. Leather-bound album containing 59 albumen paper photographs and an ink © Licence by VISCOPY AUSTRALIA 2011 LRN 5523 drawing of the Regiment’s coat of arms, most images captioned in ink or pencil on album page, album inscribed and dated in ink on opening pages by owner, J.J. Twining, 7.6 x 7.5cm to 16.7 x 20.7cm (images), 23.5 x 20cm (album). -
The Architectural Practice of Gerard Wight and William Lucas from 1885 to 1894
ABPL90382 Minor Thesis Jennifer Fowler Student ID: 1031421 22 June 2020 Boom Mannerism: The Architectural Practice of Gerard Wight and William Lucas from 1885 to 1894 Submitted in partial fulfilment of the requirements of the degree of Master of Urban and Cultural Heritage, Melbourne School of Design, University of Melbourne Frontispiece: Herbert Percival Bennett Photograph of Collins Street looking east towards Elizabeth Street, c.1894, glass lantern slide, Gosbel Collection, State Library of Victoria. Salway, Wight and Lucas’ Mercantile Bank of 1888 with dome at centre above tram. URL: http://handle.slv.vic.gov.au/10381/54894. Abstract To date there has been no thorough research into the architectural practice of Wight and Lucas with only a few of their buildings referred to with brevity in histories and articles dealing with late nineteenth-century Melbourne architecture. The Boom era firm of Wight and Lucas from 1885 to 1894 will therefore be investigated in order to expand their catalogue of works based upon primary research and field work. Their designs will be analysed in the context of the historiography of the Boom Style outlined in various secondary sources. The practice designed numerous branches for the Melbourne Savings Bank in the metropolitan area and collaborated with other Melbourne architects when designing a couple of large commercial premises in the City of Melbourne. These Mannerist inspired classical buildings fit the general secondary descriptions of what has been termed the Boom Style of the 1880s and early 1890s. However, Wight and Lucas’ commercial work will be assessed in terms of its style, potential overseas influences and be compared to similar contemporary Melbourne architecture to firstly reveal their design methods and secondly, to attempt to give some clarity to the overall definition of Melbourne’s Boom era architecture and the firm’ place within this period. -
The Camera, the Convict and the Criminal Life1
1 ‘Through a Glass, Darkly’: the Camera, the Convict and the Criminal Life1 Julia Christabel Clark B.A. (Hons.) Thomas Fleming Taken at Port Arthur 1873-4 Photographer: probably A.H. Boyd Queen Victoria Museum & Art Gallery Submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy (Ph.D) University of Tasmania November 2015 1 ‘For now we see through a glass, darkly; but then face to face: now I know in part; but then shall I know even as also I am known.’ 1 Corinthians 13:12, King James Bible. 2 This thesis contains no material which has been accepted for a degree or diploma by the University or any other institution, except by way of background information and duly acknowledged in the thesis, and to the best of my knowledge and belief no material previously published or written by another person except where due acknowledgement is made in the text of the thesis, nor does the thesis contain any material that infringes copyright. This thesis may be made available for loan and limited copying in accordance with the Copyright Act 1968. Julia C. Clark, 14 November 2015 3 ABSTRACT A unique series of convict portraits was created at Tasmania’s Port Arthur penal station in 1873 and 1874. While these photographs are often reproduced, their author remained unidentified, their purpose unknown. The lives of their subjects also remained unexamined. This study used government records, contemporary newspaper reportage, convict memoirs, historical research and modern criminological theory to identify the photographer, to discover the purpose and use of his work, and to develop an understanding of the criminal careers of these men. -
Ned Kelly & the Movies 1906-2003
Ned Kelly & the Movies 1906-2003: Representation, Social Banditry & History A thesis submitted in total fulfilment of the requirements for the degree of Doctor of Philosophy Stephen Gaunson Bachelor of Arts (Honours) School of Media and Communication Design and Social Context Portfolio RMIT University April 2010 Declaration I certify that except where due acknowledgement has been made, the work is that of the author alone; the work has not been submitted previously, in whole or in part, to qualify for any other academic award; the content of the thesis is the result of work which has been carried out since the official commencement date of the approved research program; any editorial work, paid or unpaid, carried out by a third party is acknowledged; and, ethics procedures and guidelines have been followed. Stephen Gaunson April 5, 2010 i Acknowledgments This thesis would not have been completed without the support and encouragement from my wife, Lauren-Eve Purdey. Her many cups of tea, patience, positive attitude and osteopathic treatments allowed me to forge ahead when the end was in sight. This thesis is hugely indebted to my supervisors Dr Adrian Danks and Professor Ina Bertrand, who consistently provided encouragement, reliable direction, academic and practical support, access to resources, funding and academic opportunities. I am forever grateful to Ina who taught me the importance of „doing things correctly‟, and welcoming me into her country home. I also am thankful to Adrian for his meticulous concentration to detail and encyclopaedic breadth of cinema knowledge. I finish this study a better writer and researcher because of the care taken by Adrian and Ina. -
The Commonwealth Block, Melbourne Studies in Australasian Historical Archaeology
The Commonwealth Block, Melbourne Studies in Australasian Historical Archaeology Martin Gibbs and Angela Middleton, Series Editors The Studies in Australasian Historical Archaeology series aims to publish excavation reports and regional syntheses that deal with research into the historical archaeology of Australia, New Zealand and the Asia- Pacific region. The series aims to encourage greater public access to the results of major research and consultancy investigations, and it is co-published with the Australasian Society for Historical Archaeology. An Archaeology of Institutional Confinement: The Hyde Park Barracks, 1848–1886 Peter Davies, Penny Crook and Tim Murray Archaeology of the Chinese Fishing Industry in Colonial Victoria Alister M Bowen The Commonwealth Block, Melbourne: A Historical Archaeology Tim Murray, Kristal Buckley, Sarah Hayes, Geoff Hewitt, Justin McCarthy, Richard Mackay, Barbara Minchinton, Charlotte Smith, Jeremy Smith and Bronwyn Woff Flashy, Fun and Functional: How Things Helped to Invent Melbourne’s Gold Rush Mayor Sarah Hayes Good Taste, Fashion, Luxury: A Genteel Melbourne Family and Their Rubbish Sarah Hayes Port Essington: The Historical Archaeology of a North Australian 19th-Century Military Outpost Jim Allen The Shore Whalers of Western Australia: Historical Archaeology of a Maritime Frontier Martin Gibbs The Commonwealth Block, Melbourne A Historical Archaeology Tim Murray, Kristal Buckley, Sarah Hayes, Geoff Hewitt, Justin McCarthy, Richard Mackay, Barbara Minchinton, Charlotte Smith, Jeremy Smith and -
Museums Board of Victoria Annual Report 2003/2004 5
Melbourne Museum Museums Board of Victoria Scienceworks Immigration Museum Annual Report 2003/2004 Royal Exhibition Building Front Cover The Royal Exhibition Building light show for Museum Victoria’s 150th Anniversary Building on 150 years of excellence in collections, research and exhibitions Mother and child examine exhibit at Bugs Alive! Exhibition, Melbourne Museum 4 67 101 Introduction Research and Collections Financial Statements Profile of Museum Victoria Research Introduction President’s Message Australian Society and Technology Financial Statements Message from the CEO Indigenous Cultures Auditors Report A Year of Highlights Sciences Finance Review of Operations Awards Collection Management Disclosure Index The Year in Brief Conservation Fees and Charges Museum Victoria Celebrates 150 Years Production 21 79 118 Strategic Direction Corporate Activities Additional Information Exploring Victoria: Discovering the World Corporate Services Research Grants Performance Overview Marketing, Public Relations Research Supervision Future Priorities and Partnership Development Research Publications Information, Multimedia and Technology Lectures and Presentations Freedom of Information 35 89 Information Privacy Legislative Changes Review of Museum Operations People in Museum Victoria Merit and Equity Melbourne Museum: Exhibitions and Programs Corporate Governance Cultural Diversity Statement Immigration Museum: Exhibitions and Programs Organisational Structure National Competition Policy Scienceworks Museum: Exhibitions and Programs Executive -
Orvieto Embarkation Manifest
Service Marital Number Name Rank Age Trade Status Address (at date of enrolment) 33 Abraham, Reginald Henry Percy Private 25 Farmer Single Mepunga East, via Allansford, Victoria 17 Adams, Alfred Sunderland Private 20 Clerk Single Guinea Street, Albury, New South Wales Care of Huddart Parker, Collins Street, Melbourne, 619 Adams, Athol Gladwyn Colour Sergeant 20 Clerk Single Victoria 216 Adams, Francis Edgar Private 24 Boilermaker Married 14 Anderson Street, Albert Park, Victoria 769 Adams, Frederick Private 23 Labourer Single 39 Dudley Street, West Melbourne, Victoria 382 Adams, Hartley Private 21 Gardener Single 53 Weigall streeet, South Yarra, Victoria 1060 Adams, William Pitt Private 28 Orchardist Single Care of Mr. Medley, Somerville, Victoria 35 Addison, George Sapper 24 Carpenter Married 103 Rosyln Street, Middle-Brighton, Victoria Adelskold, Clues Adolph 615 Melbourne Private 19 Student Single "Northaga", Punt Road, South Yarra, Victoria 145 Adeney, Theodore William Sapper 43 Mechanical Engineer Single 3 Crimera Street, St. Kilda, Victoria 1 Alderson, Bertram Ernest Staff Sergeant 22 Clerk, Defence Department Single Neagle Street, Liverpool, New South Wales 383 Alexander, Herbert Charles Private 29 Biscuit Mixer Single 8 Gertrude Street, Windsor, Victoria 978 Alexander, Herbert James Private 23 Carpenter Single Harrington Street, Elsternwick, Victoria 238 Alford, Thomas William Private 29 Driver Married Care of Athenaeum Club, Melbourne, Victoria 621 Allan, Robert McCoombe Private 21 Bank Clerk Single "Kelvin", 281 Nepean Road, -
Thematic History: a History of the City of Melbourne's Urban Environment
ATTACHMENT 3 AGENDA ITEM 5.1 FUTURE MELBOURNE COMMITTEE 12 June 2012 Final 5 May, 2011 Context Pty Ltd 2011 Project Team: Helen Doyle, Principal historian and author Natica Schmeder & Louise Homan, architectural history Chris Johnston, Project Manager Jenny Walker, Support Report Register This report register documents the development and issue of the report entitled A History of the City of Melbourne’s Urban Environment undertaken by Context Pty Ltd in accordance with our internal quality management system. Project Issue Notes/description Issue Issued to No. No. date 1422 1 Preliminary draft 05/11/10 Robyn Hellman 1422 2 Draft Thematic 14/12/10 Gisele History Masclef 1422 3 Final Draft Thematic 21/12/10 Gisele History Masclef 1422 4 Final City of 5/5/2011 Gisele Melbourne Thematic Masclef Environmental History Context Pty Ltd 22 Merri Street, Brunswick 3056 Phone 03 9380 6933 Facsimile 03 9380 4066 Email [email protected] ii CONTENTS PREFACE V ABBREVIATIONS VIII ACKNOWLEDGEMENTS VIII INTRODUCTION 1 CHAPTER 1: ABORIGINAL COUNTRY 4 CHAPTER 2: PROMOTING SETTLEMENT 5 CHAPTER 3: SHAPING THE URBAN LANDSCAPE 11 CHAPTER 4: GOVERNING, ADMINISTERING AND POLICING THE CITY 26 CHAPTER 5: BUILDING A COMMERCIAL CITY 38 CHAPTER 6: CREATING A FUNCTIONING CITY 47 CHAPTER 7: APPRECIATING AND ADAPTING THE NATURAL ENVIRONMENT 58 CHAPTER 8: LIVING IN THE CITY 63 CHAPTER 9: WORKING IN THE CITY 71 CHAPTER 10: SHAPING CULTURAL LIFE 74 CHAPTER 11: CARING FOR THE SICK AND DESTITUTE 82 CHAPTER 12: EXPRESSING SOCIAL AND POLITICAL OPINION 86 CHAPTER 13: ENJOYING THE CITY 92 CHAPTER 14: ADVANCING SCIENTIFIC KNOWLEDGE 101 CHAPTER 15: PRESERVING AND CELEBRATING THE CITY’S HISTORY 106 CONCLUSION 1 BIBLIOGRAPHY 1 1. -
Footprints JOURNAL of the MELBOURNE DIOCESAN HISTORICAL COMMISSION Volume 34, Number 1 June 2019
footprints JOURNAL OF THE MELBOURNE DIOCESAN HISTORICAL COMMISSION Volume 34, Number 1 June 2019 The Invention of Melbourne A Baroque Archbishop and A Gothic Architect James Goold, first Catholic Bishop of Melbourne. Portrait c1859 from the collection of the Religious Sisters of Mercy Melbourne William Wardell, Jesus in the Temple found by his parents, Architect c1858. by Jacques Stella 1642. Canvas 302 by 219 cm. Photo from the Baptistery of St Patrick’s Cathedral Melbourne MDHC Archive Old Treasury Building Museum 31 July 2019 – March 2020 IN TH I S ISSUE Catalogue for the Exhibition The Invention of Melbourne: A Baroque Archbishop and a Gothic Architect. Old Treasury Building, 31 July 2019–March 2020 With grateful acknowledgment to the Australian Catholic University Melbourne for financing the printing of this catalogue. A special acknowledgment to Paola Colleoni and Rachel Naughton who have compiled the catalogue. * Acknowledgments .......................................................................................... 2 * Editorial ......................................................................................................... 3 * The Invention of Melbourne: A Baroque Archbishop and a Gothic Architect ...................................................................................................... 4 * Room 1: Growing ambitions: Goold, Wardell and St Patrick’s Cathedral ... 4 * Room 2: A Baroque Picture Collection to Excite Devotion ....................... 18 * The Library of Archbishop Goold .............................................................. -
MELBOURNE: SETTLEMENT to GOLD 21,221 Words, 23 May 2012
School of Design (TAFE) MELBOURNE: SETTLEMENT TO GOLD 21,221 words, 23 May 2012 Week 26 Terms Sod, wattle and daub, slab, adobe, cob, Pattern Book. Background Journey to Australia. Trauma of settlement in the wilderness. No building skills. Buildings first influenced by English rural vernacular. Historic development Settlement at Sorrento, 1803. Failed, due to a source of sufficent fresh water. Settlement at Corinella, Western Port Bay, 1826. Only some bricks survive. Melbourne was settled in 1835, illegally, by land-hungry pastoralists from Launceston. The District of Port Phillip, in the Colony of New South Wales was imposed on the settlers. Although not generally acknowledged as such, it was the only settlement in Australia unsanctioned by any government. Gold was discovered in 1851, at Warrandyte and Clunes: instant wealth. Gold towns Clunes. Building types: cottages, post office, banks, rail link (in 1862 to Ballarat and 1864 to Castlemaine), hotels, store, town hall, and schools particularly following the Education Act, 1873. Primitive buildings: material types Thatch, eg: haystacks and barns using reeds, near Hopetoun. 1 School of Design (TAFE) Sod, eg: at Parwan. This was the main material for early Melbourne, particularly for labourers houses. The was turf selected, mown, ploughed, and cut with a hatchet. Walls were 1,300 mm thick. Bark, eg: at the Seven Creeks Station, near Longford. Roofing and cladding. Poles frame and holding down. Axe cut, singed. Wood pegs fixing. They lasted 10-12 years. Two men could strip 40 - 60 trees/day. Wattle and Daub, eg: near Alberton, French Island and at Bacchus Marsh. More sophisticated, generally not in Melbourne. -
Beard and Influence Exhibition Catalogue
CLAYTON TREMLETT CLAYTON TREMLETT James McArdle Portrait of the artist Clayton Tremlett with life mask 2016 photograph © Carrington McArdle Foreword Castlemaine Art Gallery and Historical Museum is proud to present Beard and Influence (10 July - 15 August 2016), an exhibition by artist Clayton Tremlett. Tremlett was born in 1964, and lives in Castlemaine, Victoria. A printmaker and arts educator, his work has been exhibited throughout Australia, and in Austria, Scotland and England. He is represented in the National Gallery of Australia, Geelong Gallery, Mornington Peninsula Regional Gallery, Bendigo Art Gallery and other regional, public and private collections nationally and internationally. Beard and Influence explores portraiture and the performative nature of the Australian bushranger. The imagery and mythology of bushranging are never too far from the surface of the post 1788 Australian story. For almost 100 years, bushrangers were viewed as violent criminals and concomitantly, as populist heroes. A bushranger’s life had a dramatic arc, and there was a performative element to their anti-authoritarian bravado, exemplified in contemporary carte de visite images. Historical images of Ned Kelly, John and Thomas Clarke and Captain Moonlite are reproduced in this catalogue, with thanks to the State Library of Victoria, the State Library of New South Wales, the Public Record Office Victoria and the Victoria Police Museum. Over the past three years Tremlett has conducted extensive research into this fascinating period of Australian history and in particular, the performative flair of bushrangers. The artist has recreated original photographs of twelve bushrangers, and from this documentation he has developed twelve self-portrait linocuts and a series of twelve laser resist etchings. -
Conservation Management Plan
VICTORIA PARK ABBOTSFORD Conservation Management Plan ` VICTORIA PARK ABBOTSFORD Conservation Management Plan Prepared for CITY OF YARRA Allom Lovell & Associates Conservation Architects 35 Little Bourke Street, Melbourne 3000 October 2003 Contents Contents i List of Figures iii Executive Summary v Project Team viii Acknowledgements ix 1.0 Introduction 11 1.1 Background and Brief 11 1.2 Methodology 11 1.3 Aims & Objectives 11 1.4 Sources 12 1.5 Objects & Memorabilia 12 1.6 Community Consultation 12 1.7 Listings & Classification 12 1.8 Location 13 2.0 History 15 2.1 In the Beginning 15 2.2 Australian Rules Football 17 2.3 Collingwood at Victoria Park 18 2.4 The Evolving Ground 28 2.5 Home Ground Advantage 41 2.6 Cricket & Other Activities 43 3.0 Physical Survey and Analysis 45 3.1 Introduction 45 3.2 Documentation 45 3.3 The Site 45 3.4 Buildings & Other Elements 47 Allom Lovell & Associates i VICTORIA PARK 4.0 Assessment of Significance 51 4.1 Introduction 51 4.2 Historical Significance 51 4.3 Social Significance 58 4.4 Aesthetic/Architectural Significance 59 4.5 Statement of Significance 74 4.6 Assessment Against Heritage Criteria 76 5.0 Conservation Policy and Management Plan 79 5.1 Introduction 79 5.2 Understanding the Place 79 5.3 Significant Elements 80 5.4 Conservation Policies 84 Endnotes 92 Bibliography 96 Appendix A The Burra Charter Appendix B Data Sheets Appendix C Aerial Photographs Appendix D Chronological Overview of Development ii Allom Lovell & Associates List of Figures Figure 1 Location plan 13 Figure 2 1881 subdivision plan of the former Dights Paddock, showing Victoria Park (pre-football ground and pre-railway line) at the centre of the subdivision.