Carleton Beals
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Hotel Bristol” Question in the First Moscow Trial of 1936
New Evidence Concerning the “Hotel Bristol” Question in the First Moscow Trial of 1936 Sven-Eric Holmström Leon Sedov Leon Trotsky John Dewey 1. Introduction The purpose of this essay is to introduce new evidence regarding the Hotel Bristol in Copenhagen, the existence of which was questioned after the First Moscow Trial of August, 1936. The issue of Hotel Bristol has perhaps been the most used “evidence” for the fraudulence of the Moscow Trials. This essay examines the Hotel Bristol question as it was dealt with in the Dewey Commission hearings of 1937 in Mexico by carefully examining newly uncovered photographs and primary documents. The essay concludes that • There was a Bristol located where the defendant in question said it was. This Bristol was in more than one way closely connected to a hotel. • Leon Trotsky lied deliberately to the Dewey Commission more than once. • Trotsky’s son Leon Sedov and one of Trotsky’s witnesses also lied. • The examination of the Hotel Bristol question made by the Dewey Commission can at the best be described as sloppy. This means that the credibility of the Dewey Commission must be seriously questioned. Copyright © 2008 by Sven-Eric Holmström and Cultural Logic, ISSN 1097-3087 Sven-Eric Holmström 2 • The author Isaac Deutscher and Trotsky’s secretary, Jean Van Heijenoort, covered up Trotsky’s continuing contact with his supporters in the Soviet Union. • It was probably Deutscher and/or Van Heijenoort who purged the Harvard Trotsky Archives of incriminating evidence, a fact discovered by researchers during the early 1980s. • This is the strongest evidence so far that the testimony in the 1936 Moscow Trial was true, rather than a frame up. -
10 January 1971 I Aekaowledge Receipt of Your Letter of 23
CVH/je cc: Mr. Narasimhan, Mr. Lemieux •/ 10 January 1971 I aekaowledge receipt of your letter of 23 December era the subject of the appointment of Er. Glenn f . Seaborg as President of the Fourth International Conference on tihe Peaceful Uses of Atomic Energy* to be held to Septeaber 1971- Is tbls conaexiaa, I jaay recall tfeat so far, three conferences have been held on the Peaceful Uses of Atomic Energy* The first, toeld ta Genera In Au^ist 1955j was presided over by lr. Horni J, Bhstbhs of Inclla, Tbe second, held in Geneva in September 1958, was prestded over by 8r» Fraiscis Perrin of Isaacs. The- thlrd# -beM in Geaeva from 51 August to 9 September 1S^» «s» presided over lay Be. V.S. Saelyanou of the USSR. Srora the above you will trndsrstand that there is a principle of geographical rotation in regard to the presideaejr of the international conferences on the Peaceful Uses of Atomic Eaergy* For the fourth said conference, the Scienti- fic Advisory Cofflmittee reeonaaended that an American should preside* Dr. CUeaa Seaborg VBE nosjioated for the position of President by the Government of the USA, and I had no alternative save to accept the ncaiination. X also aetocwledge vith thanks the book "Population Control throu^t Jfaelear P^Hution** stirij with your letter. I have read it with great tsterest* ¥ith sincerely, U Mrs* Bath Gage-Colby 0,2?. Sepresejstative Women*0 International League for Beace and freedom Penthouse Sis 307 Sast Mfrth Street Hew torkj B»Y. 10017 eaatte y- and ^w FOUNDED IN 1915 /First President: JANE ADDAMS UNITED STATES SECTION / JANE ADDAMS HOUSE / 2006 WALNUT STREET / PHILADELfm PA. -
Contemporary U.S. Expatriate Artists in San Miguel De Allende, Mexico: Challenges of Transnationalism and Acculturation
University of the Incarnate Word The Athenaeum Theses & Dissertations 12-2014 Contemporary U.S. Expatriate Artists in San Miguel De Allende, Mexico: Challenges of Transnationalism and Acculturation Andrés Gamón University of the Incarnate Word, [email protected] Follow this and additional works at: https://athenaeum.uiw.edu/uiw_etds Part of the International and Area Studies Commons, Mass Communication Commons, and the Sociology Commons Recommended Citation Gamón, Andrés, "Contemporary U.S. Expatriate Artists in San Miguel De Allende, Mexico: Challenges of Transnationalism and Acculturation" (2014). Theses & Dissertations. 40. https://athenaeum.uiw.edu/uiw_etds/40 This Dissertation is brought to you for free and open access by The Athenaeum. It has been accepted for inclusion in Theses & Dissertations by an authorized administrator of The Athenaeum. For more information, please contact [email protected]. CONTEMPORARY U.S. EXPATRIATE ARTISTS IN SAN MIGUEL DE ALLENDE, MEXICO: CHALLENGES OF TRANSNATIONALISM AND ACCULTURATION by ANDRÉS GAMÓN, BA, MA A DISSERTATION Presented to the faculty of the University of the Incarnate Word in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY UNIVERSITY OF THE INCARNATE WORD December 2014 Copyright by Andrés Gamón 2014 iii ACKNOWLEDGEMENTS I owe thanks to many people who were part of this academic journey. I would like to thank Dr. Patricia Watkins for encouraging me to consider the International Education and Entrepreneurship program at the University of the Incarnate Word. I would also like to acknowledge Dr. Osman Özturgut for being my committee chair and mentor. I would also like to acknowledge Dr. Norman St. Clair, Dr. Absael Antelo, and my external committee member from UTSA, Dr. -
(Formerly Books Abroad) World Literature
University of Oklahoma Libraries Western History Collections World Literature Today (formerly Books Abroad) World Literature Today Collection. Papers, 1926–1994. 52 feet. Literary journal. Correspondence (1926–1994) between World Literature Today editors and University of Oklahoma administrators and faculty, and with authors and prospective authors, regarding the operation of the journal, its publishing procedures and standards, and works published. Literary correspondents include Sherwood Anderson, John Dos Passos, Upton Sinclair, Thornton Wilder, and H. L. Mencken. Also included in this collection are specialized files (1926– 1951) regarding the flight of authors and playwrights from Nazi Germany and Spain, and their exile in the United States and Mexico; reasons why women have not produced successful plays; and the special writing projects undertaken by prominent authors. ___________________ Box 1 General correspondence to and about Books Abroad from literary figures, 1934-1951. 1-1 Letter from Thomas Mann, 1951, congratulating Books Abroad on its 25th anniversary. 1-2 Correspondence regarding the consequences of the displacement of writers from Germany and Spain, 1942. Authors include John Dos Passos, Burton Rascoe, Gilbert Seldes, Waldo Frank, John Haynes Holmes, Ernst Bloch (in German), Alfred Werner, Hans Marchwitza, Katherine Ann Porter, Ferdinand Bruckner, and Otto Strasser, Joseph Wittlin, and three others. 1-3 Correspondence regarding article entitled "My Debt to Books" in which writers were asked to list their literary influences, 1937-1938. Several of these letters are not in English. Includes letters from: Ventura Garcia Calderon, Dr. Otto Brandt, Dr. Alfred Neumann, Alfred Grunewald, Dr. Karl Hans Strobl, Denys Amiel, Norman Angell, Maurice Dekobra, Paul Hazard, Blaise Cortissoz, Julian Street, Waldo Frank, Mariano Azuela, Dr. -
The New York Intellectuals and the Cuban Revolution
INTRODUCTION In April 1959, during his first trip to the United States after the triumph of the Cuban Revolution, Fidel Castro spent sev- eral days at Princeton University. His visit was organized by the American Whig- Cliosophic Society and the Woodrow Wilson School’s Special Program in American Civilization. These groups had learned of Castro’s trip to Washington, which had been spon- sored by the American Society of Newspaper Editors, and with the encouragement of Roland T. Ely, a scholar of the Cuban sugar in- dustry, they invited Castro to deliver a keynote address on April 20 for a seminar entitled, “The United States and the Revolution- ary Spirit.”1 Another celebrated speaker during the seminar was Princeton professor Hannah Arendt, who was doubtless also in at- tendance for Castro’s address that evening.2 Castro, who at the time held the post of Cuban prime minister, began his speech by clarifying that he was neither a theorist nor a historian of revolutions. As he reminded his audience, his knowl- edge of revolutions came rather from his engagement with a rev- olution that had taken place in a small Caribbean nation close to the United States. In his view, the Cuban Revolution had debunked several myths propagated by the Latin American Right: that a 2 INTRODUCTION revolution was impossible if the people were hungry, and that a revolution could never defeat a professional army equipped with modern weapons. In keeping with the seminar’s predominant per- spective, Castro described himself as a product more of the 1776 American Revolution than of either the 1789 French Revolution or the 1917 Russian Revolution, insofar as the last two upheavals had been driven by “force” and “terror” wielded by minorities.3 As he put it, the groups that took power in France and Russia “used force and terror to form a new terror.” During his address, Castro situated his ideology well within the scope of a democratic American humanism shared by the United States and Latin America. -
Augusto César Sandino: Hefo Myth of the Nicaraguan Nation
Université de Montréal Augusto César Sandino: Hefo Myth of the Nicaraguan Nation par Sophia Koutsoyannis Département d’histoire Faculté des arts et des sciences Mémoire présenté à la Faculté des études supérieures en vue de l’obtention du grade de Maître ès arts (M.A.) en histoire mai 2004 © Sophia Koutsoyannis, 2004 Ç N) D C’ Université de Montréal Direction des bibliothèques AVIS L’auteur a autorisé ‘Université de Montréal à reproduire et diffuser, en totalité ou en partie, par quelque moyen que ce soit et sur quelque support que ce soit, et exclusivement à des fins non lucratives d’enseignement et de recherche, des copies de ce mémoire ou de cette thèse. L’auteur et les coauteurs le cas échéant conservent la propriété du droit d’auteur et des droits moraux qui protègent ce document. Ni la thèse ou le mémoire, ni des extraits substantiels de ce document, ne doivent être imprimés ou autrement reproduits sans l’autorisation de l’auteur. Afin de se conformer à la Loi canadienne sur la protection des renseignements personnels, quelques formulaires secondaires, coordonnées ou signatures intégrées au texte ont pu être enlevés de ce document. Bien que cela ait pu affecter la pagination, il n’y a aucun contenu manquant. NOTICE The author of this thesis or dissertation has granted a nonexclusive license allowing Université de Montréal to reproduce and publish the document, in part or in whole, and in any format, solely for noncommercial educational and research purposes. The author and co-authors if applicable retain copyright ownership and moral rights in this document. -
The Inventory of the Carleton Beals Collection #1347
The Inventory of the Carleton Beals Collection #1347 Howard Gotlieb Archival Research Center Beals, Carleton (1893-1979) #1347 Gift of Mrs. Carleton Beals Outline of Inventory I. Manuscripts, Boxes # 1-106. A. Published Books: Non-Fiction. B. Record Album Text. C. Translation. D. Published Novel. E. Published Articles. F. Published Short Stories. G. Unpublished Autobiography. H. Unpublished Non-Fiction. I. Shorter Book Manuscripts. J. Unpublished Articles. K. News Dispatches. L. Book Projects. M. Unpublished Fiction: Books. N. Unpublished Fiction: Short Stories. O. Plays. P. Poetry. Q. Fillers. R. Manuscripts by Other Authors. S. Various Unidentified Drafts. 2 II. Printed Matter, Boxes # 107-119. A. Tearsheets. B. Research Files, Boxes # 120-142. C. Personal Files, Boxes # 143-158. III. Photographs, Boxes # 159-164. IV. Correspondence, Boxes # 165-199. Personal and Professional (Chronological), 1916-May 1979. Addenda, June 17, 1981, Box # 200. 3 Beals, Carleton #1347 Gift of Mrs. Carleton Beals December 1979 Box 1 I. Manuscripts. A. Published Books: Non-Fiction. 1. ADVENTURE OF THE WESTERN SEA: THE STORY OF ROBERT GRAY, Holt, 1956. Folders 1-2 a. TS with holograph corrections, 2 versions, 133 p. each (cover illus. included). Folders 3-4 b. CTS draft, 199 p. 2. BRASS-KNUCKLE CRUSADE: THE GREAT KNOW-NOTHING CONSPIRACY, Hastings House, 1960. Folders 5-7 a. Setting copy with proofreader's marks; 393 p., bibliography. Folders 8-9 b. Various TS draft pages (incomplete). Box 2 3. COLONIAL RHODE ISLAND. Folders 1-5 a. Various TS draft pages. 4 Box 2 cont=d. Folders 6-8 b. Holograph and TS draft pages. Folder 9 c. -
A Comparative Study of the Afro-Cuban Literary Imaginary of Guillermo Cabrera Infante and Carleton Beals Raúl Rubio the New School for Public Engagement Hipertexto
Hipertexto 20 Verano 2014 pp. 84-104 Parodying the Popular: A Comparative Study of the Afro-Cuban Literary Imaginary of Guillermo Cabrera Infante and Carleton Beals Raúl Rubio The New School for Public Engagement Hipertexto his article comparatively examines the literary discursive formulas pertaining to Afro- T Cuban culture as seen in the texts Tres Tristes Tigres (1967) by Guillermo Cabrera Infante and The Crime of Cuba (1933) by Carleton Beals. Amidst the continued effort of defining a national culture, a project evident during the first half of the twentieth century in Cuba, given the creation of the Republic of Cuba in 1902, the work of Cabrera Infante and Beals, albeit representative of distinct historical timeframes, displays Cuban racial identity in a format that is similar, not only in its style, but in the context of its proposed intent, given the parodist manner both share.1 Throughout the literature and the arts of those eras, particularly throughout texts that feature the city of Havana and its corresponding popular cultures during the 1930s through the 1950s, it was common practice to illustrate national culture through literary representations that featured modes of “performing” race and ethnicity.2 These modes, in a certain sense, essentialized and 1 Among the key studies that analyze Cabrera Infante’s use of parodying, the study by William Rowlandson (2003) corroborates the following, “Parody, by the majority of standard definitions, is marginalized exclusively within the realm of imitation for the operatives of ridicule” (620) and “Parody, therefore, is a manner of imitation, in that the style, subject matter, language, or some other aspect of an artist or artistic style is reproduced in the work of another artist” (620). -
Frankfurt Book Fair
| Index by Title | Acting Egyptian, contents Gitre .................. 106 The Adorned Body, Books for the Trade ...................... 2–69 Carter, Houston & Rossi... 94–95 Books for Scholars . 70–109 Agent of Change, Orozco .................. 77 Sales Information ...........................110 All I Ever Wanted, Valentine ............... 8–11 Sales Representatives ............ 110–112 All New, All Different?, Austin & Hamilton . 98 American Tacos, Ralat ................ 20–23 university of texas press America’s Most Alarming Writer, Bowden .............. 40–43 Exile and the Nation, My Shadow Is My Skin, ................ Whitney & Emery ......... 108 The Ancient Roman Afterlife, Marashi 105 King .................. 101 The Eye of the Mammoth, No Way but to Fight, ................. Smith................ 34–35 Bea Nettles, Harrigan 7 Allen & Lahs-Gonzales ... 46–49 The Florentine Codex, Out of the Shadow, ...... Gibbings & Vrana .......... 93 Big Wonderful Thing, Peterson & Terraciano, 81 Harrigan ............... 4–6 Glitter Up the Dark, Pictured Politics, ............... Engel ................ 82–83 Biscuits, the Dole, and Nodding Geffen 28–29 Donkeys, Guitar King, Quinceañera Style, Brown & Ozanne........ 64–65 Dann ................ 24–27 González ................ 79 Border Citizens, Haiku History, Radical Cartographies, Meeks................... 73 Brands............... 32–33 Sletto, Wagner, Bryan & Hale .. 85 Border Land, Border Water, Improbable Metropolis, Reading, Writing, and Alvarez.................. 72 Bradley .............. 66–69 -
Copyright by Nancy Campbell-Jeffrey 2005
Copyright by Nancy Campbell-Jeffrey 2005 1 The Dissertation Committee for Nancy Campbell-Jeffrey certifies that this is the approved version of the following dissertation: Social Movement Theory and the Reconstruction of the Past: A Case Study of Augusto César Sandino and the Frente Sandinista de Liberación Nacional Committee: _____________________________ Gideon Sjoberg, Supervisor _____________________________ Henry Dietz _____________________________ Sheldon Ekland-Olson _____________________________ Lester Kurtz _____________________________ Michael Young 2 Social Movement Theory and the Reconstruction of the Past: A Case Study of Augusto César Sandino and the Frente Sandinista de Liberación Nacional by Nancy Campbell-Jeffrey, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2005 3 Acknowledgments My warmest appreciation to Dr. Gideon Sjoberg for his guidance, encouragement, faith and patience. I would also like to thank Dr. Henry Dietz for his support, guidance and kindness. Many thanks to Dr. Sheldon Ekland-Olson, Dr. Lester Kurtz, and Dr. Michael Young for their comments and suggestions. My gratitude to Dr. John Donahue for his suggestions and assistance in traveling to Nicaragua. Thanks to Cathy McBride for helping me make various helpful contacts in Nicaragua. Additionally, I would like to thank the Institute of Latin American Studies at the University of Texas at Austin and also Trinity University for making it possible for me to make two trips to Nicaragua to gather data. I am particularly grateful to Roberto Cajina for taking a supportive interest in this project and directing me to key sources of information that were integral to this work. -
Against War and Fascism
VOL.3 v No.3 JANUARY 1936 AGAINST WAR AND FASCISM FIGHT January French fascist sympathies was afforded by a produced the “Second Memoirs of St. Helena.” manifesto issued by 64 French intellectuals. In these Mussolini is exiled by the British to i NOTES on .These 64 signers included many of the most a lonely island; his keeper is Lloyd George. eminent names of French literature and schol- In solitude the “ex-emperor” reflects on his arship. The manifesto condemned every action sad mistake in opposing the British. His great FASCIST ‘against Italy, denounced the League of Nations “predecessor” Napoleon has learned that it is for its “false juristic universalism,” defended bad business to rouse the British and he imperialism as a blessing to backward nations mourned his error during years of seclusion. because it brought civilization and Christianity ‘The piece goes on to parallel Napoleon and ITALY ‘Mussolini in their sad eclipse. Tt is a precious By H. C. ENGELBRECHT bit of satire that deserves a wider audience, Author of “One Hell of a Busines: Co-Author of “Merchants of Death” To the Cleveland Congress 4, Behind the Scenes Greetings, Delegates to the Third Interesting sidelights are also shed on sanc- Tice. in Italy last summer I was Congress: We are meeting at a tions by several incidents in France and struck by the fact that there was little or most critical but opportune time. ‘Switzerland, In France there was quite a bit no war enthusiasm among the Italian Critieal because the drive toward to Mus- war increases in momentum and of opposition to applying sanctions len people, particularly among those who were becomes more open, and because solini. -
Bertram David Wolfe Papers
http://oac.cdlib.org/findaid/ark:/13030/tf838nb2m6 Online items available Register of the Bertram David Wolfe papers Finding aid prepared by Hoover Institution Library and Archives Staff Hoover Institution Library and Archives © 1999, 2010, 2016 434 Galvez Mall Stanford University Stanford, CA 94305-6003 [email protected] URL: http://www.hoover.org/library-and-archives Register of the Bertram David 77029 1 Wolfe papers Title: Bertram David Wolfe papers Date (inclusive): 1903-2000 Collection Number: 77029 Contributing Institution: Hoover Institution Library and Archives Language of Material: English Physical Description: 184 manuscript boxes, 2 card file boxes, 2 oversize boxes, 35 envelopes, 6 microfilm reels, 5 videocassettes, 13 sound tape reels, 8 sound cassettes(85.4 Linear Feet) Abstract: Writings, correspondence, notes, memoranda, clippings, other printed matter, and audiovisual material relating to Marxism; the international communist movement; communism in the Soviet Union, the United States, and elsewhere; literature and art in the Soviet Union and in Mexico; and the Mexican artist Diego Rivera. Includes some papers of Rivera and papers of Ella Wolfe, wife of Bertram D. Wolfe. Digital copies of select records also available at https://digitalcollections.hoover.org. Creator: Rivera, Diego, 1886-1957 Creator: Wolfe, Bertram D. (Bertram David), 1896-1977 Creator: Wolfe, Ella Hoover Institution Library & Archives Access Box 183 closed; use copies available in Box 12. The remainder of the collection is open for research; materials must be requested at least two business days in advance of intended use. Publication Rights For copyright status, please contact the Hoover Institution Library & Archives. Acquisition Information Acquired by the Hoover Institution Library & Archives between 1977, with increments received from 1982 to 2015.