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El Llegat Dels Germans Grimm En El Segle Xxi: Del Paper a La Pantalla Emili Samper Prunera Universitat Rovira I Virgili [email protected]
El llegat dels germans Grimm en el segle xxi: del paper a la pantalla Emili Samper Prunera Universitat Rovira i Virgili [email protected] Resum Les rondalles que els germans Grimm van recollir als Kinder- und Hausmärchen han traspassat la frontera del paper amb nombroses adaptacions literàries, cinema- togràfiques o televisives. La pel·lícula The brothers Grimm (2005), de Terry Gilli- am, i la primera temporada de la sèrie Grimm (2011-2012), de la cadena NBC, són dos mostres recents d’obres audiovisuals que han agafat les rondalles dels Grimm com a base per elaborar la seva ficció. En aquest article s’analitza el tractament de les rondalles que apareixen en totes dues obres (tenint en compte un precedent de 1962, The wonderful world of the Brothers Grimm), així com el rol que adopten els mateixos germans Grimm, que passen de creadors a convertir-se ells mateixos en personatges de ficció. Es recorre, d’aquesta manera, el camí invers al que han realitzat els responsables d’aquestes adaptacions: de la pantalla (gran o petita) es torna al paper, mostrant quines són les rondalles dels Grimm que s’han adaptat i de quina manera s’ha dut a terme aquesta adaptació. Paraules clau Grimm, Kinder- und Hausmärchen, The brothers Grimm, Terry Gilliam, rondalla Summary The tales that the Grimm brothers collected in their Kinder- und Hausmärchen have gone beyond the confines of paper with numerous literary, cinematographic and TV adaptations. The film The Brothers Grimm (2005), by Terry Gilliam, and the first season of the series Grimm (2011–2012), produced by the NBC network, are two recent examples of audiovisual productions that have taken the Grimm brothers’ tales as a base on which to create their fiction. -
A-Field-Guide-To-Demons-By-Carol-K
A FIELD GUIDE TO DEMONS, FAIRIES, FALLEN ANGELS, AND OTHER SUBVERSIVE SPIRITS A FIELD GUIDE TO DEMONS, FAIRIES, FALLEN ANGELS, AND OTHER SUBVERSIVE SPIRITS CAROL K. MACK AND DINAH MACK AN OWL BOOK HENRY HOLT AND COMPANY NEW YORK Owl Books Henry Holt and Company, LLC Publishers since 1866 175 Fifth Avenue New York, New York 10010 www.henryholt.com An Owl Book® and ® are registered trademarks of Henry Holt and Company, LLC. Copyright © 1998 by Carol K. Mack and Dinah Mack All rights reserved. Distributed in Canada by H. B. Fenn and Company Ltd. Library of Congress-in-Publication Data Mack, Carol K. A field guide to demons, fairies, fallen angels, and other subversive spirits / Carol K. Mack and Dinah Mack—1st Owl books ed. p. cm. "An Owl book." Includes bibliographical references and index. ISBN-13: 978-0-8050-6270-0 ISBN-10: 0-8050-6270-X 1. Demonology. 2. Fairies. I. Mack, Dinah. II. Title. BF1531.M26 1998 99-20481 133.4'2—dc21 CIP Henry Holt books are available for special promotions and premiums. For details contact: Director, Special Markets. First published in hardcover in 1998 by Arcade Publishing, Inc., New York First Owl Books Edition 1999 Designed by Sean McDonald Printed in the United States of America 13 15 17 18 16 14 This book is dedicated to Eliza, may she always be surrounded by love, joy and compassion, the demon vanquishers. Willingly I too say, Hail! to the unknown awful powers which transcend the ken of the understanding. And the attraction which this topic has had for me and which induces me to unfold its parts before you is precisely because I think the numberless forms in which this superstition has reappeared in every time and in every people indicates the inextinguish- ableness of wonder in man; betrays his conviction that behind all your explanations is a vast and potent and living Nature, inexhaustible and sublime, which you cannot explain. -
Kinsella Feb 13
MORPHEUS: A BILDUNGSROMAN A PARTIALLY BACK-ENGINEERED AND RECONSTRUCTED NOVEL MORPHEUS: A BILDUNGSROMAN A PARTIALLY BACK-ENGINEERED AND RECONSTRUCTED NOVEL JOHN KINSELLA B L A Z E V O X [ B O O K S ] Buffalo, New York Morpheus: a Bildungsroman by John Kinsella Copyright © 2013 Published by BlazeVOX [books] All rights reserved. No part of this book may be reproduced without the publisher’s written permission, except for brief quotations in reviews. Printed in the United States of America Interior design and typesetting by Geoffrey Gatza First Edition ISBN: 978-1-60964-125-2 Library of Congress Control Number: 2012950114 BlazeVOX [books] 131 Euclid Ave Kenmore, NY 14217 [email protected] publisher of weird little books BlazeVOX [ books ] blazevox.org 21 20 19 18 17 16 15 14 13 12 01 02 03 04 05 06 07 08 09 10 B l a z e V O X trip, trip to a dream dragon hide your wings in a ghost tower sails crackling at ev’ry plate we break cracked by scattered needles from Syd Barrett’s “Octopus” Table of Contents Introduction: Forging the Unimaginable: The Paradoxes of Morpheus by Nicholas Birns ........................................................ 11 Author’s Preface to Morpheus: a Bildungsroman ...................................................... 19 Pre-Paradigm .................................................................................................. 27 from Metamorphosis Book XI (lines 592-676); Ovid ......................................... 31 Building, Night ...................................................................................................... -
The Return of the Repressed: Gothic Horror from T
THE RETURN OF THE REPRESSED: GOTHIC HORROR FROM T¿'E C1.'TLE OF OTRANTO TO ALIEN by Valdine Clemens A Thesis Submitted to the Faculty of Graduate Studies In Partial Fulfilrnent ofthe Requirements For the Degree of PhD in Arts Department of English University of Marutoba Wirmipeg. Manitoba (c) May 1994 National ubrary Bibliothèque nationale l*l du Canada Acquisit¡ons and Direction des acquisitions et Bibliograph¡c Services Branch des services bibliographiques 395 Wellington Slreel 395. rue Wellington Onav/4, Onlario Onawa (Ontaío) K1A ON4 K1A ON4 yøJt lile vo¡tê téttdÉe Ou t¡le Notrc .ë8ëte The author has granted an L'auteur a accordé une licence irrevocable non-exclus¡ve licence irrévocable et non exclusive allowing the National Library of permettant à la Bibliothèque Canada to reproduce, loan, nationale du Canada de distribute or sell copies of reproduire, prêter, distribuer ou his/her thesis by any means and vendre des copies de sa thèse ín any form or format, making de quelque manière et sous this thesis available to interested quelque forme que ce soit pour persons. mettre des exemplaires de cette thèse à la disposition des personnes intéressées. The author retains ownership of L'auteur conserve la propriété du the copyright in his/her thesis. droit d'auteur qui protège sa Neither the thesis nor substantial thèse. Ni la thèse ni des extraits extracts from it may be printed or substantiels de celle-ci ne otherwise reproduced without doivent être imprimés ou his/her permission. autrement reproduits sans son autorisation. ISBN 0-315-92133-1 Canadä \,.\--¿Y'\ rd, generol subiect colegories. -
Mothers Grimm Free
FREE MOTHERS GRIMM PDF Danielle Wood | 224 pages | 01 Oct 2016 | Allen & Unwin | 9781741756746 | English | St Leonards, Australia Mother Goose & Grimm/Mike Peters Website The following is a list of the cast and characters from the NBC television series Grimm. Nicholas Burkhardt played by David Giuntoli is the show's protagonist and titular Grimm. Nick is a homicide detective who discovers he is descended from a line of Grimms : hunters who fight supernatural forces. Even before his abilities manifested, Nick Mothers Grimm an exceptional ability to make quick Mothers Grimm accurate deductions about the motivations and pasts of individuals. This power has now expressed itself as his ability to perceive the Mothers Grimm that nobody else can see. Nick had wanted to propose to his girlfriend, Juliette, for some time, but he felt that he Mothers Grimm have to tell her about his life as a Grimm beforehand. Throughout the first season, Nick struggles to maintain balance Mothers Grimm his normal life and his life as a grimm. The two tend to cross when he works cases that involve wesenwhich are the creatures of the grimm world. As Nick dives deeper into his grimm heritage, he begins to train with Monroe to learn about the wesen Mothers Grimm Portland and to use the Mothers Grimm that his aunt Marie left behind. As of episode 19, Nick had successfully killed three reaperscreatures that are sent out to kill grimms hence the grimm reaper title. He kills the first in defense of Marie, and the other two are killed in self-defense after being sent Nick's lead suspect in a case. -
CYCLOPEDIA of BIBLICAL, THEOLOGICAL and ECCLESIASTICAL LITERATURE Delancy, William - Divine by James Strong & John Mcclintock
THE AGES DIGITAL LIBRARY REFERENCE CYCLOPEDIA of BIBLICAL, THEOLOGICAL and ECCLESIASTICAL LITERATURE Delancy, William - Divine by James Strong & John McClintock To the Students of the Words, Works and Ways of God: Welcome to the AGES Digital Library. We trust your experience with this and other volumes in the Library fulfills our motto and vision which is our commitment to you: MAKING THE WORDS OF THE WISE AVAILABLE TO ALL — INEXPENSIVELY. AGES Software Rio, WI USA Version 1.0 © 2000 2 Delancey William Heathcote, D.D., bishop of the Protestant Episcopal Church in the diocese of Western New York, was born in Westchester County, N. Y., Oct. 8, 1797; graduated at Yale College in 1817, and was ordained deacon in 1819. His first ministerial labor was given to Grace Church, New York, of which he was in charge during the vacancy of the rectorship which preceded that of the Rev. Dr. Wainwright. He then officiated for a short time in the newly- organized parish of St. Thomas’s, Mamaroneck. Having been advanced to the priesthood on March 6, 1822, in Trinity Church, New York, he removed to the city of Philadelphia, where he became an assistant minister of the united churches of Christ Church, St. Peter’s, and St. James’s, of which bishop White was then rector. In 1828 he was appointed Provost of the University of Pennsylvania. In 1833 he became assistant minister of St. Peter’s Church of Philadelphia, and in 1837 rector. When the diocese of New York was divided in 1838, Dr. Delancey was elected the first bishop of the new diocese of Western New York. -
The Werewolf in Lore and Legend Plate I
Montague Summers The Werewolf IN Lore and Legend Plate I THE WARLOCKERS’ METAMORPHOSIS By Goya THE WEREWOLF In Lore and Legend Montague Summers Intrabunt lupi rapaces in uos, non parcentes gregi. Actus Apostolorum, XX, 29. DOVER PUBLICATIONS, INC. Mineola New York Bibliographical Note The Werewolf in Lore and Legend, first published in 2003, is an unabridged republication of the work originally published in 1933 by Kegan Paul, Trench, Trubner & Co., Ltd., London, under the title The Werewolf. Library ofCongress Cataloging-in-Publication Data Summers, Montague, 1880-1948. [Werewolf] The werewolf in lore and legend / Montague Summers, p. cm. Originally published: The werewolf. London : K. Paul, Trench, Trubner, 1933. Includes bibliographical references and index. ISBN 0-486-43090-1 (pbk.) 1. Werewolves. I. Title. GR830.W4S8 2003 398'.45—dc22 2003063519 Manufactured in the United States of America Dover Publications, Inc., 3 1 East 2nd Street, Mineola, N.Y. 11501 CONTENTS I. The Werewolf: Lycanthropy II. The Werewolf: His Science and Practice III. The Werewolf in Greece and Italy, Spain and Portugal IV. The Werewolf in England and Wales, Scotland and Ireland V. The Werewolf in France VI. The Werewolf in the North, in Russia and Germany A Note on the Werewolf in Literature Bibliography Witch Ointments. By Dr. H. J. Norman Index LIST OF ILLUSTRATIONS I. The Warlocks’ Metamorphosis. By Goya. Formerly in the Collection of the Duke d’Osuna II. A Werewolf Attacks a Man. From Die Emeis of Johann Geiler von Kaisersberg III. The Transvection of Witches. From Ulrich Molitor’s De Lamiis IV. The Wild Beast of the Gevaudan. -
Emily Dickinson Poems Commentary
Emily Dickinson was twenty on 10 December 1850. There are 5 of her poems surviving from 1850-4. Poem 1 F1 ‘Awake ye muses nine’ In Emily’s youth the feast of St Valentine was celebrated not for one day but for a whole week, during which ‘the notes flew around like snowflakes (L27),’ though one year Emily had to admit to her brother Austin that her friends and younger sister had received scores of them, but his ‘highly accomplished and gifted elderly sister (L22)’ had been entirely overlooked. She sent this Valentine in 1850 to Elbridge Bowdoin, her father’s law partner, who kept it for forty years. It describes the law of life as mating, and in lines 29-30 she suggests six possible mates for Bowdoin, modestly putting herself last as ‘she with curling hair.’ The poem shows her sense of fun and skill as a verbal entertainer. Poem 2 [not in F] ‘There is another sky’ On 7 June 1851 her brother Austin took up a teaching post in Boston. Emily writes him letter after letter, begging for replies and visits home. He has promised to come for the Autumn fair on 22 October, and on 17 October Emily writes to him (L58), saying how gloomy the weather has been in Amherst lately, with frosts on the fields and only a few lingering leaves on the trees, but adds ‘Dont think that the sky will frown so the day when you come home! She will smile and look happy, and be full of sunshine then – and even should she frown upon her child returning…’ and then she follows these words with poem 2, although in the letter they are written in prose, not verse. -
DATING BEOWULF Series Editors: Anke Bernau, David Matthews and James Paz Series Founded By: J
DATING BEOWULF Series editors: Anke Bernau, David Matthews and James Paz Series founded by: J. J. Anderson and Gail Ashton Advisory board: Ruth Evans, Patricia C. Ingham, Andrew James Johnston, Chris Jones, Catherine Karkov, Nicola McDonald, Sarah Salih, Larry Scanlon and Stephanie Trigg Manchester Medieval Literature and Culture publishes monographs and essay collections comprising new research informed by current critical methodologies on the literary cultures of the Middle Ages. We are interested in all periods, from the early Middle Ages through to the late, and we include post-medieval engagements with and representations of the medieval period (or ‘medievalism’). ‘Literature’ is taken in a broad sense, to include the many different medieval genres: imaginative, historical, political, scientific, religious. While we welcome contributions on the diverse cultures of medieval Britain and are happy to receive submissions on Anglo-Norman, Anglo-Latin and Celtic writings, we are also open to work on the Middle Ages in Europe more widely, and beyond. Titles available in the series 15. The Scottish Legendary: Towards a poetics of hagiographic narration Eva von Contzen 16. Nonhuman voices in Anglo-Saxon literature and material culture James Paz 17. The church as sacred space in Middle English literature and culture Laura Varnam 18. Aspects of knowledge: Preserving and reinventing traditions of learning in the Middle Ages Marilina Cesario and Hugh Magennis (eds) 19. Visions and ruins: Cultural memory and the untimely Middle Ages Joshua Davies 20. Participatory reading in late-medieval England Heather Blatt 21. Affective medievalism: Love, abjection and discontent Thomas A. Prendergast and Stephanie Trigg 22. Performing women: Gender, self, and representation in late-medieval Metz Susannah Crowder 23. -
Thayer Academy Middle School Independent Reading Newbery Award Winners 2000-2018 the Pages That Follow Include Every Winner
T hayer Academy Middle School Independent Reading Newbery Award Winners 2000-2018 The pages that follow include every winner and honor book for the prestigious Newbery Medal since 2000. Many of the titles are more appropriate for younger middle school students, though there are also many that should prove appropriate for most of our students. Those titles that are for children younger than those in middle school have been omitted. This document is structured for casual browsing; there’s something for everyone, and simply looking around will help you stumble across a high quality book. “The Newbery Medal is awarded annually by the Association for Library Service to Children, a division of the American Library Association, to the author of the most distinguished contribution to American literature for children.” 2 018 Newbery Medal Winner: ● Hello, Universe by Erin Entrada Kelly Newbery Medal Honor Books: ● Crown: An Ode to the Fresh Cut by Derrick Barnes (Fiction/Poetry) ● Long Way Down by Jason Reynolds (Fiction/Poetry) ● Piecing Me Together by Renée Watson (Fiction) 2 017 Newbery Medal Winner: ● The Girl Who Drank the Moon by Kelly Barnhill Newbery Medal Honor Books: ● Freedom Over Me: Eleven Slaves, Their Lives and Dreams Brought to Life by Ashley Bryan ● The Inquisitor’s Tale: Or, The Three Magical Children and Their Holy Dog by Adam Gidwitz ● Wolf Hollow by Lauren Wolk 2 016 Newbery Medal Winner: ● Last Stop on Market Street by Matt de la Peña - (Picture Book; School Library Journal Review, via Amazon: -
The Shape of the Werewolf
The Development of the Literary Werewolf: Language, Subjectivity and Animal/ Human Boundaries Kaja Franck Submitted to the University of Hertfordshire in partial fulfilment of the requirements of the degree of Doctor of Philosophy November 2016 Abstract The werewolf is a stock character in Gothic horror, exemplifying humanity’s fear of ‘the beast within’, and a return to a bestial state of being. Central to this is the idea that the werewolf is, once transformed, without language. Using an ecoGothic approach, this thesis will offer a new approach in literary criticism regarding the werewolf. It argues that the werewolf has become a vehicle for our ambivalence towards the wolf, which itself has become a symbolic Gothic Other. Using interdisciplinary source materials, such as natural histories, fairy tales, and folklore, the notion of the ‘symbolic wolf’ is interrogated, particularly in relation to the dangers of the wilderness. Starting with Dracula, at the end of the nineteenth century, and finishing with an analysis of the contemporary, literary werewolf, this work explores how the relationship between humans and wolves has impacted on the representation of the werewolf in fiction. In particular, it will critique how the destruction of the werewolf is achieved through containing the creature using taxonomic knowledge, in order to objectify it, before destroying it. This precludes the possibility of the werewolf retaining subjectivity and reinforces the stereotype of the werewolf as voiceless. Following the growing awareness of environmentalism during the late twentieth century and, as humanity questions our relationship with nature, clear divides between the animal and the human seem arbitrary, and the werewolf no longer remains the monstrous object within the text. -
Amy Lowell (1875-1925)
Poetry should please by a fine excess and not by singularity. It should strike the reader as a wording of his own highest thoughts, and appear almost as a remembrance. - John Keats Table of Contents Anne Bradstreet (1612-1672) ........................................................................................................... 8 To My Dear and Loving Husband................................................................................................... 8 Henry Longfellow (1807-1882).......................................................................................................... 9 The Day is Done ............................................................................................................................. 9 I Heard the Bells on Christmas Day ............................................................................................. 11 A Nameless Grave ....................................................................................................................... 12 Edgar Allen Poe (1809-1849) ........................................................................................................... 13 Annabel Lee................................................................................................................................. 13 A Dream Within a Dream ............................................................................................................ 15 A Valentine .................................................................................................................................