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The Architectural Practice of Gerard Wight and William Lucas from 1885 to 1894
ABPL90382 Minor Thesis Jennifer Fowler Student ID: 1031421 22 June 2020 Boom Mannerism: The Architectural Practice of Gerard Wight and William Lucas from 1885 to 1894 Submitted in partial fulfilment of the requirements of the degree of Master of Urban and Cultural Heritage, Melbourne School of Design, University of Melbourne Frontispiece: Herbert Percival Bennett Photograph of Collins Street looking east towards Elizabeth Street, c.1894, glass lantern slide, Gosbel Collection, State Library of Victoria. Salway, Wight and Lucas’ Mercantile Bank of 1888 with dome at centre above tram. URL: http://handle.slv.vic.gov.au/10381/54894. Abstract To date there has been no thorough research into the architectural practice of Wight and Lucas with only a few of their buildings referred to with brevity in histories and articles dealing with late nineteenth-century Melbourne architecture. The Boom era firm of Wight and Lucas from 1885 to 1894 will therefore be investigated in order to expand their catalogue of works based upon primary research and field work. Their designs will be analysed in the context of the historiography of the Boom Style outlined in various secondary sources. The practice designed numerous branches for the Melbourne Savings Bank in the metropolitan area and collaborated with other Melbourne architects when designing a couple of large commercial premises in the City of Melbourne. These Mannerist inspired classical buildings fit the general secondary descriptions of what has been termed the Boom Style of the 1880s and early 1890s. However, Wight and Lucas’ commercial work will be assessed in terms of its style, potential overseas influences and be compared to similar contemporary Melbourne architecture to firstly reveal their design methods and secondly, to attempt to give some clarity to the overall definition of Melbourne’s Boom era architecture and the firm’ place within this period. -
Orvieto Embarkation Manifest
Service Marital Number Name Rank Age Trade Status Address (at date of enrolment) 33 Abraham, Reginald Henry Percy Private 25 Farmer Single Mepunga East, via Allansford, Victoria 17 Adams, Alfred Sunderland Private 20 Clerk Single Guinea Street, Albury, New South Wales Care of Huddart Parker, Collins Street, Melbourne, 619 Adams, Athol Gladwyn Colour Sergeant 20 Clerk Single Victoria 216 Adams, Francis Edgar Private 24 Boilermaker Married 14 Anderson Street, Albert Park, Victoria 769 Adams, Frederick Private 23 Labourer Single 39 Dudley Street, West Melbourne, Victoria 382 Adams, Hartley Private 21 Gardener Single 53 Weigall streeet, South Yarra, Victoria 1060 Adams, William Pitt Private 28 Orchardist Single Care of Mr. Medley, Somerville, Victoria 35 Addison, George Sapper 24 Carpenter Married 103 Rosyln Street, Middle-Brighton, Victoria Adelskold, Clues Adolph 615 Melbourne Private 19 Student Single "Northaga", Punt Road, South Yarra, Victoria 145 Adeney, Theodore William Sapper 43 Mechanical Engineer Single 3 Crimera Street, St. Kilda, Victoria 1 Alderson, Bertram Ernest Staff Sergeant 22 Clerk, Defence Department Single Neagle Street, Liverpool, New South Wales 383 Alexander, Herbert Charles Private 29 Biscuit Mixer Single 8 Gertrude Street, Windsor, Victoria 978 Alexander, Herbert James Private 23 Carpenter Single Harrington Street, Elsternwick, Victoria 238 Alford, Thomas William Private 29 Driver Married Care of Athenaeum Club, Melbourne, Victoria 621 Allan, Robert McCoombe Private 21 Bank Clerk Single "Kelvin", 281 Nepean Road, -
MELBOURNE: SETTLEMENT to GOLD 21,221 Words, 23 May 2012
School of Design (TAFE) MELBOURNE: SETTLEMENT TO GOLD 21,221 words, 23 May 2012 Week 26 Terms Sod, wattle and daub, slab, adobe, cob, Pattern Book. Background Journey to Australia. Trauma of settlement in the wilderness. No building skills. Buildings first influenced by English rural vernacular. Historic development Settlement at Sorrento, 1803. Failed, due to a source of sufficent fresh water. Settlement at Corinella, Western Port Bay, 1826. Only some bricks survive. Melbourne was settled in 1835, illegally, by land-hungry pastoralists from Launceston. The District of Port Phillip, in the Colony of New South Wales was imposed on the settlers. Although not generally acknowledged as such, it was the only settlement in Australia unsanctioned by any government. Gold was discovered in 1851, at Warrandyte and Clunes: instant wealth. Gold towns Clunes. Building types: cottages, post office, banks, rail link (in 1862 to Ballarat and 1864 to Castlemaine), hotels, store, town hall, and schools particularly following the Education Act, 1873. Primitive buildings: material types Thatch, eg: haystacks and barns using reeds, near Hopetoun. 1 School of Design (TAFE) Sod, eg: at Parwan. This was the main material for early Melbourne, particularly for labourers houses. The was turf selected, mown, ploughed, and cut with a hatchet. Walls were 1,300 mm thick. Bark, eg: at the Seven Creeks Station, near Longford. Roofing and cladding. Poles frame and holding down. Axe cut, singed. Wood pegs fixing. They lasted 10-12 years. Two men could strip 40 - 60 trees/day. Wattle and Daub, eg: near Alberton, French Island and at Bacchus Marsh. More sophisticated, generally not in Melbourne. -
Conservation Management Plan
VICTORIA PARK ABBOTSFORD Conservation Management Plan ` VICTORIA PARK ABBOTSFORD Conservation Management Plan Prepared for CITY OF YARRA Allom Lovell & Associates Conservation Architects 35 Little Bourke Street, Melbourne 3000 October 2003 Contents Contents i List of Figures iii Executive Summary v Project Team viii Acknowledgements ix 1.0 Introduction 11 1.1 Background and Brief 11 1.2 Methodology 11 1.3 Aims & Objectives 11 1.4 Sources 12 1.5 Objects & Memorabilia 12 1.6 Community Consultation 12 1.7 Listings & Classification 12 1.8 Location 13 2.0 History 15 2.1 In the Beginning 15 2.2 Australian Rules Football 17 2.3 Collingwood at Victoria Park 18 2.4 The Evolving Ground 28 2.5 Home Ground Advantage 41 2.6 Cricket & Other Activities 43 3.0 Physical Survey and Analysis 45 3.1 Introduction 45 3.2 Documentation 45 3.3 The Site 45 3.4 Buildings & Other Elements 47 Allom Lovell & Associates i VICTORIA PARK 4.0 Assessment of Significance 51 4.1 Introduction 51 4.2 Historical Significance 51 4.3 Social Significance 58 4.4 Aesthetic/Architectural Significance 59 4.5 Statement of Significance 74 4.6 Assessment Against Heritage Criteria 76 5.0 Conservation Policy and Management Plan 79 5.1 Introduction 79 5.2 Understanding the Place 79 5.3 Significant Elements 80 5.4 Conservation Policies 84 Endnotes 92 Bibliography 96 Appendix A The Burra Charter Appendix B Data Sheets Appendix C Aerial Photographs Appendix D Chronological Overview of Development ii Allom Lovell & Associates List of Figures Figure 1 Location plan 13 Figure 2 1881 subdivision plan of the former Dights Paddock, showing Victoria Park (pre-football ground and pre-railway line) at the centre of the subdivision. -
Guildford & Hardware Laneways Precinct
GUILDFORD & HARDWARE LANEWAYS PRECINCT PRECINCT CITATION Prepared for City of Melbourne May 2017 Figure 1 Map showing proposed Guildford and Hardware Laneways Precinct LOVELL CHEN 1 1.0 Brief description The Guildford and Hardware Laneways Precinct is located in the Melbourne Central Business District. The precinct is within the area (‘study area’) bounded by La Trobe Street to the north, Little Collins Street to the south, Queen Street to the west and Elizabeth Street to the east. For the purposes of this citation, four blocks have been identified within the precinct, and are referred to in more detail below (see Section 3.0). A fifth block, extending from Bourke Street to Little Collins Street, was excluded from the precinct. Figure 2 Aerial photograph, with the precinct study area (not precinct boundary) outlined; La Trobe Street is at top, and Little Collins Street is at bottom Source: Nearmap 5 February 2016 2 LOVELL CHEN 2.0 History Prior to European settlement, the Woi wurrung, Watha wurrung and the Boon wurrung – all groups of the Kulin nation - claimed land which took in what is now the area of greater Melbourne.1 Members of the Watha wurrung people were known to camp on the elevated ground at the western end of what is now Lonsdale Street, away from the low-lying creek which flowed south to the Yarra River.2 The creek was later known as the William or Townend Creek (see below), and the future Elizabeth Street would follow the general alignment of the creek. Later flooding events, following European settlement, would be a reminder of the creek and the low-lying nature of this part of central Melbourne. -
Proceedings of the Society of Architectural Historians Australia and New Zealand Vol
PROCEEDINGS OF THE SOCIETY OF ARCHITECTURAL HISTORIANS AUSTRALIA AND NEW ZEALAND VOL. 33 Edited by AnnMarie Brennan and Philip Goad Published in Melbourne, Australia, by SAHANZ, 2016 ISBN: 978-0-7340-5265-0 The bibliographic citation for this paper is: Stuart King and Julie Willis “Mining Boom Styles.” In Proceedings of the Society of Architectural Historians, Australia and New Zealand: 33, Gold, edited by AnnMarie Brennan and Philip Goad, 334-345. Melbourne: SAHANZ, 2016. All efforts have been undertaken to ensure that authors have secured appropriate permissions to reproduce the images illustrating individual contributions. Interested parties may contact the editors. Stuart King University of Tasmania and Julie Willis University of Melbourne MINING BOOM STYLES The idea of a ‘Boom Style’ is now accepted within the lexicon of Australian architectural historians, typically used to describe the exuberant and individualistic architectural expression of the 1880s and early 1890s, especially in ‘Marvellous Melbourne’, and to lesser degrees in Sydney and Brisbane. These Boom Style buildings, originally describing domestic buildings, but latterly extended to include large commercial structures, are characterised by eclecticism and the enrichment of facades developed through multiple overlays of represented structure and ornament, exemplified in the likes of the Olderfleet Building, Melbourne (1889). For such works, ‘Boom Style’, as a stylistic label, refers not so much to a particular elemental vocabulary (elements could be combined from any variants of Classical or Gothic languages), rather a common compositional approach to the design. It was composition that enabled architects to negotiate the wealth and expectations of clients and an urbane populace, as well as an equally rich architectural milieu.